Velvet retro: postsocialist nostalgia and the politics of heroism in Czech popular culture
"Scholars of state socialism have frequently invoked "nostalgia" to identify an uncritical longing for the utopian ambitions and lived experience of the former Eastern Bloc. However, this concept seems insufficient to describe memory cultures in the Czech Republic and other contexts i...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; Oxford
Berghahn
2020
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| Schriftenreihe: | Worlds of memory
volume 2 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Literaturverzeichnis Register // Gemischte Register |
| Zusammenfassung: | "Scholars of state socialism have frequently invoked "nostalgia" to identify an uncritical longing for the utopian ambitions and lived experience of the former Eastern Bloc. However, this concept seems insufficient to describe memory cultures in the Czech Republic and other contexts in which a "retro" fascination with the past has proven compatible with a steadfast critique of the state socialist era. This innovative study locates a distinctively retro aesthetic in Czech literature, film, and other cultural forms, enriching our understanding of not only the nation's memory culture, but also the ways in which popular culture can structure collective memory"-- |
| Beschreibung: | x, 177 Seiten Illustrationen |
| ISBN: | 9781789206289 |
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| 505 | 8 | |a Returning to the Past -- Painting the Past Black and White: Czech Anticommunism after -- The Past as Comedy: Representing Socialism in the 1990s -- The Late 1990s: Contesting the Past through Popular Culture -- Petty Heroism: Nostalgia for Resistance -- The Politics and Aesthetics of Retro -- Changing Memory Landscapes in the 2000s -- Socialism Remembered | |
| 520 | 3 | |a "Scholars of state socialism have frequently invoked "nostalgia" to identify an uncritical longing for the utopian ambitions and lived experience of the former Eastern Bloc. However, this concept seems insufficient to describe memory cultures in the Czech Republic and other contexts in which a "retro" fascination with the past has proven compatible with a steadfast critique of the state socialist era. This innovative study locates a distinctively retro aesthetic in Czech literature, film, and other cultural forms, enriching our understanding of not only the nation's memory culture, but also the ways in which popular culture can structure collective memory"-- | |
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Contents List of Figures viii Acknowledgements ix List of Abbreviations xi Introduction Returning to the Past 1 Chapter 1 Painting the Past Black and White: Czech Anticommunism after 1989 27 Chapter 2 The Past as Comedy: Representing Socialism in the 1990s 46 Chapter 3 The Late 199Os: Contesting the Past through Popular Culture 64 Chapter 4 Petty Heroism: Nostalgia for Resistance 84 Chapter 5 The Politics and Aesthetics of Retro 101 Chapter 6 Changing Memory Landscapes in the 2000s 123 Conclusion Socialism Remembered 154 Bibliography Index 163 173
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bilanci. Brno: Barrister and Principal, 2000. Zmeškal, T. Milostný dopis klínovým písmem. Prague: Torst, 2008. Zmeškal, T. Love Letter in Cuneiform, trans. A. Zucker. New Haven: Yale University Press, 2016. Film, Television and Theatre Productions Anglické jahody [English Strawberries). Vladimír Drha (director), Martin Šafránek (screen writer). Czech Republic/Slovakia/Ukraine, 2008. Beseda k seriálu Dieet případů Majora Zemana (Debate Accompanying the Series The Thirty Cases of Major Zeman). Marek Straka (director). Česká televize. Czech Republic, 1999. Bumerang [Boomerang. Hynek Bočan (director), Jiří Stránský (screenwriter). Czech Republic, 1996. Černí baroni [Black Barons). Zdeněk Sírový (director, screenwriter), Miloslav Svad rl ík (screen writer). Czechoslovakia, 1992. Červený kapitán [Red Captain). Michal Kollár (director, screenwriter), Miro Šifra and Anna Fifíkova (screenwriters). Slovakia/Czech Republic/Poland, 2016. České stokti [The Czech Century). Robert Sedláček (director), Pavel Kosatik (screenwriter). Česká televize, nine episodes. Czech Republic, 2013-14. Das Leben der Anderen [The Lives of Others). Florian Henckel von Donnersmarck (director, screenwriter). Germany, 2006. Dorn solntsa [The House ofSuri). Garik Sukachev (director, screenwriter), Nataliya Pavlovskaya and Ivan Okhlobystin (screenwriters). Russia, 2010. Don’t Stop. Richard Řeřicha (director, screenwriter). Czech Republic/Slovakia, 2012. Eitébák [TheInformer). Juraj Nvota (director), Ľubomír Slivka (screenwriter). Czech Republic/ Slovakia/Poland, 2012.
Bibliography · 171 Fair Play. Andrea Sedláčková (director, screenwriter). Czech Republic/Slovakia/ Germany, 2014. Good Bye, Lenin! Wolfgang Becker (director, screenwriter), Bernd Lichtenberg (screenwriter). Germany, 2003. Helden Wie Wir {Heroes Like Us). Sebastian Peterson (director, screenwriter), Thomas Brussig and Markus Dittrich (screenwriters). Germany, 1999. Hořící keř {Burning Bush). Agnieszka Holland (director), Štěpán Hűlik (screenwriter). HBO, mini-series. Czech Republic/Poland, 2013. Inženýrská odysea {The Engineer’s Odyssey). Evžen Sokolovský (director), Jaroslav Dietl (screen writer). Československá televize, thirteen episodes. Czechoslovakia, 1979. Kawasakiho mže {Kawasaki’s Rose). Jan Hřebejk (director), Petr Jarchovský (screenwriter). Czech Republic, 2009. TQeinruppin Forever. Carsten Fiebeler (director), Peer Klehmet and Sebastian Wehlings (screenwriters). Germany, 2004. Kolja (Kolya). Jan Svěrák (director), Zdeněk Svěrák (screenwriter). Czech Republic, 1996. Konec velkých prázdnin {The End of the Long Vacation). Miloslav Luther (director), Pavel Kohout and Jelena Mašinová (screenwriters). Česká televize, six episodes. Czech Republic, 1994. Kousek nebe {A Piece of Sky). Petr Nikolaev (director), Jiří Stránský (screenwriter). Czech Republic, 2005. Mad Men. Matthew Weiner (creator). Weiner Bros./AMC, ninety-two episodes (seven seasons). USA, 2007-2010, 2011-15. Mladý muž a bílá velryba {The Young Man and the White Whale). Jaromil Jireš (director), Mária Dufková-Rudlovčáková (screenwriter). Czechoslovakia, 1978. Občanský průkaz {The Identity Card). Ondřej
Trojan (director), Petr Jarchovský (screenwriter). Czech Republic/Slovakia, 2010. Operace Dunaj {Operation Danube). Jacek Głomb (director), Jacek Kondracki and Robert Urbański (screenwriters). Czech Republic/Poland, 2009. Osmy {Wisdom Teeth). Jiří Strach (director), Marek Epstein (screenwriter). Česká televize. Czech Republic, 2014. Pelßky {Cosy Dens). Jan Hřebejk (director), Petr Jarchovský (screenwriter). Czech Republic, 1999. Pouta {Walking Too Fast). Radim Špaček (director), Ondřej Štindl (screenwriter). Czech Republic/Slovakia, 2009. Příběhy dvacátého století {Stories of the Twentieth Century). Viktor Portel, Radim Špaček, Petr Hátle and Janek Kroupa (directors), Adam Drda, Mikuláš Kroupa and Tomáš Netočný (screenwriters). Česká televize, sixteen episodes. Czech Republic, 2017. Pupendo. Jan Hřebejk (director), Petr Jarchovský (screenwriter). Czech Republic, 2003. Rebelové {The Rebels). Filip Renč (director), Zdeněk Zelenka (director, screenwriter). Czech Republic, 2001. Rozpaky kuchaře Svatopluka {The Hesitations of Chef Svatopluk). František Filip (director, screenwriter), Jaroslav Died (screenwriter). Československá televize, thirteen episodes. Czechoslovakia, 1984. Rukojemník {The Hostage). Juraj Nvota (director), Peter Pištanek and Marian Urban (screen writers). Slovakia/Czech Republic, 2014. Šakalí léta {Jackal Years). Jan Hřebejk (director, screenwriter), Petr Jarchovský (screenwriter). Czech Republic, 1993. Šedá sedmdesátá aneb Husákovo ticho {Grey Seventies, or Husåk’s Quiet). Jan Mikulášek (director, writer), Dana Viceníková (writer). Theatre on the
Balustrades, Prague, 2013.
