True to nature: open-air painting in Europe, 1780-1870
In the eighteenth century the tradition of open-air painting was based in Italy, Rome in particular. Artists came from all over Europe to study classical sculpture and architecture, as well as masterpieces of Renaissance and Baroque art. During their studies, groups of young painters visited the Ita...
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Paul Holberton Publishing
[2020]
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| Schlagworte: | |
| Zusammenfassung: | In the eighteenth century the tradition of open-air painting was based in Italy, Rome in particular. Artists came from all over Europe to study classical sculpture and architecture, as well as masterpieces of Renaissance and Baroque art. During their studies, groups of young painters visited the Italian countryside, training their eyes and their hands to transcribe the effects of light on a range of natural features. The practice became an essential aspect of art education, and spread throughout Europe in the nineteenth century. This exhibition focuses on the artists̀' wish to convey the immediacy of nature observed at first hand. Around a hundred works, most of them unfamiliar to the general public, will be displayed. The artists represented include Thomas Jones, John Constable, J.M.W. Turner, Pierre-Henri de Valenciennes, Achille-Etna Michallon, Camille Corot, Christoffer Wilhelm Eckersberg, Johan Thomas Lundbye, Vilhelm Kyhn, Carl Blechen, Johann Martin von Rohden, Johann Wilhelm Schirmer, Johann Jakob Frey, among others. The sketches demonstrate the skill and ingenuity with which each artist quickly translated these first-hand observations of atmospheric and topographical effects while the impression was still fresh. The exhibition and the catalogue will be organized thematically, reviewing, as contemporary artists did, motifs as trees, rocks, water, volcanoes, and sky effects, and favourite topgraphical locations, such as Rome and Capri. The catalogue will present numerous unpublished plein air sketches, and contains much original scholarship on this relatively young field of art history. Exhibition: National Gallery of Art, Washington, USA (02.02.-03.05.2020) / The Fondation Custodia, Paris, France (14.06-13.09.2020) / Fitzwilliam Museum, Cambridge, UK (04.10-31.01.2021) |
| Beschreibung: | Rückseite Titelblatt: Exhibition dates: National Gallery of Art, Washington, DC, 2 February 2020 - 3 May 2020; Fondation Custodia, Collection Frits Lugt, Paris, 13 June 2020 - 13 September 2020; The Fitzwilliam Museum, Cambridge, 6 October 2020 - 31 January 2021 |
| Beschreibung: | 280 Seiten 25 x 27 cm |
| ISBN: | 9781911300786 |
Internformat
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| 520 | 3 | |a In the eighteenth century the tradition of open-air painting was based in Italy, Rome in particular. Artists came from all over Europe to study classical sculpture and architecture, as well as masterpieces of Renaissance and Baroque art. During their studies, groups of young painters visited the Italian countryside, training their eyes and their hands to transcribe the effects of light on a range of natural features. The practice became an essential aspect of art education, and spread throughout Europe in the nineteenth century. This exhibition focuses on the artists̀' wish to convey the immediacy of nature observed at first hand. Around a hundred works, most of them unfamiliar to the general public, will be displayed. The artists represented include Thomas Jones, John Constable, J.M.W. Turner, Pierre-Henri de Valenciennes, Achille-Etna Michallon, Camille Corot, Christoffer Wilhelm Eckersberg, Johan Thomas Lundbye, Vilhelm Kyhn, Carl Blechen, Johann Martin von Rohden, Johann Wilhelm Schirmer, Johann Jakob Frey, among others. The sketches demonstrate the skill and ingenuity with which each artist quickly translated these first-hand observations of atmospheric and topographical effects while the impression was still fresh. The exhibition and the catalogue will be organized thematically, reviewing, as contemporary artists did, motifs as trees, rocks, water, volcanoes, and sky effects, and favourite topgraphical locations, such as Rome and Capri. The catalogue will present numerous unpublished plein air sketches, and contains much original scholarship on this relatively young field of art history. Exhibition: National Gallery of Art, Washington, USA (02.02.