Wolfgang Amadé Mozart: undeserved gift to humanity
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English German |
| Veröffentlicht: |
Berlin ; Bern ; Bruxelles
Peter Lang
[2020]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltstext https://www.peterlang.com/view/product/95963?format=HC Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | "Revised and expanded version of the German original edition" (Impressum) |
| Beschreibung: | 241 Seiten Illustrationen, Notenbeispiele 22 cm, 387 g |
| ISBN: | 9783034338462 3034338465 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
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| 100 | 1 | |a Floros, Constantin |d 1930- |e Verfasser |0 (DE-588)118994425 |4 aut | |
| 240 | 1 | 0 | |a Mozart-Studien |
| 245 | 1 | 0 | |a Wolfgang Amadé Mozart |b undeserved gift to humanity |c Constantin Floros ; translated by Ernest Bernhardt-Kabisch |
| 264 | 1 | |a Berlin ; Bern ; Bruxelles |b Peter Lang |c [2020] | |
| 264 | 4 | |c © 2020 | |
| 300 | |a 241 Seiten |b Illustrationen, Notenbeispiele |c 22 cm, 387 g | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a "Revised and expanded version of the German original edition" (Impressum) | ||
| 600 | 1 | 7 | |a Mozart, Wolfgang Amadeus |d 1756-1791 |0 (DE-588)118584596 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 653 | |a Amadé | ||
| 653 | |a Constantin | ||
| 653 | |a Floros | ||
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| 653 | |a Mozart | ||
| 653 | |a Musik | ||
| 653 | |a Opern | ||
| 653 | |a Ouvertüren | ||
| 653 | |a Persönlichkeit | ||
| 653 | |a Psychologie | ||
| 653 | |a Romanistik | ||
| 653 | |a Schaffen (Werk) | ||
| 653 | |a Sinfonik | ||
| 653 | |a Theaterwissenschaft | ||
| 653 | |a Undeserved | ||
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Datensatz im Suchindex
| _version_ | 1804181419496308736 |
|---|---|
| adam_text | CONTENTS
PREFACE
...............................................................................................
9
I
BASIC
THESES
...............................................................................
11
1.
PERSONALITY
AND
OEUVRE
.........................................................................
11
2.
A
UNIVERSAL
OPERA
COMPOSER
...............................................................
13
3.
INSTRUMENTAL
PIECES
AS
IMAGINARY
LOVE
SCENES
...................................
18
II
MIRTH
AND
MELANCHOLY
IN
MOZART
.............................................
21
III
TRAGIC
AND
COMIC
ELEMENTS
IN
THE
MASTER
OPERAS
................
27
1.
FUNDAMENTAL
CONSIDERATIONS
................................................................
27
2.
*
BUT
SINCE
THE
PASSIONS,
VEHEMENT
OR
NOT,
MUST
NEVER
BE
EXPRESSED
AD
NAUSEAM.
ON
MOZART
*
S
AESTHETICS
OF
THE
STAGE
.............
29
3.
STYLISTIC
ANALYSIS
IN
THE
ABDUCTION
FROM
THE
SERAGLIO,
DON
GIOVANNI
AND
THE
MAGIC
FLUTE
...............................................................
33
IV
MOZART
*
S
MUSICAL
LANGUAGE.
THE
PHENOMENON
OF
CANTABILITY.
...................................................................................
37
1.
MUSICO-RHETORICAL
FIGURES
....................................................................
37
2.
INSTRUMENTAL
ARIAS
.................................................................................
43
V
THE
LAST
SYMPHONIES
...............................................................
53
VI
*
AS
IF
I
WERE
THE
GREATEST
VIOLINIST
IN
EUROPE
*
:
MOZART
AND
THE
VIOLIN
.............................................................................
63
1.
*
YOU
YOURSELF
DO
NOT
KNOW
HOW
WELL
YOU
PLAY
THE
VIOLIN
*
..................
63
2.
*
...TO
PROCLAIM
A
MIRACLE
TO
THE
WORLD
*
................................................
65
6
CONTENTS
3.