172 · Bibliography Skalpel, prosim {Scalpel, Please). Jiří Svoboda (director), Václav Nývlt (screenwriter). Czechoslovakia, 1985. Sonnenallee {Sun Alky). Leander Haußmann (director, screenwriter), Thomas Brussig (screen writer). Germany, 1999. Svét pod hlavou {The World under One’s Head). Radim Spaček and Marek Najbrt (directors), Ondřej Štindl, Robert Geisler and Benjamin Tuček (screenwriters). Česká televize, ten episodes. Czech Republic, 2017. Stilyagi {Hipsters). Valery Todorovsky (director), Yury Korotkov (screenwriter). Russia, 2008. Tankový prapor {The Tank Battalion). Vít Olmer (director, screenwriter), Radek John (screen writer). Czechoslovakia, 1991. Tito ija {Tito and Me). Goran Markovič (director, screenwriter). Yugoslavia, 1992. Tlustá čára za minulostß (A Thick Line behind the PastT). Debate accompanying the series The Thirty Cases of Major Zeman. Marek Straka (director). Česká televize. Czech Republic, 1999. Třicet případů majora Zemana {The Thirty Cases of Major Zeman). Jiří Sequens (director, screenwriter). Československá televize, thirty episodes. Czechoslovakia, 1974-79. Učiteľka {The Teacher). Jan Hřebejk (director), Petr Jarchovský (screenwriter). Slovakia/Czech Republic, 2016. Uniforma {The Uniform). Hynek Bočan (director), Jiří Stránský (screenwriter). Česká televize. Czech Republic, 2001. Vesničko má středisková {My Sweet Littk Vidage). Jiří Menzel (director), Zdeněk Svěrák (screen writer). Czechoslovakia, 1985. Ve stínu {In the Shadow). David Ondříček (director, screenwriter), Matek Epstein and Misha Votruba (screenwriters). Czech
Republic/Slovakia/Poland, 2012. Vyprávěj. {TellMe a Story). Biser Arichtev (director), Rudolf Merkner (screenwriter). Dramedy Productions/ Česká televize, 115 episodes (five seasons + bonuses). Czech Republic, 2009-13. Wszystko, co kocham {All That I Love). Jacek Borcuch (director, screenwriter). Poland, 2009. Žabák {The Frog). Hynek Bočan (director), Jiří Stránský (screenwriter). Česká televize. Czech Republic, 2001. Žena za pultem {The Woman behind the Counter). Jaroslav Dudek (director), Jaroslav Dietl (screenwriter), Československá televise, twelve episodes. Czechoslovakia, 1977. Zdivočelá země {A Land Gone Wild). Hynek Bočan (director, screenwriter), Jiří Stránský (screenwriter). Česká televize, forty-five episodes (four seasons). Czech Republic, 1997, 2001, 2008-9, 2012. Zlatá iedesátá aneb Deník Pavև J. {Golden Sixties, or the Diary of Pavel /.). Jan Mikulášek (director), Pavel Juráček (writer). Theatre on the Balustrades, Prague, 2013.
Index Aesopian language, 74-75 All That I Love (film, Borcuch), 51, 96 Anti-Charter, 67 anticommunism, 6, 12-3, 20, 21, 25n, 27-9, 31-3, 35-40, 46, 65-6, 68-9, 73, 79, 85-8, 93, 96-7, 111-2, 114-5, 119, 123, 125-130, 141, 147, 154-7, 159-60 tradition of, 29-30 archive, 15, 124, 126-7,131-3, 135-7. See abo Security Services Archive (Czech Republic) archival television shows, 64 authenticity, 104 in representation, 114, 119, 131, 137-40, 142 Babiš, Andrej, 4, 161 Beneš, Edvard, 145 Black Barons (film, Sirovy), 46-7, 49, 51, 54 Bočan, Hynek, 34-5, 5 Bumerang (TV film), 34 Frog, The (TV film), 35, 44n Land Gone Wild, A (TV series), 33-4, 48, 61n, 140, 142 Uniform, The (TV film), 35, 44n Botas (shoes), 103-6, 111, 114 Boučková, Tereza, 88 Boym, Svetlana, 8-9, 11, 74, 76, 159 Brussels Style, 1 Burning Bush (mini series, Holland), 134, 136-140, 142, 145 camp, 17, 47, 55, 60, 75-6, 108 Černý, David, 35, 38 anti-fascist resistance memorial, 38-9 One Does Not Speak to Communists’ petition, 38 Pink Tank, 35-8 Charter 77, 40, 67, 88-9, 91, 144-5 child s perspective, 7-8, 46, 50-1, 53, 59, 84-7, 133 Cibulka, Petr, 37 Civic Democratic Party (ODS), 31,51 Civic Forum (OF), 30, 36, 144 Civic Movement (OH), 35, 38 comedy, 7, 11, 13-4, 20, 23n, 37, 46-51, 53, 58-9, 65-6, 70-2, 79-80, 84-5, 87-8, 90, 92-3, 97, 105, 107-8, 110, 114-9, 123-4, 130-2, 134, 136, 138-43, 155-6, 158 communism; communist regime, 8, 2In, 102, 124 in Czechoslovakia, 2, 4, 11-2, 18, 27-30, 32-4, 36-40, 46, 53, 56, 76, 78, 84, 126-8, 133, 141-2, 155-6, 159-61 reform communism, 13, 28, 32, 40, 112, 145 Communist Party
(Czechoslovakia), 1, 3, 4, 2In, 28-9, 34, 36, 40, 47, 112, 134, 145,155, 156 Communist Party of Bohemia and Moravia. See KSČM Confederation of Political Prisoners, 18, 32-33,71,73 128, 141, 114, 118, 123 consumer products, 103, 108 Czech Republic, 89, 103-7 GDR, 17, 96, 105
174 · Index Cosy Dens (film, Hřebejk), б, 66, 70, 72-3, 76-9, 105, 114, 116, 117-8, 138, 140, 154 Czech Century (TV series), 143-7 Czech Television (public broadcaster), 4, 20, 34, 70-4, 86, 89, 107, 137, 143-144, 160 David, Michal, 65-6, 70 dissent, 12, 28, 36, 40, 88-9, 154 dissident, 5, 11, 20, 29, 30-2, 35, 38, 40, 47, 67, 69, 88-9, 92,113, 132, 134-5, 144-5 Doležal, Bohumil, 68-9 Don’t Stop (film, Řeřicha), 85, I48n Doušková, Irena, 85-8, 96, 142 B. Proudew, 86—7 Onegin was a Russky, 86-8 Drda, Adam, 68, 73 Earthly Paradisefor the Eyes, An (film, Pavlásková), 85, 88-9 East Germany, 7, 12, 14-7, 79, 103, 158 elites cultural, 19-20, 27-28, 30, 32, 38, 67-9, 132, 147, 160 and memory, 20, 67-8, 159, 160 political, 13, 28, 32, 36, 47, 130 End ofthe Long Vacation, Ћ е (TV series), 48 Engineer’s Odyssey (TV series), 71 English Strawberries (film, Drha), 118-9 Fair PUy (film, Sedláčková), 134, 136, 139-41 First Republic (Czechoslovakia), 15, 17, 24n, 30, 34, 40,113,139-40,142-3,157 First World War, 37, 93 Fish Blood (novel, Hájíček), 134 Forman, Miloš, 48, 90 genre, 7,13, 35,47-8, 54-55, 57, 67, 70, 74, 79, 85, 91-2, 97, 108, 112, 117-8, 124, 132,137,139-40,155-6 German Democratic Republic. See GDR GDR, 12,14-17, 69, 97,105, 114, 157. See ако East Germany Goddesses ofŽítková, The (novel, Tučkova), 133-5, 137 Good Bye, Lenin! (film, Becker), 14-7, 158 Gott, Karel, 66-70, 72-4, 76-7, 159 Grainge, Paul, 55, 59, 78 Havel, Václav, 27-8, 31, 35, 67, 88-90, 127, 144-5 Heroes Like Us (film, Peterson), 14 heroism, 7, 17, 21, 27, 32-3, 35, 40, 48, 57, 85, 117, 123-5, 127-30,134-5,
