Polish avant-garde in Berlin:
This book presents a historical panorama of the Polish avant-garde in Berlin from 19th century historical avant-garde until the recent art. Looking at specific artistic strategies and development of modernist paradigm both in the pre- and post-Second World War period from the perspective of the migr...
Gespeichert in:
| Weitere Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin ; Bern ; Bruxelles
Peter Lang
[2019]
Berlin Centrum Badań Historycznych PAN w Berlinie |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This book presents a historical panorama of the Polish avant-garde in Berlin from 19th century historical avant-garde until the recent art. Looking at specific artistic strategies and development of modernist paradigm both in the pre- and post-Second World War period from the perspective of the migration experience, this book offers a deep insight into mechanisms, relations and identity programmes of particular artists or groups. It also reveals the dynamics of eventual cultural exchange or alternative forms of artistic transformation and message that Polish artists imprinted in the Berlin's art scene. Whether historical avant-garde or the neo-avant-garde, the component of novelty inscribed in the term itself ceases to be a sheer, one-dimensional slogan and reveals a whole range of cultural projections that artist-migrants are both creators and the subject of. Here the notion of exoticism, wilderness, but also critical and ironical approach often constitute the perception of Polish art in the Berlin milieu |
| Beschreibung: | 290 Seiten Illustrationen |
| ISBN: | 9783631780534 |
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| 520 | 3 | |a This book presents a historical panorama of the Polish avant-garde in Berlin from 19th century historical avant-garde until the recent art. Looking at specific artistic strategies and development of modernist paradigm both in the pre- and post-Second World War period from the perspective of the migration experience, this book offers a deep insight into mechanisms, relations and identity programmes of particular artists or groups. It also reveals the dynamics of eventual cultural exchange or alternative forms of artistic transformation and message that Polish artists imprinted in the Berlin's art scene. Whether historical avant-garde or the neo-avant-garde, the component of novelty inscribed in the term itself ceases to be a sheer, one-dimensional slogan and reveals a whole range of cultural projections that artist-migrants are both creators and the subject of. Here the notion of exoticism, wilderness, but also critical and ironical approach often constitute the perception of Polish art in the Berlin milieu | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Malgorzata Stolarska-Fronia The Centenary of Polish Avant-Garde in Berlin...................... 7 Chapter I: Center and Peripheries? Mobility and Transfer of the Interwar Avant-Garde Malgorzata Geron Formists’ Relations with the Artistic Milieus of Munich and Berlin ................................................................................. 39 Dagmar Schmengler The State Academy of Arts and Crafts in Wroclaw and the Cross-Border Avant-Garde Network................................. 65 Lidia Gluchowska Artists from Poland in the International Milieu of Classical Berlin Avant-Garde Die Aktion, Der Sturm, and Die Novembergruppe 81 Chapter II: Transnational Avant-Garde and Migrating Identities Nathan Diament The Resurrection of J. D. Kirszenbaum..................................... 123 Malgorzata Jçdrzejczyk Art as Organization of Life: Katarzyna Kobro and El Lissitzky 137 Chapter III: The Feminine Avant-Garde Anna Dzabagina Berlin’s Left Bank? Eleonore Kalkowska in Women’s Artistic Networks of Weimar Berlin........................................................151
6 Contents Teresa Fazan The Unsaid Presence: Discussing the Absence of the Female Artists on the Polnische Avantgarde 1930-1990 Exhibition................................................................. 171 Karolina Majewska-Giide An Atlas of Ewa Partum’s Artistic Practice: Resignifications in Ewa Partum’s Feminist Performances in West Berlin (1982-1989) .............................................................................. 191 Chapter IV: Contemporary Art Between Poland and Germany Artur Zmijewski The 7th Berlin Biennale 2012.................................................... 215 Monika Leisch-Kiesl Contemporary Art Between “East” and “West”: Signs • Images • Codes .............................................................. 227 Justyna Balisz Foreign Relatives: How German is Polish Post-War Expressionism..............................................................................243 List of Illustrations...................................................................... 263 About the Authors...................................................................... 269 Index of Names........................................................................... 275 Index of Geographical Names....................................................285
