Voices found: free jazz and singing
"Voices Found: Free Jazz and Singing contributes to a wave of voice studies scholarship with the first book-length study of free jazz voice. It pieces together a history of free jazz voice that spans from sound poetry and scat in the 1950s to the more recent wave of free jazz choirs. The author...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2020
|
| Schriftenreihe: | Transnational studies in jazz
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Voices Found: Free Jazz and Singing contributes to a wave of voice studies scholarship with the first book-length study of free jazz voice. It pieces together a history of free jazz voice that spans from sound poetry and scat in the 1950s to the more recent wave of free jazz choirs. The author traces the developments and offers a theory, derived from interviews with many of the most important singers in the history of free jazz voice, of how listeners have experienced and evaluated the often unconventional vocal sounds these vocalists employed. This theory explains that even audiences willing to enjoy harsh sounds from saxophones or guitars often resist when voices make sounds that audiences understand as not-human. Experimental poetry and scat were combined and transformed in free jazz spaces in the 1960s and 1970s by vocalists like Yoko Ono (in solo work and her work with Ornette Coleman and John Stevens), Jeanne Lee (in her solo work and her work with Archie Shepp and Gunter Hampel), Leon Thomas (in his solo work as well as his work with Pharoah Sanders and Carlos Santana), and Phil Minton and Maggie Nicols (who devoted much of their energy to creating unaccompanied free jazz vocal music). By studying free jazz voice we can learn important lessons about what we expect from the voice and what happens when those expectations are violated. This book doesn't only trace histories of free jazz voice, it makes an attempt to understand why this story hasn't been told before, with an impressive breadth of scope in terms of the artists covered, drawing on research from the US, Canada, Wales, Scotland, France, The Netherlands, and Japan"-- |
| Beschreibung: | ix, 197 Seiten |
| ISBN: | 9781138341036 9781138341029 |
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| 505 | 8 | |a Introduction: Extended, Extra-normal, and Everyday Voices -- PART I Sources -- Interdisciplinary Women and Experimental Voice In Their Own Words I - Christine Jeffrey, Phil Minton, Maggie Nicols -- Music Technologies and Vocal Finding -- Scat to Sumac to Sanders: Materialities and Sources in Soundsinging -- PART II Theories -- Vocal Village: The Rise of a New Transnational Vocal Jazz Community In Their Own Words II - David Moss, Anna Homler, Jaap Blonk, Paul Dutton -- The Policing of the non-Human Voice -- Radical Inclusivity and the Participatory Politics of Improvising Choirs In Their Own Words III - Christine Duncan, Mankwe Ndosi, Tomomi Adachi, Fay Victor, Gabriel Dharmoo, DB Boyko -- Conclusion: A Short Prayer for Social Virtuosity | |
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Datensatz im Suchindex
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|---|---|
| adam_text |
CONTENTS Series Foreword Acknowledgements Introduction: Extended, Extra-Normal, and Everyday Voices vii viii 1 PARTI Sources 13 1 15 Interdisciplinary Women and Experimental Voice In Their Own Words I—Christine Jeffrey, Phil Minton, Maggie Nicols 45 2 Music Technologies andVocal Finding 58 3 Scat to Sumac to Sanders: Materialities and Sources in Soundsinging 72 PART II Theories 4 Vocal Village: The Rise of a New Transnational Vocal Jazz Community In Their Own Words II—David Moss, Anna Homier, Jaap Blonk, Paul Dutton 109 91 93
vi Contents 5 Policing the Non-Human Voice 126 6 Radical Inclusivity and the Participatory Politics of Improvising Choirs 140 In Their Own Words III—Christine Duncan, Mankwe Ndosi, Tomomi Adachi, Fay Victor, Gabriel Dharmoo, DB Boyko 157 Conclusion: A Short Prayer for Social Virtuosity Bibliography Index 182 184 190 |
| adam_txt |
CONTENTS Series Foreword Acknowledgements Introduction: Extended, Extra-Normal, and Everyday Voices vii viii 1 PARTI Sources 13 1 15 Interdisciplinary Women and Experimental Voice In Their Own Words I—Christine Jeffrey, Phil Minton, Maggie Nicols 45 2 Music Technologies andVocal Finding 58 3 Scat to Sumac to Sanders: Materialities and Sources in Soundsinging 72 PART II Theories 4 Vocal Village: The Rise of a New Transnational Vocal Jazz Community In Their Own Words II—David Moss, Anna Homier, Jaap Blonk, Paul Dutton 109 91 93
vi Contents 5 Policing the Non-Human Voice 126 6 Radical Inclusivity and the Participatory Politics of Improvising Choirs 140 In Their Own Words III—Christine Duncan, Mankwe Ndosi, Tomomi Adachi, Fay Victor, Gabriel Dharmoo, DB Boyko 157 Conclusion: A Short Prayer for Social Virtuosity Bibliography Index 182 184 190 |
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| building | Verbundindex |
| bvnumber | BV046667239 |
