After Debussy: music, language, and the margins of philosophy
Focusing on the music of Debussy and its legacy in the century since his death, 'After Debussy' offers a groundbreaking new perspective on twentieth-century music that foregrounds a sensory logic of sound over quasi-linguistic ideas of structure or meaning
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2020]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Focusing on the music of Debussy and its legacy in the century since his death, 'After Debussy' offers a groundbreaking new perspective on twentieth-century music that foregrounds a sensory logic of sound over quasi-linguistic ideas of structure or meaning |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xix, 373 Seiten Illustrationen, Notenbeispiele (schwarz-weiß) |
| ISBN: | 9780190066826 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Table of contents List offigures List ofmusic examples Guide to discussion of individual works Acknowledgements ix xi xiii xvii Prologue: Music and language Music, logos, musicology After Debussy Music and the margins of philosophy 1 1 10 15 PART I: SAYING NOTHING 1. Sirenes Wordless voices Shipwreck and abyss Constellation 31 31 41 47 2. Mélisande and the silence of music Framing nothing Orchestral voices Being mute 53 53 68 76 3. Mallarmé and the edge of language Breathing Fold upon fold Empty words 85 85 94 108 PART II: APPEARING 4. Coming to presence Apparition Present absence Evanescence 119 120 128 141 5. Mirrors Reflection Threshold Echo 147 147 156 165
viii TABLE OF CONTENTS 6. Taking place Listening to landscape Le jardin clos: Dwelling in music Landscapes without figures 171 171 179 186 PART III: TOUCHING 7. The art of touch Debussy at the piano Bathers Towards an erotics of music 201 201 212 219 8. Writing the body Ľécriture musicale Imaginary bodies The philosopher’s body 229 229 235 247 9. Thinking in sound The play of the sensible The grammar of dreams Music as thought 259 259 266 272 Epilogue: Being musical After words Before words The margins of music 283 283 293 302 Notes Bibliography Index 309 353 365
|
| adam_txt |
Table of contents List offigures List ofmusic examples Guide to discussion of individual works Acknowledgements ix xi xiii xvii Prologue: Music and language Music, logos, musicology After Debussy Music and the margins of philosophy 1 1 10 15 PART I: SAYING NOTHING 1. Sirenes Wordless voices Shipwreck and abyss Constellation 31 31 41 47 2. Mélisande and the silence of music Framing nothing Orchestral voices Being mute 53 53 68 76 3. Mallarmé and the edge of language Breathing Fold upon fold Empty words 85 85 94 108 PART II: APPEARING 4. Coming to presence Apparition Present absence Evanescence 119 120 128 141 5. Mirrors Reflection Threshold Echo 147 147 156 165
viii TABLE OF CONTENTS 6. Taking place Listening to landscape Le jardin clos: Dwelling in music Landscapes without figures 171 171 179 186 PART III: TOUCHING 7. The art of touch Debussy at the piano Bathers Towards an erotics of music 201 201 212 219 8. Writing the body Ľécriture musicale Imaginary bodies The philosopher’s body 229 229 235 247 9. Thinking in sound The play of the sensible The grammar of dreams Music as thought 259 259 266 272 Epilogue: Being musical After words Before words The margins of music 283 283 293 302 Notes Bibliography Index 309 353 365 |
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| dewey-hundreds | 700 - The arts |
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| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
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| spelling | Johnson, Julian 1963- Verfasser (DE-588)139555633 aut After Debussy music, language, and the margins of philosophy Julian Johnson New York, NY Oxford University Press [2020] © 2020 xix, 373 Seiten Illustrationen, Notenbeispiele (schwarz-weiß) txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Focusing on the music of Debussy and its legacy in the century since his death, 'After Debussy' offers a groundbreaking new perspective on twentieth-century music that foregrounds a sensory logic of sound over quasi-linguistic ideas of structure or meaning Debussy, Claude / 1862-1918 / Criticism and interpretation Debussy, Claude 1862-1918 (DE-588)118524186 gnd rswk-swf Music / Philosophy and aesthetics Music and language Literatur (DE-588)4035964-5 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Französisch (DE-588)4113615-9 gnd rswk-swf Phänomenologie (DE-588)4045660-2 gnd rswk-swf Sprache (DE-588)4056449-6 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Debussy, Claude 1862-1918 (DE-588)118524186 p Frankreich (DE-588)4018145-5 g Rezeption (DE-588)4049716-1 s Musik (DE-588)4040802-4 s DE-604 Französisch (DE-588)4113615-9 s Literatur (DE-588)4035964-5 s Sprache (DE-588)4056449-6 s Phänomenologie (DE-588)4045660-2 s Ästhetik (DE-588)4000626-8 s 1\p DE-604 Erscheint auch als Online-Ausgabe 978-0-19-006685-7 Erscheint auch als Online-Ausgabe, PDF 978-0-19-006683-3 Erscheint auch als Online-Ausgabe, EPUB 978-0-19-006684-0 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032092418&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Johnson, Julian 1963- After Debussy music, language, and the margins of philosophy Debussy, Claude / 1862-1918 / Criticism and interpretation Debussy, Claude 1862-1918 (DE-588)118524186 gnd Music / Philosophy and aesthetics Music and language Literatur (DE-588)4035964-5 gnd Rezeption (DE-588)4049716-1 gnd Ästhetik (DE-588)4000626-8 gnd Französisch (DE-588)4113615-9 gnd Phänomenologie (DE-588)4045660-2 gnd Sprache (DE-588)4056449-6 gnd Musik (DE-588)4040802-4 gnd |
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| title | After Debussy music, language, and the margins of philosophy |
| title_auth | After Debussy music, language, and the margins of philosophy |
| title_exact_search | After Debussy music, language, and the margins of philosophy |
| title_exact_search_txtP | After Debussy music, language, and the margins of philosophy |
| title_full | After Debussy music, language, and the margins of philosophy Julian Johnson |
| title_fullStr | After Debussy music, language, and the margins of philosophy Julian Johnson |
| title_full_unstemmed | After Debussy music, language, and the margins of philosophy Julian Johnson |
| title_short | After Debussy |
| title_sort | after debussy music language and the margins of philosophy |
| title_sub | music, language, and the margins of philosophy |
| topic | Debussy, Claude / 1862-1918 / Criticism and interpretation Debussy, Claude 1862-1918 (DE-588)118524186 gnd Music / Philosophy and aesthetics Music and language Literatur (DE-588)4035964-5 gnd Rezeption (DE-588)4049716-1 gnd Ästhetik (DE-588)4000626-8 gnd Französisch (DE-588)4113615-9 gnd Phänomenologie (DE-588)4045660-2 gnd Sprache (DE-588)4056449-6 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Debussy, Claude / 1862-1918 / Criticism and interpretation Debussy, Claude 1862-1918 Music / Philosophy and aesthetics Music and language Literatur Rezeption Ästhetik Französisch Phänomenologie Sprache Musik Frankreich |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032092418&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT johnsonjulian afterdebussymusiclanguageandthemarginsofphilosophy |