Harbingers of twentieth-century neo-classicism:
This book proposes a new theory about the neo-classical style in music. The Danish emeritus professor Finn Egeland Hansen has chosen three different composers - the French Camille Saint-Saens and Charles Gounod and the Danish Niels W. Gade - to discuss his thesis that the classical-romantic main cur...
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| Format: | Buch |
| Sprache: | English |
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Aarhus
Aarhus University Press
[2019]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This book proposes a new theory about the neo-classical style in music. The Danish emeritus professor Finn Egeland Hansen has chosen three different composers - the French Camille Saint-Saens and Charles Gounod and the Danish Niels W. Gade - to discuss his thesis that the classical-romantic main current in classical music in fact represents two sub-currents. One sub-current focusing on the romantic aspects, the other focusing on the classical aspects of its musical style. In close readings of the works by these three composers, Finn Egeland Hansen demonstrates how in different aspects they were harbingers of the neo-classical style - a style that is usually exemplified through later composers like Igor Stravinsky, Paul Hindemith and the members of the French group Les Six. Finn Egeland Hansen labels these harbingers' style as retro-classicism |
| Beschreibung: | 109 Seiten Notenbeispiele 25 cm |
| ISBN: | 9788771847116 |
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| 505 | 8 | |a Preliminaries. Classisism versus romanticism ; Implied structure of textbooks on 19th century music history ; The thesis ; Comments on Ferchault's article ; Saint-Saëns' aesthetical preferences -- Charles Gounod (1818-93). The symphonies ; Gounod's masses ; Other vocal works -- Camille Saint-Saëns (1835-1921). The symphonic works ; Piano music ; The chamber music -- Niels W. Gade (1817-1890). String quartets nos. 1 and 2 ; Cantata Zion, op. 49 -- Neo-classicism -- Parenthesis on Danish composer Paul von Klenau (1883-1946) -- Conclusion | |
| 520 | 3 | |a This book proposes a new theory about the neo-classical style in music. The Danish emeritus professor Finn Egeland Hansen has chosen three different composers - the French Camille Saint-Saens and Charles Gounod and the Danish Niels W. Gade - to discuss his thesis that the classical-romantic main current in classical music in fact represents two sub-currents. One sub-current focusing on the romantic aspects, the other focusing on the classical aspects of its musical style. In close readings of the works by these three composers, Finn Egeland Hansen demonstrates how in different aspects they were harbingers of the neo-classical style - a style that is usually exemplified through later composers like Igor Stravinsky, Paul Hindemith and the members of the French group Les Six. Finn Egeland Hansen labels these harbingers' style as retro-classicism | |
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CONTENTS I. Preliminaries 7 1.1 Classicism versus romanticism Implied structure of textbooks on 19th-century 7 music history 8 1.2 The Thesis 1-3 1.3.1 Comments on Ferchault’s article Saint-Saëns’ Aesthetical Preferences 1.4 8 !3 14 2. Charles Gounod (1818-93) 2.1 The Symphonies 2.2 2.3 Gounod’s Masses Other Vocal Works 3· Camille Saint-Saëns (1835-1921) з·1 3.2 The Symphonic Works Piano Music 48 3-3 The Chamber Music 71 4· Niels W. Gade (1817-1890) 4.1 String Quartets Nos. i and 2 4.2 Cantata Zion, op. 49 75 80 5· Neo-classicism 91 6. Parenthesis on the Danish composer Paul von Klenau (1883-1946) 104 Conclusion 105 7· 19 19 24 44 48 68 75 List of quoted literature 106 List of music editions 107 |
| adam_txt |
CONTENTS I. Preliminaries 7 1.1 Classicism versus romanticism Implied structure of textbooks on 19th-century 7 music history 8 1.2 The Thesis 1-3 1.3.1 Comments on Ferchault’s article Saint-Saëns’ Aesthetical Preferences 1.4 8 !3 14 2. Charles Gounod (1818-93) 2.1 The Symphonies 2.2 2.3 Gounod’s Masses Other Vocal Works 3· Camille Saint-Saëns (1835-1921) з·1 3.2 The Symphonic Works Piano Music 48 3-3 The Chamber Music 71 4· Niels W. Gade (1817-1890) 4.1 String Quartets Nos. i and 2 4.2 Cantata Zion, op. 49 75 80 5· Neo-classicism 91 6. Parenthesis on the Danish composer Paul von Klenau (1883-1946) 104 Conclusion 105 7· 19 19 24 44 48 68 75 List of quoted literature 106 List of music editions 107 |
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| contents | Preliminaries. Classisism versus romanticism ; Implied structure of textbooks on 19th century music history ; The thesis ; Comments on Ferchault's article ; Saint-Saëns' aesthetical preferences -- Charles Gounod (1818-93). The symphonies ; Gounod's masses ; Other vocal works -- Camille Saint-Saëns (1835-1921). The symphonic works ; Piano music ; The chamber music -- Niels W. Gade (1817-1890). String quartets nos. 1 and 2 ; Cantata Zion, op. 49 -- Neo-classicism -- Parenthesis on Danish composer Paul von Klenau (1883-1946) -- Conclusion |
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| index_date | 2024-07-03T14:15:01Z |
