Fluxus forms: scores, multiples, and the eternal network
"A history of the understudied but highly inventive Fluxus collective founded in NYC in the late 1950s/early 1960s. Fluxus was an unruly, endlessly shifting gang of performers, conceptual writers, musicians, and installation artists who wanted to integrate life into art using found and ordinary...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London
The University of Chicago Press
[2020]
|
| Schlagworte: | |
| Zusammenfassung: | "A history of the understudied but highly inventive Fluxus collective founded in NYC in the late 1950s/early 1960s. Fluxus was an unruly, endlessly shifting gang of performers, conceptual writers, musicians, and installation artists who wanted to integrate life into art using found and ordinary objects and processes (like cooking and shaving). Fluxus first arose in the United States under the leadership of George Maciunas and quickly spread to Europe. Artists from Claus Oldenberg to Allan Kaprow to Dick Higgins to Allison Knowles to Joseph Beuys to Gerhard Richter to Nam June Paik to Yoko Ono to Robert Filliou all participated in Fluxus at some point. Unlike other books about Fluxus, this one explores not just the movement itself but also how it figures the transition from modernism to postmodernism, and the historical origins of experimental art practices of the present" |
| Beschreibung: | 278 Seiten, 12 ungezählte Seiten Tafeln Illustrationen 26 cm |
| ISBN: | 9780226354927 |
Internformat
MARC
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| 003 | DE-604 | ||
| 005 | 20201112 | ||
| 007 | t | ||
| 008 | 200403s2020 a||| b||| 00||| eng d | ||
| 020 | |a 9780226354927 |c hbk. |9 978-0-226-35492-7 | ||
| 035 | |a (OCoLC)1182503134 | ||
| 035 | |a (DE-599)BVBBV046653228 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-20 |a DE-19 |a DE-255 |a DE-188 | ||
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| 100 | 1 | |a Harren, Natilee |d 19XX- |e Verfasser |0 (DE-588)134248961 |4 aut | |
| 245 | 1 | 0 | |a Fluxus forms |b scores, multiples, and the eternal network |c Natilee Harren |
| 264 | 1 | |a Chicago ; London |b The University of Chicago Press |c [2020] | |
| 264 | 4 | |c © 2020 | |
| 300 | |a 278 Seiten, 12 ungezählte Seiten Tafeln |b Illustrationen |c 26 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Prelude: the artwork in Flux -- Diagramming form, from graphic notation to the Fluxus event score -- Of drips, diagrams, and immanent form: Fluxus in the wake of abstract expressionist painting -- George Brecht and the notational object -- George Maciunas, Fluxboxes, and the transitional commodity -- Objects without object: Robert Filliou and the unworking of Fluxus -- Coda: The Fluxus virtual, actually | |
| 520 | 3 | |a "A history of the understudied but highly inventive Fluxus collective founded in NYC in the late 1950s/early 1960s. Fluxus was an unruly, endlessly shifting gang of performers, conceptual writers, musicians, and installation artists who wanted to integrate life into art using found and ordinary objects and processes (like cooking and shaving). Fluxus first arose in the United States under the leadership of George Maciunas and quickly spread to Europe. Artists from Claus Oldenberg to Allan Kaprow to Dick Higgins to Allison Knowles to Joseph Beuys to Gerhard Richter to Nam June Paik to Yoko Ono to Robert Filliou all participated in Fluxus at some point. Unlike other books about Fluxus, this one explores not just the movement itself but also how it figures the transition from modernism to postmodernism, and the historical origins of experimental art practices of the present" | |
| 648 | 7 | |a Geschichte 1955-1965 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Fluxus |g Kunst |0 (DE-588)4245148-6 |2 gnd |9 rswk-swf |
| 651 | 7 | |a New York, NY |0 (DE-588)4042011-5 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Fluxus (Group of artists) | |
| 653 | 0 | |a Art, Modern / 20th century | |
| 653 | 0 | |a Avant-garde (Music) | |
| 653 | 0 | |a ART / General | |
| 653 | 0 | |a Art, Modern | |
| 653 | 0 | |a Avant-garde (Music) | |
| 653 | 0 | |a Fluxus (Group of artists) | |
| 653 | 4 | |a 1900-1999 | |
| 689 | 0 | 0 | |a New York, NY |0 (DE-588)4042011-5 |D g |
| 689 | 0 | 1 | |a Fluxus |g Kunst |0 (DE-588)4245148-6 |D s |
| 689 | 0 | 2 | |a Geschichte 1955-1965 |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-226-35508-5 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032064415 | ||
Datensatz im Suchindex
| _version_ | 1804181357771882496 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Harren, Natilee 19XX- |
| author_GND | (DE-588)134248961 |
| author_facet | Harren, Natilee 19XX- |
| author_role | aut |
| author_sort | Harren, Natilee 19XX- |
| author_variant | n h nh |
| building | Verbundindex |
| bvnumber | BV046653228 |