138-45, 147,154-7,159-60 Czech cultural tradition of, 33-34, 88, 93 petty heroism, 20, 57-8, 78-9, 84, 89, 92-7, 117-9, 124, 131-2, 140^, 155-6 in Polish culture, 140 Hesitations of ChefSvatopluk, The (TV series), 71 Hipsters (film, Todorovsky), 96, 110 Hostage, The (film, Nvota), 8, 14, 50 House ofthe Deaf, The (novel, Krištúfek), 132 House ofthe Sun, The (film, Sukachev), 51, 96 Hot Summer of’68, Ће (novel, Klimáček), 132 Hrabal, Bohumil, 90 Hřebejk, Jan, 6, 14, 53-5, 66, 70, 72, 77-8, 85-6, 88, 105, 108, 134-5, 138, 154 humour, 7-8, 14-5, 17, 46-51, 53, 56, 58, 64, 75-6, 84-7, 92, 94, 97,114, 117-8, 124, 141-2 Hus, Jan; Hussites, 33-4 Husák, Gustáv, 51, 68, 84, 89, 128 Identity Card, The film (Trojan), 85, 92, 95, 124 novel (Sabach), 92-6, 124, 140 Informer, The (film, Nvota), 14, 136 Institute for the Study of Totalitartan Regimes, 4, 18, 39, 123. See ако ÚSTR In the Shadow (film, Ondříček), 134, 136, 139-42 Iron Curtain, 30, 48, 50, 53, 56, 104
Index · 175 irony, 5, 7-9,11-2,14, 17, 34, 36-7, 39, 49-53, 55, 59, 66-7, 75-76, 78, 87, 92, 95, 101-2, 104, 106, ПО, 130, 134, 138, 146, 158-9 Jackal Years (film, Hřebejk), 54-6, 72, 75, 77, 108 Jameson, Fredric, 23n, 52-3, 158 Jarchovský Petr, 53, 72, 91-2, 95 Jireš, Jaromil, 91 Just One Spring (novel, Baláž), 90 Kawasaki’s Rose (film, Hřebejk), 88, 134-7, 141, 147 kitsch, 46, 55-6, 58-60, 103, 106 Klaus, Václav, 30-1, 38, 47, 50, 69, 70 Kleinruppin Forever (film, Fiebeler), 16, 157 Kofola, 103-4, 106, 111, 114 Kohout, Pavel, 89, 92 Kolya (film, Svěrák), 6, 56-9, 77-8, 85, 136 Krapfl, James, 7, 47 KSČM, 1, 28, 30-2, 37-39 Kundera, Milan, 132, 135 Book ofLaughter and Forgetting, The, 68 Joke, The, 47 ‘Kundera affair’, 127, 135, 137 Tragedy of Central Europe, The, 36 UnbearabU Lightness ofBeing, The, 58 Land Gone Wild, A (novel, TV series). See Stránský Jiří Lives of Others, The (film, von Donnersmarck), 136, 138 Love Letter in Cuneiform (novel, Zmeškal), 133-4, 147 Lukeš, Zdeněk, 68-9 lustration, 28, 37 Mad Men (TV series), 115, 158 Magnesia Litera prize, 150n Markíza (TV channel), 71 Masaryk, Tomáš Garrigue, 27, 33, 113 Mašín, Ctirad and Josef, 127, 129, 132, 140-1 Mayer, Françoise, 5, 11, 33 media, 1, 3-6, 12-3, 20-1, 27-8, 31, 38, 41-2n, 65, 67, 69-70, 73, 75, 109, 112, 125, 127, 129, 146, 156, 160 memory-making media, 19, 142 memory, 3-5, 8, 11-4, 17-21, 27, 32-4, 36, 39, 49, 65-71,88-9,91, 104, 107-8, 115, 117, 119, 123-33, 135-6, 141-3, 146-7, 154-60 collective, 5, 18, 32, 35, 128, 156, 159 communicative, 18-9, 132, 159-60 cultural, 2, 4-7, 18-9, 27-8, 52, 65, 69,
84-5, 97, 101-2, 119, 131-2, 158-9 memory film, 142, 145-6 memory politics, 4, 18-20, 40, 123-6, 128, 130, 146-7, 156, 160 Menzel, Jiří, 48, 90-1 Museum of Communism (Prague), 9 musical, 53-5,72, 107-8, 110 My Sweet Little Village (film, Menzel), 91 national identity, 7, 19, 147, 156 Czech, 15, 28, 33-4, 126, 141, 157 German, 14-6 Nazism, 3, 15, 39, 123 equivalence to communism, 41, 123-4, 126, 130, 160 neoliberalism, 30-1, 42n New Wave (Czechoslovakia), 48, 90 Normalization, 7, 28, 37-8, 40, 48-51, 67-8, 71, 84-5, 88-91, 93, 95-6, 101-2, 104, 112, 117, 124, 139 nostalgia, 1-2, 8-14, 17, 41, 49, 51-2, 54, 58-60, 65-7, 74, 76, 86-7, 94, 97, 102, 104, 106, 115, 119, 139, 142, 156-9 for East Germany {see Ostalgie) postmodern, 9, 52-3, 101-2 postsocialist, 8-9, 13, 20, 28, 79, 84, 103, 157-9 for resistance, 8, 78-9, 84, 86, 94-7, 157-8 Nova (TV channel), 29, 71 One Does Not Speak to Communists’, 38, 40, 160
176 · Index Operation Danube (film, Głomb), 118 Opposition Agreement, 31, 43n Ostalgie, 7, 11-17, 51-2, 69, 79, 96-7, 103, 105,113, 157-9 Palach, Jan, 33, 124, 137, 140 pastiche, 52, 54, 75, 77, 102, 106, 110-1, 115-6, 131 Patočka, Jan, 145 Peňás, Jiří, 54, 58, 74, 89 Piece ofSky, A, (film, Nikolaev) 35 Pink Tank. See under Černý, David Pišťanek, Peter, 50 Platform for European Memory and Conscience, 130 Podebal (artistic collective), 37 Poláček, Karel, 50, 86 political prisoners, 5, 20, 29, 34-5, 40, 73, 134. See also Confederation of Political Prisoners Post Bellum (organization), 127-8, 135 postmodernism, 9, 40, 49, 52-6, 59, 75-6, 101-2, 110, 116-7, 158-9 Prague Declaration on European Conscience and Communism, 124 Prague Spring, 40, 77, 84, 90, 102, 111-3, 116, 126, 138,145 Pupendo (film, Hřebejk), 85, 154—5 Rebels, The (film, Renč), 107-114, 116-7, 131, 138-9 reception, 5-6, 9, 19-20, 25n, 36, 66, 70, 73-4,101,104, 111, 114, 118, 159 Red Captain (film, Kollár), 14 reform socialism. See under communism, communist regime Reifová, Irena, 20, 67, 159 resistance, 3, 7-8, 12, 15, 20-1, 58, 89, 124-30, 147, 158-60. See ако Third Resistance anticommunist, 3, 27, 32-5, 40, 48, 123, 141, 160 antifascist, 38-9 in representation, 84-5, 91-7, 115-6, 118-9, 124, 132, 142, 154-7 {see ако petty heroism) retro, 5, 9, 11, 14, 20, 52, 54-6, 59-60, 65, 70, 72-3, 75-7, 79,102-4,107-111, 114-9, 123-4, 130-1, 134, 137, 139֊ 43, 144-5, 155,158-9, 161 in material culture, 104-7 and postmodern nostalgia, 9, 17, 52-3, 75, 158-9 TV programme, 64 in Western culture, 52, 102-103, 115 retrochic,
54, 108 Rustic Baroque {nová, Hájíček), 133, 135 Sabach, Petr, 53, 59, 72, 78, 85-7, 91, 108, 132 How to Sink Australia, 53 Identity Card, The, 92-6,124, 140 ‘Jackal Years’, 54 Second World War, 30, 33-5, 38-9, 52, 93, 114, 125, 127,142 Security Services Archive (Czech Republic), 124-6, 128, 131, 137, 141 Scalpel, PUase (film, Svoboda), 91 Skalník, Joska, 127, 135 Skvorecký, Josef, 47, 93 literary prize, 150η Slovakia, 3, 11, 13, 15, 28, 32-33, 65, 71-2, 90, 123, 132 and 1968, 28-29, 118 film production, 8, 13-14, 50, 136 in representation, 15, 107-8, 113, 116 Social Democratic Party (ČSSD), 30-1, 37 So Far So Good (novel, Novák), 129, 132 Soviet Union, 27, 35-6, 40, 74, 92, 96,102, 118, 132, 144,157 Stasi, 15, 137 State Security (Czechoslovakia). See StB Stb, 4, 37, 124, 126, 131, 134-7, 141, 147 Štindl, Ondřej, 68, 144 stiob, 92-3, 131 Stránky, Jiří, 33-5, 48, 59, 73 Auction, The (novel), 33, 140 Bumerang (TV film), 34 Frog, The (TV film), 35, 44n Land Gone Wild, A (novel), 33, 140 Land Gone Wild, A (TV series), 33-4, 48, 142
