United artists:
Gespeichert in:
Weitere Verfasser: | , , , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2020
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Schriftenreihe: | Routledge hollywood centenary
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | xviii, 304 Seiten Illustrationen, Porträts |
ISBN: | 9780367179007 9780367178987 |
Internformat
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Datensatz im Suchindex
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adam_text | CONTENTS Ust offigures X List of contributors xii Series editors’preface xv The Routledge Hollywood Centenary advisory board Introduction: United Artists in film history xix 1 Tino Balio PARTI Introduction to Part 1 15 Yannis Tzioumakis 1 One of the United Artists’: Buster Keaton, Joseph Schenck and United Artists 19 Peter Kramer 2 Declarations of independence: Gloria Swanson at United Artists, 1925-1933 38 Mike Mashon 3 Going independent in 1930s Hollywood: Freelance star and independent producer collaborations at United Artists Emily Carman 57
vili Contents 4 The tramp, the dictator and the knight: United Artists and the roadshowing of prestige pictures in the 1930s and 1940s Sheldon Hall ye 5 ‘Look, ma, I’m a corporation!’: United Artists and Kirk Douglas’ Bryna Productions, 1955-1959 James Fenwick 94՝ 6 The magnificent seven Mirisch companies: Competitive strategy and corporate authorship Paul Ken 112 7 An artist under the influence: United Artists and Woody Allen Michael Petitti 132 8 No shot in the dark: Developing the Pink Panther franchise Oliver Grüner 150 PART 2 Introduction to Part 2 Yannis Tzioumakis 9 United Artists, fourth quarter 1980: The rhetoric of Hollywood failure and success Justin Wyatt 10 Cruising is a picture we sincerely wish we did not have to show’: United Artists, ratings, blind bidding and the controversy of William Friedkin’s Cruising (1980) Gary Needham 11 From Heaven’s Gate to Rocky IV: Reconfiguring auteurism in United Artists’ transition to MGM/UA in the 1980s Nicholas Godfrey 169 173 192 211 12 The next step: Orion Pictures as the new United Artists, 1978-1985 Yannis Tzioumakis 231 13 United Artists Films: Re-entering the specialty market, 1999-2005 Lisa Dombrowski 251
Contents lx 14 From star-producer to executive: Tom Cruise and/at United Artists 2006-2012 Sarah E.S. Sinuteli 270 General index Index of titles 287 297
L.stablished in 1919 Ьѵ 1 lolly wood s tup talent United Artists ha» had an illusi՛ ՛ատ hіst( r . trom Hollywood minor to industry leader to a second-tier media company in the shadow ot MUM. Ίhis edited collection brings together leading tilm historians to examine kev aspect՛- ot ί nateel Artists centennial historv trom its origins to the sometimes chaotic developments ot the. last tour decades, ihe focus is on several key executives - ranging trom Joseph Schenck to Faula Wagner and lom Cruise - and on many ol the people making films for United Artists, including ( Horia Swanson, David O. Selzniek, Kirk Douglas, the Miriseli brothers and Woody Allen. Drawing on a wide range of priman sources, individual case studies explore the mutually supportiv e but also in places highlv contentious relationships between United Artists and its producers, the difficult balance between artistic and commercial obiectives. and the resulting hits and misses (among them 7/v (n*x rat. the Fink Panther franchise. Heavens Cuite. Cruising and Hot lab Hme Maehine). Ihe second volume in the Routledge Hollywood Centenarv՜ series. United Artists is a fascinating and comprehensive studv of the firms history and legaev. perfect for students and researchers of cinema and film bi-toi v. media industries, and Hollywood.
