Neorealist Film Culture, 1945-1954: Rome, Open Cinema
Unique, truthful, brutal... Neorealism is often associated with adjectives stressing its peculiarities in representing the real, its lack of antecedents, and its legacy in terms of film style. While this is useful when confronting auteurs such as De Sica, Rossellini or Visconti, it becomes problemat...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2019]
|
| Schriftenreihe: | Film Culture in Transition
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| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-739 Volltext |
| Zusammenfassung: | Unique, truthful, brutal... Neorealism is often associated with adjectives stressing its peculiarities in representing the real, its lack of antecedents, and its legacy in terms of film style. While this is useful when confronting auteurs such as De Sica, Rossellini or Visconti, it becomes problematic when examining a widespread cultural practice that realistic modes deeply affected. This cultural production included filmmaking, literature, visual culture and photography, as well as media discourses. It was internally contradictory but fruitful inasmuch as its legacy influenced national culture for many decades to come. [-][-]The volume spotlights post-war Italian film culture by locating a series of crossroads, i.e. topics barely examined when discussing neorealism: nation, memory and trauma, visual culture, stardom, and performance. The aim is to deconstruct neorealism as a monument and to open up its cultural history |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020) |
| Beschreibung: | 1 online resource (422 pages) 42 |
| ISBN: | 9789048526253 |
| DOI: | 10.1515/9789048526253 |
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| index_date | 2024-07-03T14:15:31Z |
| indexdate | 2024-11-19T07:00:10Z |
| institution | BVB |
| isbn | 9789048526253 |
| language | English |
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| series2 | Film Culture in Transition |
| spelling | Pitassio, Francesco 1968- Verfasser (DE-588)138660727 aut Neorealist Film Culture, 1945-1954 Rome, Open Cinema Francesco Pitassio Amsterdam Amsterdam University Press [2019] © 2020 1 online resource (422 pages) 42 txt rdacontent c rdamedia cr rdacarrier Film Culture in Transition Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020) Unique, truthful, brutal... Neorealism is often associated with adjectives stressing its peculiarities in representing the real, its lack of antecedents, and its legacy in terms of film style. While this is useful when confronting auteurs such as De Sica, Rossellini or Visconti, it becomes problematic when examining a widespread cultural practice that realistic modes deeply affected. This cultural production included filmmaking, literature, visual culture and photography, as well as media discourses. It was internally contradictory but fruitful inasmuch as its legacy influenced national culture for many decades to come. [-][-]The volume spotlights post-war Italian film culture by locating a series of crossroads, i.e. topics barely examined when discussing neorealism: nation, memory and trauma, visual culture, stardom, and performance. The aim is to deconstruct neorealism as a monument and to open up its cultural history In English Geschichte 1945-1954 gnd rswk-swf PERFORMING ARTS / Film & Video / History & Criticism bisacsh Neorealismus (DE-588)4171455-6 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Italien (DE-588)4027833-5 g Film (DE-588)4017102-4 s Neorealismus (DE-588)4171455-6 s Geschichte 1945-1954 z 1\p DE-604 Erscheint auch als Druck-Ausgabe 978-90-8964-800-6 https://doi.org/10.1515/9789048526253 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Pitassio, Francesco 1968- Neorealist Film Culture, 1945-1954 Rome, Open Cinema PERFORMING ARTS / Film & Video / History & Criticism bisacsh Neorealismus (DE-588)4171455-6 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4171455-6 (DE-588)4017102-4 (DE-588)4027833-5 |
| title | Neorealist Film Culture, 1945-1954 Rome, Open Cinema |
| title_auth | Neorealist Film Culture, 1945-1954 Rome, Open Cinema |
| title_exact_search | Neorealist Film Culture, 1945-1954 Rome, Open Cinema |
| title_exact_search_txtP | Neorealist Film Culture, 1945-1954 Rome, Open Cinema |
| title_full | Neorealist Film Culture, 1945-1954 Rome, Open Cinema Francesco Pitassio |
| title_fullStr | Neorealist Film Culture, 1945-1954 Rome, Open Cinema Francesco Pitassio |
| title_full_unstemmed | Neorealist Film Culture, 1945-1954 Rome, Open Cinema Francesco Pitassio |
| title_short | Neorealist Film Culture, 1945-1954 |
| title_sort | neorealist film culture 1945 1954 rome open cinema |
| title_sub | Rome, Open Cinema |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Neorealismus (DE-588)4171455-6 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Neorealismus Film Italien |
| url | https://doi.org/10.1515/9789048526253 |
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