"Fancy" in eighteenth-century European visual culture:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Liverpool
Liverpool University Press
[2020]
|
| Schriftenreihe: | Oxford University studies in the Enlightenment
2020:04 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | "(...) the conference held in Toulouse in December 2015 that gave rise to this book." (Acknowledgements). - Genaue Konferenzdaten ermittelt: "Fancy - Fantaisie - Capriccio: Diversions and Distractions in the Eighteenth Century", Musée Paul-Dupuy, Toulouse, 3-4 December 2015 |
| Beschreibung: | xvii, 325 Seiten Illustrationen |
| ISBN: | 9781789620030 |
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Datensatz im Suchindex
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| adam_text | Contents List of figures ІХ xvii Acknowledgements MELISSA PERCIVAL, Introduction 1 emmanuel FAURE-CARRiCABURU, The fantasy figures of Jean-Baptiste Santerre and the limits of generic frameworks of interpretation 15 The Parisian world of printmaking at the heart of the invention of a genre? Poilly, Courtin and Bonnart’s fantaisies (1713-1728) 29 сни, Windows of opportunity: the French fantasy figure and the spirit of enterprise in early-eighteenth-century Europe 49 Modelling for the fancy picture in eighteenth-century England 69 The influence of drawing manuals on the British practice and reception of fancy pictures 87 Christophe g и illo u et, John martin postle, Bénédicte miyamoto, Guillaume FAROULT, A galant fantasy: Fragonard’s fantasy figures and The Music lesson in relation to Van Dyck, Watteau and Carle Vanloo pierre-henri biger, melissa percival, Fans, fantasy and fancy Fancy as a mode of consumption A butterfly supporting an elephant’: chinoiserie, fantaisie and ‘the luxuriance of fancy’ 105 121 135 vanessa al Ayr ас-fielding, 153 vii
viii Contents The garden as capriccio: the hortulan pleasures of imagination and virtuality laurent châtel, beatrice laurent. Grand Tour capricci 171 191 Xavier Cervantes, Venetian reminiscences and cultural hybridity in Canaletto’s English-period capricci andvedute 207 Fernández almoguera, From the private cabinet to the suburban villa: caprices and fantasies in eighteenthcentury Madrid 223 Andrew schulz, Satire and fantasy in Goya’sCaprichos 241 adrián ‘Fancy paints with hues unreal’: pictorial fantasy and literary creation in Ann Radcliffe’s Gothicnovels alice labourg, 259 Summaries 279 List of contributors 285 Bibliography 289 Index 313
Fancy in the eighteenth century was part of a rich semantic network, connecting wit, whimsicality, erotic desire, spontaneity, deviation from norms and triviality. It was also a contentious term, signifying excess, oddness and irrationality, liable to offend taste, reason and morals. This collection of essays foregrounds fancy ֊ and its close synonym, caprice ~ as a distinct strand of the imagination in the period. As a prevalent, coherent and enduring concept in aesthetics and visual culture, it deserves a more prominent place in scholarly understanding than it has hitherto occupied. Fancy is here understood as a type of creative output that deviated from rules and relished artistic freedom. It was also a mode of audience response, entailing a high degree of imaginative engagement with playful, quirky artworks, generating pleasure, desire or anxiety. Emphasising commonalities between visual productions in different media from diverse locations, the authors interrogate and celebrate the expressive freedom of fancy in European visual culture. Topics include: the seductive fictions of the fancy picture. Fragonard and galanterie, fancy in drawing manuals, pattern books and popular prints, fans and fancy goods, chinoiserie, excess and virtuality in garden design. Canaletto s British capricci, urban design in Madrid, and Gova s Caprichos.
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Contents List of figures ІХ xvii Acknowledgements MELISSA PERCIVAL, Introduction 1 emmanuel FAURE-CARRiCABURU, The fantasy figures of Jean-Baptiste Santerre and the limits of generic frameworks of interpretation 15 The Parisian world of printmaking at the heart of the invention of a genre? Poilly, Courtin and Bonnart’s fantaisies (1713-1728) 29 сни, Windows of opportunity: the French fantasy figure and the spirit of enterprise in early-eighteenth-century Europe 49 Modelling for the fancy picture in eighteenth-century England 69 The influence of drawing manuals on the British practice and reception of fancy pictures 87 Christophe g и illo u et, John martin postle, Bénédicte miyamoto, Guillaume FAROULT, A galant fantasy: Fragonard’s fantasy figures and The Music lesson in relation to Van Dyck, Watteau and Carle Vanloo pierre-henri biger, melissa percival, Fans, fantasy and fancy Fancy as a mode of consumption A butterfly supporting an elephant’: chinoiserie, fantaisie and ‘the luxuriance of fancy’ 105 121 135 vanessa al Ayr ас-fielding, 153 vii
viii Contents The garden as capriccio: the hortulan pleasures of imagination and virtuality laurent châtel, beatrice laurent. Grand Tour capricci 171 191 Xavier Cervantes, Venetian reminiscences and cultural hybridity in Canaletto’s English-period capricci andvedute 207 Fernández almoguera, From the private cabinet to the suburban villa: caprices and fantasies in eighteenthcentury Madrid 223 Andrew schulz, Satire and fantasy in Goya’sCaprichos 241 adrián ‘Fancy paints with hues unreal’: pictorial fantasy and literary creation in Ann Radcliffe’s Gothicnovels alice labourg, 259 Summaries 279 List of contributors 285 Bibliography 289 Index 313
Fancy in the eighteenth century was part of a rich semantic network, connecting wit, whimsicality, erotic desire, spontaneity, deviation from norms and triviality. It was also a contentious term, signifying excess, oddness and irrationality, liable to offend taste, reason and morals. This collection of essays foregrounds fancy ֊ and its close synonym, caprice ~ as a distinct strand of the imagination in the period. As a prevalent, coherent and enduring concept in aesthetics and visual culture, it deserves a more prominent place in scholarly understanding than it has hitherto occupied. Fancy is here understood as a type of creative output that deviated from rules and relished artistic freedom. It was also a mode of audience response, entailing a high degree of imaginative engagement with playful, quirky artworks, generating pleasure, desire or anxiety. Emphasising commonalities between visual productions in different media from diverse locations, the authors interrogate and celebrate the expressive freedom of fancy in European visual culture. Topics include: the seductive fictions of the fancy picture. Fragonard and galanterie, fancy in drawing manuals, pattern books and popular prints, fans and fancy goods, chinoiserie, excess and virtuality in garden design. Canaletto's British capricci, urban design in Madrid, and Gova's Caprichos. |
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