Italian Bel Canto in the age of vocal science: the evolution of the art and the science of singing
For singers, the term bel canto (beautiful singing) denotes the highest technical and aesthetic achievement in vocal culture. A complex mixture of vocal ideals and style that every school of singing claims to teach, but very few can. In this, the third and final volume in a trilogy on the developmen...
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[Samford Valley, Queensland, Australia]
Australian Academic Press
2019
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| Zusammenfassung: | For singers, the term bel canto (beautiful singing) denotes the highest technical and aesthetic achievement in vocal culture. A complex mixture of vocal ideals and style that every school of singing claims to teach, but very few can. In this, the third and final volume in a trilogy on the development of vocal science since 1562, Joseph Talia, noted tenor, teacher, researcher, and operatic director, critically evaluates the modern Italian School of bel canto, its connection to the past, and challenges for the future. Over the last fifty years, advances in voice science and teaching have changed much about the fundamentals of teaching singing. For the Italian School, a fountainhead of such deep knowledge and enduring affection, moving forward into the 21st century requires a resolution for duelling paradigms of empiricism versus physiology. This is not just an Italian phenomenon though, but rather an international one. How do we propagate modern advances in knowledge amongst teachers who are less enthusiastic about the physiological and anatomical aspects of voice science than adhering to historical practices? The objective of this book is to explore the trajectory of the old empirical bel canto school, with its proven techniques, vocalizzi and ornamental fioritura, as it progresses towards a new, modern Italian School dominated by scientific knowledge and methodology and physiological objectivity. Italian Bel Canto in the Age of Vocal Science is a vital resource for voice teachers, vocal researchers, serious vocal students, and vocal connoisseurs.It is also a fitting conclusion to a profound and exhaustive study of singing that began with A History of Vocal Pedagogy Intuition and Science (2017), followed by Vocal Science for Elite Singers (2018) |
| Beschreibung: | xiv, 414 Seiten Illustrationen, 3 Portraits 23 cm |
| ISBN: | 9781925644258 9781925644296 |
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Datensatz im Suchindex
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Contents Foreword. iii Preface: Rationale for writing this book. xiii Chapter 1: Italian Bel Canto in the Age of Vocal Science. 1 Effectiveness or Efficiency.6 Chapter 2: What is Italian Bel Canto?.13 Chapter 3: Bel Canto Schools of the First Golden Age. 15 Scarlatti and Bel Canto. 15 Antonio Pistocchi and Bel Canto.18 Chapter 4: Nicola Porpora and the Neapolitan School.21 Antonio Bernacchi and Bel Canto. 27 Chapter 5: The Naples of Caffarelli andFarinelli. 33 Farinelli, Carlo Broschi.35 Summary and Analysis of the Porpora Method . 37 Conclusion to the First Golden Age of Singing. 38 Chapter 6: The Second Golden Age of Bel
Canto.41 Rossini and the Golden Age of Bel Canto. 42 Gioachino Rossini .45 La Pietra di Paragone. 50 Tancredi.50 L'occasione fa il ladro. 50 L'italiana in Algeria . 51 Il Turco in Italia. 57 Rossini's Neapolitan Sojourn.53 La Gazetta.54 Elisabetta Regina d'Inghilterra. 56 La Gazetta.56 Otello: Naples 1816. 56 Armida.57 La Donna del Lago
. 57 Semiramide. 59 vii vii
