The long front of culture: the Independent Group and exhibition design
"The Long Front of Culture is the first book-length treatment of the exhibition designs of the Independent Group and its key members: artists Richard Hamilton, Nigel Henderson, and Eduardo Paolozzi; architects Alison and Peter Smithson; critics Lawrence Alloway and Reyner Banham; and many other...
Gespeichert in:
1. Verfasser: | |
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Format: | Abschlussarbeit Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge, Massachusetts ; London, England
The MIT Press
[2020]
|
Schriftenreihe: | October books
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "The Long Front of Culture is the first book-length treatment of the exhibition designs of the Independent Group and its key members: artists Richard Hamilton, Nigel Henderson, and Eduardo Paolozzi; architects Alison and Peter Smithson; critics Lawrence Alloway and Reyner Banham; and many others. A pivotal research collaborative united by a shared interest in technology, popular culture, and lost histories of art, the IG came together in the 1950s at London's Institute of Contemporary Arts. There, as the story goes, they first put into practice a non-judgmental approach to the objects and pleasures of consumer culture that we now recognize as Pop Art. But if the IG gave rise to Pop, it also, Kevin Lotery argues, invented a form of research and experimentation that far exceeded the Pop label, one that could embrace all the sciences, technologies, aesthetic forms, and military-industrial discourses conditioning what they saw as a new chapter in the history of culture after the Second World War. They named this new phase the "long front" in order to get at the ways all visual production of the postwar period-from X-ray crystallography and painting down to science fiction and automotive design-seemed leveled within the non-hierarchical sameness of a horizontal field or "front." In his study, Lotery argues that the IG turned to exhibition design-that most cross-disciplinary technique of research, display, and spectator involvement-as the only medium capable of incorporating, reconfiguring, and ultimately, reimagining this expansive front of technologically-aided appliances, advertisements, films, and consumerist fantasies into new spatial set-ups and experiences"-- |
Beschreibung: | Based on the author's thesis (Ph.D.--Harvard University, 2015) under title: an exhibit/an aesthetic : the Independent Group and postward exhibition design |
Beschreibung: | xiv, 365 Seiten Illustrationen |
ISBN: | 9780262043892 0262043890 |
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Datensatz im Suchindex
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---|---|
adam_text |
CONTENTS
ACKNOWLEDGMENTS
INTRODUCTION:
EXHIBITING
THE
LONG
FRONT
1
2
THE
GROWTH
AND
FORM
OF
THE
INDEPENDENT
GROUP
PRIMARY
SOURCEBOOKS
INTERFA
CE
DIAGRAM
LENS
STRUCTURE
SEEDMAN
THE
NEW
EMPIRICISM
HENDERSON'S
VITAL
CAMERA
IN
THE
CONTINUUM
EYE-MINDED
THE
BRUTALIST
LINE
MEMORABILITY
XI
17
17
25
37
56
66
78
87
97
118
125
131
138
CONTENTS
3
METAL
IN
MOTION
14
3
FRAMEWORK
1
5
1
DAEDALUS
RENEWED
1
65
THE
PRODUCTION
OF
FANTA
S
Y
1
84
4
EMISSARIES
OF
THE
FORBIDDEN
PLANET
191
GROUP
2
AND
THE
CRAZY
HOU
SE
1
96
GROUP
6
AND
PATIO
AND
PAVILION
230
GROUP
12
AND
THE
TACKBOARD
247
5
AN
EXHIBIT
/
AN
AESTHETIC
251
"A
TEST
AND
AN
ENTERTAINM
ENT"
251
NETWORKS
OF
THE
MONO
C
HROM
E
26
1
ACCIDENT
270
READYMADE
AND
CONTRAST AG
ENT
284
ENDGAME:
EXHIBIT
2
AND
AFTER
298
TOWARD
A
DEFINITIVE
CONCLUSION
303
NOTES
3
1
9
INDEX
355
X |
adam_txt |
CONTENTS
ACKNOWLEDGMENTS
INTRODUCTION:
EXHIBITING
THE
LONG
FRONT
1
2
THE
GROWTH
AND
FORM
OF
THE
INDEPENDENT
GROUP
PRIMARY
SOURCEBOOKS
INTERFA
CE
DIAGRAM
LENS
STRUCTURE
SEEDMAN
THE
NEW
EMPIRICISM
HENDERSON'S
VITAL
CAMERA
IN
THE
CONTINUUM
EYE-MINDED
THE
BRUTALIST
LINE
MEMORABILITY
XI
17
17
25
37
56
66
78
87
97
118
125
131
138
CONTENTS
3
METAL
IN
MOTION
14
3
FRAMEWORK
1
5
1
DAEDALUS
RENEWED
1
65
THE
PRODUCTION
OF
FANTA
S
Y
1
84
4
EMISSARIES
OF
THE
FORBIDDEN
PLANET
191
GROUP
2
AND
THE
CRAZY
HOU
SE
1
96
GROUP
6
AND
PATIO
AND
PAVILION
230
GROUP
12
AND
THE
TACKBOARD
247
5
AN
EXHIBIT
/
AN
AESTHETIC
251
"A
TEST
AND
AN
ENTERTAINM
ENT"
251
NETWORKS
OF
THE
MONO
C
HROM
E
26
1
ACCIDENT
270
READYMADE
AND
CONTRAST AG
ENT
284
ENDGAME:
EXHIBIT
2
AND
AFTER
298
TOWARD
A
DEFINITIVE
CONCLUSION
303
NOTES
3
1
9
INDEX
355
X |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Lotery, Kevin |
author_GND | (DE-588)1066275718 |
author_facet | Lotery, Kevin |
author_role | aut |
author_sort | Lotery, Kevin |
author_variant | k l kl |
building | Verbundindex |
bvnumber | BV046669039 |
classification_rvk | LH 65827 |
ctrlnum | (OCoLC)1164611420 (DE-599)BVBBV046669039 |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
era | Geschichte 1946-1963 gnd |
era_facet | Geschichte 1946-1963 |
format | Thesis Book |
