Sweet bitter blues: Washington, DC's homemade blues
"Sweet Bitter Blues: Washington, DC's Homemade Blues depicts the life and times of harmonica player Phil Wiggins and the unique, vibrant music scene around him, as described by music journalist Frank Matheis. Featuring Wiggins's story, but including information on many musicians, the...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Jackson
University Press of Mississippi
[2020]
|
| Schriftenreihe: | American made music series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Sweet Bitter Blues: Washington, DC's Homemade Blues depicts the life and times of harmonica player Phil Wiggins and the unique, vibrant music scene around him, as described by music journalist Frank Matheis. Featuring Wiggins's story, but including information on many musicians, the volume presents an incomparable documentary of the African American blues scene in Washington, DC, from 1975 to the present. At its core, the DC-area acoustic "down home" blues scene was and is rooted in the African American community. A dedicated group of musicians saw it as their mission to carry on their respective Piedmont musical traditions: Mother Scott, Flora Molton, Chief Ellis, Archie Edwards, John Jackson, John Cephas, and foremost Phil Wiggins. Because of their love for the music and willingness to teach, these creators fostered a harmonious environment, mostly centered on Archie Edwards's famous barbershop where Edwards opened his doors every Saturday afternoon for jam sessions. Sweet Bitter Blues features biographies and supporting essays based on Wiggins's recollections and supplemented by Matheis's research, along with a foreword by noted blues scholar Elijah Wald, historic interviews by Dr. Barry Lee Pearson with John Cephas and Archie Edwards, and previously unpublished and rare photographs. This is the story of an acoustic blues scene that was and is a living tradition"-- "The first-ever account of the Washington, DC, blues scene"-- |
| Beschreibung: | xiii, 267 Seiten Illustrationen 24 cm |
| ISBN: | 9781496826923 9781496826916 |
Internformat
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| 505 | 8 | |a Foreword / Elijah Wald -- Preface / Frank Matheis -- Introduction -- Part one: Phil's story -- The early years -- The Cephas and Wiggins years -- Carrying on the legacy on my own -- Philharmonica -- advice for harmonica players -- Part two: the DC acoustic blues scene -- Flora Molton / Frank Matheis and Eleanor Ellis -- John Jackson -- Esther Mae "Mother" Scott -- Wilbert "Big Chief" Ellis -- Bill Harris -- The Festival of American Folklife (Smithsonian folklife festivals) -- The Gaines Brothers -- An interview with John Cephas / Dr. Barry Lee Pearson -- Archie Edwards: barbershop blues / Dr. Barry Lee Pearson -- Eleanor Ellis -- Archie's famous barbershop -- Acknowledgments -- Notes -- Interviews conducted by Frank Matheis -- Discography -- Bibliography -- Index | |
| 520 | 3 | |a "Sweet Bitter Blues: Washington, DC's Homemade Blues depicts the life and times of harmonica player Phil Wiggins and the unique, vibrant music scene around him, as described by music journalist Frank Matheis. Featuring Wiggins's story, but including information on many musicians, the volume presents an incomparable documentary of the African American blues scene in Washington, DC, from 1975 to the present. At its core, the DC-area acoustic "down home" blues scene was and is rooted in the African American community. A dedicated group of musicians saw it as their mission to carry on their respective Piedmont musical traditions: Mother Scott, Flora Molton, Chief Ellis, Archie Edwards, John Jackson, John Cephas, and foremost Phil Wiggins. Because of their love for the music and willingness to teach, these creators fostered a harmonious environment, mostly centered on Archie Edwards's famous barbershop where Edwards opened his doors every Saturday afternoon for jam sessions. Sweet Bitter Blues features biographies and supporting essays based on Wiggins's recollections and supplemented by Matheis's research, along with a foreword by noted blues scholar Elijah Wald, historic interviews by Dr. Barry Lee Pearson with John Cephas and Archie Edwards, and previously unpublished and rare photographs. This is the story of an acoustic blues scene that was and is a living tradition"-- | |
| 520 | 3 | |a "The first-ever account of the Washington, DC, blues scene"-- | |
| 653 | 1 | |a Wiggins, Phil | |
| 653 | 0 | |a Blues musicians / Washington (D.C.) / Biography | |
