The days change at night:
The physical debris of Los Angeles' sooty palm fronds littered along crooked sidewalks, a maze of intertwined freeways, electric LED sunsets is reminiscent of Ray Bradbury's 'city of the future'. As a follow up to 'Cerro Gordo', David Black's debut monograph from 2...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Los Angeles
Hat & Beard Press
[2019]
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| Schlagworte: | |
| Zusammenfassung: | The physical debris of Los Angeles' sooty palm fronds littered along crooked sidewalks, a maze of intertwined freeways, electric LED sunsets is reminiscent of Ray Bradbury's 'city of the future'. As a follow up to 'Cerro Gordo', David Black's debut monograph from 2017, 'The Days Change at Night' explores the paranormality of everyday life in Los Angeles. Part two of an LA trilogy, 'Days Change' picks up where 'Cerro Gordo' left off, evoking the early 1980s punk aesthetic projected in Alex Cox's Repo Man a city on edge of an existential threat. The images present a cyclical, day-to-night narrative, using the city's landscape as a depository of our collected dreams. These visual glitches suggest the point of view of a passenger in a fast-moving car, racing past on LA's expansive freeway system, capturing the stark polarity of the city's opposing forces: light and dark, commercial and artistic, micro and macro and they fuse together to pose questions about illusion, mortality, and truth |
| Beschreibung: | Titelblatt auf Seite 65. - Edition of 1000 |
| Beschreibung: | 223 Seiten |
| ISBN: | 9781732056190 1732056196 |
Internformat
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| 520 | 3 | |a The physical debris of Los Angeles' sooty palm fronds littered along crooked sidewalks, a maze of intertwined freeways, electric LED sunsets is reminiscent of Ray Bradbury's 'city of the future'. As a follow up to 'Cerro Gordo', David Black's debut monograph from 2017, 'The Days Change at Night' explores the paranormality of everyday life in Los Angeles. Part two of an LA trilogy, 'Days Change' picks up where 'Cerro Gordo' left off, evoking the early 1980s punk aesthetic projected in Alex Cox's Repo Man a city on edge of an existential threat. The images present a cyclical, day-to-night narrative, using the city's landscape as a depository of our collected dreams. These visual glitches suggest the point of view of a passenger in a fast-moving car, racing past on LA's expansive freeway system, capturing the stark polarity of the city's opposing forces: light and dark, commercial and artistic, micro and macro and they fuse together to pose questions about illusion, mortality, and truth | |
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Datensatz im Suchindex
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| classification_rvk | AP 94100 |
| ctrlnum | (OCoLC)1150822169 (DE-599)KXP1688784489 |
| dewey-full | 770 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 770 - Photography, computer art, cinematography |
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| discipline | Kunstgeschichte Allgemeines |
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| index_date | 2024-07-03T14:20:13Z |
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| isbn | 9781732056190 1732056196 |
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| spelling | Black, David 1980- (DE-588)1203738129 pht The days change at night David Black Los Angeles Hat & Beard Press [2019] 223 Seiten sti rdacontent n rdamedia nc rdacarrier Titelblatt auf Seite 65. - Edition of 1000 The physical debris of Los Angeles' sooty palm fronds littered along crooked sidewalks, a maze of intertwined freeways, electric LED sunsets is reminiscent of Ray Bradbury's 'city of the future'. As a follow up to 'Cerro Gordo', David Black's debut monograph from 2017, 'The Days Change at Night' explores the paranormality of everyday life in Los Angeles. Part two of an LA trilogy, 'Days Change' picks up where 'Cerro Gordo' left off, evoking the early 1980s punk aesthetic projected in Alex Cox's Repo Man a city on edge of an existential threat. The images present a cyclical, day-to-night narrative, using the city's landscape as a depository of our collected dreams. These visual glitches suggest the point of view of a passenger in a fast-moving car, racing past on LA's expansive freeway system, capturing the stark polarity of the city's opposing forces: light and dark, commercial and artistic, micro and macro and they fuse together to pose questions about illusion, mortality, and truth Black, David 1980- (DE-588)1203738129 gnd rswk-swf Geschichte 2019 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Los Angeles Calif., Motiv (DE-588)4274557-3 gnd rswk-swf (DE-588)4145395-5 Bildband gnd-content Black, David 1980- (DE-588)1203738129 p Fotografie (DE-588)4045895-7 s Los Angeles Calif., Motiv (DE-588)4274557-3 s Geschichte 2019 z DE-604 |
| spellingShingle | The days change at night Black, David 1980- (DE-588)1203738129 gnd Fotografie (DE-588)4045895-7 gnd Los Angeles Calif., Motiv (DE-588)4274557-3 gnd |
| subject_GND | (DE-588)1203738129 (DE-588)4045895-7 (DE-588)4274557-3 (DE-588)4145395-5 |
| title | The days change at night |
| title_auth | The days change at night |
| title_exact_search | The days change at night |
| title_exact_search_txtP | The days change at night |
| title_full | The days change at night David Black |
| title_fullStr | The days change at night David Black |
| title_full_unstemmed | The days change at night David Black |
| title_short | The days change at night |
| title_sort | the days change at night |
| topic | Black, David 1980- (DE-588)1203738129 gnd Fotografie (DE-588)4045895-7 gnd Los Angeles Calif., Motiv (DE-588)4274557-3 gnd |
| topic_facet | Black, David 1980- Fotografie Los Angeles Calif., Motiv Bildband |
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