Index · 177 Piece ofSky, A (film), 35, 44n Uniform, The (TV film), 35, 44n Stories ofthe Twentieth Century, 161 students, 40, 104 in 1989, 3 International Students’ Day, 3 ‘Thank you, time to go’ initiative, 43n Sun Alley (film, Haußmann), 8, 14, 16, 51, 96 Svoboda, Jiří, 91 Švejk, 37, 48, 75, 92-3 Svěrák, Jan, 6, 52, 56, 85, 135 Svěrák, Zdeněk, 48, 56, 58 Švorcová, Jiřina, 29 Tank Battalion, The (film, Olmer), 46-7, 49, 54 Teacher, The (film, Hřebejk), 14 Tell Me a Story (TV series, Arichtev), 4, 20, 34, 40, 85, 107-13, 116-7, 137, 139 Theatre on the Balustrades, 89-90 Third Resistance, 35, 130, 135, 141 Act on (2011), 35, 128-9 Ћгпу Cases ofMajor Zeman, The (TV series, Sequens), 66, 70-6, 79, 102, 111, 159 Tigrid, Pavel, 29-30 Tito and Me (film, Markovié), 7 totalitarianism, 3, 7, 12, 21n, 29, 39-40, 88, 123, 125-6, 129-30, 142, 156-7, 160 and totalita, 2In, 126 transitional justice, 6, 18, 47 trauma, 13-4, 46, 48-51, 117-9, 128, 130, 132-3,138,141, 155-6, 160 underground, 28, 95, 110, 112, 144 ÚSTR, 123-32, 135 Velčovský, Maxim, 106 Velvet Revolution, 2, 5, 11, 30, 47, 54, 113, 128, 155 anniversary of, 3-4 in representation, 56, 124, 144 Viewegh, Michal, 49, 78, 85, 133 Bliss Was It in Bohemia, 7, 49-53, 55, 85-7, 92, 133 Bringing up Girls in Bohemia, 53 Vergangenheitsbewältigung, 3, 53, 58 Vondráčková, Helena, 66 Walking Too Fast (film, Špaček), 88, 134, 136, 139, 147 Warsaw Pact invasion of Czechoslovakia (1968), 7 in representation, 72, 78, 107, 111, 116-9, 138 We Take What Comes (novel, Nosková), 133—4 Wisdom Teeth (TV film, Strach), 89, I48n Woman Behind the Counter
(TV series), 91 World under One’s Head (TV series), 161 World War I. See First World War World War II. See Second World War Young Man and the White Whale, The, (film, Jireš) 91 Yugonostalgia, 12 Zeman, Miloš, З Staatsbibliothek Mönchen |
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Contents List of Figures viii Acknowledgements ix List of Abbreviations xi Introduction Returning to the Past 1 Chapter 1 Painting the Past Black and White: Czech Anticommunism after 1989 27 Chapter 2 The Past as Comedy: Representing Socialism in the 1990s 46 Chapter 3 The Late 199Os: Contesting the Past through Popular Culture 64 Chapter 4 Petty Heroism: Nostalgia for Resistance 84 Chapter 5 The Politics and Aesthetics of Retro 101 Chapter 6 Changing Memory Landscapes in the 2000s 123 Conclusion Socialism Remembered 154 Bibliography Index 163 173
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170 · Bibliography Tyl, J. ‘Autorský subjekt jako osvoboditel (sebe sama)’. Iniciály 4(36) (1993), 25-26. Valeš, L. ‘Antikomunismus jako nová politická ideologie?’, in P. Kopeček et al. (eds), Společenskovědní aspekty fenoménu vyrovnání se s minulostí v kontextu výchovy k občanství. Prague: Nakladatelství Epocha, 2013, 60-81. Velikonja, M. ‘Lost in Transition: Nostalgia for Socialism in Post-socialist Countries’. East European Politics and Societies 23(4) (2009), 535-51. Viewegh, M. Báječná léta podpsa. Prague: Československý spisovatel, 1992. ---------- . Výchova dívek v Čechách. Prague: Český spisovatel, 1994. ----------. Bliss Was It in Bohemia, trans. D. Short. London: Jantar Publishing, 2015. White, H., Metahistory: The Historical Imagination in Nineteenth-Century Europe. Baltimore: Johns Hopkins University Press, 1973. Williams, K. ‘National Myths in the New Czech Liberalism’, in G. Hosking and G. Schöpflin (eds), Myths and Nationhood. London: Hurst, 1997, 132-40. Williams, R. The Long Revolution. London: Penguin, 1965. Wirsching, A. Der Preis der Freiheit: Geschichte Europas in unserer Zeit. Munich: C.H. Beck, 2012. Yurchak, A. Everything was Forever, Until It was No More: The Last Soviet Generation. Princeton: Princeton University Press, 2006. ----------. ‘Post-post-communist Sincerity: Pioneers, Cosmonauts, and Other Soviet Heroes Born Today’, in T. Lahusen and R H. Solomon, Jr. (eds), What Is Soviet Now? Identities, Legacies, Memories. Berlin: Lit Verlag, 2008, 257-76. Žáček, P. Boje o minulost: Deset kt vyrovnáváni se s komunistickou minulostí—pokus o předběžnou
bilanci. Brno: Barrister and Principal, 2000. Zmeškal, T. Milostný dopis klínovým písmem. Prague: Torst, 2008. Zmeškal, T. Love Letter in Cuneiform, trans. A. Zucker. New Haven: Yale University Press, 2016. Film, Television and Theatre Productions Anglické jahody [English Strawberries). Vladimír Drha (director), Martin Šafránek (screen writer). Czech Republic/Slovakia/Ukraine, 2008. Beseda k seriálu Dieet případů Majora Zemana (Debate Accompanying the Series The Thirty Cases of Major Zeman). Marek Straka (director). Česká televize. Czech Republic, 1999. Bumerang [Boomerang. Hynek Bočan (director), Jiří Stránský (screenwriter). Czech Republic, 1996. Černí baroni [Black Barons). Zdeněk Sírový (director, screenwriter), Miloslav Svad rl ík (screen writer). Czechoslovakia, 1992. Červený kapitán [Red Captain). Michal Kollár (director, screenwriter), Miro Šifra and Anna Fifíkova (screenwriters). Slovakia/Czech Republic/Poland, 2016. České stokti [The Czech Century). Robert Sedláček (director), Pavel Kosatik (screenwriter). Česká televize, nine episodes. Czech Republic, 2013-14. Das Leben der Anderen [The Lives of Others). Florian Henckel von Donnersmarck (director, screenwriter). Germany, 2006. Dorn solntsa [The House ofSuri). Garik Sukachev (director, screenwriter), Nataliya Pavlovskaya and Ivan Okhlobystin (screenwriters). Russia, 2010. Don’t Stop. Richard Řeřicha (director, screenwriter). Czech Republic/Slovakia, 2012. Eitébák [TheInformer). Juraj Nvota (director), Ľubomír Slivka (screenwriter). Czech Republic/ Slovakia/Poland, 2012.
