Visualizing fascism: the twentieth-century rise of the global right
"Visualizing Fascism" argues that fascism was not merely a domestic menace in a few European nations, but arose as a genuinely global phenomenon in the early twentieth century. Contributors use visual materials to explore fascism's populist appeal in settings around the world, includi...
Gespeichert in:
| Weitere Verfasser: | , |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Durham ; London
Duke University Press
2020
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| Schlagworte: | |
| Online-Zugang: | Volltext Volltext Inhaltsverzeichnis |
| Zusammenfassung: | "Visualizing Fascism" argues that fascism was not merely a domestic menace in a few European nations, but arose as a genuinely global phenomenon in the early twentieth century. Contributors use visual materials to explore fascism's populist appeal in settings around the world, including China, Japan, South Africa, Slovakia, and Spain. This visual strategy allows readers to see the transnational rise of the right as it fed off the agitated energies of modernity and mobilized shared political and aesthetic tropes. This volume also considers the postwar aftermath as antifascist art forms were depoliticized and repurposed in the West. More commonly, analyses of fascism focus on Italy and Germany alone and on institutions like fascist parties, but that approach truncates our understanding of the way fascism was indebted to colonialism and internationalism with all their attendant grievances and aspirations. Using photography, graphic arts, architecture, monuments, and film—rather than written documents alone—produces a portable concept of fascism, useful for grappling with the upsurge of the global right a century ago—and today. |
| Beschreibung: | 326 Seiten Illustrationen |
| ISBN: | 9781478003120 9781478003762 |
| DOI: | 10.1215/9781478004387 |
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| 520 | 3 | |a "Visualizing Fascism" argues that fascism was not merely a domestic menace in a few European nations, but arose as a genuinely global phenomenon in the early twentieth century. Contributors use visual materials to explore fascism's populist appeal in settings around the world, including China, Japan, South Africa, Slovakia, and Spain. This visual strategy allows readers to see the transnational rise of the right as it fed off the agitated energies of modernity and mobilized shared political and aesthetic tropes. This volume also considers the postwar aftermath as antifascist art forms were depoliticized and repurposed in the West. More commonly, analyses of fascism focus on Italy and Germany alone and on institutions like fascist parties, but that approach truncates our understanding of the way fascism was indebted to colonialism and internationalism with all their attendant grievances and aspirations. Using photography, graphic arts, architecture, monuments, and film—rather than written documents alone—produces a portable concept of fascism, useful for grappling with the upsurge of the global right a century ago—and today. | |
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Datensatz im Suchindex
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| adam_text |
CONTENTS Introduction: A Portable Concept of Fascism і JULIA ADENEY THOMAS Subjects of a New Visual Order: Fascist Media in 1930s China 21 MAGGIE CLINTON Fascism Carved in Stone: Monuments to Loyal Spirits in Wartime Manchukuo 44 PAUL D. BARCLAY Nazism, Everydayness, and Spectacle: The Mass Form in Metropolitan Modernity 69 GEOFF ELEY Five Faces of Fascism 94 RUTH BEN-GHIAT Face Time with Hitler 111 LUTZ KOEPNICK Seeing through Whiteness: Late 1930s Settler Photography in Namibia under South African Rule 134 LORENA RIZZO
7 Japans War without Pictures: Normalizing Fascism 160 JULIA ADENEY THOMAS 8 Fascisms Seen and Unseen: The Netherlands, Japan, Indonesia, and the Relationalities of Imperial Crisis 183 ETHAN MARK 9 Youth Movements, Nazism, and War: Photography and the Making of a Slovak Future in World War II (1939-1944) 211 BERTRAND METTON 10 From Antifascism to Humanism: The Legacies of Robert Capa’s Spanish Civil War Photography 236 NADYA BAIR 11 Heedless Oblivion: Curating Architecture after World War II 258 CLAIRE ZIMMERMAN ■ Conclusion 284 GEOFF ELEY Bibliography 293 ■ Contributors 317 ■ Index 321 |
| adam_txt |
CONTENTS Introduction: A Portable Concept of Fascism і JULIA ADENEY THOMAS Subjects of a New Visual Order: Fascist Media in 1930s China 21 MAGGIE CLINTON Fascism Carved in Stone: Monuments to Loyal Spirits in Wartime Manchukuo 44 PAUL D. BARCLAY Nazism, Everydayness, and Spectacle: The Mass Form in Metropolitan Modernity 69 GEOFF ELEY Five Faces of Fascism 94 RUTH BEN-GHIAT Face Time with Hitler 111 LUTZ KOEPNICK Seeing through Whiteness: Late 1930s Settler Photography in Namibia under South African Rule 134 LORENA RIZZO
7 Japans War without Pictures: Normalizing Fascism 160 JULIA ADENEY THOMAS 8 Fascisms Seen and Unseen: The Netherlands, Japan, Indonesia, and the Relationalities of Imperial Crisis 183 ETHAN MARK 9 Youth Movements, Nazism, and War: Photography and the Making of a Slovak Future in World War II (1939-1944) 211 BERTRAND METTON 10 From Antifascism to Humanism: The Legacies of Robert Capa’s Spanish Civil War Photography 236 NADYA BAIR 11 Heedless Oblivion: Curating Architecture after World War II 258 CLAIRE ZIMMERMAN ■ Conclusion 284 GEOFF ELEY Bibliography 293 ■ Contributors 317 ■ Index 321 |
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| doi_str_mv | 10.1215/9781478004387 |
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| spellingShingle | Visualizing fascism the twentieth-century rise of the global right Faschismus (DE-588)4016494-9 gnd Bildprogramm (DE-588)4006632-0 gnd Ästhetik (DE-588)4000626-8 gnd |
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| title | Visualizing fascism the twentieth-century rise of the global right |
| title_auth | Visualizing fascism the twentieth-century rise of the global right |
| title_exact_search | Visualizing fascism the twentieth-century rise of the global right |
| title_exact_search_txtP | Visualizing fascism the twentieth-century rise of the global right |
| title_full | Visualizing fascism the twentieth-century rise of the global right Julia Adeney Thomas and Geoff Eley, editors |
| title_fullStr | Visualizing fascism the twentieth-century rise of the global right Julia Adeney Thomas and Geoff Eley, editors |
| title_full_unstemmed | Visualizing fascism the twentieth-century rise of the global right Julia Adeney Thomas and Geoff Eley, editors |
| title_short | Visualizing fascism |
| title_sort | visualizing fascism the twentieth century rise of the global right |
| title_sub | the twentieth-century rise of the global right |
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