Music in the Present Tense: Rossini's Italian Operas in Their Time
In the early 1800s, Rossini's operas permeated Italy, from the opera house to myriad arrangements heard in public and private. But after Rossini stopped composing, a sharp decline in popularity drove most of his works out of the repertory. In the past half century, they have made a spectacular...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chicago
University of Chicago Press
[2019]
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| Schriftenreihe: | Opera Lab: Explorations in History, Technology, and Performance
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| Schlagworte: | |
| Online-Zugang: | DE-355 |
| Zusammenfassung: | In the early 1800s, Rossini's operas permeated Italy, from the opera house to myriad arrangements heard in public and private. But after Rossini stopped composing, a sharp decline in popularity drove most of his works out of the repertory. In the past half century, they have made a spectacular return to operatic stages worldwide, but this recent fame has not been accompanied by a comparable critical reevaluation. Emanuele Senici's new book provides a fresh look at the motives behind the Rossinian furore and its aftermath by examining the composer's works in the historical context in which they were conceived, performed, seen, heard, and discussed. Situating the operas firmly within the social practices, cultural formations, ideological currents, and political events of early nineteenth-century Italy, Senici reveals Rossini's dramaturgy as a radically new and specifically Italian reaction to the epoch-making changes witnessed in Europe at the time. The first book-length study of Rossini's Italian operas to appear in English, Music in the Present Tense exposes new ways to explore nineteenth-century music and addresses crucial issues in the history of modernity, such as trauma, repetition, and the healing power of theatricality |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020) |
| Beschreibung: | 1 online resource (352 pages) 45 line drawings, 2 tables |
| ISBN: | 9780226663685 |
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| 520 | |a In the early 1800s, Rossini's operas permeated Italy, from the opera house to myriad arrangements heard in public and private. But after Rossini stopped composing, a sharp decline in popularity drove most of his works out of the repertory. In the past half century, they have made a spectacular return to operatic stages worldwide, but this recent fame has not been accompanied by a comparable critical reevaluation. Emanuele Senici's new book provides a fresh look at the motives behind the Rossinian furore and its aftermath by examining the composer's works in the historical context in which they were conceived, performed, seen, heard, and discussed. Situating the operas firmly within the social practices, cultural formations, ideological currents, and political events of early nineteenth-century Italy, Senici reveals Rossini's dramaturgy as a radically new and specifically Italian reaction to the epoch-making changes witnessed in Europe at the time. The first book-length study of Rossini's Italian operas to appear in English, Music in the Present Tense exposes new ways to explore nineteenth-century music and addresses crucial issues in the history of modernity, such as trauma, repetition, and the healing power of theatricality | ||
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| spelling | Senici, Emanuele Verfasser aut Music in the Present Tense Rossini's Italian Operas in Their Time Emanuele Senici Chicago University of Chicago Press [2019] © 2019 1 online resource (352 pages) 45 line drawings, 2 tables txt rdacontent c rdamedia cr rdacarrier Opera Lab: Explorations in History, Technology, and Performance Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020) In the early 1800s, Rossini's operas permeated Italy, from the opera house to myriad arrangements heard in public and private. But after Rossini stopped composing, a sharp decline in popularity drove most of his works out of the repertory. In the past half century, they have made a spectacular return to operatic stages worldwide, but this recent fame has not been accompanied by a comparable critical reevaluation. Emanuele Senici's new book provides a fresh look at the motives behind the Rossinian furore and its aftermath by examining the composer's works in the historical context in which they were conceived, performed, seen, heard, and discussed. Situating the operas firmly within the social practices, cultural formations, ideological currents, and political events of early nineteenth-century Italy, Senici reveals Rossini's dramaturgy as a radically new and specifically Italian reaction to the epoch-making changes witnessed in Europe at the time. The first book-length study of Rossini's Italian operas to appear in English, Music in the Present Tense exposes new ways to explore nineteenth-century music and addresses crucial issues in the history of modernity, such as trauma, repetition, and the healing power of theatricality In English Rossini, Gioachino 1792-1868 (DE-588)118602985 gnd rswk-swf Geschichte 1810-1825 gnd rswk-swf Gioachino Rossini Italy Rossini genre memory modernity opera repetition style theatricality trauma MUSIC / General bisacsh Opera Italy 19th century Oper (DE-588)4043582-9 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Rossini, Gioachino 1792-1868 (DE-588)118602985 p Oper (DE-588)4043582-9 s Rezeption (DE-588)4049716-1 s Italien (DE-588)4027833-5 g Geschichte 1810-1825 z 1\p DE-604 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Senici, Emanuele Music in the Present Tense Rossini's Italian Operas in Their Time Rossini, Gioachino 1792-1868 (DE-588)118602985 gnd Gioachino Rossini Italy Rossini genre memory modernity opera repetition style theatricality trauma MUSIC / General bisacsh Opera Italy 19th century Oper (DE-588)4043582-9 gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)118602985 (DE-588)4043582-9 (DE-588)4049716-1 (DE-588)4027833-5 |
| title | Music in the Present Tense Rossini's Italian Operas in Their Time |
| title_auth | Music in the Present Tense Rossini's Italian Operas in Their Time |
| title_exact_search | Music in the Present Tense Rossini's Italian Operas in Their Time |
| title_exact_search_txtP | Music in the Present Tense Rossini's Italian Operas in Their Time |
| title_full | Music in the Present Tense Rossini's Italian Operas in Their Time Emanuele Senici |
| title_fullStr | Music in the Present Tense Rossini's Italian Operas in Their Time Emanuele Senici |
| title_full_unstemmed | Music in the Present Tense Rossini's Italian Operas in Their Time Emanuele Senici |
| title_short | Music in the Present Tense |
| title_sort | music in the present tense rossini s italian operas in their time |
| title_sub | Rossini's Italian Operas in Their Time |
| topic | Rossini, Gioachino 1792-1868 (DE-588)118602985 gnd Gioachino Rossini Italy Rossini genre memory modernity opera repetition style theatricality trauma MUSIC / General bisacsh Opera Italy 19th century Oper (DE-588)4043582-9 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Rossini, Gioachino 1792-1868 Gioachino Rossini Italy Rossini genre memory modernity opera repetition style theatricality trauma MUSIC / General Opera Italy 19th century Oper Rezeption Italien |
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