Samuel Barber: the composer and his music
Samuel Barber (1910-1981) is one of the most admired and honored American composers of the twentieth century. An unabashed Romantic, largely independent of worldwide trends and the avant-garde, he infused his works with poetic lyricism and gave tonal language and forms new vitality. His rich legacy...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2020]
|
| Ausgabe: | Second edition, revised and expanded |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Samuel Barber (1910-1981) is one of the most admired and honored American composers of the twentieth century. An unabashed Romantic, largely independent of worldwide trends and the avant-garde, he infused his works with poetic lyricism and gave tonal language and forms new vitality. His rich legacy includes every genre, including the famous Adagio for Strings, Knoxville: Summer of 1915, three concertos, a plethora of songs, and two operas, the Pulitzer prize-winning Vanessa, and Antony and Cleopatra, the commissioned work that opened the new Metropolitan Opera House at Lincoln Center in 1966.0Generously documented by letter, sketches, autograph manuscripts, and interviews with friends, colleagues, and performers with whom he worked, this ASCAP-Award winning book is still unquestionably the most authoritative biography on Barber, covering his entire career and interweaving the events of his life with his compositional process. This second edition benefits from many new discoveries, including a Violin Sonata recovered from an artist's estate, a diary Barber kept his seventeenth year,0a trove of letters and manuscripts that were recovered from a suitcase found in a dumpster, documentation that dispels earlier myths about the composition of Barber's Violin Concerto, and research of scholars that was stimulated by Heyman's work. Barber's intimate relations are discussed when they bear on his creativity.0A testament to the lasting significance of Romanticism, Samuel Barber stands as a model biography of an important musical figure |
| Beschreibung: | xxvi, 630 Seiten Illustrationen, Notenbeispiele, Karten |
| ISBN: | 9780190863739 |
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| 520 | 3 | |a Samuel Barber (1910-1981) is one of the most admired and honored American composers of the twentieth century. An unabashed Romantic, largely independent of worldwide trends and the avant-garde, he infused his works with poetic lyricism and gave tonal language and forms new vitality. His rich legacy includes every genre, including the famous Adagio for Strings, Knoxville: Summer of 1915, three concertos, a plethora of songs, and two operas, the Pulitzer prize-winning Vanessa, and Antony and Cleopatra, the commissioned work that opened the new Metropolitan Opera House at Lincoln Center in 1966.0Generously documented by letter, sketches, autograph manuscripts, and interviews with friends, colleagues, and performers with whom he worked, this ASCAP-Award winning book is still unquestionably the most authoritative biography on Barber, covering his entire career and interweaving the events of his life with his compositional process. This second edition benefits from many new discoveries, including a Violin Sonata recovered from an artist's estate, a diary Barber kept his seventeenth year,0a trove of letters and manuscripts that were recovered from a suitcase found in a dumpster, documentation that dispels earlier myths about the composition of Barber's Violin Concerto, and research of scholars that was stimulated by Heyman's work. Barber's intimate relations are discussed when they bear on his creativity.0A testament to the lasting significance of Romanticism, Samuel Barber stands as a model biography of an important musical figure | |
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Datensatz im Suchindex