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adam_txt |
CONTENTS Ust offigures X List of contributors xii Series editors’preface xv The Routledge Hollywood Centenary advisory board Introduction: United Artists in film history xix 1 Tino Balio PARTI Introduction to Part 1 15 Yannis Tzioumakis 1 One of the United Artists’: Buster Keaton, Joseph Schenck and United Artists 19 Peter Kramer 2 Declarations of independence: Gloria Swanson at United Artists, 1925-1933 38 Mike Mashon 3 Going independent in 1930s Hollywood: Freelance star and independent producer collaborations at United Artists Emily Carman 57
vili Contents 4 The tramp, the dictator and the knight: United Artists and the roadshowing of prestige pictures in the 1930s and 1940s Sheldon Hall ye 5 ‘Look, ma, I’m a corporation!’: United Artists and Kirk Douglas’ Bryna Productions, 1955-1959 James Fenwick 94՝ 6 The magnificent seven Mirisch companies: Competitive strategy and corporate authorship Paul Ken 112 7 An artist under the influence: United Artists and Woody Allen Michael Petitti 132 8 No shot in the dark: Developing the Pink Panther franchise Oliver Grüner 150 PART 2 Introduction to Part 2 Yannis Tzioumakis 9 United Artists, fourth quarter 1980: The rhetoric of Hollywood failure and success Justin Wyatt 10 'Cruising is a picture we sincerely wish we did not have to show’: United Artists, ratings, blind bidding and the controversy of William Friedkin’s Cruising (1980) Gary Needham 11 From Heaven’s Gate to Rocky IV: Reconfiguring auteurism in United Artists’ transition to MGM/UA in the 1980s Nicholas Godfrey 169 173 192 211 12 The next step: Orion Pictures as the new United Artists, 1978-1985 Yannis Tzioumakis 231 13 United Artists Films: Re-entering the specialty market, 1999-2005 Lisa Dombrowski 251
Contents lx 14 From star-producer to executive: Tom Cruise and/at United Artists 2006-2012 Sarah E.S. Sinuteli 270 General index Index of titles 287 297
L.stablished in 1919 Ьѵ 1 lolly wood's tup talent United Artists ha» had an illusi՛ ՛ատ hіst( r\. trom Hollywood minor to industry leader to a second-tier media company in the shadow ot MUM. Ίhis edited collection brings together leading tilm historians to examine kev aspect՛- ot ί nateel Artists centennial historv trom its origins to the sometimes chaotic developments ot the. last tour decades, ihe focus is on several key executives - ranging trom Joseph Schenck to Faula Wagner and lom Cruise - and on many ol the people making films for United Artists, including ( Horia Swanson, David O. Selzniek, Kirk Douglas, the Miriseli brothers and Woody Allen. Drawing on a wide range of priman sources, individual case studies explore the mutually supportiv e but also in places highlv contentious relationships between United Artists and its producers, the difficult balance between artistic and commercial obiectives. and the resulting hits and misses (among them 7/v (n*x rat. the Fink Panther franchise. Heavens Cuite. Cruising and Hot lab Hme Maehine). Ihe second volume in the Routledge Hollywood Centenarv՜ series. United Artists is a fascinating and comprehensive studv of the firms history and legaev. perfect for students and researchers of cinema and film bi-toi v. media industries, and Hollywood. |
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spelling | United artists edited by Peter Krämer, Gary Needham, Yannis Tzioumakis and Tino Balio London ; New York Routledge, Taylor & Francis Group 2020 xviii, 304 Seiten Illustrationen, Porträts txt rdacontent n rdamedia nc rdacarrier Routledge hollywood centenary United Artists Corporation Los Angeles, Calif. (DE-588)10076560-9 gnd rswk-swf Geschichte gnd rswk-swf Filmwirtschaft (DE-588)4154384-1 gnd rswk-swf Los Angeles- Hollywood (DE-588)4099817-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content United Artists Corporation Los Angeles, Calif. (DE-588)10076560-9 b Geschichte z DE-604 Los Angeles- Hollywood (DE-588)4099817-4 g Filmwirtschaft (DE-588)4154384-1 s Krämer, Peter 1961- (DE-588)1164044451 edt Needham, Gary (DE-588)1046615939 edt Tzioumakis, Yannis (DE-588)1083289616 edt Balio, Tino 1937- (DE-588)1049901088 edt Erscheint auch als Online-Ausgabe, ebk. 978-0-429-05833-2 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032039446&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032039446&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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title | United artists |
title_auth | United artists |
title_exact_search | United artists |
title_exact_search_txtP | United artists |
title_full | United artists edited by Peter Krämer, Gary Needham, Yannis Tzioumakis and Tino Balio |
title_fullStr | United artists edited by Peter Krämer, Gary Needham, Yannis Tzioumakis and Tino Balio |
title_full_unstemmed | United artists edited by Peter Krämer, Gary Needham, Yannis Tzioumakis and Tino Balio |
title_short | United artists |
title_sort | united artists |
topic | United Artists Corporation Los Angeles, Calif. (DE-588)10076560-9 gnd Filmwirtschaft (DE-588)4154384-1 gnd |
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