-03.05.2020) / The Fondation Custodia, Paris, France (14.06-13.09.2020) / Fitzwilliam Museum, Cambridge, UK (04.10-31.01.2021) | |
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Datensatz im Suchindex
| _version_ | 1806232585124184064 |
|---|---|
| adam_text | |
| adam_txt | |
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| author | Luijten, Ger 1956-2022 Morton, Mary G. Munro, Jane 1958- |
| author_GND | (DE-588)103657010X (DE-588)141681284 (DE-588)13835099X (DE-588)142965871 (DE-588)135880521 |
| author_facet | Luijten, Ger 1956-2022 Morton, Mary G. Munro, Jane 1958- |
| author_role | aut aut aut |
| author_sort | Luijten, Ger 1956-2022 |
| author_variant | g l gl m g m mg mgm j m jm |
| building | Verbundindex |
| bvnumber | BV046644743 |
| classification_rvk | LH 70460 LH 70390 |
| ctrlnum | (OCoLC)1164613766 (DE-599)BVBBV046644743 |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 1780-1870 gnd |
| era_facet | Geschichte 1780-1870 |
| format | Book |
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| genre_facet | Ausstellungskatalog National Gallery of Art 02.02.2020-03.05.2020 Washington, DC Ausstellungskatalog Frits Lugt Collection 13.06.2020-13.09.2020 Paris Ausstellungskatalog Fitzwilliam Museum 06.10.2020-31.01.2021 Cambridge Bildband |
| geographic | Europa (DE-588)4015701-5 gnd |
| geographic_facet | Europa |
| id | DE-604.BV046644743 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T14:15:08Z |
| indexdate | 2024-08-02T00:13:45Z |
| institution | BVB |
| institution_GND | (DE-588)1003319-1 (DE-588)803718-8 (DE-588)1016377-3 |
| isbn | 9781911300786 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032056040 |
| oclc_num | 1164613766 |
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| physical | 280 Seiten 25 x 27 cm |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Paul Holberton Publishing |
| record_format | marc |
| spelling | True to nature open-air painting in Europe, 1780-1870 Ger Luijten, Mary Morton and Jane Munro with Michael Clarke, Ann Hoenigswald and Anna Ottani Cavina London Paul Holberton Publishing [2020] © 2020 280 Seiten 25 x 27 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Rückseite Titelblatt: Exhibition dates: National Gallery of Art, Washington, DC, 2 February 2020 - 3 May 2020; Fondation Custodia, Collection Frits Lugt, Paris, 13 June 2020 - 13 September 2020; The Fitzwilliam Museum, Cambridge, 6 October 2020 - 31 January 2021 In the eighteenth century the tradition of open-air painting was based in Italy, Rome in particular. Artists came from all over Europe to study classical sculpture and architecture, as well as masterpieces of Renaissance and Baroque art. During their studies, groups of young painters visited the Italian countryside, training their eyes and their hands to transcribe the effects of light on a range of natural features. The practice became an essential aspect of art education, and spread throughout Europe in the nineteenth century. This exhibition focuses on the artists̀' wish to convey the immediacy of nature observed at first hand. Around a hundred works, most of them unfamiliar to the general public, will be displayed. The artists represented include Thomas Jones, John Constable, J.M.W. Turner, Pierre-Henri de Valenciennes, Achille-Etna Michallon, Camille Corot, Christoffer Wilhelm Eckersberg, Johan Thomas Lundbye, Vilhelm Kyhn, Carl Blechen, Johann Martin von Rohden, Johann Wilhelm Schirmer, Johann Jakob Frey, among others. The sketches demonstrate the