WITH
VIOLIN
ACCOMPANIMENT
...........................................................
65
4.
PIANO-VIOLIN
SONATAS
.........................................................................
66
VII
THE
*
PROGRAM
*
IN
MOZART
*
S
MASTER
OVERTURES
....................
69
1.
OVERTURE
AND
DRAMA
.......................................................................
69
2.
HOW
GLUCK
SOLVED
THE
*
OVERTURE
PROBLEM
*
..................................
70
3.
MOZART
*
S
OVERTURES
AS
MIRRORED
IN
PAST
CRITICISM
.......................
77
4.
THE
OVERTURE
TO
IDOMENEO:
ON
MOZART
*
S
*
LEITMOTIF
TECHNIQUE
*
....
79
5.
THE
OVERTURE
TO
DIE
ENTFUHRUNG
AUS
DEM
SERAIL
...........................
88
6.
ON
MOZART
*
S
TURKISH
MUSIC
............................................................
94
7.
LO
SPOSO
DELUSO
AND
DER
SCHAUSPIELDIREKTOR
....................................
96
8.
THE
SINFONIA
TO
THE
MARRIAGE
OF
FIGARO
..........................................
98
9.
THE
OVERTURE
TO
DON
GIOVANNI
.....................................................
104
10.
THE
OVERTURE
TO
COST
FAN
TUTTE
.......................................................
ILL
11.
THE
OVERTURE
TO
LA
CLEMENZA
DI
TITO
..............................................
116
12.
THE
OVERTURE
OF
THE
MAGIC
FLUTE
....................................................
117
13.
CONCLUSIONS
.....................................................................................
120
VIII
LEVELS
OF
STYLE
AND
STYLISTIC
SYNTHESIS
IN
MOZART
*
S
OPERAS
....................................................................................
127
1.
THE
PROBLEM
......................................................................................
127
2.
SERIA
ELEMENTS
IN
THE
BUFFA
BEFORE
MOZART:
THE
DRAMMA
DI
MEZZO
CARATTERE
..................................................................................
128
3.
AN
ATTEMPT
TO
DETERMINE
THE
LEVELS
OF
STYLE
IN
MOZART.
THE
ARIA
TYPOLOGY
ACCORDING
TO
JOHN
BROWN
AND
ITS
APPLICATION
TO
MOZART
...........................................................................................
131
4.
STYLISTIC
SYNTHESIS
IN
MOZART
*
S
OPERE
BUFFE
.......................................
138
IX
DON
JUAN
IN
KIERKEGAARD
*
S
INTERPRETATION
.........................
175
CONTENTS
7
X
MOZART
AND
THE
AUSTRIAN
TRADITION
OF
CHURCH
MUSIC
.......
181
XI
ALBAN
BERG
AND
MOZART
..........................................................
201
XII EPILOGUE:
MOZART AND
WE
.......................................................
207
NOTES
..................................................................................................
209
BIBLIOGRAPHY
.....................................................................................
229
INDEX
OF
NAMES
.................................................................................
239
|
| adam_txt |
CONTENTS
PREFACE
.
9
I
BASIC
THESES
.
11
1.
PERSONALITY
AND
OEUVRE
.
11
2.
A
UNIVERSAL
OPERA
COMPOSER
.
13
3.
INSTRUMENTAL
PIECES
AS
IMAGINARY
LOVE
SCENES
.
18
II
MIRTH
AND
MELANCHOLY
IN
MOZART
.
21
III
TRAGIC
AND
COMIC
ELEMENTS
IN
THE
MASTER
OPERAS
.
27
1.
FUNDAMENTAL
CONSIDERATIONS
.
27
2.
*
BUT
SINCE
THE
PASSIONS,
VEHEMENT
OR
NOT,
MUST
NEVER
BE
EXPRESSED
AD
NAUSEAM."
ON
MOZART
*
S
AESTHETICS
OF
THE
STAGE
.
29
3.
STYLISTIC
ANALYSIS
IN
THE
ABDUCTION
FROM
THE
SERAGLIO,
DON
GIOVANNI
AND
THE
MAGIC
FLUTE
.
