Max Cole - works 1970-2018:
Over the course of five decades, California-based painter Max Cole (born 1937) has refined her visual language into a series of vertical and horizontal lines, and a restrained palette of gray, black and white. With up to 80 layers of paint, her paintings also comprise areas of unpainted linen, subtl...
Gespeichert in:
Weitere Verfasser: | , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Santa Fé, NM
Radius Books
[2018]
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Schlagworte: | |
Zusammenfassung: | Over the course of five decades, California-based painter Max Cole (born 1937) has refined her visual language into a series of vertical and horizontal lines, and a restrained palette of gray, black and white. With up to 80 layers of paint, her paintings also comprise areas of unpainted linen, subtly interchanging the texture of paint with the texture of fabric. Upon closer inspection, these paintings reveal tiny, imperfect hatch marks that, when examined from afar, oscillate. As Cole says, ?The result is quiet, inward and meditative, transcending the physical.? Cole developed as an artist in Los Angeles in 1964?78, began showing at Sidney Janis in 1977, and then moved to New York, while also maintaining a studio in Germany and exhibiting in Europe during the '80s and '90s. She now lives and works in the Sierra foothills of northern California. Her work is in the permanent collections of the Metropolitan Museum of Art, MoMA and Albright-Knox Art Gallery. This volume presents an overview of Cole's career over the past half-century |
Beschreibung: | 317 Seiten 31 cm |
ISBN: | 9781942185215 1942185219 |
Internformat
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520 | 3 | |a Over the course of five decades, California-based painter Max Cole (born 1937) has refined her visual language into a series of vertical and horizontal lines, and a restrained palette of gray, black and white. With up to 80 layers of paint, her paintings also comprise areas of unpainted linen, subtly interchanging the texture of paint with the texture of fabric. Upon closer inspection, these paintings reveal tiny, imperfect hatch marks that, when examined from afar, oscillate. As Cole says, ?The result is quiet, inward and meditative, transcending the physical.? Cole developed as an artist in Los Angeles in 1964?78, began showing at Sidney Janis in 1977, and then moved to New York, while also maintaining a studio in Germany and exhibiting in Europe during the '80s and '90s. She now lives and works in the Sierra foothills of northern California. Her work is in the permanent collections of the Metropolitan Museum of Art, MoMA and Albright-Knox Art Gallery. This volume presents an overview of Cole's career over the past half-century | |
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Datensatz im Suchindex
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author_facet | Panza, Giuseppina Dreishpoon, Douglas 1954- |
building | Verbundindex |
bvnumber | BV046692794 |
callnumber-first | N - Fine Arts |
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discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
era | Geschichte 1970-2018 gnd |
era_facet | Geschichte 1970-2018 |
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spelling | Cole, Max 1937- (DE-588)119535327 art ive Max Cole - works 1970-2018 foreword: Giuseppina Panza ; conversation with Max Cole: Douglas Dreishpoon ; essay: Stefan Kraus Works 1970-2018 Santa Fé, NM Radius Books [2018] 317 Seiten 31 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Over the course of five decades, California-based painter Max Cole (born 1937) has refined her visual language into a series of vertical and horizontal lines, and a restrained palette of gray, black and white. With up to 80 layers of paint, her paintings also comprise areas of unpainted linen, subtly interchanging the texture of paint with the texture of fabric. Upon closer inspection, these paintings reveal tiny, imperfect hatch marks that, when examined from afar, oscillate. As Cole says, ?The result is quiet, inward and meditative, transcending the physical.? Cole developed as an artist in Los Angeles in 1964?78, began showing at Sidney Janis in 1977, and then moved to New York, while also maintaining a studio in Germany and exhibiting in Europe during the '80s and '90s. She now lives and works in the Sierra foothills of northern California. Her work is in the permanent collections of the Metropolitan Museum of Art, MoMA and Albright-Knox Art Gallery. This volume presents an overview of Cole's career over the past half-century Cole, Max 1937- (DE-588)119535327 gnd rswk-swf Geschichte 1970-2018 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Linie Motiv (DE-588)4570951-8 gnd rswk-swf Cole, Max / 1937- / Criticism and interpretation Painting, American / 20th century Cole, Max Painting, American Criticism, interpretation, etc (DE-588)4145395-5 Bildband gnd-content Cole, Max 1937- (DE-588)119535327 p Malerei (DE-588)4037220-0 s Linie Motiv (DE-588)4570951-8 s Geschichte 1970-2018 z DE-604 Panza, Giuseppina aui Dreishpoon, Douglas 1954- (DE-588)1057223557 ivr Kraus, Stefan 1960- (DE-588)136344488 wst |
spellingShingle | Max Cole - works 1970-2018 Cole, Max 1937- (DE-588)119535327 gnd Malerei (DE-588)4037220-0 gnd Linie Motiv (DE-588)4570951-8 gnd |
subject_GND | (DE-588)119535327 (DE-588)4037220-0 (DE-588)4570951-8 (DE-588)4145395-5 |
title | Max Cole - works 1970-2018 |
title_alt | Works 1970-2018 |
title_auth | Max Cole - works 1970-2018 |
title_exact_search | Max Cole - works 1970-2018 |
title_exact_search_txtP | Max Cole - works 1970-2018 |
title_full | Max Cole - works 1970-2018 foreword: Giuseppina Panza ; conversation with Max Cole: Douglas Dreishpoon ; essay: Stefan Kraus |
title_fullStr | Max Cole - works 1970-2018 foreword: Giuseppina Panza ; conversation with Max Cole: Douglas Dreishpoon ; essay: Stefan Kraus |
title_full_unstemmed | Max Cole - works 1970-2018 foreword: Giuseppina Panza ; conversation with Max Cole: Douglas Dreishpoon ; essay: Stefan Kraus |
title_short | Max Cole - works 1970-2018 |
title_sort | max cole works 1970 2018 |
topic | Cole, Max 1937- (DE-588)119535327 gnd Malerei (DE-588)4037220-0 gnd Linie Motiv (DE-588)4570951-8 gnd |
topic_facet | Cole, Max 1937- Malerei Linie Motiv Bildband |
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