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| adam_txt |
Contents Malgorzata Stolarska-Fronia The Centenary of Polish Avant-Garde in Berlin. 7 Chapter I: Center and Peripheries? Mobility and Transfer of the Interwar Avant-Garde Malgorzata Geron Formists’ Relations with the Artistic Milieus of Munich and Berlin . 39 Dagmar Schmengler The State Academy of Arts and Crafts in Wroclaw and the Cross-Border Avant-Garde Network. 65 Lidia Gluchowska Artists from Poland in the International Milieu of Classical Berlin Avant-Garde Die Aktion, Der Sturm, and Die Novembergruppe 81 Chapter II: Transnational Avant-Garde and Migrating Identities Nathan Diament The Resurrection of J. D. Kirszenbaum. 123 Malgorzata Jçdrzejczyk Art as Organization of Life: Katarzyna Kobro and El Lissitzky 137 Chapter III: The Feminine Avant-Garde Anna Dzabagina Berlin’s Left Bank? Eleonore Kalkowska in Women’s Artistic Networks of Weimar Berlin.151
6 Contents Teresa Fazan The Unsaid Presence: Discussing the Absence of the Female Artists on the Polnische Avantgarde 1930-1990 Exhibition. 171 Karolina Majewska-Giide An Atlas of Ewa Partum’s Artistic Practice: Resignifications in Ewa Partum’s Feminist Performances in West Berlin (1982-1989) . 191 Chapter IV: Contemporary Art Between Poland and Germany Artur Zmijewski The 7th Berlin Biennale 2012. 215 Monika Leisch-Kiesl Contemporary Art Between “East” and “West”: Signs • Images • Codes . 227 Justyna Balisz Foreign Relatives: How German is Polish Post-War Expressionism.243 List of Illustrations. 263 About the Authors. 269 Index of Names. 275 Index of Geographical Names.285 |
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| id | DE-604.BV046676736 |
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| index_date | 2024-07-03T14:22:45Z |
| indexdate | 2024-07-10T08:50:59Z |
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| spelling | Polish avant-garde in Berlin Małgorzata Stolarska-Fronia (ed.) Berlin ; Bern ; Bruxelles Peter Lang [2019] Berlin Centrum Badań Historycznych PAN w Berlinie © 2019 290 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier This book presents a historical panorama of the Polish avant-garde in Berlin from 19th century historical avant-garde until the recent art. Looking at specific artistic strategies and development of modernist paradigm both in the pre- and post-Second World War period from the perspective of the migration experience, this book offers a deep insight into mechanisms, relations and identity programmes of particular artists or groups. It also reveals the dynamics of eventual cultural exchange or alternative forms of artistic transformation and message that Polish artists imprinted in the Berlin's art scene. Whether historical avant-garde or the neo-avant-garde, the component of novelty inscribed in the term itself ceases to be a sheer, one-dimensional slogan and reveals a whole range of cultural projections that artist-migrants are both creators and the subject of. Here the notion of exoticism, wilderness, but also critical and ironical approach often constitute the perception of Polish art in the Berlin milieu Geschichte gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Künstlerin (DE-588)4033430-2 gnd rswk-swf Künstler (DE-588)4033423-5 gnd rswk-swf Avantgarde (DE-588)4133965-4 gnd rswk-swf Polen (DE-588)4046496-9 gnd rswk-swf Berlin (DE-588)4005728-8 gnd rswk-swf Berlin (DE-588)1071861417 Konferenzschrift 2017 Berlin gnd-content Berlin (DE-588)4005728-8 g Avantgarde (DE-588)4133965-4 s Kunst (DE-588)4114333-4 s Polen (DE-588)4046496-9 g Künstlerin (DE-588)4033430-2 s Künstler (DE-588)4033423-5 s Geschichte z DE-604 Stolarska-Fronia, Małgorzata (DE-588)139897984 edt Erscheint auch als Online-Ausgabe, PDF 978-3-631-81415-4 (DE-604)BV046693216 Erscheint auch als Online-Ausgabe, EPUB 978-3-631-81416-1 Erscheint auch als Online-Ausgabe, MOBI 978-3-631-81417-8 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032087622&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Polish avant-garde in Berlin Kunst (DE-588)4114333-4 gnd Künstlerin (DE-588)4033430-2 gnd Künstler (DE-588)4033423-5 gnd Avantgarde (DE-588)4133965-4 gnd |
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| title | Polish avant-garde in Berlin |
| title_auth | Polish avant-garde in Berlin |
| title_exact_search | Polish avant-garde in Berlin |
| title_exact_search_txtP | Polish avant-garde in Berlin |
| title_full | Polish avant-garde in Berlin Małgorzata Stolarska-Fronia (ed.) |
| title_fullStr | Polish avant-garde in Berlin Małgorzata Stolarska-Fronia (ed.) |
| title_full_unstemmed | Polish avant-garde in Berlin Małgorzata Stolarska-Fronia (ed.) |
| title_short | Polish avant-garde in Berlin |
| title_sort | polish avant garde in berlin |
| topic | Kunst (DE-588)4114333-4 gnd Künstlerin (DE-588)4033430-2 gnd Künstler (DE-588)4033423-5 gnd Avantgarde (DE-588)4133965-4 gnd |
| topic_facet | Kunst Künstlerin Künstler Avantgarde Polen Berlin Konferenzschrift 2017 Berlin |
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