skill and ingenuity with which each artist quickly translated these first-hand observations of atmospheric and topographical effects while the impression was still fresh. The exhibition and the catalogue will be organized thematically, reviewing, as contemporary artists did, motifs as trees, rocks, water, volcanoes, and sky effects, and favourite topgraphical locations, such as Rome and Capri. The catalogue will present numerous unpublished plein air sketches, and contains much original scholarship on this relatively young field of art history. Exhibition: National Gallery of Art, Washington, USA (02.02.-03.05.2020) / The Fondation Custodia, Paris, France (14.06-13.09.2020) / Fitzwilliam Museum, Cambridge, UK (04.10-31.01.2021) Geschichte 1780-1870 gnd rswk-swf Landschaftsmalerei (DE-588)4114355-3 gnd rswk-swf Freilichtmalerei (DE-588)4155323-8 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf Plein air painting / Europe / 18th century / Exhibitions Plein air painting / Europe / 19th century / Exhibitions Landscape painting, European / 18th century / Exhibitions Landscape painting, European / 19th century / Exhibitions Landscapes in art / Exhibitions Nature in art / Exhibitions Landscape painting, European Landscapes in art Nature in art Plein air painting Europe 1700-1899 Exhibition catalogs (DE-588)4135467-9 Ausstellungskatalog National Gallery of Art 02.02.2020-03.05.2020 Washington, DC gnd-content (DE-588)4135467-9 Ausstellungskatalog Frits Lugt Collection 13.06.2020-13.09.2020 Paris gnd-content (DE-588)4135467-9 Ausstellungskatalog Fitzwilliam Museum 06.10.2020-31.01.2021 Cambridge gnd-content (DE-588)4145395-5 Bildband gnd-content Europa (DE-588)4015701-5 g Freilichtmalerei (DE-588)4155323-8 s Landschaftsmalerei (DE-588)4114355-3 s Geschichte 1780-1870 z DE-604 Luijten, Ger 1956-2022 (DE-588)103657010X aut Morton, Mary G. (DE-588)141681284 aut Munro, Jane 1958- (DE-588)13835099X aut Clarke, Michael 1952- (DE-588)142965871 wst Hoenigswald, Ann wst Ottani Cavina, Anna 1939- (DE-588)135880521 wst National Gallery of Art (Washington, DC) (DE-588)1003319-1 isb Frits Lugt Collection (DE-588)803718-8 isb Fitzwilliam Museum (DE-588)1016377-3 isb Parallele Sprachausgabe französische Ausgabe 978-1-911300-83-0 |
| spellingShingle | Luijten, Ger 1956-2022 Morton, Mary G. Munro, Jane 1958- True to nature open-air painting in Europe, 1780-1870 Landschaftsmalerei (DE-588)4114355-3 gnd Freilichtmalerei (DE-588)4155323-8 gnd |
| subject_GND | (DE-588)4114355-3 (DE-588)4155323-8 (DE-588)4015701-5 (DE-588)4135467-9 (DE-588)4145395-5 |
| title | True to nature open-air painting in Europe, 1780-1870 |
| title_auth | True to nature open-air painting in Europe, 1780-1870 |
| title_exact_search | True to nature open-air painting in Europe, 1780-1870 |
| title_exact_search_txtP | True to nature open-air painting in Europe, 1780-1870 |
| title_full | True to nature open-air painting in Europe, 1780-1870 Ger Luijten, Mary Morton and Jane Munro with Michael Clarke, Ann Hoenigswald and Anna Ottani Cavina |
| title_fullStr | True to nature open-air painting in Europe, 1780-1870 Ger Luijten, Mary Morton and Jane Munro with Michael Clarke, Ann Hoenigswald and Anna Ottani Cavina |
| title_full_unstemmed | True to nature open-air painting in Europe, 1780-1870 Ger Luijten, Mary Morton and Jane Munro with Michael Clarke, Ann Hoenigswald and Anna Ottani Cavina |
| title_short | True to nature |
| title_sort | true to nature open air painting in europe 1780 1870 |
| title_sub | open-air painting in Europe, 1780-1870 |
| topic | Landschaftsmalerei (DE-588)4114355-3 gnd Freilichtmalerei (DE-588)4155323-8 gnd |
| topic_facet | Landschaftsmalerei Freilichtmalerei Europa Ausstellungskatalog National Gallery of Art 02.02.2020-03.05.2020 Washington, DC Ausstellungskatalog Frits Lugt Collection 13.06.2020-13.09.2020 Paris Ausstellungskatalog Fitzwilliam Museum 06.10.2020-31.01.2021 Cambridge Bildband |
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