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CONTENTS List ofMusical Examples xi Preface to the Second Edition xv Preface to the First Edition xix Acknowledgments ххш Introduction і 1. Beginnings 4 SIDNEY HOMER, UNCLE AND MENTOR THE COMPOSER IN HIS EARLY TEENS 2. A Serious Student 14 23 зз CURTIS INSTITUTE OF MUSIC 33 THE EARLY SONGS AND RECOGNITION 45 “DANCE” AND THREE SONGS: “THE DAISIES,” “WITH RUE MY HEART IS LADEN,” AND “BESSIE BOBTAIL” 49 3. Discoveries 58 VIOLIN SONATA; PRELUDE AND FUGUE FOR ORGAN 65 STETSERENADE FOR STRING QUARTET OR STRING ORCHESTRA 70 THE EARLY PIANO CONCERTO; BARBERAND MENOTTI IN EUROPE TWO INTERLUDES FOR PIANO PIECES FOR CARILLON 4. Uncertainties 87 91 95 OVERTURE TO THE SCHOOL FOR SCANDAL DOVER BEACH 102 COMPOSERAS SINGER 110 vii 95 75
CONTENTS viii THE ANGEL MARY 114 MOVE TO NEW YORK CITY 5. Independence 116 125 SONATA FOR VIOLONCELLO AND PIANO BARBER’S CAREER MOVES FORWARD MUSIC FORA SCENE FROM SHELLEY 125 132 140 INCIDENTAL MUSIC FOR ONE DAY OF SPRING 6. The American Academy JOYCE’S CHAMBERMUSIC 149 156 SYMPHONY IN ONE MOVEMENT STRING QUARTET 7. Recognition 147 158 169 182 THE TOSCANINI PREMIERES: ESSAY FOR ORCHESTRA AND ADAGIO FOR STRINGS 182 THE UNACCOMPANIED CHORAL WORKS A STOPWATCH AND AN ORDNANCE MAP 8. Prelude to War 198 208 213 CONCERTO FOR VIOLIN AND ORCHESTRA FOUR SONGS, OP. 13 SECOND ESSAY FOR ORCHESTRA TWO SONGS, OP. 18 9. World Cataclysm 213 230 234 239 242 COMMANDO MARCH; FUNERAL MARCH 242 SECOND SYMPHONY; NIGHT FLIGHT 247 REVISIONS 260 FOUR EXCURSIONS 263 CAPRICORN CONCERTO 10. Middle Years 268 282 CONCERTO FOR VIOLONCELLO AND ORCHESTRA 282 RELATIONSHIP WITH G. SCHIRMER 295 MEDEA: BALLET, CAVE OF THE HEART; SUITE; MEDEA'S MEDITATION AND DANCE OF VENGEANCE 296 KNOXVILLE: SUMMER OF 191S PIANO SONATA 328 312
ix CONTENTS 11. Composer as Conductor 12. Song Cycles 358 MÉLODIES PASSAGÈRES SOUVENIRS 358 363 HERMIT SONGS “ADVENTURE” 13. Searches 344 369 379 384 PRAYERS OF KIERKEGAARD 384 SUMMER MUSIC; HORIZON 397 14. Vanessa 409 VANESSA AT SALZBURG 431 INTO THE TWENTY-FIRST CENTURY 15. Interlude 1958-1960 WONDROUS LOVE NOCTURNE 436 440 440 442 A HAND OF BRIDGE TOCCATA FESTIVA 443 445 DIE NATALI 447 16. Lincoln Center Commissions PIANO CONCERTO; CANZONE ANDROMACHE'S FAREWELL 17. A New Opera House 4SI 462 470 ANTONYAND CLEOPATRA 470 REDIRECTION AND REVISION 18. Ihe Last Years, 1967-1981 DESPITE AND STILL 451 495 so4 504 TWO CHORAL WORKS; MUTATIONS FROM BACH THE LOVERS 519 FADOGRAPH OF A YESTERN SCENE THREE SONGS, OP. 45 BALLADE 526 530 538 THIRD ESSAY FOR ORCHESTRA 540 CANZONETTA FOR OBOE AND STRING ORCHESTRA FINALE Postlude 517 549 554 548 |
| adam_txt |
CONTENTS List ofMusical Examples xi Preface to the Second Edition xv Preface to the First Edition xix Acknowledgments ххш Introduction і 1. Beginnings 4 SIDNEY HOMER, UNCLE AND MENTOR THE COMPOSER IN HIS EARLY TEENS 2. A Serious Student 14 23 зз CURTIS INSTITUTE OF MUSIC 33 THE EARLY SONGS AND RECOGNITION 45 “DANCE” AND THREE SONGS: “THE DAISIES,” “WITH RUE MY HEART IS LADEN,” AND “BESSIE BOBTAIL” 49 3. Discoveries 58 VIOLIN SONATA; PRELUDE AND FUGUE FOR ORGAN 65 STETSERENADE FOR STRING QUARTET OR STRING ORCHESTRA 70 THE EARLY PIANO CONCERTO; BARBERAND MENOTTI IN EUROPE TWO INTERLUDES FOR PIANO PIECES FOR CARILLON 4. Uncertainties 87 91 95 OVERTURE TO THE SCHOOL FOR SCANDAL DOVER BEACH 102 COMPOSERAS SINGER 110 vii 95 75