Bibliography · 171 Fair Play. Andrea Sedláčková (director, screenwriter). Czech Republic/Slovakia/ Germany, 2014. Good Bye, Lenin! Wolfgang Becker (director, screenwriter), Bernd Lichtenberg (screenwriter). Germany, 2003. Helden Wie Wir {Heroes Like Us). Sebastian Peterson (director, screenwriter), Thomas Brussig and Markus Dittrich (screenwriters). Germany, 1999. Hořící keř {Burning Bush). Agnieszka Holland (director), Štěpán Hűlik (screenwriter). HBO, mini-series. Czech Republic/Poland, 2013. Inženýrská odysea {The Engineer’s Odyssey). Evžen Sokolovský (director), Jaroslav Dietl (screen writer). Československá televize, thirteen episodes. Czechoslovakia, 1979. Kawasakiho mže {Kawasaki’s Rose). Jan Hřebejk (director), Petr Jarchovský (screenwriter). Czech Republic, 2009. TQeinruppin Forever. Carsten Fiebeler (director), Peer Klehmet and Sebastian Wehlings (screenwriters). Germany, 2004. Kolja (Kolya). Jan Svěrák (director), Zdeněk Svěrák (screenwriter). Czech Republic, 1996. Konec velkých prázdnin {The End of the Long Vacation). Miloslav Luther (director), Pavel Kohout and Jelena Mašinová (screenwriters). Česká televize, six episodes. Czech Republic, 1994. Kousek nebe {A Piece of Sky). Petr Nikolaev (director), Jiří Stránský (screenwriter). Czech Republic, 2005. Mad Men. Matthew Weiner (creator). Weiner Bros./AMC, ninety-two episodes (seven seasons). USA, 2007-2010, 2011-15. Mladý muž a bílá velryba {The Young Man and the White Whale). Jaromil Jireš (director), Mária Dufková-Rudlovčáková (screenwriter). Czechoslovakia, 1978. Občanský průkaz {The Identity Card). Ondřej
Trojan (director), Petr Jarchovský (screenwriter). Czech Republic/Slovakia, 2010. Operace Dunaj {Operation Danube). Jacek Głomb (director), Jacek Kondracki and Robert Urbański (screenwriters). Czech Republic/Poland, 2009. Osmy {Wisdom Teeth). Jiří Strach (director), Marek Epstein (screenwriter). Česká televize. Czech Republic, 2014. Pelßky {Cosy Dens). Jan Hřebejk (director), Petr Jarchovský (screenwriter). Czech Republic, 1999. Pouta {Walking Too Fast). Radim Špaček (director), Ondřej Štindl (screenwriter). Czech Republic/Slovakia, 2009. Příběhy dvacátého století {Stories of the Twentieth Century). Viktor Portel, Radim Špaček, Petr Hátle and Janek Kroupa (directors), Adam Drda, Mikuláš Kroupa and Tomáš Netočný (screenwriters). Česká televize, sixteen episodes. Czech Republic, 2017. Pupendo. Jan Hřebejk (director), Petr Jarchovský (screenwriter). Czech Republic, 2003. Rebelové {The Rebels). Filip Renč (director), Zdeněk Zelenka (director, screenwriter). Czech Republic, 2001. Rozpaky kuchaře Svatopluka {The Hesitations of Chef Svatopluk). František Filip (director, screenwriter), Jaroslav Died (screenwriter). Československá televize, thirteen episodes. Czechoslovakia, 1984. Rukojemník {The Hostage). Juraj Nvota (director), Peter Pištanek and Marian Urban (screen writers). Slovakia/Czech Republic, 2014. Šakalí léta {Jackal Years). Jan Hřebejk (director, screenwriter), Petr Jarchovský (screenwriter). Czech Republic, 1993. Šedá sedmdesátá aneb Husákovo ticho {Grey Seventies, or Husåk’s Quiet). Jan Mikulášek (director, writer), Dana Viceníková (writer). Theatre on the
Balustrades, Prague, 2013.
172 · Bibliography Skalpel, prosim {Scalpel, Please). Jiří Svoboda (director), Václav Nývlt (screenwriter). Czechoslovakia, 1985. Sonnenallee {Sun Alky). Leander Haußmann (director, screenwriter), Thomas Brussig (screen writer). Germany, 1999. Svét pod hlavou {The World under One’s Head). Radim Spaček and Marek Najbrt (directors), Ondřej Štindl, Robert Geisler and Benjamin Tuček (screenwriters). Česká televize, ten episodes. Czech Republic, 2017. Stilyagi {Hipsters). Valery Todorovsky (director), Yury Korotkov (screenwriter). Russia, 2008. Tankový prapor {The Tank Battalion). Vít Olmer (director, screenwriter), Radek John (screen writer). Czechoslovakia, 1991. Tito ija {Tito and Me). Goran Markovič (director, screenwriter). Yugoslavia, 1992. Tlustá čára za minulostß (A Thick Line behind the PastT). Debate accompanying the series The Thirty Cases of Major Zeman. Marek Straka (director). Česká televize. Czech Republic, 1999. Třicet případů majora Zemana {The Thirty Cases of Major Zeman). Jiří Sequens (director, screenwriter). Československá televize, thirty episodes. Czechoslovakia, 1974-79. Učiteľka {The Teacher). Jan Hřebejk (director), Petr Jarchovský (screenwriter). Slovakia/Czech Republic, 2016. Uniforma {The Uniform). Hynek Bočan (director), Jiří Stránský (screenwriter). Česká televize. Czech Republic, 2001. Vesničko má středisková {My Sweet Littk Vidage). Jiří Menzel (director), Zdeněk Svěrák (screen writer). Czechoslovakia, 1985. Ve stínu {In the Shadow). David Ondříček (director, screenwriter), Matek Epstein and Misha Votruba (screenwriters). Czech
Republic/Slovakia/Poland, 2012. Vyprávěj. {TellMe a Story). Biser Arichtev (director), Rudolf Merkner (screenwriter). Dramedy Productions/ Česká televize, 115 episodes (five seasons + bonuses). Czech Republic, 2009-13. Wszystko, co kocham {All That I Love). Jacek Borcuch (director, screenwriter). Poland, 2009. Žabák {The Frog). Hynek Bočan (director), Jiří Stránský (screenwriter). Česká televize. Czech Republic, 2001. Žena za pultem {The Woman behind the Counter). Jaroslav Dudek (director), Jaroslav Dietl (screenwriter), Československá televise, twelve episodes. Czechoslovakia, 1977. Zdivočelá země {A Land Gone Wild). Hynek Bočan (director, screenwriter), Jiří Stránský (screenwriter). Česká televize, forty-five episodes (four seasons). Czech Republic, 1997, 2001, 2008-9, 2012. Zlatá iedesátá aneb Deník Pavև J. {Golden Sixties, or the Diary of Pavel /.). Jan Mikulášek (director), Pavel Juráček (writer). Theatre on the Balustrades, Prague, 2013.