| 653 | 0 | |a Harmonica players / Washington (D.C.) / Biography | |
| 653 | 0 | |a Blues (Music) / Washington (D.C.) / History and criticism | |
| 653 | 0 | |a Blues (Music) | |
| 653 | 0 | |a Blues musicians | |
| 653 | 0 | |a Harmonica players | |
| 653 | 2 | |a Washington (D.C.) | |
| 653 | 6 | |a Autobiographies | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 653 | 6 | |a Autobiographies | |
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Datensatz im Suchindex
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| adam_text |
CONTENTS Foreword by Elijah Wald.ix Preface by Frank Matheis.xi Introduction. 3 PART ONE: PHIL'S STORY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 Chapter One. The Early Years.25 Chapter Two. The Cephas and Wiggins Years. 57 Chapter Three. Carrying on the Legacy on My Own.139 Chapter Four. Philharmonica—Advice for Harmonica Players.173 PART TWO: THE DC ACOUSTIC BLUES SCENE.179 Flora Molton by Frank Matheis and Eleanor Ellis.185 John Jackson. 188 Esther Mae "Mother" Scott. 195 Wilbert "Big Chief" Ellis.197 Bill
Harris. 200 The Festival of American Folklife (Smithsonian Folklife Festivals). 202 The Gaines Brothers. 204 An Interview with John Cephas by Dr. Barry Lee Pearson.206 Archie Edwards: Barbershop Blues by Dr. Barry Lee Pearson.215 Eleanor Ellis.225 Archie's Famous Barbershop. 228 Acknowledgments. 243 Notes. 245 Interviews conducted by Frank Matheis. 253 Discography. 255 Bibliography.257 Index.261 |
| adam_txt |
CONTENTS Foreword by Elijah Wald.ix Preface by Frank Matheis.xi Introduction. 3 PART ONE: PHIL'S STORY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 Chapter One. The Early Years.25 Chapter Two. The Cephas and Wiggins Years. 57 Chapter Three. Carrying on the Legacy on My Own.139 Chapter Four. Philharmonica—Advice for Harmonica Players.173 PART TWO: THE DC ACOUSTIC BLUES SCENE.179 Flora Molton by Frank Matheis and Eleanor Ellis.185 John Jackson. 188 Esther Mae "Mother" Scott. 195 Wilbert "Big Chief" Ellis.197 Bill
Harris. 200 The Festival of American Folklife (Smithsonian Folklife Festivals). 202 The Gaines Brothers. 204 An Interview with John Cephas by Dr. Barry Lee Pearson.206 Archie Edwards: Barbershop Blues by Dr. Barry Lee Pearson.215 Eleanor Ellis.225 Archie's Famous Barbershop. 228 Acknowledgments. 243 Notes. 245 Interviews conducted by Frank Matheis. 253 Discography. 255 Bibliography.257 Index.261 |
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| author | Wiggins, Phil 1954-2024 Matheis, Frank |
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| author_facet | Wiggins, Phil 1954-2024 Matheis, Frank |
| author_role | aut aut |
| author_sort | Wiggins, Phil 1954-2024 |
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| bvnumber | BV046692089 |
| contents | Foreword / Elijah Wald -- Preface / Frank Matheis -- Introduction -- Part one: Phil's story -- The early years -- The Cephas and Wiggins years -- Carrying on the legacy on my own -- Philharmonica -- advice for harmonica players -- Part two: the DC acoustic blues scene -- Flora Molton / Frank Matheis and Eleanor Ellis -- John Jackson -- Esther Mae "Mother" Scott -- Wilbert "Big Chief" Ellis -- Bill Harris -- The Festival of American Folklife (Smithsonian folklife festivals) -- The Gaines Brothers -- An interview with John Cephas / Dr. Barry Lee Pearson -- Archie Edwards: barbershop blues / Dr. Barry Lee Pearson -- Eleanor Ellis -- Archie's famous barbershop -- Acknowledgments -- Notes -- Interviews conducted by Frank Matheis -- Discography -- Bibliography -- Index |
| ctrlnum | (OCoLC)1164611037 (DE-599)BVBBV046692089 |
| format | Book |
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| id | DE-604.BV046692089 |
| illustrated | Illustrated |
| index_date | 2024-07-03T14:25:27Z |
| indexdate | 2024-09-17T16:04:42Z |
| institution | BVB |
| isbn | 9781496826923 9781496826916 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032102823 |
| oclc_num | 1164611037 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xiii, 267 Seiten Illustrationen 24 cm |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | University Press of Mississippi |
| record_format | marc |
| series2 | American made music series |
