Thomas Mann and Shakespeare: something rich and strange
"The first ever comparative reading of Shakespeare and Thomas Mann in view of key questions in modern culture"--
Gespeichert in:
| Körperschaft: | |
|---|---|
| Weitere Verfasser: | , |
| Format: | Tagungsbericht Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc
2017
|
| Ausgabe: | paperback edition first published |
| Schriftenreihe: | New directions in German studies
14 |
| Schlagworte: | |
| Zusammenfassung: | "The first ever comparative reading of Shakespeare and Thomas Mann in view of key questions in modern culture"-- "In Doktor Faustus, Thomas Mann associated Shakespeare with the Devil and the demonic guilt of Nazism. Bringing together major scholars from diverse disciplines and countries, this is the first ever book-length study to explore the always fascinating if sometimes disturbing connections between Shakespeare and Mann. It establishes startling resonances between the central works of these two authors, pairing, for instance, Der Zauberberg with The Tempest, Der Tod in Venedig with The Merchant of Venice, Tonio Kröger with Othello, as well as Love's Labour's Lost with Doktor Faustus. It shows how the conjunction of Shakespeare and Mann affords new, alternative perspectives on fundamental issues such as modernity, irony, art, desire, authorship and religion. In the process, it demonstrates the scope for new ways of reading in literary studies in general, by renewing European intellectual connections in the wake of postcolonialism, and challenging the increasingly walled-in specialism of literary topics and periodization"-- |
| Beschreibung: | Literaturangaben "This volume started life as a remakable conference, generously supported by the Center for Advanced Studies, Ludwig-Maximilians-Universität München" Acknowledgements |
| Beschreibung: | ix, 268 Seiten Illustrationen 21,5 cm |
| ISBN: | 9781501336089 |
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| 245 | 1 | 0 | |a Thomas Mann and Shakespeare |b something rich and strange |c edited by Tobias Döring and Ewan Fernie |
| 250 | |a paperback edition first published | ||
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| 300 | |a ix, 268 Seiten |b Illustrationen |c 21,5 cm | ||
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| 490 | 1 | |a New directions in German studies |v 14 | |
| 500 | |a Literaturangaben | ||
| 500 | |a "This volume started life as a remakable conference, generously supported by the Center for Advanced Studies, Ludwig-Maximilians-Universität München" Acknowledgements | ||
| 505 | 8 | |a Machine generated contents note:1. Introduction -- Tobias Döring (LMU München, Germany) and Ewan Fernie (University of Birmingham, UK) -- 2. The magic fountain: Shakespeare, Mann, and modern authorship -- Tobias Döring (LMU München, Germany) -- 3. 'A dark exception among the rule-abiding': Mann's Othello -- Friedhelm Marx (Universität Bamberg, Germany) -- 4. 'Who chooseth me must give and hazard all he hath': Shakespearean overtones in Mann's Der Tod in Venedig -- John Hamilton (Harvard University, USA) -- 5. Yearnings and regressions: Shakespeare, Wagner, Mann -- Dave Paxton (University of Birmingham, UK) -- 6. The music of laughter: Shakespearean love-comedy in Mann's Doktor Faustus -- Alexander Honold (Universität Basel, Switzerland) -- 7. Gravity's revolt: Shakespeare as Mann's guilty party -- Richard Wilson (University of Kingston, UK) -- 8. Reading ahead and sliding back: the American Thomas Mann and Shakespeare's all-American lesbian fan club -- Heather Love (University of Pennsylvania, USA) -- 9. Hans Castorp as Shakespeare critic -- David Fuller (University of Durham, UK) -- 10. The violence of desire: Shakespeare, Nietzsche, Mann -- Jonathan Dollimore (University of York, UK) -- 11.'Yes-yes, no': Affirmation in Joseph und seine Brüder and As You Like It -- Ewan Fernie (University of Birmingham, UK) -- 12. Triangulation: Shakespeare, Mann, and I -- Ulrike Draesner (writer and translator, Berlin, Germany) -- 13. Afterword -- Elisabeth Bronfen (Universität Zürich, Switzerland) | |
| 520 | 3 | |a "The first ever comparative reading of Shakespeare and Thomas Mann in view of key questions in modern culture"-- | |
