Investigating musical performance: theoretical models and intersections
"Investigating Musical Performance in the Twentieth Century is a study of diverse perspectives on musical performance as a cross-disciplinary field, a field that encourages a revision of theoretical and analytical paradigms. Seventeen chapters mirror the multifarious perspectives on musical per...
Gespeichert in:
| Weitere Verfasser: | , , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2020
|
| Ausgabe: | [1.] |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Investigating Musical Performance in the Twentieth Century is a study of diverse perspectives on musical performance as a cross-disciplinary field, a field that encourages a revision of theoretical and analytical paradigms. Seventeen chapters mirror the multifarious perspectives on musical performance as a global phenomenon, including research projects in Europe and in the United States. Section One is mainly devoted to developing or assessing theoretical models and research methods, while Section Two deals with more specific dimensions of musical performance. The global and complex nature of musical performance emerges from the sequence of chapters that suggest moments of contiguity, dialogue and connection between themes, analytical objects, problems and theoretical and methodological positions. The volume thus perfectly mirrors the wealth of stimuli offered by research and the musical culture of our times. Including a wide-ranging bibliography and analytical index, this will be of great interest to scholars and researchers of Ethnomusicology, Musicology and Music Performance Studies"-- |
| Beschreibung: | XIV, 240 Seiten Illustrationen, Notenbeispiele |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents List of illustrations List of contributors Note to reader vii ix xv Introduction 1 GIANMARIO BORIO, GIOVANNI GIURIATI, ALESSANDRO CECCHI AND MARCO LUTZU PARTI Overviews/perspectives 1 Empirical methods in the study ofmusic performance: An interdisciplinary history 7 9 MARTIN CLAYTON 2 Musical performance as a mediumof value 25 TIMOTHY D. TAYLOR PART II Listening/positioning 39 3 41 ‘Musical Personae’ revisited PHILIP AUSLANDER 4 The performer’s experience:Positionallistening and positional analysis 56 JOHN COVACH 5 Music’s techno-chronemics MARTIN SCHERZINGER 69
vi Contents PART ІИ Sign/sound 6 Who’s keeping the score? 89 91 JANET SCHMALFELDT 7 Judging Chopin: An evaluation of musical experience 102 JOHN RINK 8 Towards a consideration of the contemporary musical work as ‘a work in progress’: Closing the gaps between the score, the form and the work’s ‘becoming’ 124 PIERRE MICHEL PART IV Gesture/shape 9 Between music and noise: The discussion ofportamento and its socio-aesthetic implications during the long nineteenth century 137 139 CAMILLA BORK 10 Radical staging and the habitus of the singer 158 MARY ANN SMART 11 The physiognomy of the voice: Vocal gestures in Italian experimental music (1960-1970) 171 MICHELA GARDA 12 Sentimental gesture and the politics of ‘shape’ in the performances of Abd al-Halim Hafiz 185 MARTIN STOKES 13 Marking the sam: tāl, tempo and gesture in khyCil performance 198 LAURA LEANTE 14 Lokapañca: Analysing structure, performance and meanings of a temple song in Nepal 220 RICHARD WIDDESS Index 235
|
| adam_txt |
Contents List of illustrations List of contributors Note to reader vii ix xv Introduction 1 GIANMARIO BORIO, GIOVANNI GIURIATI, ALESSANDRO CECCHI AND MARCO LUTZU PARTI Overviews/perspectives 1 Empirical methods in the study ofmusic performance: An interdisciplinary history 7 9 MARTIN CLAYTON 2 Musical performance as a mediumof value 25 TIMOTHY D. TAYLOR PART II Listening/positioning 39 3 41 ‘Musical Personae’ revisited PHILIP AUSLANDER 4 The performer’s experience:Positionallistening and positional analysis 56 JOHN COVACH 5 Music’s techno-chronemics MARTIN SCHERZINGER 69
