Idris Khan - Words beneath words:
Idris Khan is acclaimed for works in a variety of media that inhabit the space between abstraction and figuration, and speak to themes of history, cumulative experience and the metaphysical collapse of time into single, cohesive moments. For this latest body of work, Khan uses wood blocks, stamping...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
London ; Venice
Victoria Miro
2019
|
| Schlagworte: | |
| Zusammenfassung: | Idris Khan is acclaimed for works in a variety of media that inhabit the space between abstraction and figuration, and speak to themes of history, cumulative experience and the metaphysical collapse of time into single, cohesive moments. For this latest body of work, Khan uses wood blocks, stamping oil-based ink on to the surface of panes of glass floating within an aluminium armature to create images of intense power and presence. To create these new works, Khan stamps texts on to each pane of glass. In doing so, he gradually builds up a surface where words and phrases - a series of personal reflections by the artist often inspired by key philosophical and poetic texts - begin to break down as textual information, remaining legible only at the very edges of the composition. The resulting abstract radial compositions evoke forces of great energy. Questions of repetition and superimposition have always been central to Khan's practice. The act of repetition and layering, meditative, at times even cathartic for the artist, invites a range of responses from the viewer. It is in this contemplative space that both the processes of Minimalist art and allusions to the role of repetition in the world's major religions are brought into focus - as a vehicle for transcendence and a conduit of the sublime. The philosophical and material qualities of these works, each completed in a different jewel tone, poised between transparency and opacity, and activated by the play of light across them, find special resonance in Venice with its centuries-old history of glass making. Exhibition: Victoria Miro Gallery, Venice, Italy (26.10.-14.12.2019) |
| Beschreibung: | Impressum: Published by Victoria Miro on the occasion of the exhibition "Idris Khan. Words Beneath Words", 26 October - 14 December 2019, Victoria Miro Venice, Venezia |
| Beschreibung: | 48 ungezählte Seiten |
| ISBN: | 9781999757960 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV046692856 | ||
| 003 | DE-604 | ||
| 005 | 20200425 | ||
| 007 | t | ||
| 008 | 200424s2019 xxk |||| 00||| eng d | ||
| 020 | |a 9781999757960 |9 978-1-9997579-6-0 | ||
| 035 | |a (OCoLC)1152284254 | ||
| 035 | |a (DE-599)KXP1688051678 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a xxk |c XA-GB | ||
| 049 | |a DE-255 | ||
| 050 | 0 | |a N6490 | |
| 082 | 0 | |a 700.411 | |
| 084 | |a KUNST |q DE-14 |2 fid | ||
| 084 | |a LI 99999 |0 (DE-625)97471: |2 rvk | ||
| 100 | 1 | |a Khan, Idris |d 1978- |0 (DE-588)133905470 |4 art | |
| 245 | 1 | 0 | |a Idris Khan - Words beneath words |c [essay by] Nick Hackworth |
| 246 | 1 | 3 | |a Words beneath words |
| 264 | 1 | |a London ; Venice |b Victoria Miro |c 2019 | |
| 300 | |a 48 ungezählte Seiten | ||
| 336 | |b sti |2 rdacontent | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Impressum: Published by Victoria Miro on the occasion of the exhibition "Idris Khan. Words Beneath Words", 26 October - 14 December 2019, Victoria Miro Venice, Venezia | ||
| 520 | 3 | |a Idris Khan is acclaimed for works in a variety of media that inhabit the space between abstraction and figuration, and speak to themes of history, cumulative experience and the metaphysical collapse of time into single, cohesive moments. For this latest body of work, Khan uses wood blocks, stamping oil-based ink on to the surface of panes of glass floating within an aluminium armature to create images of intense power and presence. To create these new works, Khan stamps texts on to each pane of glass. In doing so, he gradually builds up a surface where words and phrases - a series of personal reflections by the artist often inspired by key philosophical and poetic texts - begin to break down as textual information, remaining legible only at the very edges of the composition. The resulting abstract radial compositions evoke forces of great energy. Questions of repetition and superimposition have always been central to Khan's practice. The act of repetition and layering, meditative, at times even cathartic for the artist, invites a range of responses from the viewer. It is in this contemplative space that both the processes of Minimalist art and allusions to the role of repetition in the world's major religions are brought into focus - as a vehicle for transcendence and a conduit of the sublime. The philosophical and material qualities of these works, each completed in a different jewel tone, poised between transparency and opacity, and activated by the play of light across them, find special resonance in Venice with its centuries-old history of glass making. Exhibition: Victoria Miro Gallery, Venice, Italy (26.10.-14.12.2019) | |
| 600 | 1 | 7 | |a Khan, Idris |d 1978- |0 (DE-588)133905470 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 2019 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Skripturale Kunst |0 (DE-588)4413685-7 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Victoria Miro Venice |y 26.10.2019-14.12.2019 |z Venedig |2 gnd-content | |