| 520 | 3 | |a "In Doktor Faustus, Thomas Mann associated Shakespeare with the Devil and the demonic guilt of Nazism. Bringing together major scholars from diverse disciplines and countries, this is the first ever book-length study to explore the always fascinating if sometimes disturbing connections between Shakespeare and Mann. It establishes startling resonances between the central works of these two authors, pairing, for instance, Der Zauberberg with The Tempest, Der Tod in Venedig with The Merchant of Venice, Tonio Kröger with Othello, as well as Love's Labour's Lost with Doktor Faustus. It shows how the conjunction of Shakespeare and Mann affords new, alternative perspectives on fundamental issues such as modernity, irony, art, desire, authorship and religion. In the process, it demonstrates the scope for new ways of reading in literary studies in general, by renewing European intellectual connections in the wake of postcolonialism, and challenging the increasingly walled-in specialism of literary topics and periodization"-- | |
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| 653 | 1 | |a Mann, Thomas / 1875-1955 / Criticism and interpretation | |
| 653 | 1 | |a Shakespeare, William / 1564-1616 / Criticism and interpretation | |
| 653 | 1 | |a Mann, Thomas / 1875-1955 / Themes, motives | |
| 653 | 1 | |a Shakespeare, William / 1564-1616 / Themes, motives | |
| 653 | 0 | |a Comparative literature / German and English | |
| 653 | 0 | |a Comparative literature / English and German | |
| 655 | 7 | |0 (DE-588)1071861417 |a Konferenzschrift |x Center of Advanced Studies München |y 29.07.2013-31.07.2013 |z München |2 gnd-content | |
| 689 | 0 | 0 | |a Mann, Thomas |d 1875-1955 |0 (DE-588)118577166 |D p |
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Datensatz im Suchindex
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| author2 | Döring, Tobias 1965- Fernie, Ewan 1971- |
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| author_GND | (DE-588)114783047 (DE-588)1033289175 |
| author_corporate | Thomas Mann & Shakespeare: Critical and Creative Constellations (Veranstaltung) München |
| author_corporate_role | aut |
| author_facet | Döring, Tobias 1965- Fernie, Ewan 1971- Thomas Mann & Shakespeare: Critical and Creative Constellations (Veranstaltung) München |
| author_sort | Thomas Mann & Shakespeare: Critical and Creative Constellations (Veranstaltung) München |
| building | Verbundindex |
| bvnumber | BV046668170 |
| callnumber-first | P - Language and Literature |
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| callnumber-raw | PT2625.A44 |
| callnumber-search | PT2625.A44 |
| callnumber-sort | PT 42625 A44 |
| callnumber-subject | PT - European, Asian and African Literature |
| classification_rvk | GM 4781 GM 4782 HI 3327 |
| contents | Machine generated contents note:1. Introduction -- Tobias Döring (LMU München, Germany) and Ewan Fernie (University of Birmingham, UK) -- 2. The magic fountain: Shakespeare, Mann, and modern authorship -- Tobias Döring (LMU München, Germany) -- 3. 'A dark exception among the rule-abiding': Mann's Othello -- Friedhelm Marx (Universität Bamberg, Germany) -- 4. 'Who chooseth me must give and hazard all he hath': Shakespearean overtones in Mann's Der Tod in Venedig -- John Hamilton (Harvard University, USA) -- 5. Yearnings and regressions: Shakespeare, Wagner, Mann -- Dave Paxton (University of Birmingham, UK) -- 6. The music of laughter: Shakespearean love-comedy in Mann's Doktor Faustus -- Alexander Honold (Universität Basel, Switzerland) -- 7. Gravity's revolt: Shakespeare as Mann's guilty party -- Richard Wilson (University of Kingston, UK) -- 8. Reading ahead and sliding back: the American Thomas Mann and Shakespeare's all-American lesbian fan club -- Heather Love (University of Pennsylvania, USA) -- 9. Hans Castorp as Shakespeare critic -- David Fuller (University of Durham, UK) -- 10. The violence of desire: Shakespeare, Nietzsche, Mann -- Jonathan Dollimore (University of York, UK) -- 11.'Yes-yes, no': Affirmation in Joseph und seine Brüder and As You Like It -- Ewan Fernie (University of Birmingham, UK) -- 12. Triangulation: Shakespeare, Mann, and I -- Ulrike Draesner (writer and translator, Berlin, Germany) -- 13. Afterword -- Elisabeth Bronfen (Universität Zürich, Switzerland) |