Index Aesopian language, 74-75 All That I Love (film, Borcuch), 51, 96 Anti-Charter, 67 anticommunism, 6, 12-3, 20, 21, 25n, 27-9, 31-3, 35-40, 46, 65-6, 68-9, 73, 79, 85-8, 93, 96-7, 111-2, 114-5, 119, 123, 125-130, 141, 147, 154-7, 159-60 tradition of, 29-30 archive, 15, 124, 126-7,131-3, 135-7. See abo Security Services Archive (Czech Republic) archival television shows, 64 authenticity, 104 in representation, 114, 119, 131, 137-40, 142 Babiš, Andrej, 4, 161 Beneš, Edvard, 145 Black Barons (film, Sirovy), 46-7, 49, 51, 54 Bočan, Hynek, 34-5, 5 Bumerang (TV film), 34 Frog, The (TV film), 35, 44n Land Gone Wild, A (TV series), 33-4, 48, 61n, 140, 142 Uniform, The (TV film), 35, 44n Botas (shoes), 103-6, 111, 114 Boučková, Tereza, 88 Boym, Svetlana, 8-9, 11, 74, 76, 159 Brussels Style, 1 Burning Bush (mini series, Holland), 134, 136-140, 142, 145 camp, 17, 47, 55, 60, 75-6, 108 Černý, David, 35, 38 anti-fascist resistance memorial, 38-9 One Does Not Speak to Communists’ petition, 38 Pink Tank, 35-8 Charter 77, 40, 67, 88-9, 91, 144-5 child s perspective, 7-8, 46, 50-1, 53, 59, 84-7, 133 Cibulka, Petr, 37 Civic Democratic Party (ODS), 31,51 Civic Forum (OF), 30, 36, 144 Civic Movement (OH), 35, 38 comedy, 7, 11, 13-4, 20, 23n, 37, 46-51, 53, 58-9, 65-6, 70-2, 79-80, 84-5, 87-8, 90, 92-3, 97, 105, 107-8, 110, 114-9, 123-4, 130-2, 134, 136, 138-43, 155-6, 158 communism; communist regime, 8, 2In, 102, 124 in Czechoslovakia, 2, 4, 11-2, 18, 27-30, 32-4, 36-40, 46, 53, 56, 76, 78, 84, 126-8, 133, 141-2, 155-6, 159-61 reform communism, 13, 28, 32, 40, 112, 145 Communist Party
(Czechoslovakia), 1, 3, 4, 2In, 28-9, 34, 36, 40, 47, 112, 134, 145,155, 156 Communist Party of Bohemia and Moravia. See KSČM Confederation of Political Prisoners, 18, 32-33,71,73 128, 141, 114, 118, 123 consumer products, 103, 108 Czech Republic, 89, 103-7 GDR, 17, 96, 105
174 · Index Cosy Dens (film, Hřebejk), б, 66, 70, 72-3, 76-9, 105, 114, 116, 117-8, 138, 140, 154 Czech Century (TV series), 143-7 Czech Television (public broadcaster), 4, 20, 34, 70-4, 86, 89, 107, 137, 143-144, 160 David, Michal, 65-6, 70 dissent, 12, 28, 36, 40, 88-9, 154 dissident, 5, 11, 20, 29, 30-2, 35, 38, 40, 47, 67, 69, 88-9, 92,113, 132, 134-5, 144-5 Doležal, Bohumil, 68-9 Don’t Stop (film, Řeřicha), 85, I48n Doušková, Irena, 85-8, 96, 142 B. Proudew, 86—7 Onegin was a Russky, 86-8 Drda, Adam, 68, 73 Earthly Paradisefor the Eyes, An (film, Pavlásková), 85, 88-9 East Germany, 7, 12, 14-7, 79, 103, 158 elites cultural, 19-20, 27-28, 30, 32, 38, 67-9, 132, 147, 160 and memory, 20, 67-8, 159, 160 political, 13, 28, 32, 36, 47, 130 End ofthe Long Vacation, Ћ е (TV series), 48 Engineer’s Odyssey (TV series), 71 English Strawberries (film, Drha), 118-9 Fair PUy (film, Sedláčková), 134, 136, 139-41 First Republic (Czechoslovakia), 15, 17, 24n, 30, 34, 40,113,139-40,142-3,157 First World War, 37, 93 Fish Blood (novel, Hájíček), 134 Forman, Miloš, 48, 90 genre, 7,13, 35,47-8, 54-55, 57, 67, 70, 74, 79, 85, 91-2, 97, 108, 112, 117-8, 124, 132,137,139-40,155-6 German Democratic Republic. See GDR GDR, 12,14-17, 69, 97,105, 114, 157. See ако East Germany Goddesses ofŽítková, The (novel, Tučkova), 133-5, 137 Good Bye, Lenin! (film, Becker), 14-7, 158 Gott, Karel, 66-70, 72-4, 76-7, 159 Grainge, Paul, 55, 59, 78 Havel, Václav, 27-8, 31, 35, 67, 88-90, 127, 144-5 Heroes Like Us (film, Peterson), 14 heroism, 7, 17, 21, 27, 32-3, 35, 40, 48, 57, 85, 117, 123-5, 127-30,134-5,
138-45, 147,154-7,159-60 Czech cultural tradition of, 33-34, 88, 93 petty heroism, 20, 57-8, 78-9, 84, 89, 92-7, 117-9, 124, 131-2, 140^, 155-6 in Polish culture, 140 Hesitations of ChefSvatopluk, The (TV series), 71 Hipsters (film, Todorovsky), 96, 110 Hostage, The (film, Nvota), 8, 14, 50 House ofthe Deaf, The (novel, Krištúfek), 132 House ofthe Sun, The (film, Sukachev), 51, 96 Hot Summer of’68, Ће (novel, Klimáček), 132 Hrabal, Bohumil, 90 Hřebejk, Jan, 6, 14, 53-5, 66, 70, 72, 77-8, 85-6, 88, 105, 108, 134-5, 138, 154 humour, 7-8, 14-5, 17, 46-51, 53, 56, 58, 64, 75-6, 84-7, 92, 94, 97,114, 117-8, 124, 141-2 Hus, Jan; Hussites, 33-4 Husák, Gustáv, 51, 68, 84, 89, 128 Identity Card, The film (Trojan), 85, 92, 95, 124 novel (Sabach), 92-6, 124, 140 Informer, The (film, Nvota), 14, 136 Institute for the Study of Totalitartan Regimes, 4, 18, 39, 123. See ако ÚSTR In the Shadow (film, Ondříček), 134, 136, 139-42 Iron Curtain, 30, 48, 50, 53, 56, 104
Index · 175 irony, 5, 7-9,11-2,14, 17, 34, 36-7, 39, 49-53, 55, 59, 66-7, 75-76, 78, 87, 92, 95, 101-2, 104, 106, ПО, 130, 134, 138, 146, 158-9 Jackal Years (film, Hřebejk), 54-6, 72, 75, 77, 108 Jameson, Fredric, 23n, 52-3, 158 Jarchovský Petr, 53, 72, 91-2, 95 Jireš, Jaromil, 91 Just One Spring (novel, Baláž), 90 Kawasaki’s Rose (film, Hřebejk), 88, 134-7, 141, 147 kitsch, 46, 55-6, 58-60, 103, 106 Klaus, Václav, 30-1, 38, 47, 50, 69, 70 Kleinruppin Forever (film, Fiebeler), 16, 157 Kofola, 103-4, 106, 111, 114 Kohout, Pavel, 89, 92 Kolya (film, Svěrák), 6, 56-9, 77-8, 85, 136 Krapfl, James, 7, 47 KSČM, 1, 28, 30-2, 37-39 Kundera, Milan, 132, 135 Book ofLaughter and Forgetting, The, 68 Joke, The, 47 ‘Kundera affair’, 127, 135, 137 Tragedy of Central Europe, The, 36 UnbearabU Lightness ofBeing, The, 58 Land Gone Wild, A (novel, TV series). See Stránský Jiří Lives of Others, The (film, von Donnersmarck), 136, 138 Love Letter in Cuneiform (novel, Zmeškal), 133-4, 147 Lukeš, Zdeněk, 68-9 lustration, 28, 37 Mad Men (TV series), 115, 158 Magnesia Litera prize, 150n Markíza (TV channel), 71 Masaryk, Tomáš Garrigue, 27, 33, 113 Mašín, Ctirad and Josef, 127, 129, 132, 140-1 Mayer, Françoise, 5, 11, 33 media, 1, 3-6, 12-3, 20-1, 27-8, 31, 38, 41-2n, 65, 67, 69-70, 73, 75, 109, 112, 125, 127, 129, 146, 156, 160 memory-making media, 19, 142 memory, 3-5, 8, 11-4, 17-21, 27, 32-4, 36, 39, 49, 65-71,88-9,91, 104, 107-8, 115, 117, 119, 123-33, 135-6, 141-3, 146-7, 154-60 collective, 5, 18, 32, 35, 128, 156, 159 communicative, 18-9, 132, 159-60 cultural, 2, 4-7, 18-9, 27-8, 52, 65, 69,