| 655 | 7 | |0 (DE-588)4145395-5 |a Bildband |2 gnd-content | |
| 689 | 0 | 0 | |a Khan, Idris |d 1978- |0 (DE-588)133905470 |D p |
| 689 | 0 | 1 | |a Skripturale Kunst |0 (DE-588)4413685-7 |D s |
| 689 | 0 | 2 | |a Geschichte 2019 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Hackworth, Nick |4 wst | |
| 710 | 2 | |a Victoria Miro (Körperschaft) |0 (DE-588)1206533277 |4 isb | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032103573 | |
Datensatz im Suchindex
| _version_ | 1811019696482287616 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author_GND | (DE-588)133905470 |
| building | Verbundindex |
| bvnumber | BV046692856 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N6490 |
| callnumber-raw | N6490 |
| callnumber-search | N6490 |
| callnumber-sort | N 46490 |
| callnumber-subject | N - Visual Arts |
| classification_rvk | LI 99999 |
| ctrlnum | (OCoLC)1152284254 (DE-599)KXP1688051678 |
| dewey-full | 700.411 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700.411 |
| dewey-search | 700.411 |
| dewey-sort | 3700.411 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 2019 gnd |
| era_facet | Geschichte 2019 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV046692856</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20200425</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">200424s2019 xxk |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781999757960</subfield><subfield code="9">978-1-9997579-6-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1152284254</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KXP1688051678</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxk</subfield><subfield code="c">XA-GB</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">N6490</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">700.411</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">KUNST</subfield><subfield code="q">DE-14</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LI 99999</subfield><subfield code="0">(DE-625)97471:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Khan, Idris</subfield><subfield code="d">1978-</subfield><subfield code="0">(DE-588)133905470</subfield><subfield code="4">art</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Idris Khan - Words beneath words</subfield><subfield code="c">[essay by] Nick Hackworth</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Words beneath words</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; Venice</subfield><subfield code="b">Victoria Miro</subfield><subfield code="c">2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">48 ungezählte Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Impressum: Published by Victoria Miro on the occasion of the exhibition "Idris Khan. Words Beneath Words", 26 October - 14 December 2019, Victoria Miro Venice, Venezia</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Idris Khan is acclaimed for works in a variety of media that inhabit the space between abstraction and figuration, and speak to themes of history, cumulative experience and the metaphysical collapse of time into single, cohesive moments. For this latest body of work, Khan uses wood blocks, stamping oil-based ink on to the surface of panes of glass floating within an aluminium armature to create images of intense power and presence. To create these new works, Khan stamps texts on to each pane of glass. In doing so, he gradually builds up a surface where words and phrases - a series of personal reflections by the artist often inspired by key philosophical and poetic texts - begin to break down as textual information, remaining legible only at the very edges of the composition. The resulting abstract radial compositions evoke forces of great energy. Questions of repetition and superimposition have always been central to Khan's practice. The act of repetition and layering, meditative, at times even cathartic for the artist, invites a range of responses from the viewer. It is in this contemplative space that both the processes of Minimalist art and allusions to the role of repetition in the world's major religions are brought into focus - as a vehicle for transcendence and a conduit of the sublime. The philosophical and material qualities of these works, each completed in a different jewel tone, poised between transparency and opacity, and activated by the play of light across them, find special resonance in Venice with its centuries-old history of glass making. Exhibition: Victoria Miro Gallery, Venice, Italy (26.10.-14.12.2019)</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Khan, Idris</subfield><subfield code="d">1978-</subfield><subfield code="0">(DE-588)133905470</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 2019</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Skripturale Kunst</subfield><subfield code="0">(DE-588)4413685-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4135467-9</subfield><subfield code="a">Ausstellungskatalog</subfield><subfield code="x">Victoria Miro Venice</subfield><subfield code="y">26.10.2019-14.12.2019</subfield><subfield code="z">Venedig</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4145395-5</subfield><subfield code="a">Bildband</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Khan, Idris</subfield><subfield code="d">1978-</subfield><subfield code="0">(DE-588)133905470</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Skripturale Kunst</subfield><subfield code="0">(DE-588)4413685-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 2019</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hackworth, Nick</subfield><subfield code="4">wst</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Victoria Miro (Körperschaft)</subfield><subfield code="0">(DE-588)1206533277</subfield><subfield code="4">isb</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032103573</subfield></datafield></record></collection> |