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| isbn | 9788771847116 |
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| spelling | Egeland Hansen, Finn 1938- Verfasser (DE-588)134075951 aut Harbingers of twentieth-century neo-classicism Finn Egeland Hansen Aarhus Aarhus University Press [2019] © 2019 109 Seiten Notenbeispiele 25 cm txt rdacontent n rdamedia nc rdacarrier Preliminaries. Classisism versus romanticism ; Implied structure of textbooks on 19th century music history ; The thesis ; Comments on Ferchault's article ; Saint-Saëns' aesthetical preferences -- Charles Gounod (1818-93). The symphonies ; Gounod's masses ; Other vocal works -- Camille Saint-Saëns (1835-1921). The symphonic works ; Piano music ; The chamber music -- Niels W. Gade (1817-1890). String quartets nos. 1 and 2 ; Cantata Zion, op. 49 -- Neo-classicism -- Parenthesis on Danish composer Paul von Klenau (1883-1946) -- Conclusion This book proposes a new theory about the neo-classical style in music. The Danish emeritus professor Finn Egeland Hansen has chosen three different composers - the French Camille Saint-Saens and Charles Gounod and the Danish Niels W. Gade - to discuss his thesis that the classical-romantic main current in classical music in fact represents two sub-currents. One sub-current focusing on the romantic aspects, the other focusing on the classical aspects of its musical style. In close readings of the works by these three composers, Finn Egeland Hansen demonstrates how in different aspects they were harbingers of the neo-classical style - a style that is usually exemplified through later composers like Igor Stravinsky, Paul Hindemith and the members of the French group Les Six. Finn Egeland Hansen labels these harbingers' style as retro-classicism Gade, Niels Wilhelm 1817-1890 (DE-588)119057077 gnd rswk-swf Saint-Saëns, Camille 1835-1921 (DE-588)11875081X gnd rswk-swf Klenau, Paul von 1883-1946 (DE-588)116222395 gnd rswk-swf Gounod, Charles 1818-1893 (DE-588)118718312 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Neuklassizismus (DE-588)4171565-2 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Music / 19th century / History and criticism Neoclassicism (Music) Music 1800-1899 Criticism, interpretation, etc Gounod, Charles 1818-1893 (DE-588)118718312 p Saint-Saëns, Camille 1835-1921 (DE-588)11875081X p Gade, Niels Wilhelm 1817-1890 (DE-588)119057077 p Klenau, Paul von 1883-1946 (DE-588)116222395 p Komposition Musik (DE-588)4133320-2 s Neuklassizismus (DE-588)4171565-2 s Musikalische Analyse (DE-588)4040814-0 s DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032055512&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Egeland Hansen, Finn 1938- Harbingers of twentieth-century neo-classicism Preliminaries. Classisism versus romanticism ; Implied structure of textbooks on 19th century music history ; The thesis ; Comments on Ferchault's article ; Saint-Saëns' aesthetical preferences -- Charles Gounod (1818-93). The symphonies ; Gounod's masses ; Other vocal works -- Camille Saint-Saëns (1835-1921). The symphonic works ; Piano music ; The chamber music -- Niels W. Gade (1817-1890). String quartets nos. 1 and 2 ; Cantata Zion, op. 49 -- Neo-classicism -- Parenthesis on Danish composer Paul von Klenau (1883-1946) -- Conclusion Gade, Niels Wilhelm 1817-1890 (DE-588)119057077 gnd Saint-Saëns, Camille 1835-1921 (DE-588)11875081X gnd Klenau, Paul von 1883-1946 (DE-588)116222395 gnd Gounod, Charles 1818-1893 (DE-588)118718312 gnd Musikalische Analyse (DE-588)4040814-0 gnd Neuklassizismus (DE-588)4171565-2 gnd Komposition Musik (DE-588)4133320-2 gnd |
| subject_GND | (DE-588)119057077 (DE-588)11875081X (DE-588)116222395 (DE-588)118718312 (DE-588)4040814-0 (DE-588)4171565-2 (DE-588)4133320-2 |
| title | Harbingers of twentieth-century neo-classicism |
| title_auth | Harbingers of twentieth-century neo-classicism |
| title_exact_search | Harbingers of twentieth-century neo-classicism |
| title_exact_search_txtP | Harbingers of twentieth-century neo-classicism |
| title_full | Harbingers of twentieth-century neo-classicism Finn Egeland Hansen |
| title_fullStr | Harbingers of twentieth-century neo-classicism Finn Egeland Hansen |
| title_full_unstemmed | Harbingers of twentieth-century neo-classicism Finn Egeland Hansen |
| title_short | Harbingers of twentieth-century neo-classicism |
| title_sort | harbingers of twentieth century neo classicism |
| topic | Gade, Niels Wilhelm 1817-1890 (DE-588)119057077 gnd Saint-Saëns, Camille 1835-1921 (DE-588)11875081X gnd Klenau, Paul von 1883-1946 (DE-588)116222395 gnd Gounod, Charles 1818-1893 (DE-588)118718312 gnd Musikalische Analyse (DE-588)4040814-0 gnd Neuklassizismus (DE-588)4171565-2 gnd Komposition Musik (DE-588)4133320-2 gnd |
| topic_facet | Gade, Niels Wilhelm 1817-1890 Saint-Saëns, Camille 1835-1921 Klenau, Paul von 1883-1946 Gounod, Charles 1818-1893 Musikalische Analyse Neuklassizismus Komposition Musik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032055512&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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