Guillaume Tell. 64 Rossini's Influence on Opera . 65 Rossini's Effect on Singing.68 Pre-Rossinian Vocal Characteristics.73 Chapter 7: Italian Vocal Pedagogy in the 21st Century. 75 Respiration in the Age of Bel Canto. 79 Chapter 8: Pronunciation and Articulation.91 Lamperti on Pronunciation and Resonance. 92 Resonance and Articulation.92 Enrico Delle Sedie and the Scientific Approach to Resonance . 93 Vowel Chart. 93 Chapter 9: Vocal Pedagogy: Art or Science?. 97 Characteristics of a Good Singing Teacher. 99 Chapter 10: The State of Contemporary Vocal Pedagogy in Italy. 103 Vocal Pedagogy in Chaos. 103 The Famous
Singing Teacher. 106 The Triumph of Nature and Science Over Incompetence. 111 Summary.118 Chapter 11: Respiration in the Contemporary Italian School.121 Anatomy of Respiration. 124 Inspiratory Muscles: The Diaphragm and External Intercostal Muscles.124 The Thorax.124 The Sternum.125 The Diaphragm . 126 The Intercostal Muscles. 130 Internal and External Intercostals. 130 The Diaphragm and External Intercostals: Inspiratory Muscles. 133 The Abdominals and Internal Intercostals: Expiratory Muscles. 133 The Abdominal Girdle. 134 The
Lungs.135 The Importance of Respiration in The Italian School of Singing. 138 Rachele Maragliano Mori on Breathing.138 Normal Respiration . 140 Instinctive and Volitional Respiration. 148 VIII
Introduction: A Holistic View of the Vocal Instrument About Appoggio. 151 Appoggio and Sostegno.151 Exchange of Gases Guaranteeing Life . 153 The 'Belly In' and 'Belly Out' Strategies.157 Fussi and Magnani on Sostegno and Appoggio. 158 Interaction Between Sostegno and Appoggio. 162 Appoggio or Sostegno. 164 Clavicular Respiration. 166 Abdominal Respiration or Affondo. 168 Elastic Recoil Force. 170 Conclusions .171 Definition of Appoggio . 172 Chapter 12: The Development of the Appoggio System.177 The Mechanics of Appoggio. 178
Summary. 187 Conclusions. 187 Chapter 13: Laryngeal Physiology and the Vibratory System. 191 Carlo Meano.194 Summary of Meano's Work. 201 Historical Perspective — Oskar Schindler. 201 Schindler Next Interprets Raul Husson's Neurochronaxic Theory.203 Marco Galignano.207 The Hypothesis of the Mechanical Workings of the Vocal Folds.208 The Neurochronaxic Theory. 209 The Aerodynamic Theory. 209 The Myoelastic/Aerodynamic. 209 General Description.213 Chapter 14: Building the Instrument.215 The
Cartilages. 215 The Thyroid Cartilage.215 The Cricoid Cartilage.216 The Arytenoid Cartilages. 217 The Epiglottic Cartilages.217 Marco Galignano and Cartilages. 217 The Arytenoids. 218 IX
Anatomy and Physiology of the Vibratory System: Larynx.218 The Cartilages.218 The Crcioid Cartilage. 219 The Thyroid Cartilage. 220 The Arytenoid Cartilages. 220 The Extrinsic Laryngeal Muscles. 221 The Intrinsic Muscles of the Larynx. 222 The Posterior Cricoarytenoid Muscle . 222 The Interarytenoid Transverse Muscles. 222 The Oblique Interarytenoid Muscle. 223 The Aryepiglottic Muscle . 223 The Thyroarytenoid Muscle Superior. 223 The Inferior Arytenoid Muscle.223 The Suspensory Mechanism: The Connection to the Hyoid Bone.223 The Infrahyoid Muscles
.224 The Suprahyoid Muscles.224 Interaction Between the Thyroarytenoid and Cricothyroid Muscles.225 The Cricothyroid Muscle.225 The Thyroarytenoid Muscles.226 The Vocal Folds.229 The Lateral Cricoarytenoid Muscle . 231 Posterior Cricoarytenoid Muscle.231 The Interarytenoid Muscles.231 Frequency. 232 Falsetto. 233 Lowering the Frequency .233 Intensity. 234 Breathy and Pressed Phonation .235 Pressed
Voice. 236 Conclusions to Quality: Vocal Timbre.237 Chapter 15: Vocal Quality and Registers. 239 Registers. 242 Register Terminology. 243 Antonio Juvarra. 248 The Larynx. 250 The Vibrator. 250 Juvarra on the Vocal Registers and Passaggio . 251