33
IV
MOZART
*
S
MUSICAL
LANGUAGE.
THE
PHENOMENON
OF
CANTABILITY.
.
37
1.
MUSICO-RHETORICAL
FIGURES
.
37
2.
INSTRUMENTAL
ARIAS
.
43
V
THE
LAST
SYMPHONIES
.
53
VI
*
AS
IF
I
WERE
THE
GREATEST
VIOLINIST
IN
EUROPE
*
:
MOZART
AND
THE
VIOLIN
.
63
1.
*
YOU
YOURSELF
DO
NOT
KNOW
HOW
WELL
YOU
PLAY
THE
VIOLIN
*
.
63
2.
*
.TO
PROCLAIM
A
MIRACLE
TO
THE
WORLD
*
.
65
6
CONTENTS
3.
WITH
VIOLIN
ACCOMPANIMENT
.
65
4.
PIANO-VIOLIN
SONATAS
.
66
VII
THE
*
PROGRAM
*
IN
MOZART
*
S
MASTER
OVERTURES
.
69
1.
OVERTURE
AND
DRAMA
.
69
2.
HOW
GLUCK
SOLVED
THE
*
OVERTURE
PROBLEM
*
.
70
3.
MOZART
*
S
OVERTURES
AS
MIRRORED
IN
PAST
CRITICISM
.
77
4.
THE
OVERTURE
TO
IDOMENEO:
ON
MOZART
*
S
*
LEITMOTIF
TECHNIQUE
*
.
79
5.
THE
OVERTURE
TO
DIE
ENTFUHRUNG
AUS
DEM
SERAIL
.
88
6.
ON
MOZART
*
S
TURKISH
MUSIC
.
94
7.
LO
SPOSO
DELUSO
AND
DER
SCHAUSPIELDIREKTOR
.
96
8.
THE
SINFONIA
TO
THE
MARRIAGE
OF
FIGARO
.
98
9.
THE
OVERTURE
TO
DON
GIOVANNI
.
104
10.
THE
OVERTURE
TO
COST
FAN
TUTTE
.
ILL
11.
THE
OVERTURE
TO
LA
CLEMENZA
DI
TITO
.
116
12.
THE
OVERTURE
OF
THE
MAGIC
FLUTE
.
117
13.
CONCLUSIONS
.
120
VIII
LEVELS
OF
STYLE
AND
STYLISTIC
SYNTHESIS
IN
MOZART
*
S
OPERAS
.
127
1.
THE
PROBLEM
.
127
2.
SERIA
ELEMENTS
IN
THE
BUFFA
BEFORE
MOZART:
THE
DRAMMA
DI
MEZZO
CARATTERE
.
128
3.
AN
ATTEMPT
TO
DETERMINE
THE
LEVELS
OF
STYLE
IN
MOZART.
THE
ARIA
TYPOLOGY
ACCORDING
TO
JOHN
BROWN
AND
ITS
APPLICATION
TO
MOZART
.
131
4.
STYLISTIC
SYNTHESIS
IN
MOZART
*
S
OPERE
BUFFE
.
138
IX
DON
JUAN
IN
KIERKEGAARD
*
S
INTERPRETATION
.
175
CONTENTS
7
X
MOZART
AND
THE
AUSTRIAN
TRADITION
OF
CHURCH
MUSIC
.
181
XI
ALBAN
BERG
AND
MOZART
.
201
XII EPILOGUE:
MOZART AND
WE
.
207
NOTES
.
209
BIBLIOGRAPHY
.
229
INDEX
OF
NAMES
.
