Transatlantic cinema: production - genres - encounters - negotiations
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Schriftenreihe: | Pataviensia
Band 3 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Literaturangaben |
| Beschreibung: | 282 Seiten 4 Illustrationen 24 cm x 18 cm |
| ISBN: | 9783940784483 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents Karsten Fitz and Jürgen Kamm Transatlantic Cinema: An Introduction..:......................................................9 Bernd Lenz Transatlantic Shakespeare: A Special Relationship................................... 19 Jürgen Kramer “This most fastidious of filmmakers”—Reflexions on the Europeanness of (Some of) Fred Zinnemann’s Films...........................41 Richard Kilborn “The Yanks have colonised our sub-conscious”: Transatlantic Relations and the Films of Wim Wenders................................................................... 51 Judith Schatzl Anywhere America: Cultural Mobility and Placelessness in Jim Jarmusch’s Permanent Vacation (1980) and Stranger than Paradise (1984)...................................................................65 Nassim Balestrini Appealing and Appalling Indie Quirkiness: West Coast Indie Filmmaker Miranda July and Her Old-World Reputation.................95 Andreas Etges Honorable Soldiers, Courageous Resistance, and an Unbeatable Band of Brothers: National Narratives and Myths about World War II and Hollywood’s Portrayal of the War in Europe..............109 Angela Fabris and Jörg Helbig Western all’italiana—From Sergio Corbucci to Quentin Tarantino......... 121 C. Richard King Framing Hate: Depictions of Neo-Nazis in European and North American Cinema........................................................................... 135
Christof Decker Transnational Romance: Love and Politics in the Cinema of the 1930s and 1940s.............................................................................. 147 Lutz Koepnick Transatlantic Passages: Cinema and the Figure of the Migrant................163 Klara Stephanie Slezák Innocents Abroad? Americans in Europe and the International Theme in Woody Allen’s Post-Millennial Films................181 Jürgen Kamm “Journeys end in lovers’ meeting”: The Aesthetics of Transatlantic Romantic Comedies..................................................................................199 Dorothea Löbbermann Mis/Representing Nation: Gender and Nation in A Foreign Affair and Hedwig and the Angry Inch....................................221 Anne-Marie Scholz Film und Frau and Doris Day: Gender Negotiations, Female Spectatorship, and Hollywood Sex Comedies in Cold War West Germany..................................................................... 239 Wieland Schwanebeck “A yank with culture”: Mr. Ripley’s Transatlantic Affairs......................255 List of Contributors 277
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| adam_txt |
Contents Karsten Fitz and Jürgen Kamm Transatlantic Cinema: An Introduction.:.9 Bernd Lenz Transatlantic Shakespeare: A Special Relationship. 19 Jürgen Kramer “This most fastidious of filmmakers”—Reflexions on the Europeanness of (Some of) Fred Zinnemann’s Films.41 Richard Kilborn “The Yanks have colonised our sub-conscious”: Transatlantic Relations and the Films of Wim Wenders. 51 Judith Schatzl Anywhere America: Cultural Mobility and Placelessness in Jim Jarmusch’s Permanent Vacation (1980) and Stranger than Paradise (1984).65 Nassim Balestrini Appealing and Appalling Indie Quirkiness: West Coast Indie Filmmaker Miranda July and Her Old-World Reputation.95 Andreas Etges Honorable Soldiers, Courageous Resistance, and an Unbeatable Band of Brothers: National Narratives and Myths about World War II and Hollywood’s Portrayal of the War in Europe.109 Angela Fabris and Jörg Helbig Western all’italiana—From Sergio Corbucci to Quentin Tarantino. 121 C. Richard King Framing Hate: Depictions of Neo-Nazis in European and North American Cinema. 135
Christof Decker Transnational Romance: Love and Politics in the Cinema of the 1930s and 1940s. 147 Lutz Koepnick Transatlantic Passages: Cinema and the Figure of the Migrant.163 Klara Stephanie Slezák Innocents Abroad? Americans in Europe and the International Theme in Woody Allen’s Post-Millennial Films.181 Jürgen Kamm “Journeys end in lovers’ meeting”: The Aesthetics of Transatlantic Romantic Comedies.199 Dorothea Löbbermann Mis/Representing Nation: Gender and Nation in A Foreign Affair and Hedwig and the Angry Inch.221 Anne-Marie Scholz Film und Frau and Doris Day: Gender Negotiations, Female Spectatorship, and Hollywood Sex Comedies in Cold War West Germany. 239 Wieland Schwanebeck “A yank with culture”: Mr. Ripley’s Transatlantic Affairs.255 List of Contributors 277 |
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| title | Transatlantic cinema production - genres - encounters - negotiations |
| title_auth | Transatlantic cinema production - genres - encounters - negotiations |
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| title_full | Transatlantic cinema production - genres - encounters - negotiations edited by Karsten Fitz and Jürgen Kamm |
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