Introduction: A Holistic View of the Vocal Instrument Covering. 251 A 21st Century Scientific View of Registers. 256 Fussi and Magnani 2015 on Vocal Registers.257 Medium Register. 262 Transition From the Empirical System Towards the Scientific Method.265 Chapter 16: Modern Masters on Registers. 267 The Low Registers. 268 Medium or Mixed Voice. 269 The Higher Register. 270 Damiani on Registers. 271 Registers and Voice Classification. 273 Heavy Register. 273 Chest Register.273 Mixed Register.274
Sanchez Carbone on Registers. 275 Chest Register.278 High Register .279 Medium Register.279 Mixed Register.281 Conclusions to Register.283 Chapter 17: Vocal Onset in the Modern Italian School.285 Prephonatory Preparation, Breathing and Focal Points.287 Prephonatory Preparation: Timing and Coordination. 291 Ideal Onset Begins With Apnea . 292 Psychological Aspects of Vocal Attack. 293 Conclusions to the Italian Approach . 293 Conclusions.294 Voice Quality Ensuing From Vocal Onset . 295 The Elite Singer's
Zone.297 Chapter 18: The Physiological Elements of Supraglottic Events. 301 The Vocal Tract. 301 The Pharynx. 303 Righini on Sound Waves and Formants. 306 Definition and Importance of Resonators. 307 The Tongue.308 xi
Bruno and Paperi on the Tongue. 313 The Lips.314 Soft Palate.317 Definition and Importance of Resonators. 319 Absorbent Function.323 Inertial Impedance Function.323 Proprioceptive Function.324 Vocal Timbre.327 Formants and Vocal Tract Resonances. 329 Formants and Formant Tuning.332 Antonio Juvarra on Formants.332 Matching Formants in the Female Voice. 333 Damiani on Vowel Formants.334 Formants and Timbres.
335 The Singer's Formant. 335 Conclusions. 336 Chapter 19: Consonants and Articulation.339 The Oropharynx. 340 Nasopharynx.341 Conclusions to Consonants.345 Final Conclusions. 346 Appendix A: Muscles of Respiration. 349 Appendix B: Laryngeal Musculature. 359 Appendix C: Head and Neck Muscles.367 Bibliography. 379 XII |
| adam_txt |
Contents Foreword. iii Preface: Rationale for writing this book. xiii Chapter 1: Italian Bel Canto in the Age of Vocal Science. 1 Effectiveness or Efficiency.6 Chapter 2: What is Italian Bel Canto?.13 Chapter 3: Bel Canto Schools of the First Golden Age. 15 Scarlatti and Bel Canto. 15 Antonio Pistocchi and Bel Canto.18 Chapter 4: Nicola Porpora and the Neapolitan School.21 Antonio Bernacchi and Bel Canto. 27 Chapter 5: The Naples of Caffarelli andFarinelli. 33 Farinelli, Carlo Broschi.35 Summary and Analysis of the Porpora Method . 37 Conclusion to the First Golden Age of Singing. 38 Chapter 6: The Second Golden Age of Bel
Canto.41 Rossini and the Golden Age of Bel Canto. 42 Gioachino Rossini .45 La Pietra di Paragone. 50 Tancredi.50 L'occasione fa il ladro. 50 L'italiana in Algeria . 51 Il Turco in Italia. 57 Rossini's Neapolitan Sojourn.53 La Gazetta.54 Elisabetta Regina d'Inghilterra. 56 La Gazetta.56 Otello: Naples 1816. 56 Armida.57 La Donna del Lago
. 57 Semiramide. 59 vii vii
Guillaume Tell. 64 Rossini's Influence on Opera . 65 Rossini's Effect on Singing.68 Pre-Rossinian Vocal Characteristics.73 Chapter 7: Italian Vocal Pedagogy in the 21st Century. 75 Respiration in the Age of Bel Canto. 79 Chapter 8: Pronunciation and Articulation.91 Lamperti on Pronunciation and Resonance. 92 Resonance and Articulation.92 Enrico Delle Sedie and the Scientific Approach to Resonance . 93 Vowel Chart. 93 Chapter 9: Vocal Pedagogy: Art or Science?. 97 Characteristics of a Good Singing Teacher. 99 Chapter 10: The State of Contemporary Vocal Pedagogy in Italy. 103 Vocal Pedagogy in Chaos. 103 The Famous
Singing Teacher. 106 The Triumph of Nature and Science Over Incompetence. 111 Summary.118 Chapter 11: Respiration in the Contemporary Italian School.121 Anatomy of Respiration. 124 Inspiratory Muscles: The Diaphragm and External Intercostal Muscles.124 The Thorax.124 The Sternum.125 The Diaphragm . 126 The Intercostal Muscles. 130 Internal and External Intercostals. 130 The Diaphragm and External Intercostals: Inspiratory Muscles. 133 The Abdominals and Internal Intercostals: Expiratory Muscles. 133 The Abdominal Girdle. 134 The