239 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Floros, Constantin 1930- |
| author2 | Bernhardt-Kabisch, Ernest 1934- |
| author2_role | trl |
| author2_variant | e b k ebk |
| author_GND | (DE-588)118994425 (DE-588)1032229160 |
| author_facet | Floros, Constantin 1930- Bernhardt-Kabisch, Ernest 1934- |
| author_role | aut |
| author_sort | Floros, Constantin 1930- |
| author_variant | c f cf |
| building | Verbundindex |
| bvnumber | BV046695916 |
| classification_rvk | LP 40411 |
| ctrlnum | (OCoLC)1164606876 (DE-599)DNB1201747236 |
| dewey-full | 780.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.92 |
| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Book |
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| id | DE-604.BV046695916 |
| illustrated | Illustrated |
| index_date | 2024-07-03T14:26:35Z |
| indexdate | 2024-07-10T08:51:21Z |
| institution | BVB |
| institution_GND | (DE-588)1065221940 |
| isbn | 9783034338462 3034338465 |
| language | English German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032106578 |
| oclc_num | 1164606876 |
| open_access_boolean | |
| owner | DE-703 DE-12 DE-19 DE-BY-UBM DE-473 DE-BY-UBG DE-Gp1 |
| owner_facet | DE-703 DE-12 DE-19 DE-BY-UBM DE-473 DE-BY-UBG DE-Gp1 |
| physical | 241 Seiten Illustrationen, Notenbeispiele 22 cm, 387 g |
| psigel | BSB_NED_20200702 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Peter Lang |
| record_format | marc |
| spelling | Floros, Constantin 1930- Verfasser (DE-588)118994425 aut Mozart-Studien Wolfgang Amadé Mozart undeserved gift to humanity Constantin Floros ; translated by Ernest Bernhardt-Kabisch Berlin ; Bern ; Bruxelles Peter Lang [2020] © 2020 241 Seiten Illustrationen, Notenbeispiele 22 cm, 387 g txt rdacontent n rdamedia nc rdacarrier "Revised and expanded version of the German original edition" (Impressum) Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Amadé Constantin Floros Gift Humanity Mozart Musik Opern Ouvertüren Persönlichkeit Psychologie Romanistik Schaffen (Werk) Sinfonik Theaterwissenschaft Undeserved Wolfgang Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 p Musik (DE-588)4040802-4 s b DE-604 Bernhardt-Kabisch, Ernest 1934- (DE-588)1032229160 trl Peter Lang AG (DE-588)1065221940 pbl Erscheint auch als Online-Ausgabe, PDF 978-3-0343-3935-3 Erscheint auch als Online-Ausgabe, EPUB 978-3-0343-3936-0 Erscheint auch als Online-Ausgabe, MOBI 978-3-0343-3937-7 X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=142b0368528541e28757f9a0b55ec7ba&prov=M&dok_var=1&dok_ext=htm Inhaltstext X:MVB https://www.peterlang.com/view/product/95963?format=HC B:DE-101 application/pdf https://d-nb.info/1201747236/04 Inhaltsverzeichnis DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032106578&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Floros, Constantin 1930- Wolfgang Amadé Mozart undeserved gift to humanity Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)118584596 (DE-588)4040802-4 |
| title | Wolfgang Amadé Mozart undeserved gift to humanity |
| title_alt | Mozart-Studien |
| title_auth | Wolfgang Amadé Mozart undeserved gift to humanity |
| title_exact_search | Wolfgang Amadé Mozart undeserved gift to humanity |
| title_exact_search_txtP | Wolfgang Amadé Mozart undeserved gift to humanity |
| title_full | Wolfgang Amadé Mozart undeserved gift to humanity Constantin Floros ; translated by Ernest Bernhardt-Kabisch |
| title_fullStr | Wolfgang Amadé Mozart undeserved gift to humanity Constantin Floros ; translated by Ernest Bernhardt-Kabisch |
| title_full_unstemmed | Wolfgang Amadé Mozart undeserved gift to humanity Constantin Floros ; translated by Ernest Bernhardt-Kabisch |
| title_short | Wolfgang Amadé Mozart |
| title_sort | wolfgang amade mozart undeserved gift to humanity |
| title_sub | undeserved gift to humanity |
| topic | Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Mozart, Wolfgang Amadeus 1756-1791 Musik |
| url | http://deposit.dnb.de/cgi-bin/dokserv?id=142b0368528541e28757f9a0b55ec7ba&prov=M&dok_var=1&dok_ext=htm https://www.peterlang.com/view/product/95963?format=HC https://d-nb.info/1201747236/04 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032106578&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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