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spelling | Lotery, Kevin Verfasser (DE-588)1066275718 aut An exhibit/an aesthetic The long front of culture the Independent Group and exhibition design Kevin Lotery Cambridge, Massachusetts ; London, England The MIT Press [2020] xiv, 365 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier October books Based on the author's thesis (Ph.D.--Harvard University, 2015) under title: an exhibit/an aesthetic : the Independent Group and postward exhibition design Dissertation Harvard University 2015 "The Long Front of Culture is the first book-length treatment of the exhibition designs of the Independent Group and its key members: artists Richard Hamilton, Nigel Henderson, and Eduardo Paolozzi; architects Alison and Peter Smithson; critics Lawrence Alloway and Reyner Banham; and many others. A pivotal research collaborative united by a shared interest in technology, popular culture, and lost histories of art, the IG came together in the 1950s at London's Institute of Contemporary Arts. There, as the story goes, they first put into practice a non-judgmental approach to the objects and pleasures of consumer culture that we now recognize as Pop Art. But if the IG gave rise to Pop, it also, Kevin Lotery argues, invented a form of research and experimentation that far exceeded the Pop label, one that could embrace all the sciences, technologies, aesthetic forms, and military-industrial discourses conditioning what they saw as a new chapter in the history of culture after the Second World War. They named this new phase the "long front" in order to get at the ways all visual production of the postwar period-from X-ray crystallography and painting down to science fiction and automotive design-seemed leveled within the non-hierarchical sameness of a horizontal field or "front." In his study, Lotery argues that the IG turned to exhibition design-that most cross-disciplinary technique of research, display, and spectator involvement-as the only medium capable of incorporating, reconfiguring, and ultimately, reimagining this expansive front of technologically-aided appliances, advertisements, films, and consumerist fantasies into new spatial set-ups and experiences"-- Geschichte 1946-1963 gnd rswk-swf Pop-Art (DE-588)4076259-2 gnd rswk-swf Publikum (DE-588)4047764-2 gnd rswk-swf Massenkultur (DE-588)4125858-7 gnd rswk-swf Ausstellungsbau (DE-588)4143650-7 gnd rswk-swf The Independent Group (DE-588)4258140-0 gnd rswk-swf Beteiligung (DE-588)4006092-5 gnd rswk-swf Ausstellung (DE-588)4129601-1 gnd rswk-swf Independent Group (Association : Great Britain) Art / Exhibitions / Design (DE-588)4113937-9 Hochschulschrift gnd-content The Independent Group (DE-588)4258140-0 s Ausstellungsbau (DE-588)4143650-7 s Pop-Art (DE-588)4076259-2 s Massenkultur (DE-588)4125858-7 s Publikum (DE-588)4047764-2 s Beteiligung (DE-588)4006092-5 s Ausstellung (DE-588)4129601-1 s Geschichte 1946-1963 z DE-604 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032080042&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Lotery, Kevin The long front of culture the Independent Group and exhibition design Pop-Art (DE-588)4076259-2 gnd Publikum (DE-588)4047764-2 gnd Massenkultur (DE-588)4125858-7 gnd Ausstellungsbau (DE-588)4143650-7 gnd The Independent Group (DE-588)4258140-0 gnd Beteiligung (DE-588)4006092-5 gnd Ausstellung (DE-588)4129601-1 gnd |
subject_GND | (DE-588)4076259-2 (DE-588)4047764-2 (DE-588)4125858-7 (DE-588)4143650-7 (DE-588)4258140-0 (DE-588)4006092-5 (DE-588)4129601-1 (DE-588)4113937-9 |
title | The long front of culture the Independent Group and exhibition design |
title_alt | An exhibit/an aesthetic |
title_auth | The long front of culture the Independent Group and exhibition design |
title_exact_search | The long front of culture the Independent Group and exhibition design |
title_exact_search_txtP | The long front of culture the Independent Group and exhibition design |
title_full | The long front of culture the Independent Group and exhibition design Kevin Lotery |
title_fullStr | The long front of culture the Independent Group and exhibition design Kevin Lotery |
title_full_unstemmed | The long front of culture the Independent Group and exhibition design Kevin Lotery |
title_short | The long front of culture |
title_sort | the long front of culture the independent group and exhibition design |
title_sub | the Independent Group and exhibition design |
topic | Pop-Art (DE-588)4076259-2 gnd Publikum (DE-588)4047764-2 gnd Massenkultur (DE-588)4125858-7 gnd Ausstellungsbau (DE-588)4143650-7 gnd The Independent Group (DE-588)4258140-0 gnd Beteiligung (DE-588)4006092-5 gnd Ausstellung (DE-588)4129601-1 gnd |
topic_facet | Pop-Art Publikum Massenkultur Ausstellungsbau The Independent Group Beteiligung Ausstellung Hochschulschrift |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032080042&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT loterykevin anexhibitanaesthetic AT loterykevin thelongfrontofculturetheindependentgroupandexhibitiondesign |