Wonder woman: the female body and popular culture
"Wonder Woman was created in the early 1940s as a paragon of female empowerment and beauty and her near eighty-year history has included seismic socio-cultural changes. In this book, Joan Ormrod analyses key moments in the superheroine's career and views them through the prism of the femal...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2020
|
Schriftenreihe: | Library of gender and popular culture
|
Schlagworte: | |
Online-Zugang: | DE-12 DE-355 DE-703 Volltext |
Zusammenfassung: | "Wonder Woman was created in the early 1940s as a paragon of female empowerment and beauty and her near eighty-year history has included seismic socio-cultural changes. In this book, Joan Ormrod analyses key moments in the superheroine's career and views them through the prism of the female body. This book explores how Wonder Woman's body has changed over the years as her mission has shifted from being an ambassador for peace and love to the greatest warrior in the DC transmedia universe, as she's reflected increasing technological sophistication, globalisation and women's changing roles and ambitions. Wonder Woman's physical form, Ormrod argues, is both an articulation of female potential and attempts to constrain it. Her body has always been an amalgamation of the feminine ideal in popular culture and wider socio-cultural debate, from Betty Grable to the 1960s 'mod' girl, to the Iron Maiden of the 1980s."-- |
Beschreibung: | 1 Online-Ressource (xi, 312 Seiten) |
ISBN: | 9781350137943 9781786735812 9781786725813 |
DOI: | 10.5040/9781350137943 |
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505 | 8 | |a Introduction: Wonder Woman and the Body in Popular Culture -- 1. Beautiful White Bodies: Gender, Ethnicity and the Showgirl Body in the Second World War -- 2. 'Here Be Monsters': The Mutating, Splitting and Familial Body of the Cold War -- 3. The New Diana Prince! Makeovers, Movement and the Fab/ricated Body, 1968-72 -- 4. The Goddess, the Iron Maiden and the Sacralization of Consumerism -- 5. Taming the Unruly Woman: Surveillance, Truth and theMass Media Post-9/11 -- 6. Whose Story Is It Anyway? Revisiting the Family in the DC Extended Universe -- 7. The Once and Future Princess: Nostalgia, Diversity and the Intersectional Heroine -- Bibliography -- Index | |
520 | |a "Wonder Woman was created in the early 1940s as a paragon of female empowerment and beauty and her near eighty-year history has included seismic socio-cultural changes. In this book, Joan Ormrod analyses key moments in the superheroine's career and views them through the prism of the female body. This book explores how Wonder Woman's body has changed over the years as her mission has shifted from being an ambassador for peace and love to the greatest warrior in the DC transmedia universe, as she's reflected increasing technological sophistication, globalisation and women's changing roles and ambitions. Wonder Woman's physical form, Ormrod argues, is both an articulation of female potential and attempts to constrain it. Her body has always been an amalgamation of the feminine ideal in popular culture and wider socio-cultural debate, from Betty Grable to the 1960s 'mod' girl, to the Iron Maiden of the 1980s."-- | ||
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Datensatz im Suchindex
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author | Ormrod, Joan 1952- |
author_GND | (DE-588)1118658116 |
author_facet | Ormrod, Joan 1952- |
author_role | aut |
author_sort | Ormrod, Joan 1952- |
author_variant | j o jo |
building | Verbundindex |
bvnumber | BV046662202 |
classification_rvk | EC 1876 EC 5410 MS 2800 MS 3010 |
collection | ZDB-162-BFM |
contents | Introduction: Wonder Woman and the Body in Popular Culture -- 1. Beautiful White Bodies: Gender, Ethnicity and the Showgirl Body in the Second World War -- 2. 'Here Be Monsters': The Mutating, Splitting and Familial Body of the Cold War -- 3. The New Diana Prince! Makeovers, Movement and the Fab/ricated Body, 1968-72 -- 4. The Goddess, the Iron Maiden and the Sacralization of Consumerism -- 5. Taming the Unruly Woman: Surveillance, Truth and theMass Media Post-9/11 -- 6. Whose Story Is It Anyway? Revisiting the Family in the DC Extended Universe -- 7. The Once and Future Princess: Nostalgia, Diversity and the Intersectional Heroine -- Bibliography -- Index |
ctrlnum | (ZDB-162-BFM)9781350137943 (OCoLC)1150838845 (DE-599)BVBBV046662202 |
dewey-full | 809/.933522 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 809 - History, description & criticism |
dewey-raw | 809/.933522 |
dewey-search | 809/.933522 |
dewey-sort | 3809 6933522 |
dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
discipline | Soziologie Literaturwissenschaft |
discipline_str_mv | Soziologie Literaturwissenschaft |