| classification_rvk | LI 99900 |
| contents | Prelude: the artwork in Flux -- Diagramming form, from graphic notation to the Fluxus event score -- Of drips, diagrams, and immanent form: Fluxus in the wake of abstract expressionist painting -- George Brecht and the notational object -- George Maciunas, Fluxboxes, and the transitional commodity -- Objects without object: Robert Filliou and the unworking of Fluxus -- Coda: The Fluxus virtual, actually |
| ctrlnum | (OCoLC)1182503134 (DE-599)BVBBV046653228 |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 1955-1965 gnd |
| era_facet | Geschichte 1955-1965 |
| format | Book |
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| geographic | New York, NY (DE-588)4042011-5 gnd |
| geographic_facet | New York, NY |
| id | DE-604.BV046653228 |
| illustrated | Illustrated |
| index_date | 2024-07-03T14:17:35Z |
| indexdate | 2024-07-10T08:50:23Z |
| institution | BVB |
| isbn | 9780226354927 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032064415 |
| oclc_num | 1182503134 |
| open_access_boolean | |
| owner | DE-12 DE-20 DE-19 DE-BY-UBM DE-255 DE-188 |
| owner_facet | DE-12 DE-20 DE-19 DE-BY-UBM DE-255 DE-188 |
| physical | 278 Seiten, 12 ungezählte Seiten Tafeln Illustrationen 26 cm |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | The University of Chicago Press |
| record_format | marc |
| spelling | Harren, Natilee 19XX- Verfasser (DE-588)134248961 aut Fluxus forms scores, multiples, and the eternal network Natilee Harren Chicago ; London The University of Chicago Press [2020] © 2020 278 Seiten, 12 ungezählte Seiten Tafeln Illustrationen 26 cm txt rdacontent n rdamedia nc rdacarrier Prelude: the artwork in Flux -- Diagramming form, from graphic notation to the Fluxus event score -- Of drips, diagrams, and immanent form: Fluxus in the wake of abstract expressionist painting -- George Brecht and the notational object -- George Maciunas, Fluxboxes, and the transitional commodity -- Objects without object: Robert Filliou and the unworking of Fluxus -- Coda: The Fluxus virtual, actually "A history of the understudied but highly inventive Fluxus collective founded in NYC in the late 1950s/early 1960s. Fluxus was an unruly, endlessly shifting gang of performers, conceptual writers, musicians, and installation artists who wanted to integrate life into art using found and ordinary objects and processes (like cooking and shaving). Fluxus first arose in the United States under the leadership of George Maciunas and quickly spread to Europe. Artists from Claus Oldenberg to Allan Kaprow to Dick Higgins to Allison Knowles to Joseph Beuys to Gerhard Richter to Nam June Paik to Yoko Ono to Robert Filliou all participated in Fluxus at some point. Unlike other books about Fluxus, this one explores not just the movement itself but also how it figures the transition from modernism to postmodernism, and the historical origins of experimental art practices of the present" Geschichte 1955-1965 gnd rswk-swf Fluxus Kunst (DE-588)4245148-6 gnd rswk-swf New York, NY (DE-588)4042011-5 gnd rswk-swf Fluxus (Group of artists) Art, Modern / 20th century Avant-garde (Music) ART / General Art, Modern 1900-1999 New York, NY (DE-588)4042011-5 g Fluxus Kunst (DE-588)4245148-6 s Geschichte 1955-1965 z DE-604 Erscheint auch als Online-Ausgabe 978-0-226-35508-5 |
| spellingShingle | Harren, Natilee 19XX- Fluxus forms scores, multiples, and the eternal network Prelude: the artwork in Flux -- Diagramming form, from graphic notation to the Fluxus event score -- Of drips, diagrams, and immanent form: Fluxus in the wake of abstract expressionist painting -- George Brecht and the notational object -- George Maciunas, Fluxboxes, and the transitional commodity -- Objects without object: Robert Filliou and the unworking of Fluxus -- Coda: The Fluxus virtual, actually Fluxus Kunst (DE-588)4245148-6 gnd |
| subject_GND | (DE-588)4245148-6 (DE-588)4042011-5 |
| title | Fluxus forms scores, multiples, and the eternal network |
| title_auth | Fluxus forms scores, multiples, and the eternal network |
| title_exact_search | Fluxus forms scores, multiples, and the eternal network |
| title_exact_search_txtP | Fluxus forms scores, multiples, and the eternal network |
| title_full | Fluxus forms scores, multiples, and the eternal network Natilee Harren |
| title_fullStr | Fluxus forms scores, multiples, and the eternal network Natilee Harren |
| title_full_unstemmed | Fluxus forms scores, multiples, and the eternal network Natilee Harren |
| title_short | Fluxus forms |
| title_sort | fluxus forms scores multiples and the eternal network |
| title_sub | scores, multiples, and the eternal network |
| topic | Fluxus Kunst (DE-588)4245148-6 gnd |
| topic_facet | Fluxus Kunst New York, NY |
| work_keys_str_mv | AT harrennatilee fluxusformsscoresmultiplesandtheeternalnetwork |