84-5, 97, 101-2, 119, 131-2, 158-9 memory film, 142, 145-6 memory politics, 4, 18-20, 40, 123-6, 128, 130, 146-7, 156, 160 Menzel, Jiří, 48, 90-1 Museum of Communism (Prague), 9 musical, 53-5,72, 107-8, 110 My Sweet Little Village (film, Menzel), 91 national identity, 7, 19, 147, 156 Czech, 15, 28, 33-4, 126, 141, 157 German, 14-6 Nazism, 3, 15, 39, 123 equivalence to communism, 41, 123-4, 126, 130, 160 neoliberalism, 30-1, 42n New Wave (Czechoslovakia), 48, 90 Normalization, 7, 28, 37-8, 40, 48-51, 67-8, 71, 84-5, 88-91, 93, 95-6, 101-2, 104, 112, 117, 124, 139 nostalgia, 1-2, 8-14, 17, 41, 49, 51-2, 54, 58-60, 65-7, 74, 76, 86-7, 94, 97, 102, 104, 106, 115, 119, 139, 142, 156-9 for East Germany {see Ostalgie) postmodern, 9, 52-3, 101-2 postsocialist, 8-9, 13, 20, 28, 79, 84, 103, 157-9 for resistance, 8, 78-9, 84, 86, 94-7, 157-8 Nova (TV channel), 29, 71 One Does Not Speak to Communists’, 38, 40, 160
176 · Index Operation Danube (film, Głomb), 118 Opposition Agreement, 31, 43n Ostalgie, 7, 11-17, 51-2, 69, 79, 96-7, 103, 105,113, 157-9 Palach, Jan, 33, 124, 137, 140 pastiche, 52, 54, 75, 77, 102, 106, 110-1, 115-6, 131 Patočka, Jan, 145 Peňás, Jiří, 54, 58, 74, 89 Piece ofSky, A, (film, Nikolaev) 35 Pink Tank. See under Černý, David Pišťanek, Peter, 50 Platform for European Memory and Conscience, 130 Podebal (artistic collective), 37 Poláček, Karel, 50, 86 political prisoners, 5, 20, 29, 34-5, 40, 73, 134. See also Confederation of Political Prisoners Post Bellum (organization), 127-8, 135 postmodernism, 9, 40, 49, 52-6, 59, 75-6, 101-2, 110, 116-7, 158-9 Prague Declaration on European Conscience and Communism, 124 Prague Spring, 40, 77, 84, 90, 102, 111-3, 116, 126, 138,145 Pupendo (film, Hřebejk), 85, 154—5 Rebels, The (film, Renč), 107-114, 116-7, 131, 138-9 reception, 5-6, 9, 19-20, 25n, 36, 66, 70, 73-4,101,104, 111, 114, 118, 159 Red Captain (film, Kollár), 14 reform socialism. See under communism, communist regime Reifová, Irena, 20, 67, 159 resistance, 3, 7-8, 12, 15, 20-1, 58, 89, 124-30, 147, 158-60. See ако Third Resistance anticommunist, 3, 27, 32-5, 40, 48, 123, 141, 160 antifascist, 38-9 in representation, 84-5, 91-7, 115-6, 118-9, 124, 132, 142, 154-7 {see ако petty heroism) retro, 5, 9, 11, 14, 20, 52, 54-6, 59-60, 65, 70, 72-3, 75-7, 79,102-4,107-111, 114-9, 123-4, 130-1, 134, 137, 139֊ 43, 144-5, 155,158-9, 161 in material culture, 104-7 and postmodern nostalgia, 9, 17, 52-3, 75, 158-9 TV programme, 64 in Western culture, 52, 102-103, 115 retrochic,
54, 108 Rustic Baroque {nová, Hájíček), 133, 135 Sabach, Petr, 53, 59, 72, 78, 85-7, 91, 108, 132 How to Sink Australia, 53 Identity Card, The, 92-6,124, 140 ‘Jackal Years’, 54 Second World War, 30, 33-5, 38-9, 52, 93, 114, 125, 127,142 Security Services Archive (Czech Republic), 124-6, 128, 131, 137, 141 Scalpel, PUase (film, Svoboda), 91 Skalník, Joska, 127, 135 Skvorecký, Josef, 47, 93 literary prize, 150η Slovakia, 3, 11, 13, 15, 28, 32-33, 65, 71-2, 90, 123, 132 and 1968, 28-29, 118 film production, 8, 13-14, 50, 136 in representation, 15, 107-8, 113, 116 Social Democratic Party (ČSSD), 30-1, 37 So Far So Good (novel, Novák), 129, 132 Soviet Union, 27, 35-6, 40, 74, 92, 96,102, 118, 132, 144,157 Stasi, 15, 137 State Security (Czechoslovakia). See StB Stb, 4, 37, 124, 126, 131, 134-7, 141, 147 Štindl, Ondřej, 68, 144 stiob, 92-3, 131 Stránky, Jiří, 33-5, 48, 59, 73 Auction, The (novel), 33, 140 Bumerang (TV film), 34 Frog, The (TV film), 35, 44n Land Gone Wild, A (novel), 33, 140 Land Gone Wild, A (TV series), 33-4, 48, 142
Index · 177 Piece ofSky, A (film), 35, 44n Uniform, The (TV film), 35, 44n Stories ofthe Twentieth Century, 161 students, 40, 104 in 1989, 3 International Students’ Day, 3 ‘Thank you, time to go’ initiative, 43n Sun Alley (film, Haußmann), 8, 14, 16, 51, 96 Svoboda, Jiří, 91 Švejk, 37, 48, 75, 92-3 Svěrák, Jan, 6, 52, 56, 85, 135 Svěrák, Zdeněk, 48, 56, 58 Švorcová, Jiřina, 29 Tank Battalion, The (film, Olmer), 46-7, 49, 54 Teacher, The (film, Hřebejk), 14 Tell Me a Story (TV series, Arichtev), 4, 20, 34, 40, 85, 107-13, 116-7, 137, 139 Theatre on the Balustrades, 89-90 Third Resistance, 35, 130, 135, 141 Act on (2011), 35, 128-9 Ћгпу Cases ofMajor Zeman, The (TV series, Sequens), 66, 70-6, 79, 102, 111, 159 Tigrid, Pavel, 29-30 Tito and Me (film, Markovié), 7 totalitarianism, 3, 7, 12, 21n, 29, 39-40, 88, 123, 125-6, 129-30, 142, 156-7, 160 and totalita, 2In, 126 transitional justice, 6, 18, 47 trauma, 13-4, 46, 48-51, 117-9, 128, 130, 132-3,138,141, 155-6, 160 underground, 28, 95, 110, 112, 144 ÚSTR, 123-32, 135 Velčovský, Maxim, 106 Velvet Revolution, 2, 5, 11, 30, 47, 54, 113, 128, 155 anniversary of, 3-4 in representation, 56, 124, 144 Viewegh, Michal, 49, 78, 85, 133 Bliss Was It in Bohemia, 7, 49-53, 55, 85-7, 92, 133 Bringing up Girls in Bohemia, 53 Vergangenheitsbewältigung, 3, 53, 58 Vondráčková, Helena, 66 Walking Too Fast (film, Špaček), 88, 134, 136, 139, 147 Warsaw Pact invasion of Czechoslovakia (1968), 7 in representation, 72, 78, 107, 111, 116-9, 138 We Take What Comes (novel, Nosková), 133—4 Wisdom Teeth (TV film, Strach), 89, I48n Woman Behind the Counter
(TV series), 91 World under One’s Head (TV series), 161 World War I. See First World War World War II. See Second World War Young Man and the White Whale, The, (film, Jireš) 91 Yugonostalgia, 12 Zeman, Miloš, З Staatsbibliothek Mönchen |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Pehe, Veronika |
| author_GND | (DE-588)1210273756 |
| author_facet | Pehe, Veronika |
| author_role | aut |
| author_sort | Pehe, Veronika |
| author_variant | v p vp |
| building | Verbundindex |
| bvnumber | BV046676495 |
| classification_rvk | NQ 8275 |
