The Art of Allusion: Illuminators and the Making of English Literature, 1403-1476
At the end of the fourteenth and into the first half of the fifteenth century Geoffrey Chaucer, John Gower, and John Lydgate translated and revised stories with long pedigrees in Latin, Italian, and French. Royals and gentry alike commissioned lavish manuscript copies of these works, copies whose im...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Philadelphia
University of Pennsylvania Press
[2018]
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| Schriftenreihe: | Material Texts
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| Schlagworte: | |
| Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FAB01 FCO01 Volltext |
| Zusammenfassung: | At the end of the fourteenth and into the first half of the fifteenth century Geoffrey Chaucer, John Gower, and John Lydgate translated and revised stories with long pedigrees in Latin, Italian, and French. Royals and gentry alike commissioned lavish manuscript copies of these works, copies whose images were integral to the rising prestige of English as a literary language. Yet despite the significance of these images, manuscript illuminators are seldom discussed in the major narratives of the development of English literary culture.The newly enlarged scale of English manuscript production generated a problem: namely, a need for new images. Not only did these images need to accompany narratives that often had no tradition of illustration, they also had to express novel concepts, including ones as foundational as the identity and suitable representation of an English poet. In devising this new corpus, manuscript artists harnessed visual allusion as a method to articulate central questions and provide at times conflicting answers regarding both literary and cultural authority.Sonja Drimmer traces how, just as the poets embraced intertexuality as a means of invention, so did illuminators devise new images through referential techniques-assembling, adapting, and combining images from a range of sources in order to answer the need for a new body of pictorial matter. Featuring more than one hundred illustrations, twenty-seven of them in color, The Art of Allusion is the first book devoted to the emergence of England's literary canon as a visual as well as a linguistic event |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020) |
| Beschreibung: | 1 online resource (352 pages) 27 color, 97 b/w illus |
| ISBN: | 9780812295382 |
| DOI: | 10.9783/9780812295382 |
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| series2 | Material Texts |
| spelling | Drimmer, Sonja Verfasser aut The Art of Allusion Illuminators and the Making of English Literature, 1403-1476 Sonja Drimmer Philadelphia University of Pennsylvania Press [2018] © 2019 1 online resource (352 pages) 27 color, 97 b/w illus txt rdacontent c rdamedia cr rdacarrier Material Texts Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020) At the end of the fourteenth and into the first half of the fifteenth century Geoffrey Chaucer, John Gower, and John Lydgate translated and revised stories with long pedigrees in Latin, Italian, and French. Royals and gentry alike commissioned lavish manuscript copies of these works, copies whose images were integral to the rising prestige of English as a literary language. Yet despite the significance of these images, manuscript illuminators are seldom discussed in the major narratives of the development of English literary culture.The newly enlarged scale of English manuscript production generated a problem: namely, a need for new images. Not only did these images need to accompany narratives that often had no tradition of illustration, they also had to express novel concepts, including ones as foundational as the identity and suitable representation of an English poet. In devising this new corpus, manuscript artists harnessed visual allusion as a method to articulate central questions and provide at times conflicting answers regarding both literary and cultural authority.Sonja Drimmer traces how, just as the poets embraced intertexuality as a means of invention, so did illuminators devise new images through referential techniques-assembling, adapting, and combining images from a range of sources in order to answer the need for a new body of pictorial matter. Featuring more than one hundred illustrations, twenty-seven of them in color, The Art of Allusion is the first book devoted to the emergence of England's literary canon as a visual as well as a linguistic event In English Geschichte 1403-1476 gnd rswk-swf Architecture Fine Art Garden History Library Science and Publishing Literature Medieval and Renaissance Studies LITERARY CRITICISM / Medieval bisacsh English literature Middle English, 1100-1500 History and criticism Illumination of books and manuscripts, English 15th century Illumination of books and manuscripts, Medieval England Handschrift (DE-588)4023287-6 gnd rswk-swf Mittelenglisch (DE-588)4039676-9 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Buchmalerei (DE-588)4008650-1 gnd rswk-swf Mittelenglisch (DE-588)4039676-9 s Literatur (DE-588)4035964-5 s Handschrift (DE-588)4023287-6 s Buchmalerei (DE-588)4008650-1 s Geschichte 1403-1476 z 1\p DE-604 https://doi.org/10.9783/9780812295382 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Drimmer, Sonja The Art of Allusion Illuminators and the Making of English Literature, 1403-1476 Architecture Fine Art Garden History Library Science and Publishing Literature Medieval and Renaissance Studies LITERARY CRITICISM / Medieval bisacsh English literature Middle English, 1100-1500 History and criticism Illumination of books and manuscripts, English 15th century Illumination of books and manuscripts, Medieval England Handschrift (DE-588)4023287-6 gnd Mittelenglisch (DE-588)4039676-9 gnd Literatur (DE-588)4035964-5 gnd Buchmalerei (DE-588)4008650-1 gnd |
| subject_GND | (DE-588)4023287-6 (DE-588)4039676-9 (DE-588)4035964-5 (DE-588)4008650-1 |
| title | The Art of Allusion Illuminators and the Making of English Literature, 1403-1476 |
| title_auth | The Art of Allusion Illuminators and the Making of English Literature, 1403-1476 |
| title_exact_search | The Art of Allusion Illuminators and the Making of English Literature, 1403-1476 |
| title_exact_search_txtP | The Art of Allusion Illuminators and the Making of English Literature, 1403-1476 |
| title_full | The Art of Allusion Illuminators and the Making of English Literature, 1403-1476 Sonja Drimmer |
| title_fullStr | The Art of Allusion Illuminators and the Making of English Literature, 1403-1476 Sonja Drimmer |
| title_full_unstemmed | The Art of Allusion Illuminators and the Making of English Literature, 1403-1476 Sonja Drimmer |
| title_short | The Art of Allusion |
| title_sort | the art of allusion illuminators and the making of english literature 1403 1476 |
| title_sub | Illuminators and the Making of English Literature, 1403-1476 |
| topic | Architecture Fine Art Garden History Library Science and Publishing Literature Medieval and Renaissance Studies LITERARY CRITICISM / Medieval bisacsh English literature Middle English, 1100-1500 History and criticism Illumination of books and manuscripts, English 15th century Illumination of books and manuscripts, Medieval England Handschrift (DE-588)4023287-6 gnd Mittelenglisch (DE-588)4039676-9 gnd Literatur (DE-588)4035964-5 gnd Buchmalerei (DE-588)4008650-1 gnd |
| topic_facet | Architecture Fine Art Garden History Library Science and Publishing Literature Medieval and Renaissance Studies LITERARY CRITICISM / Medieval English literature Middle English, 1100-1500 History and criticism Illumination of books and manuscripts, English 15th century Illumination of books and manuscripts, Medieval England Handschrift Mittelenglisch Literatur Buchmalerei |
| url | https://doi.org/10.9783/9780812295382 |
| work_keys_str_mv | AT drimmersonja theartofallusionilluminatorsandthemakingofenglishliterature14031476 |