Marking time: art in the age of mass incarceration
"More than two million men and women are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities, it also exposes them to shocking levels of violence and sexual assault and subjects them to the arbitrary cruelties of the cr...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge, Massachusetts ; London, England
Harvard University Press
2020
|
Schlagworte: | |
Zusammenfassung: | "More than two million men and women are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities, it also exposes them to shocking levels of violence and sexual assault and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America's prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author's own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions-including solitary confinement-these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. As the movement to reform the country's criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century"-- |
Beschreibung: | xxvi, 323 Seiten Illustrationen 21 cm |
ISBN: | 9780674919228 |
Internformat
MARC
LEADER | 00000nam a22000008c 4500 | ||
---|---|---|---|
001 | BV046653227 | ||
003 | DE-604 | ||
005 | 20210506 | ||
007 | t| | ||
008 | 200403s2020 xx a||| b||| 00||| eng d | ||
020 | |a 9780674919228 |c hbk. |9 978-0-674-91922-8 | ||
035 | |a (OCoLC)1153986033 | ||
035 | |a (DE-599)BVBBV046653227 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-19 |a DE-255 |a DE-739 |a DE-Y2 | ||
084 | |a LO 94037 |0 (DE-625)105707: |2 rvk | ||
100 | 1 | |a Fleetwood, Nicole R. |e Verfasser |0 (DE-588)1114690945 |4 aut | |
245 | 1 | 0 | |a Marking time |b art in the age of mass incarceration |c Nicole R. Fleetwood |
264 | 1 | |a Cambridge, Massachusetts ; London, England |b Harvard University Press |c 2020 | |
300 | |a xxvi, 323 Seiten |b Illustrationen |c 21 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
505 | 8 | |a Carceral aesthetics: penal space, time, and matter -- State goods: clandestine practices and prison art collectives -- Captured by the frame: photographic studies of prisoners -- Interior subjects: portraits by incarcerated ̜̜artists -- Fraught imaginaries: collaborative art in prison -- Art in solitary confinement -- Posing in prison: family photographs, practices of belonging, and carceral landscapes | |
520 | 3 | |a "More than two million men and women are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities, it also exposes them to shocking levels of violence and sexual assault and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America's prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author's own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions-including solitary confinement-these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. As the movement to reform the country's criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century"-- | |
648 | 7 | |a Geschichte 2000-2020 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Gefangener |0 (DE-588)4022782-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Gefängnis |0 (DE-588)4071628-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
653 | 0 | |a Prisoners as artists / United States | |
653 | 0 | |a Art in prisons / United States | |
653 | 0 | |a Art, American / Political aspects | |
653 | 0 | |a Imprisonment / Social aspects / United States | |
653 | 0 | |a Art, American | |
653 | 0 | |a Prisoners as artists | |
653 | 0 | |a Prisoners / Recreation | |
653 | 2 | |a United States | |
689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
689 | 0 | 1 | |a Gefängnis |0 (DE-588)4071628-4 |D s |
689 | 0 | 2 | |a Gefangener |0 (DE-588)4022782-0 |D s |
689 | 0 | 3 | |a Kunst |0 (DE-588)4114333-4 |D s |
689 | 0 | 4 | |a Geschichte 2000-2020 |A z |
689 | 0 | |5 DE-604 | |
940 | 1 | |q BSB_NED_20200514 | |
942 | 1 | 1 | |c 306.09 |e 22/bsb |f 0905 |g 73 |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032064414 |
Datensatz im Suchindex
_version_ | 1818428356471816192 |
---|---|
adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Fleetwood, Nicole R. |
author_GND | (DE-588)1114690945 |
author_facet | Fleetwood, Nicole R. |
author_role | aut |
author_sort | Fleetwood, Nicole R. |
author_variant | n r f nr nrf |
building | Verbundindex |
bvnumber | BV046653227 |
classification_rvk | LO 94037 |
contents | Carceral aesthetics: penal space, time, and matter -- State goods: clandestine practices and prison art collectives -- Captured by the frame: photographic studies of prisoners -- Interior subjects: portraits by incarcerated ̜̜artists -- Fraught imaginaries: collaborative art in prison -- Art in solitary confinement -- Posing in prison: family photographs, practices of belonging, and carceral landscapes |
ctrlnum | (OCoLC)1153986033 (DE-599)BVBBV046653227 |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
era | Geschichte 2000-2020 gnd |
era_facet | Geschichte 2000-2020 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a22000008c 4500</leader><controlfield tag="001">BV046653227</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20210506</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">200403s2020 xx a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780674919228</subfield><subfield code="c">hbk.</subfield><subfield code="9">978-0-674-91922-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1153986033</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046653227</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LO 94037</subfield><subfield code="0">(DE-625)105707:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Fleetwood, Nicole R.