| contents | Introduction: Extended, Extra-normal, and Everyday Voices -- PART I Sources -- Interdisciplinary Women and Experimental Voice In Their Own Words I - Christine Jeffrey, Phil Minton, Maggie Nicols -- Music Technologies and Vocal Finding -- Scat to Sumac to Sanders: Materialities and Sources in Soundsinging -- PART II Theories -- Vocal Village: The Rise of a New Transnational Vocal Jazz Community In Their Own Words II - David Moss, Anna Homler, Jaap Blonk, Paul Dutton -- The Policing of the non-Human Voice -- Radical Inclusivity and the Participatory Politics of Improvising Choirs In Their Own Words III - Christine Duncan, Mankwe Ndosi, Tomomi Adachi, Fay Victor, Gabriel Dharmoo, DB Boyko -- Conclusion: A Short Prayer for Social Virtuosity |
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| era | Geschichte gnd |
| era_facet | Geschichte |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T14:20:25Z |
| indexdate | 2024-10-16T10:01:40Z |
| institution | BVB |
| isbn | 9781138341036 9781138341029 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032078274 |
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| physical | ix, 197 Seiten |
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| publishDate | 2020 |
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| publisher | Routledge, Taylor & Francis Group |
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| series2 | Transnational studies in jazz |
| spelling | Tonelli, Chris Verfasser (DE-588)1123539081 aut Voices found free jazz and singing Chris Tonelli New York ; London Routledge, Taylor & Francis Group 2020 ix, 197 Seiten txt rdacontent n rdamedia nc rdacarrier Transnational studies in jazz Introduction: Extended, Extra-normal, and Everyday Voices -- PART I Sources -- Interdisciplinary Women and Experimental Voice In Their Own Words I - Christine Jeffrey, Phil Minton, Maggie Nicols -- Music Technologies and Vocal Finding -- Scat to Sumac to Sanders: Materialities and Sources in Soundsinging -- PART II Theories -- Vocal Village: The Rise of a New Transnational Vocal Jazz Community In Their Own Words II - David Moss, Anna Homler, Jaap Blonk, Paul Dutton -- The Policing of the non-Human Voice -- Radical Inclusivity and the Participatory Politics of Improvising Choirs In Their Own Words III - Christine Duncan, Mankwe Ndosi, Tomomi Adachi, Fay Victor, Gabriel Dharmoo, DB Boyko -- Conclusion: A Short Prayer for Social Virtuosity "Voices Found: Free Jazz and Singing contributes to a wave of voice studies scholarship with the first book-length study of free jazz voice. It pieces together a history of free jazz voice that spans from sound poetry and scat in the 1950s to the more recent wave of free jazz choirs. The author traces the developments and offers a theory, derived from interviews with many of the most important singers in the history of free jazz voice, of how listeners have experienced and evaluated the often unconventional vocal sounds these vocalists employed. This theory explains that even audiences willing to enjoy harsh sounds from saxophones or guitars often resist when voices make sounds that audiences understand as not-human. Experimental poetry and scat were combined and transformed in free jazz spaces in the 1960s and 1970s by vocalists like Yoko Ono (in solo work and her work with Ornette Coleman and John Stevens), Jeanne Lee (in her solo work and her work with Archie Shepp and Gunter Hampel), Leon Thomas (in his solo work as well as his work with Pharoah Sanders and Carlos Santana), and Phil Minton and Maggie Nicols (who devoted much of their energy to creating unaccompanied free jazz vocal music). By studying free jazz voice we can learn important lessons about what we expect from the voice and what happens when those expectations are violated. This book doesn't only trace histories of free jazz voice, it makes an attempt to understand why this story hasn't been told before, with an impressive breadth of scope in terms of the artists covered, drawing on research from the US, Canada, Wales, Scotland, France, The Netherlands, and Japan"-- Geschichte gnd rswk-swf Free Jazz (DE-588)4155265-9 gnd rswk-swf Gesang (DE-588)4020470-4 gnd rswk-swf Vocal improvisation (Music) Jazz vocals / History and criticism Free jazz / History and criticism Free jazz Jazz vocals Criticism, interpretation, etc Free Jazz (DE-588)4155265-9 s Gesang (DE-588)4020470-4 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe, ebk 978-0-429-44042-7 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032078274&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Tonelli, Chris Voices found free jazz and singing Introduction: Extended, Extra-normal, and Everyday Voices -- PART I Sources -- Interdisciplinary Women and Experimental Voice In Their Own Words I - Christine Jeffrey, Phil Minton, Maggie Nicols -- Music Technologies and Vocal Finding -- Scat to Sumac to Sanders: Materialities and Sources in Soundsinging -- PART II Theories -- Vocal Village: The Rise of a New Transnational Vocal Jazz Community In Their Own Words II - David Moss, Anna Homler, Jaap Blonk, Paul Dutton -- The Policing of the non-Human Voice -- Radical Inclusivity and the Participatory Politics of Improvising Choirs In Their Own Words III - Christine Duncan, Mankwe Ndosi, Tomomi Adachi, Fay Victor, Gabriel Dharmoo, DB Boyko -- Conclusion: A Short Prayer for Social Virtuosity Free Jazz (DE-588)4155265-9 gnd Gesang (DE-588)4020470-4 gnd |
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| title_full_unstemmed | Voices found free jazz and singing Chris Tonelli |
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