vi Contents PART ІИ Sign/sound 6 Who’s keeping the score? 89 91 JANET SCHMALFELDT 7 Judging Chopin: An evaluation of musical experience 102 JOHN RINK 8 Towards a consideration of the contemporary musical work as ‘a work in progress’: Closing the gaps between the score, the form and the work’s ‘becoming’ 124 PIERRE MICHEL PART IV Gesture/shape 9 Between music and noise: The discussion ofportamento and its socio-aesthetic implications during the long nineteenth century 137 139 CAMILLA BORK 10 Radical staging and the habitus of the singer 158 MARY ANN SMART 11 The physiognomy of the voice: Vocal gestures in Italian experimental music (1960-1970) 171 MICHELA GARDA 12 Sentimental gesture and the politics of ‘shape’ in the performances of Abd al-Halim Hafiz 185 MARTIN STOKES 13 Marking the sam: tāl, tempo and gesture in khyCil performance 198 LAURA LEANTE 14 Lokapañca: Analysing structure, performance and meanings of a temple song in Nepal 220 RICHARD WIDDESS Index 235 |
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| spelling | Investigating musical performance theoretical models and intersections [edited by] Gianmario Borio, Giovanni Giuriati, Alessandro Cecchi, and Marco Lutzu [1.] London ; New York Routledge, Taylor & Francis Group 2020 XIV, 240 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier "Investigating Musical Performance in the Twentieth Century is a study of diverse perspectives on musical performance as a cross-disciplinary field, a field that encourages a revision of theoretical and analytical paradigms. Seventeen chapters mirror the multifarious perspectives on musical performance as a global phenomenon, including research projects in Europe and in the United States. Section One is mainly devoted to developing or assessing theoretical models and research methods, while Section Two deals with more specific dimensions of musical performance. The global and complex nature of musical performance emerges from the sequence of chapters that suggest moments of contiguity, dialogue and connection between themes, analytical objects, problems and theoretical and methodological positions. The volume thus perfectly mirrors the wealth of stimuli offered by research and the musical culture of our times. Including a wide-ranging bibliography and analytical index, this will be of great interest to scholars and researchers of Ethnomusicology, Musicology and Music Performance Studies"-- Music / Performance Music / Performance / Research Music / Performance / Psychological aspects Music / Performance fast Music / Performance / Psychological aspects fast Performance Künste (DE-588)4173750-7 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2016 gnd-content Musik (DE-588)4040802-4 s Performance Künste (DE-588)4173750-7 s DE-604 Borio, Gianmario 1956- (DE-588)118040731 edt Giuriati, Giovanni (DE-588)1088584446 edt Cecchi, Alessandro 1973- (DE-588)1135965722 edt Lutzu, Marco (DE-588)1211230724 edt Erscheint auch als Online-Ausgabe, ebk 978-0-429-02646-1 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032078669&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Investigating musical performance theoretical models and intersections Music / Performance Music / Performance / Research Music / Performance / Psychological aspects Music / Performance fast Music / Performance / Psychological aspects fast Performance Künste (DE-588)4173750-7 gnd Musik (DE-588)4040802-4 gnd |
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| title | Investigating musical performance theoretical models and intersections |
| title_auth | Investigating musical performance theoretical models and intersections |
| title_exact_search | Investigating musical performance theoretical models and intersections |
| title_exact_search_txtP | Investigating musical performance theoretical models and intersections |
| title_full | Investigating musical performance theoretical models and intersections [edited by] Gianmario Borio, Giovanni Giuriati, Alessandro Cecchi, and Marco Lutzu |
| title_fullStr | Investigating musical performance theoretical models and intersections [edited by] Gianmario Borio, Giovanni Giuriati, Alessandro Cecchi, and Marco Lutzu |
| title_full_unstemmed | Investigating musical performance theoretical models and intersections [edited by] Gianmario Borio, Giovanni Giuriati, Alessandro Cecchi, and Marco Lutzu |
| title_short | Investigating musical performance |
| title_sort | investigating musical performance theoretical models and intersections |
| title_sub | theoretical models and intersections |
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| topic_facet | Music / Performance Music / Performance / Research Music / Performance / Psychological aspects Performance Künste Musik Konferenzschrift 2016 |
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