| ctrlnum | (OCoLC)1151444158 (DE-599)GBV1004010249 |
| dewey-full | 833/.912 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 833 - German fiction |
| dewey-raw | 833/.912 |
| dewey-search | 833/.912 |
| dewey-sort | 3833 3912 |
| dewey-tens | 830 - Literatures of Germanic languages |
| discipline | Germanistik / Niederlandistik / Skandinavistik Anglistik / Amerikanistik |
| discipline_str_mv | Germanistik / Niederlandistik / Skandinavistik Anglistik / Amerikanistik |
| edition | paperback edition first published |
| format | Conference Proceeding Book |
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| id | DE-604.BV046668170 |
| illustrated | Illustrated |
| index_date | 2024-07-03T14:20:49Z |
| indexdate | 2024-07-20T03:16:43Z |
| institution | BVB |
| institution_GND | (DE-588)1144195357 (DE-588)1025561996 |
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| language | English |
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| owner_facet | DE-B486 |
| physical | ix, 268 Seiten Illustrationen 21,5 cm |
| publishDate | 2017 |
| publishDateSearch | 2017 |
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| publisher | Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc |
| record_format | marc |
| series | New directions in German studies |
| series2 | New directions in German studies |
| spelling | Thomas Mann & Shakespeare: Critical and Creative Constellations (Veranstaltung) 2013 München Verfasser (DE-588)1144195357 aut Thomas Mann and Shakespeare something rich and strange edited by Tobias Döring and Ewan Fernie paperback edition first published New York ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc 2017 ix, 268 Seiten Illustrationen 21,5 cm txt rdacontent n rdamedia nc rdacarrier New directions in German studies 14 Literaturangaben "This volume started life as a remakable conference, generously supported by the Center for Advanced Studies, Ludwig-Maximilians-Universität München" Acknowledgements Machine generated contents note:1. Introduction -- Tobias Döring (LMU München, Germany) and Ewan Fernie (University of Birmingham, UK) -- 2. The magic fountain: Shakespeare, Mann, and modern authorship -- Tobias Döring (LMU München, Germany) -- 3. 'A dark exception among the rule-abiding': Mann's Othello -- Friedhelm Marx (Universität Bamberg, Germany) -- 4. 'Who chooseth me must give and hazard all he hath': Shakespearean overtones in Mann's Der Tod in Venedig -- John Hamilton (Harvard University, USA) -- 5. Yearnings and regressions: Shakespeare, Wagner, Mann -- Dave Paxton (University of Birmingham, UK) -- 6. The music of laughter: Shakespearean love-comedy in Mann's Doktor Faustus -- Alexander Honold (Universität Basel, Switzerland) -- 7. Gravity's revolt: Shakespeare as Mann's guilty party -- Richard Wilson (University of Kingston, UK) -- 8. Reading ahead and sliding back: the American Thomas Mann and Shakespeare's all-American lesbian fan club -- Heather Love (University of Pennsylvania, USA) -- 9. Hans Castorp as Shakespeare critic -- David Fuller (University of Durham, UK) -- 10. The violence of desire: Shakespeare, Nietzsche, Mann -- Jonathan Dollimore (University of York, UK) -- 11.'Yes-yes, no': Affirmation in Joseph und seine Brüder and As You Like It -- Ewan Fernie (University of Birmingham, UK) -- 12. Triangulation: Shakespeare, Mann, and I -- Ulrike Draesner (writer and translator, Berlin, Germany) -- 13. Afterword -- Elisabeth Bronfen (Universität Zürich, Switzerland) "The first ever comparative reading of Shakespeare and Thomas Mann in view of key questions in modern culture"-- "In Doktor Faustus, Thomas Mann associated Shakespeare with the Devil and the demonic guilt of Nazism. Bringing together major scholars from diverse disciplines and countries, this is the first ever book-length study to explore the always fascinating if sometimes disturbing connections between Shakespeare and Mann. It establishes startling resonances between the central works of these two authors, pairing, for instance, Der Zauberberg with The Tempest, Der Tod in Venedig with The Merchant of Venice, Tonio Kröger with Othello, as well as Love's Labour's Lost with Doktor Faustus. It shows how the conjunction of Shakespeare and Mann affords new, alternative perspectives on fundamental