Lungs.135 The Importance of Respiration in The Italian School of Singing. 138 Rachele Maragliano Mori on Breathing.138 Normal Respiration . 140 Instinctive and Volitional Respiration. 148 VIII
Introduction: A Holistic View of the Vocal Instrument About Appoggio. 151 Appoggio and Sostegno.151 Exchange of Gases Guaranteeing Life . 153 The 'Belly In' and 'Belly Out' Strategies.157 Fussi and Magnani on Sostegno and Appoggio. 158 Interaction Between Sostegno and Appoggio. 162 Appoggio or Sostegno. 164 Clavicular Respiration. 166 Abdominal Respiration or Affondo. 168 Elastic Recoil Force. 170 Conclusions .171 Definition of Appoggio . 172 Chapter 12: The Development of the Appoggio System.177 The Mechanics of Appoggio. 178
Summary. 187 Conclusions. 187 Chapter 13: Laryngeal Physiology and the Vibratory System. 191 Carlo Meano.194 Summary of Meano's Work. 201 Historical Perspective — Oskar Schindler. 201 Schindler Next Interprets Raul Husson's Neurochronaxic Theory.203 Marco Galignano.207 The Hypothesis of the Mechanical Workings of the Vocal Folds.208 The Neurochronaxic Theory. 209 The Aerodynamic Theory. 209 The Myoelastic/Aerodynamic. 209 General Description.213 Chapter 14: Building the Instrument.215 The
Cartilages. 215 The Thyroid Cartilage.215 The Cricoid Cartilage.216 The Arytenoid Cartilages. 217 The Epiglottic Cartilages.217 Marco Galignano and Cartilages. 217 The Arytenoids. 218 IX
Anatomy and Physiology of the Vibratory System: Larynx.218 The Cartilages.218 The Crcioid Cartilage. 219 The Thyroid Cartilage. 220 The Arytenoid Cartilages. 220 The Extrinsic Laryngeal Muscles. 221 The Intrinsic Muscles of the Larynx. 222 The Posterior Cricoarytenoid Muscle . 222 The Interarytenoid Transverse Muscles. 222 The Oblique Interarytenoid Muscle. 223 The Aryepiglottic Muscle . 223 The Thyroarytenoid Muscle Superior. 223 The Inferior Arytenoid Muscle.223 The Suspensory Mechanism: The Connection to the Hyoid Bone.223 The Infrahyoid Muscles
.224 The Suprahyoid Muscles.224 Interaction Between the Thyroarytenoid and Cricothyroid Muscles.225 The Cricothyroid Muscle.225 The Thyroarytenoid Muscles.226 The Vocal Folds.229 The Lateral Cricoarytenoid Muscle . 231 Posterior Cricoarytenoid Muscle.231 The Interarytenoid Muscles.231 Frequency. 232 Falsetto. 233 Lowering the Frequency .233 Intensity. 234 Breathy and Pressed Phonation .235 Pressed
Voice. 236 Conclusions to Quality: Vocal Timbre.237 Chapter 15: Vocal Quality and Registers. 239 Registers. 242 Register Terminology. 243 Antonio Juvarra. 248 The Larynx. 250 The Vibrator. 250 Juvarra on the Vocal Registers and Passaggio . 251
Introduction: A Holistic View of the Vocal Instrument Covering. 251 A 21st Century Scientific View of Registers. 256 Fussi and Magnani 2015 on Vocal Registers.257 Medium Register. 262 Transition From the Empirical System Towards the Scientific Method.265 Chapter 16: Modern Masters on Registers. 267 The Low Registers. 268 Medium or Mixed Voice. 269 The Higher Register. 270 Damiani on Registers. 271 Registers and Voice Classification. 273 Heavy Register. 273 Chest Register.273 Mixed Register.274
Sanchez Carbone on Registers. 275 Chest Register.278 High Register .279 Medium Register.279 Mixed Register.281 Conclusions to Register.283 Chapter 17: Vocal Onset in the Modern Italian School.285 Prephonatory Preparation, Breathing and Focal Points.287 Prephonatory Preparation: Timing and Coordination. 291 Ideal Onset Begins With Apnea . 292 Psychological Aspects of Vocal Attack. 293 Conclusions to the Italian Approach . 293 Conclusions.294 Voice Quality Ensuing From Vocal Onset . 295 The Elite Singer's