</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1114690945</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Marking time</subfield><subfield code="b">art in the age of mass incarceration</subfield><subfield code="c">Nicole R. Fleetwood</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge, Massachusetts ; London, England</subfield><subfield code="b">Harvard University Press</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxvi, 323 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">21 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Carceral aesthetics: penal space, time, and matter -- State goods: clandestine practices and prison art collectives -- Captured by the frame: photographic studies of prisoners -- Interior subjects: portraits by incarcerated ̜̜artists -- Fraught imaginaries: collaborative art in prison -- Art in solitary confinement -- Posing in prison: family photographs, practices of belonging, and carceral landscapes</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"More than two million men and women are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities, it also exposes them to shocking levels of violence and sexual assault and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America's prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author's own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions-including solitary confinement-these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. As the movement to reform the country's criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 2000-2020</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Gefangener</subfield><subfield code="0">(DE-588)4022782-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Gefängnis</subfield><subfield code="0">(DE-588)4071628-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Prisoners as artists / United States</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art in prisons / United States</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art, American / Political aspects</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Imprisonment / Social aspects / United States</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art, American</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Prisoners as artists</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Prisoners / Recreation</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">United States</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Gefängnis</subfield><subfield code="0">(DE-588)4071628-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Gefangener</subfield><subfield code="0">(DE-588)4022782-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 2000-2020</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20200514</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">73</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032064414</subfield></datafield></record></collection> |
geographic | USA (DE-588)4078704-7 gnd |
geographic_facet | USA |
id | DE-604.BV046653227 |
illustrated | Illustrated |
index_date | 2024-07-03T14:17:35Z |
indexdate | 2024-12-14T15:00:19Z |
institution | BVB |
isbn | 9780674919228 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032064414 |
oclc_num | 1153986033 |
open_access_boolean | |
owner | DE-12 DE-19 DE-BY-UBM DE-255 DE-739 DE-Y2 |
owner_facet | DE-12 DE-19 DE-BY-UBM DE-255 DE-739 DE-Y2 |
physical | xxvi, 323 Seiten Illustrationen 21 cm |
psigel | BSB_NED_20200514 |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Harvard University Press |
record_format | marc |
spelling | Fleetwood, Nicole R. Verfasser (DE-588)1114690945 aut Marking time art in the age of mass incarceration Nicole R. Fleetwood Cambridge, Massachusetts ; London, England Harvard University Press 2020 xxvi, 323 Seiten Illustrationen 21 cm txt rdacontent n rdamedia nc rdacarrier Carceral aesthetics: penal space, time, and matter -- State goods: clandestine practices and prison art collectives -- Captured by the frame: photographic studies of prisoners -- Interior subjects: portraits by incarcerated ̜̜artists -- Fraught imaginaries: collaborative art in prison -- Art in solitary confinement -- Posing in prison: family photographs, practices of belonging, and carceral landscapes "More than two million men and women are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities, it also exposes them to shocking levels of violence and sexual assault and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America's prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author's own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions-including solitary confinement-these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. As the movement to reform the country's criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century"-- Geschichte 2000-2020 gnd rswk-swf Gefangener (DE-588)4022782-0 gnd rswk-swf Gefängnis (DE-588)4071628-4 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Prisoners as artists / United States Art in prisons / United States Art, American / Political aspects Imprisonment / Social aspects / United States Art, American Prisoners as artists Prisoners / Recreation United States USA (DE-588)4078704-7 g Gefängnis (DE-588)4071628-4 s Gefangener (DE-588)4022782-0 s Kunst (DE-588)4114333-4 s Geschichte 2000-2020 z DE-604 |
spellingShingle | Fleetwood, Nicole R. Marking time art in the age of mass incarceration Carceral aesthetics: penal space, time, and matter -- State goods: clandestine practices and prison art collectives -- Captured by the frame: photographic studies of prisoners -- Interior subjects: portraits by incarcerated ̜̜artists -- Fraught imaginaries: collaborative art in prison -- Art in solitary confinement -- Posing in prison: family photographs, practices of belonging, and carceral landscapes Gefangener (DE-588)4022782-0 gnd Gefängnis (DE-588)4071628-4 gnd Kunst (DE-588)4114333-4 gnd |
subject_GND | (DE-588)4022782-0 (DE-588)4071628-4 (DE-588)4114333-4 (DE-588)4078704-7 |
title | Marking time art in the age of mass incarceration |
title_auth | Marking time art in the age of mass incarceration |
title_exact_search | Marking time art in the age of mass incarceration |
title_exact_search_txtP | Marking time art in the age of mass incarceration |
title_full | Marking time art in the age of mass incarceration Nicole R. Fleetwood |
title_fullStr | Marking time art in the age of mass incarceration Nicole R. Fleetwood |
title_full_unstemmed | Marking time art in the age of mass incarceration Nicole R. Fleetwood |
title_short | Marking time |
title_sort | marking time art in the age of mass incarceration |
title_sub | art in the age of mass incarceration |
topic | Gefangener (DE-588)4022782-0 gnd Gefängnis (DE-588)4071628-4 gnd Kunst (DE-588)4114333-4 gnd |
topic_facet | Gefangener Gefängnis Kunst USA |
work_keys_str_mv | AT fleetwoodnicoler markingtimeartintheageofmassincarceration |