doi_str_mv | 10.5040/9781350137943 |
format | Electronic eBook |
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id | DE-604.BV046662202 |
illustrated | Not Illustrated |
index_date | 2024-07-03T14:19:52Z |
indexdate | 2025-02-04T19:00:45Z |
institution | BVB |
isbn | 9781350137943 9781786735812 9781786725813 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032073276 |
oclc_num | 1150838845 |
open_access_boolean | |
owner | DE-12 DE-11 DE-703 DE-355 DE-BY-UBR |
owner_facet | DE-12 DE-11 DE-703 DE-355 DE-BY-UBR |
physical | 1 Online-Ressource (xi, 312 Seiten) |
psigel | ZDB-162-BFM ZDB-162-BFM20 ZDB-162-BFM UBR Paketkauf 2020 ZDB-162-BFM ZDB-162-BFM20 |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Bloomsbury Academic |
record_format | marc |
series2 | Library of gender and popular culture |
spelling | Ormrod, Joan 1952- Verfasser (DE-588)1118658116 aut Wonder woman the female body and popular culture Joan Ormrod London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2020 1 Online-Ressource (xi, 312 Seiten) txt rdacontent c rdamedia cr rdacarrier Library of gender and popular culture Introduction: Wonder Woman and the Body in Popular Culture -- 1. Beautiful White Bodies: Gender, Ethnicity and the Showgirl Body in the Second World War -- 2. 'Here Be Monsters': The Mutating, Splitting and Familial Body of the Cold War -- 3. The New Diana Prince! Makeovers, Movement and the Fab/ricated Body, 1968-72 -- 4. The Goddess, the Iron Maiden and the Sacralization of Consumerism -- 5. Taming the Unruly Woman: Surveillance, Truth and theMass Media Post-9/11 -- 6. Whose Story Is It Anyway? Revisiting the Family in the DC Extended Universe -- 7. The Once and Future Princess: Nostalgia, Diversity and the Intersectional Heroine -- Bibliography -- Index "Wonder Woman was created in the early 1940s as a paragon of female empowerment and beauty and her near eighty-year history has included seismic socio-cultural changes. In this book, Joan Ormrod analyses key moments in the superheroine's career and views them through the prism of the female body. This book explores how Wonder Woman's body has changed over the years as her mission has shifted from being an ambassador for peace and love to the greatest warrior in the DC transmedia universe, as she's reflected increasing technological sophistication, globalisation and women's changing roles and ambitions. Wonder Woman's physical form, Ormrod argues, is both an articulation of female potential and attempts to constrain it. Her body has always been an amalgamation of the feminine ideal in popular culture and wider socio-cultural debate, from Betty Grable to the 1960s 'mod' girl, to the Iron Maiden of the 1980s."-- Wonder Woman / (Fictitious character) Films, cinema / bicssc Women in popular culture Women heroes in literature Electronic books Erscheint auch als Druck-Ausgabe 978-1-7883-1411-4 https://doi.org/10.5040/9781350137943 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Ormrod, Joan 1952- Wonder woman the female body and popular culture Introduction: Wonder Woman and the Body in Popular Culture -- 1. Beautiful White Bodies: Gender, Ethnicity and the Showgirl Body in the Second World War -- 2. 'Here Be Monsters': The Mutating, Splitting and Familial Body of the Cold War -- 3. The New Diana Prince! Makeovers, Movement and the Fab/ricated Body, 1968-72 -- 4. The Goddess, the Iron Maiden and the Sacralization of Consumerism -- 5. Taming the Unruly Woman: Surveillance, Truth and theMass Media Post-9/11 -- 6. Whose Story Is It Anyway? Revisiting the Family in the DC Extended Universe -- 7. The Once and Future Princess: Nostalgia, Diversity and the Intersectional Heroine -- Bibliography -- Index Wonder Woman / (Fictitious character) Films, cinema / bicssc Women in popular culture Women heroes in literature |
title | Wonder woman the female body and popular culture |
title_auth | Wonder woman the female body and popular culture |
title_exact_search | Wonder woman the female body and popular culture |
title_exact_search_txtP | Wonder woman the female body and popular culture |
title_full | Wonder woman the female body and popular culture Joan Ormrod |
title_fullStr | Wonder woman the female body and popular culture Joan Ormrod |
title_full_unstemmed | Wonder woman the female body and popular culture Joan Ormrod |
title_short | Wonder woman |
title_sort | wonder woman the female body and popular culture |
title_sub | the female body and popular culture |
topic | Wonder Woman / (Fictitious character) Films, cinema / bicssc Women in popular culture Women heroes in literature |
topic_facet | Wonder Woman / (Fictitious character) Films, cinema / bicssc Women in popular culture Women heroes in literature |
url | https://doi.org/10.5040/9781350137943 |
work_keys_str_mv | AT ormrodjoan wonderwomanthefemalebodyandpopularculture |