CONTENTS viii THE ANGEL MARY 114 MOVE TO NEW YORK CITY 5. Independence 116 125 SONATA FOR VIOLONCELLO AND PIANO BARBER’S CAREER MOVES FORWARD MUSIC FORA SCENE FROM SHELLEY 125 132 140 INCIDENTAL MUSIC FOR ONE DAY OF SPRING 6. The American Academy JOYCE’S CHAMBERMUSIC 149 156 SYMPHONY IN ONE MOVEMENT STRING QUARTET 7. Recognition 147 158 169 182 THE TOSCANINI PREMIERES: ESSAY FOR ORCHESTRA AND ADAGIO FOR STRINGS 182 THE UNACCOMPANIED CHORAL WORKS A STOPWATCH AND AN ORDNANCE MAP 8. Prelude to War 198 208 213 CONCERTO FOR VIOLIN AND ORCHESTRA FOUR SONGS, OP. 13 SECOND ESSAY FOR ORCHESTRA TWO SONGS, OP. 18 9. World Cataclysm 213 230 234 239 242 COMMANDO MARCH; FUNERAL MARCH 242 SECOND SYMPHONY; NIGHT FLIGHT 247 REVISIONS 260 FOUR EXCURSIONS 263 CAPRICORN CONCERTO 10. Middle Years 268 282 CONCERTO FOR VIOLONCELLO AND ORCHESTRA 282 RELATIONSHIP WITH G. SCHIRMER 295 MEDEA: BALLET, CAVE OF THE HEART; SUITE; MEDEA'S MEDITATION AND DANCE OF VENGEANCE 296 KNOXVILLE: SUMMER OF 191S PIANO SONATA 328 312
ix CONTENTS 11. Composer as Conductor 12. Song Cycles 358 MÉLODIES PASSAGÈRES SOUVENIRS 358 363 HERMIT SONGS “ADVENTURE” 13. Searches 344 369 379 384 PRAYERS OF KIERKEGAARD 384 SUMMER MUSIC; HORIZON 397 14. Vanessa 409 VANESSA AT SALZBURG 431 INTO THE TWENTY-FIRST CENTURY 15. Interlude 1958-1960 WONDROUS LOVE NOCTURNE 436 440 440 442 A HAND OF BRIDGE TOCCATA FESTIVA 443 445 DIE NATALI 447 16. Lincoln Center Commissions PIANO CONCERTO; CANZONE ANDROMACHE'S FAREWELL 17. A New Opera House 4SI 462 470 ANTONYAND CLEOPATRA 470 REDIRECTION AND REVISION 18. Ihe Last Years, 1967-1981 DESPITE AND STILL 451 495 so4 504 TWO CHORAL WORKS; MUTATIONS FROM BACH THE LOVERS 519 FADOGRAPH OF A YESTERN SCENE THREE SONGS, OP. 45 BALLADE 526 530 538 THIRD ESSAY FOR ORCHESTRA 540 CANZONETTA FOR OBOE AND STRING ORCHESTRA FINALE Postlude 517 549 554 548 |
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| spelling | Heyman, Barbara B. ca. 20./21. Jh. Verfasser (DE-588)172591392 aut Samuel Barber the composer and his music Barbara B. Heyman Second edition, revised and expanded New York, NY Oxford University Press [2020] © 2020 xxvi, 630 Seiten Illustrationen, Notenbeispiele, Karten txt rdacontent n rdamedia nc rdacarrier Samuel Barber (1910-1981) is one of the most admired and honored American composers of the twentieth century. An unabashed Romantic, largely independent of worldwide trends and the avant-garde, he infused his works with poetic lyricism and gave tonal language and forms new vitality. His rich legacy includes every genre, including the famous Adagio for Strings, Knoxville: Summer of 1915, three concertos, a plethora of songs, and two operas, the Pulitzer prize-winning Vanessa, and Antony and Cleopatra, the commissioned work that opened the new Metropolitan Opera House at Lincoln Center in 1966.0Generously documented by letter, sketches, autograph manuscripts, and interviews with friends, colleagues, and performers with whom he worked, this ASCAP-Award winning book is still unquestionably the most authoritative biography on Barber, covering his entire career and interweaving the events of his life with his compositional process. This second edition benefits from many new discoveries, including a Violin Sonata recovered from an artist's estate, a diary Barber kept his seventeenth year,0a trove of letters and manuscripts that were recovered from a suitcase found in a dumpster, documentation that dispels earlier myths about the composition of Barber's Violin Concerto, and research of scholars that was stimulated by Heyman's work. Barber's intimate relations are discussed when they bear on his creativity.0A testament to the lasting significance of Romanticism, Samuel Barber stands as a model biography of an important musical figure Barber, Samuel 1910-1981 (DE-588)118924109 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Barber, Samuel / 1910-1981 / Criticism and interpretation Barber, Samuel / 1910-1981 Criticism, interpretation, etc (DE-588)4006804-3 Biografie gnd-content (DE-588)4189680-4 Werkverzeichnis gnd-content Barber, Samuel 1910-1981 (DE-588)118924109 p Musik (DE-588)4040802-4 s DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032060537&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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