Zone.297 Chapter 18: The Physiological Elements of Supraglottic Events. 301 The Vocal Tract. 301 The Pharynx. 303 Righini on Sound Waves and Formants. 306 Definition and Importance of Resonators. 307 The Tongue.308 xi
Bruno and Paperi on the Tongue. 313 The Lips.314 Soft Palate.317 Definition and Importance of Resonators. 319 Absorbent Function.323 Inertial Impedance Function.323 Proprioceptive Function.324 Vocal Timbre.327 Formants and Vocal Tract Resonances. 329 Formants and Formant Tuning.332 Antonio Juvarra on Formants.332 Matching Formants in the Female Voice. 333 Damiani on Vowel Formants.334 Formants and Timbres.
335 The Singer's Formant. 335 Conclusions. 336 Chapter 19: Consonants and Articulation.339 The Oropharynx. 340 Nasopharynx.341 Conclusions to Consonants.345 Final Conclusions. 346 Appendix A: Muscles of Respiration. 349 Appendix B: Laryngeal Musculature. 359 Appendix C: Head and Neck Muscles.367 Bibliography. 379 XII |
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A complex mixture of vocal ideals and style that every school of singing claims to teach, but very few can. In this, the third and final volume in a trilogy on the development of vocal science since 1562, Joseph Talia, noted tenor, teacher, researcher, and operatic director, critically evaluates the modern Italian School of bel canto, its connection to the past, and challenges for the future. Over the last fifty years, advances in voice science and teaching have changed much about the fundamentals of teaching singing. For the Italian School, a fountainhead of such deep knowledge and enduring affection, moving forward into the 21st century requires a resolution for duelling paradigms of empiricism versus physiology. This is not just an Italian phenomenon though, but rather an international one. How do we propagate modern advances in knowledge amongst teachers who are less enthusiastic about the physiological and anatomical aspects of voice science than adhering to historical practices? The objective of this book is to explore the trajectory of the old empirical bel canto school, with its proven techniques, vocalizzi and ornamental fioritura, as it progresses towards a new, modern Italian School dominated by scientific knowledge and methodology and physiological objectivity. 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| geographic | Italien (DE-588)4027833-5 gnd |
| geographic_facet | Italien |
| id | DE-604.BV046644147 |
| illustrated | Illustrated |
| index_date | 2024-07-03T14:14:58Z |
| indexdate | 2025-01-02T21:08:28Z |
| institution | BVB |
| isbn | 9781925644258 9781925644296 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032055453 |
| oclc_num | 1190909345 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xiv, 414 Seiten Illustrationen, 3 Portraits 23 cm |
| psigel | BSB_NED_20200723 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Australian Academic Press |
| record_format | marc |
| spelling | Talia, Joseph Verfasser (DE-588)1132203759 aut Italian Bel Canto in the age of vocal science the evolution of the art and the science of singing Joseph Talia [Samford Valley, Queensland, Australia] Australian Academic Press 2019 xiv, 414 Seiten Illustrationen, 3 Portraits 23 cm txt rdacontent n rdamedia nc rdacarrier For singers, the term bel canto (beautiful singing) denotes the highest technical and aesthetic achievement in vocal culture. A complex mixture of vocal ideals and style that every school of singing claims to teach, but very few can. In this, the third and final volume in a trilogy on the development of vocal science since 1562, Joseph Talia, noted tenor, teacher, researcher, and operatic director, critically evaluates the modern Italian School of bel canto, its connection to the past, and challenges