| contents | Returning to the Past -- Painting the Past Black and White: Czech Anticommunism after -- The Past as Comedy: Representing Socialism in the 1990s -- The Late 1990s: Contesting the Past through Popular Culture -- Petty Heroism: Nostalgia for Resistance -- The Politics and Aesthetics of Retro -- Changing Memory Landscapes in the 2000s -- Socialism Remembered |
| ctrlnum | (OCoLC)1155073024 (DE-599)BVBBV046676495 |
| discipline | Geschichte |
| discipline_str_mv | Geschichte |
| era | Geschichte 1989-2009 gnd |
| era_facet | Geschichte 1989-2009 |
| format | Book |
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| geographic | Tschechien (DE-588)4303381-7 gnd |
| geographic_facet | Tschechien |
| id | DE-604.BV046676495 |
| illustrated | Illustrated |
| index_date | 2024-07-03T14:22:37Z |
| indexdate | 2024-12-06T09:08:11Z |
| institution | BVB |
| isbn | 9781789206289 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032087382 |
| oclc_num | 1155073024 |
| open_access_boolean | |
| owner | DE-12 DE-19 DE-BY-UBM DE-29 DE-11 DE-M457 |
| owner_facet | DE-12 DE-19 DE-BY-UBM DE-29 DE-11 DE-M457 |
| physical | x, 177 Seiten Illustrationen |
| psigel | BSB_NED_20200608 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Berghahn |
| record_format | marc |
| series | Worlds of memory |
| series2 | Worlds of memory |
| spelling | Pehe, Veronika Verfasser (DE-588)1210273756 aut Velvet retro postsocialist nostalgia and the politics of heroism in Czech popular culture Veronika Pehe New York ; Oxford Berghahn 2020 x, 177 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Worlds of memory volume 2 Returning to the Past -- Painting the Past Black and White: Czech Anticommunism after -- The Past as Comedy: Representing Socialism in the 1990s -- The Late 1990s: Contesting the Past through Popular Culture -- Petty Heroism: Nostalgia for Resistance -- The Politics and Aesthetics of Retro -- Changing Memory Landscapes in the 2000s -- Socialism Remembered "Scholars of state socialism have frequently invoked "nostalgia" to identify an uncritical longing for the utopian ambitions and lived experience of the former Eastern Bloc. However, this concept seems insufficient to describe memory cultures in the Czech Republic and other contexts in which a "retro" fascination with the past has proven compatible with a steadfast critique of the state socialist era. This innovative study locates a distinctively retro aesthetic in Czech literature, film, and other cultural forms, enriching our understanding of not only the nation's memory culture, but also the ways in which popular culture can structure collective memory"-- Geschichte 1989-2009 gnd rswk-swf Sozialismus Motiv (DE-588)4181963-9 gnd rswk-swf Kollektives Gedächtnis (DE-588)4200793-8 gnd rswk-swf Massenkultur (DE-588)4125858-7 gnd rswk-swf Tschechien (DE-588)4303381-7 gnd rswk-swf Czech Republic / Politics and government / 1993- Collective memory / Czech Republic Popular culture / Political aspects / Czech Republic Czechoslovakia / History / Velvet Revolution, 1989 National characteristics, Czech Collective memory Politics and government Popular culture / Political aspects Czech Republic Czechoslovakia Since 1989 History Tschechien (DE-588)4303381-7 g Massenkultur (DE-588)4125858-7 s Kollektives Gedächtnis (DE-588)4200793-8 s Sozialismus Motiv (DE-588)4181963-9 s Geschichte 1989-2009 z DE-604 Erscheint auch als Online-Ausgabe, ebk 978-1-78920-629-6 Worlds of memory volume 2 (DE-604)BV049085502 2 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032087382&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032087382&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032087382&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
| spellingShingle | Pehe, Veronika Velvet retro postsocialist nostalgia and the politics of heroism in Czech popular culture Worlds of memory Returning to the Past -- Painting the Past Black and White: Czech Anticommunism after -- The Past as Comedy: Representing Socialism in the 1990s -- The Late 1990s: Contesting the Past through Popular Culture -- Petty Heroism: Nostalgia for Resistance -- The Politics and Aesthetics of Retro -- Changing Memory Landscapes in the 2000s -- Socialism Remembered Sozialismus Motiv (DE-588)4181963-9 gnd Kollektives Gedächtnis (DE-588)4200793-8 gnd Massenkultur (DE-588)4125858-7 gnd |
| subject_GND | (DE-588)4181963-9 (DE-588)4200793-8 (DE-588)4125858-7 (DE-588)4303381-7 |
| title | Velvet retro postsocialist nostalgia and the politics of heroism in Czech popular culture |
| title_auth | Velvet retro postsocialist nostalgia and the politics of heroism in Czech popular culture |
| title_exact_search | Velvet retro postsocialist nostalgia and the politics of heroism in Czech popular culture |
| title_exact_search_txtP | Velvet retro postsocialist nostalgia and the politics of heroism in Czech popular culture |
| title_full | Velvet retro postsocialist nostalgia and the politics of heroism in Czech popular culture Veronika Pehe |
| title_fullStr | Velvet retro postsocialist nostalgia and the politics of heroism in Czech popular culture Veronika Pehe |
| title_full_unstemmed | Velvet retro postsocialist nostalgia and the politics of heroism in Czech popular culture Veronika Pehe |
| title_short | Velvet retro |
| title_sort | velvet retro postsocialist nostalgia and the politics of heroism in czech popular culture |
| title_sub | postsocialist nostalgia and the politics of heroism in Czech popular culture |
| topic | Sozialismus Motiv (DE-588)4181963-9 gnd Kollektives Gedächtnis (DE-588)4200793-8 gnd Massenkultur (DE-588)4125858-7 gnd |
| topic_facet | Sozialismus Motiv Kollektives Gedächtnis Massenkultur Tschechien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032087382&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032087382&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032087382&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV049085502 |
| work_keys_str_mv | AT peheveronika velvetretropostsocialistnostalgiaandthepoliticsofheroisminczechpopularculture |