Walter Benjamin and the aesthetics of film:
Walter Benjamin is today regarded as one of the leading thinkers of the twentieth century. Often captured in pensive pose, his image is now that of a serious intellectual. But Benjamin was also a fan of the comedies of Adolphe Menjou, Mickey Mouse, and Charlie Chaplin. As an antidote to repressive c...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Amsterdam University Press
[2020]
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| Zusammenfassung: | Walter Benjamin is today regarded as one of the leading thinkers of the twentieth century. Often captured in pensive pose, his image is now that of a serious intellectual. But Benjamin was also a fan of the comedies of Adolphe Menjou, Mickey Mouse, and Charlie Chaplin. As an antidote to repressive civilization, he developed, through these figures, a theory of laughter. Walter Benjamin and the Aesthetics of Film is the first monograph to thoroughly analyse Benjamin's film writings, contextualizing them within his oeuvre whilst also paying attention to the various films, actors, and directors that sparked his interest. The book situates all these writings with Benjamin's 'anthropological materialism', a concept that analyses the transformations of the human sensorium through technology. Through the term 'innervation', Benjamin thought of film spectatorship as an empowering reception that, through a rush of energy, would form a collective body within the audience, interpenetrating a liberated technology into the distracted spectators. Benjamin's writings on Soviet film and German cinema, Charlie Chaplin, and Mickey Mouse are analysed in relation to this posthuman constellation that Benjamin had started to dream of in the early twenties, long before he started to theorize about films |
| Beschreibung: | 1 Online-Ressource (i, 259 Seiten) |
| ISBN: | 9789048529353 |
| DOI: | 10.1515/9789048529353 |
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Datensatz im Suchindex
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| discipline | Allgemeines Germanistik / Niederlandistik / Skandinavistik Philosophie |
| discipline_str_mv | Allgemeines Germanistik / Niederlandistik / Skandinavistik Philosophie |
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| spelling | Mourenza, Daniel Verfasser (DE-588)1097415155 aut Walter Benjamin and the aesthetics of film Daniel Mourenza Amsterdam Amsterdam University Press [2020] © 2020 1 Online-Ressource (i, 259 Seiten) txt rdacontent c rdamedia cr rdacarrier Walter Benjamin is today regarded as one of the leading thinkers of the twentieth century. Often captured in pensive pose, his image is now that of a serious intellectual. But Benjamin was also a fan of the comedies of Adolphe Menjou, Mickey Mouse, and Charlie Chaplin. As an antidote to repressive civilization, he developed, through these figures, a theory of laughter. Walter Benjamin and the Aesthetics of Film is the first monograph to thoroughly analyse Benjamin's film writings, contextualizing them within his oeuvre whilst also paying attention to the various films, actors, and directors that sparked his interest. The book situates all these writings with Benjamin's 'anthropological materialism', a concept that analyses the transformations of the human sensorium through technology. Through the term 'innervation', Benjamin thought of film spectatorship as an empowering reception that, through a rush of energy, would form a collective body within the audience, interpenetrating a liberated technology into the distracted spectators. Benjamin's writings on Soviet film and German cinema, Charlie Chaplin, and Mickey Mouse are analysed in relation to this posthuman constellation that Benjamin had started to dream of in the early twenties, long before he started to theorize about films Benjamin, Walter 1892-1940 (DE-588)118509039 gnd rswk-swf Film, Media and Communication PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Aesthetics Filmästhetik (DE-588)4140881-0 gnd rswk-swf 1\p (DE-588)4113937-9 Hochschulschrift gnd-content Benjamin, Walter 1892-1940 (DE-588)118509039 p Filmästhetik (DE-588)4140881-0 s DE-604 Erscheint auch als Druck-Ausgabe 978-94-6298-017-4 https://doi.org/10.1515/9789048529353 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Mourenza, Daniel Walter Benjamin and the aesthetics of film Benjamin, Walter 1892-1940 (DE-588)118509039 gnd Film, Media and Communication PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Aesthetics Filmästhetik (DE-588)4140881-0 gnd |
| subject_GND | (DE-588)118509039 (DE-588)4140881-0 (DE-588)4113937-9 |
| title | Walter Benjamin and the aesthetics of film |
| title_auth | Walter Benjamin and the aesthetics of film |
| title_exact_search | Walter Benjamin and the aesthetics of film |
| title_exact_search_txtP | Walter Benjamin and the aesthetics of film |
| title_full | Walter Benjamin and the aesthetics of film Daniel Mourenza |
| title_fullStr | Walter Benjamin and the aesthetics of film Daniel Mourenza |
| title_full_unstemmed | Walter Benjamin and the aesthetics of film Daniel Mourenza |
| title_short | Walter Benjamin and the aesthetics of film |
| title_sort | walter benjamin and the aesthetics of film |
| topic | Benjamin, Walter 1892-1940 (DE-588)118509039 gnd Film, Media and Communication PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Aesthetics Filmästhetik (DE-588)4140881-0 gnd |
| topic_facet | Benjamin, Walter 1892-1940 Film, Media and Communication PERFORMING ARTS / Film & Video / History & Criticism Motion pictures Aesthetics Filmästhetik Hochschulschrift |
| url | https://doi.org/10.1515/9789048529353 |
| work_keys_str_mv | AT mourenzadaniel walterbenjaminandtheaestheticsoffilm |