| genre | (DE-588)4135467-9 Ausstellungskatalog Victoria Miro Venice 26.10.2019-14.12.2019 Venedig gnd-content (DE-588)4145395-5 Bildband gnd-content |
| genre_facet | Ausstellungskatalog Victoria Miro Venice 26.10.2019-14.12.2019 Venedig Bildband |
| id | DE-604.BV046692856 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T14:25:40Z |
| indexdate | 2024-09-23T20:22:50Z |
| institution | BVB |
| institution_GND | (DE-588)1206533277 |
| isbn | 9781999757960 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032103573 |
| oclc_num | 1152284254 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 48 ungezählte Seiten |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Victoria Miro |
| record_format | marc |
| spelling | Khan, Idris 1978- (DE-588)133905470 art Idris Khan - Words beneath words [essay by] Nick Hackworth Words beneath words London ; Venice Victoria Miro 2019 48 ungezählte Seiten sti rdacontent txt rdacontent n rdamedia nc rdacarrier Impressum: Published by Victoria Miro on the occasion of the exhibition "Idris Khan. Words Beneath Words", 26 October - 14 December 2019, Victoria Miro Venice, Venezia Idris Khan is acclaimed for works in a variety of media that inhabit the space between abstraction and figuration, and speak to themes of history, cumulative experience and the metaphysical collapse of time into single, cohesive moments. For this latest body of work, Khan uses wood blocks, stamping oil-based ink on to the surface of panes of glass floating within an aluminium armature to create images of intense power and presence. To create these new works, Khan stamps texts on to each pane of glass. In doing so, he gradually builds up a surface where words and phrases - a series of personal reflections by the artist often inspired by key philosophical and poetic texts - begin to break down as textual information, remaining legible only at the very edges of the composition. The resulting abstract radial compositions evoke forces of great energy. Questions of repetition and superimposition have always been central to Khan's practice. The act of repetition and layering, meditative, at times even cathartic for the artist, invites a range of responses from the viewer. It is in this contemplative space that both the processes of Minimalist art and allusions to the role of repetition in the world's major religions are brought into focus - as a vehicle for transcendence and a conduit of the sublime. The philosophical and material qualities of these works, each completed in a different jewel tone, poised between transparency and opacity, and activated by the play of light across them, find special resonance in Venice with its centuries-old history of glass making. Exhibition: Victoria Miro Gallery, Venice, Italy (26.10.-14.12.2019) Khan, Idris 1978- (DE-588)133905470 gnd rswk-swf Geschichte 2019 gnd rswk-swf Skripturale Kunst (DE-588)4413685-7 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Victoria Miro Venice 26.10.2019-14.12.2019 Venedig gnd-content (DE-588)4145395-5 Bildband gnd-content Khan, Idris 1978- (DE-588)133905470 p Skripturale Kunst (DE-588)4413685-7 s Geschichte 2019 z DE-604 Hackworth, Nick wst Victoria Miro (Körperschaft) (DE-588)1206533277 isb |
| spellingShingle | Idris Khan - Words beneath words Khan, Idris 1978- (DE-588)133905470 gnd Skripturale Kunst (DE-588)4413685-7 gnd |
| subject_GND | (DE-588)133905470 (DE-588)4413685-7 (DE-588)4135467-9 (DE-588)4145395-5 |
| title | Idris Khan - Words beneath words |
| title_alt | Words beneath words |
| title_auth | Idris Khan - Words beneath words |
| title_exact_search | Idris Khan - Words beneath words |
| title_exact_search_txtP | Idris Khan - Words beneath words |
| title_full | Idris Khan - Words beneath words [essay by] Nick Hackworth |
| title_fullStr | Idris Khan - Words beneath words [essay by] Nick Hackworth |
| title_full_unstemmed | Idris Khan - Words beneath words [essay by] Nick Hackworth |
| title_short | Idris Khan - Words beneath words |
| title_sort | idris khan words beneath words |
| topic | Khan, Idris 1978- (DE-588)133905470 gnd Skripturale Kunst (DE-588)4413685-7 gnd |
| topic_facet | Khan, Idris 1978- Skripturale Kunst Ausstellungskatalog Victoria Miro Venice 26.10.2019-14.12.2019 Venedig Bildband |
| work_keys_str_mv | AT khanidris idriskhanwordsbeneathwords AT hackworthnick idriskhanwordsbeneathwords AT victoriamirokorperschaft idriskhanwordsbeneathwords AT khanidris wordsbeneathwords AT hackworthnick wordsbeneathwords AT victoriamirokorperschaft wordsbeneathwords |