| spelling | Wiggins, Phil 1954-2024 Verfasser (DE-588)134556615 aut Sweet bitter blues Washington, DC's homemade blues Phil Wiggins and Frank Matheis ; foreword by Elijah Wald Jackson University Press of Mississippi [2020] xiii, 267 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier American made music series Foreword / Elijah Wald -- Preface / Frank Matheis -- Introduction -- Part one: Phil's story -- The early years -- The Cephas and Wiggins years -- Carrying on the legacy on my own -- Philharmonica -- advice for harmonica players -- Part two: the DC acoustic blues scene -- Flora Molton / Frank Matheis and Eleanor Ellis -- John Jackson -- Esther Mae "Mother" Scott -- Wilbert "Big Chief" Ellis -- Bill Harris -- The Festival of American Folklife (Smithsonian folklife festivals) -- The Gaines Brothers -- An interview with John Cephas / Dr. Barry Lee Pearson -- Archie Edwards: barbershop blues / Dr. Barry Lee Pearson -- Eleanor Ellis -- Archie's famous barbershop -- Acknowledgments -- Notes -- Interviews conducted by Frank Matheis -- Discography -- Bibliography -- Index "Sweet Bitter Blues: Washington, DC's Homemade Blues depicts the life and times of harmonica player Phil Wiggins and the unique, vibrant music scene around him, as described by music journalist Frank Matheis. Featuring Wiggins's story, but including information on many musicians, the volume presents an incomparable documentary of the African American blues scene in Washington, DC, from 1975 to the present. At its core, the DC-area acoustic "down home" blues scene was and is rooted in the African American community. A dedicated group of musicians saw it as their mission to carry on their respective Piedmont musical traditions: Mother Scott, Flora Molton, Chief Ellis, Archie Edwards, John Jackson, John Cephas, and foremost Phil Wiggins. Because of their love for the music and willingness to teach, these creators fostered a harmonious environment, mostly centered on Archie Edwards's famous barbershop where Edwards opened his doors every Saturday afternoon for jam sessions. Sweet Bitter Blues features biographies and supporting essays based on Wiggins's recollections and supplemented by Matheis's research, along with a foreword by noted blues scholar Elijah Wald, historic interviews by Dr. Barry Lee Pearson with John Cephas and Archie Edwards, and previously unpublished and rare photographs. This is the story of an acoustic blues scene that was and is a living tradition"-- "The first-ever account of the Washington, DC, blues scene"-- Wiggins, Phil Blues musicians / Washington (D.C.) / Biography Harmonica players / Washington (D.C.) / Biography Blues (Music) / Washington (D.C.) / History and criticism Blues (Music) Blues musicians Harmonica players Washington (D.C.) Autobiographies Criticism, interpretation, etc Matheis, Frank Verfasser (DE-588)1212291794 aut Wald, Elijah 1959- (DE-588)139833676 wpr Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032102823&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Wiggins, Phil 1954-2024 Matheis, Frank Sweet bitter blues Washington, DC's homemade blues Foreword / Elijah Wald -- Preface / Frank Matheis -- Introduction -- Part one: Phil's story -- The early years -- The Cephas and Wiggins years -- Carrying on the legacy on my own -- Philharmonica -- advice for harmonica players -- Part two: the DC acoustic blues scene -- Flora Molton / Frank Matheis and Eleanor Ellis -- John Jackson -- Esther Mae "Mother" Scott -- Wilbert "Big Chief" Ellis -- Bill Harris -- The Festival of American Folklife (Smithsonian folklife festivals) -- The Gaines Brothers -- An interview with John Cephas / Dr. Barry Lee Pearson -- Archie Edwards: barbershop blues / Dr. Barry Lee Pearson -- Eleanor Ellis -- Archie's famous barbershop -- Acknowledgments -- Notes -- Interviews conducted by Frank Matheis -- Discography -- Bibliography -- Index |
| title | Sweet bitter blues Washington, DC's homemade blues |
| title_auth | Sweet bitter blues Washington, DC's homemade blues |
| title_exact_search | Sweet bitter blues Washington, DC's homemade blues |
| title_exact_search_txtP | Sweet bitter blues Washington, DC's homemade blues |
| title_full | Sweet bitter blues Washington, DC's homemade blues Phil Wiggins and Frank Matheis ; foreword by Elijah Wald |
| title_fullStr | Sweet bitter blues Washington, DC's homemade blues Phil Wiggins and Frank Matheis ; foreword by Elijah Wald |
| title_full_unstemmed | Sweet bitter blues Washington, DC's homemade blues Phil Wiggins and Frank Matheis ; foreword by Elijah Wald |
| title_short | Sweet bitter blues |
| title_sort | sweet bitter blues washington dc s homemade blues |
| title_sub | Washington, DC's homemade blues |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032102823&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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