for the future. Over the last fifty years, advances in voice science and teaching have changed much about the fundamentals of teaching singing. For the Italian School, a fountainhead of such deep knowledge and enduring affection, moving forward into the 21st century requires a resolution for duelling paradigms of empiricism versus physiology. This is not just an Italian phenomenon though, but rather an international one. How do we propagate modern advances in knowledge amongst teachers who are less enthusiastic about the physiological and anatomical aspects of voice science than adhering to historical practices? The objective of this book is to explore the trajectory of the old empirical bel canto school, with its proven techniques, vocalizzi and ornamental fioritura, as it progresses towards a new, modern Italian School dominated by scientific knowledge and methodology and physiological objectivity. Italian Bel Canto in the Age of Vocal Science is a vital resource for voice teachers, vocal researchers, serious vocal students, and vocal connoisseurs.It is also a fitting conclusion to a profound and exhaustive study of singing that began with A History of Vocal Pedagogy Intuition and Science (2017), followed by Vocal Science for Elite Singers (2018) Geschichte gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Belcanto (DE-588)4132234-4 gnd rswk-swf Gesangstechnik (DE-588)4156939-8 gnd rswk-swf Gesangunterricht (DE-588)4156945-3 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Bel canto Singing / Instruction and study Singing / Methods Singing / Physiological aspects Voice culture Singing Methods (Music) Italien (DE-588)4027833-5 g Oper (DE-588)4043582-9 s Belcanto (DE-588)4132234-4 s Gesangunterricht (DE-588)4156945-3 s Gesangstechnik (DE-588)4156939-8 s Geschichte z DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032055453&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Talia, Joseph Italian Bel Canto in the age of vocal science the evolution of the art and the science of singing Oper (DE-588)4043582-9 gnd Belcanto (DE-588)4132234-4 gnd Gesangstechnik (DE-588)4156939-8 gnd Gesangunterricht (DE-588)4156945-3 gnd |
| subject_GND | (DE-588)4043582-9 (DE-588)4132234-4 (DE-588)4156939-8 (DE-588)4156945-3 (DE-588)4027833-5 |
| title | Italian Bel Canto in the age of vocal science the evolution of the art and the science of singing |
| title_auth | Italian Bel Canto in the age of vocal science the evolution of the art and the science of singing |
| title_exact_search | Italian Bel Canto in the age of vocal science the evolution of the art and the science of singing |
| title_exact_search_txtP | Italian Bel Canto in the age of vocal science the evolution of the art and the science of singing |
| title_full | Italian Bel Canto in the age of vocal science the evolution of the art and the science of singing Joseph Talia |
| title_fullStr | Italian Bel Canto in the age of vocal science the evolution of the art and the science of singing Joseph Talia |
| title_full_unstemmed | Italian Bel Canto in the age of vocal science the evolution of the art and the science of singing Joseph Talia |
| title_short | Italian Bel Canto in the age of vocal science |
| title_sort | italian bel canto in the age of vocal science the evolution of the art and the science of singing |
| title_sub | the evolution of the art and the science of singing |
| topic | Oper (DE-588)4043582-9 gnd Belcanto (DE-588)4132234-4 gnd Gesangstechnik (DE-588)4156939-8 gnd Gesangunterricht (DE-588)4156945-3 gnd |
| topic_facet | Oper Belcanto Gesangstechnik Gesangunterricht Italien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032055453&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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