issues such as modernity, irony, art, desire, authorship and religion. In the process, it demonstrates the scope for new ways of reading in literary studies in general, by renewing European intellectual connections in the wake of postcolonialism, and challenging the increasingly walled-in specialism of literary topics and periodization"-- Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Mann, Thomas 1875-1955 (DE-588)118577166 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Mann, Thomas / 1875-1955 / Criticism and interpretation Shakespeare, William / 1564-1616 / Criticism and interpretation Mann, Thomas / 1875-1955 / Themes, motives Shakespeare, William / 1564-1616 / Themes, motives Comparative literature / German and English Comparative literature / English and German (DE-588)1071861417 Konferenzschrift Center of Advanced Studies München 29.07.2013-31.07.2013 München gnd-content Mann, Thomas 1875-1955 (DE-588)118577166 p Shakespeare, William 1564-1616 (DE-588)118613723 p DE-604 Rezeption (DE-588)4049716-1 s Döring, Tobias 1965- (DE-588)114783047 edt Fernie, Ewan 1971- (DE-588)1033289175 edt Center for Advanced Studies (München) (DE-588)1025561996 orm New directions in German studies 14 (DE-604)BV039635727 14 |
| spellingShingle | Thomas Mann and Shakespeare something rich and strange New directions in German studies Machine generated contents note:1. Introduction -- Tobias Döring (LMU München, Germany) and Ewan Fernie (University of Birmingham, UK) -- 2. The magic fountain: Shakespeare, Mann, and modern authorship -- Tobias Döring (LMU München, Germany) -- 3. 'A dark exception among the rule-abiding': Mann's Othello -- Friedhelm Marx (Universität Bamberg, Germany) -- 4. 'Who chooseth me must give and hazard all he hath': Shakespearean overtones in Mann's Der Tod in Venedig -- John Hamilton (Harvard University, USA) -- 5. Yearnings and regressions: Shakespeare, Wagner, Mann -- Dave Paxton (University of Birmingham, UK) -- 6. The music of laughter: Shakespearean love-comedy in Mann's Doktor Faustus -- Alexander Honold (Universität Basel, Switzerland) -- 7. Gravity's revolt: Shakespeare as Mann's guilty party -- Richard Wilson (University of Kingston, UK) -- 8. Reading ahead and sliding back: the American Thomas Mann and Shakespeare's all-American lesbian fan club -- Heather Love (University of Pennsylvania, USA) -- 9. Hans Castorp as Shakespeare critic -- David Fuller (University of Durham, UK) -- 10. The violence of desire: Shakespeare, Nietzsche, Mann -- Jonathan Dollimore (University of York, UK) -- 11.'Yes-yes, no': Affirmation in Joseph und seine Brüder and As You Like It -- Ewan Fernie (University of Birmingham, UK) -- 12. Triangulation: Shakespeare, Mann, and I -- Ulrike Draesner (writer and translator, Berlin, Germany) -- 13. Afterword -- Elisabeth Bronfen (Universität Zürich, Switzerland) Shakespeare, William 1564-1616 (DE-588)118613723 gnd Mann, Thomas 1875-1955 (DE-588)118577166 gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)118613723 (DE-588)118577166 (DE-588)4049716-1 (DE-588)1071861417 |
| title | Thomas Mann and Shakespeare something rich and strange |
| title_auth | Thomas Mann and Shakespeare something rich and strange |
| title_exact_search | Thomas Mann and Shakespeare something rich and strange |
| title_exact_search_txtP | Thomas Mann and Shakespeare something rich and strange |
| title_full | Thomas Mann and Shakespeare something rich and strange edited by Tobias Döring and Ewan Fernie |
| title_fullStr | Thomas Mann and Shakespeare something rich and strange edited by Tobias Döring and Ewan Fernie |
| title_full_unstemmed | Thomas Mann and Shakespeare something rich and strange edited by Tobias Döring and Ewan Fernie |
| title_short | Thomas Mann and Shakespeare |
| title_sort | thomas mann and shakespeare something rich and strange |
| title_sub | something rich and strange |
| topic | Shakespeare, William 1564-1616 (DE-588)118613723 gnd Mann, Thomas 1875-1955 (DE-588)118577166 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Shakespeare, William 1564-1616 Mann, Thomas 1875-1955 Rezeption Konferenzschrift Center of Advanced Studies München 29.07.2013-31.07.2013 München |
| volume_link | (DE-604)BV039635727 |
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