Ne oči, ale mysl k Bohu: Maurus Haberhauer (1746-1799) a hudební kultura benediktinského kláštera v Rajhradě v 18. století
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Moravská zemská knihovna v Brně
2019
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| Beschreibung: | Seite 429: This book presents an expanded and updated version of the original German edition entitled Maurus Haberhauer (1746-1799) und die Musik des Benediktinerklosters Rajhrad/Raigern. |
| Beschreibung: | 429 Seiten Illustrationen, Notenbeispiele, genealogische Tafel (teilweise farbig) 25 cm |
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Datensatz im Suchindex
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| adam_text | Obsah Poděkování autorů.......................................................................................................11 Předmluva Jiřího Sehnala............................................................................................ 13 1. Úvod................................................................................................................. 15 2. Maurus Haberhauer redivivus - Současný stav bádání..................................19 3. Nástin hudebního života na Moravě v 17. a 18. století 3.1 Stylové principy...............................................................................................25 3.2 Centra hudebního života................................................................................27 3.3 Hudební repertoár.......................................................................................... 29 4. Rajhradský klášter a jeho hudební kultura od 20. do 60. let 18. století 4.1 Locus amoenus opakovaně povstávající z popela..........................................35 4.2 Hlavně musí být slyšet hudba ֊ Rajhrad a jeho hudební osobnosti v období vrcholného baroka. Hudba jako součást reprezentace................ 41 4.2.1 Anton Pirmus - barokníprelát a „druhý zakladatel“ kláštera...................41 4.2.2 Norbert Peschka a období tzv. císařského stylu...........................................51 4.2.3 Johann Brixides ֊ skladatel, „který si složil requiem pro svůj vlastnípohřeb“............................................................................ 56 4.2.4 Hugo Otmanský a „Moravicos
Chorales“...................................................59 4.2.5 Benedikt Smetana - „sehr geschickter Instrumentalist“.............................. 60 4.3 „... ty všechny noty a tečky, které zde uzříš, jsou všechny do jedné svědky duše, která Tebe ctí.“ - Hudba v rajhradském klášteře za probošta Bonaventury Pitera..................................................................... 61 4.3.1 Bonaventura Piter - artes musïcae amantissimus aneb Phyllis moestissimus..........................................................................61 4.3.2 Laurentius Güntner a Fridrich Schmidt ֊ okouzlení italskou operou......... 66 4.3.3 Johann Furbe - „braver organist und Thonkünstler“..................................67 4.3.3.1 Život...............................................................................................67 4.3.3.2 Furbeho skladatelské dílo................................................................ 70 - 5 ֊
5. Maurus Joseph Franz Haberhauer (1746-1799) a hudební kultura rajhradského kláštera od 60. let do konce 18. století 5.1 Moravus Svitaviensis est bonus studiosus - Původ, dětství a mládí...........79 5.1.1 Soukeníkův syn (a talentovaný hudebník) - Svitavy (1746-1758)............ 79 5.1.2 Genius musicae и jezuitů - Brno (1758-1763)..........................................82 5.2 „Slibuji stálost a obrácení mravů...“ Rajhrad (1763-1764) Haberhauerův vstup do kláštera a počátky jeho řeholního života............. 91 5.3 Tractatus Theologici, clavicordium et cembalům - Haberhauer studentem teologie (a hudebního umění)..................................................... 94 5.4 Ekonomie, teologie a... koně - Haberhauerův duchovní otec, rajhradský probošt Otmar Conrad............................................................... 95 5.5 Učenci a milovníci (hudby) - Rajhradský kůr v době Haberhauerových studií (1764-1770).............................................................97 5.5.1 Methudius Talaczko - „ein Bierhudler“ nebo „musicusperitissimus“?........97 5.5.2 Alexius Habrich - učenec na kůru.......................................................... 101 5.5.3 Milovník Dittersových symfonií - Benedikt Gallik...................................102 5.5.4 Závěr studií- Haberhauer knězem.......................................................... 105 5.6 Ora et labora (et canta!) - Maurus Haberhauer jako rajhradský regenschori (1770-1779/81)....................................................... 106 5.6.1 Neblahé proroctví? - Haberhauer se ujímá vedení rajhradského kůru......
106 5.6.2 Haberhauerův hudební inventář..............................................................108 5.6.3 Řeč duchovního učitele ke zbožným novicům neboli duchovní poučení- Haberhauerovy pokyny nejen k chorálnímu zpěvu...................119 5.7 „Conciniator doctus et oboediens“ - Maurus Haberhauer jako učenec a profesor teologie.................................................................... 124 5.8 Strepitosa musica cum lusu a biliárd pátera Maura - Hudba a život v rajhradském klášteře v předvečer josefínských reforem.............. 127 5.8.1 Matouš Benedikt Rutka - virtuoz na klávesové nástroje na rajhradském klášterním kůru?............................................................127 5.8.2 Tubicen sive alumnus rayhradensis - rajhradštístudenti zpěváci aneb trubači............................................................................... 133 5.8.2.1 „... po mši svátý všechny struny E zpustiti“.................................... 133 5.8.2.2 Wenzel Müllerjako rajhradský trubač,............................................135 5.8.3 Rajhradské Bratrstvo nejsvětější Svátosti oltárni a s ním spojené hudební aktivity.......................................................................................138 5.8.4 „Strela tě do matěry - hudba mimo chrám: písně a hudebnědramatická díla gratulačníi žertovná...............................140 5.8.5 Rajhradský klášter jako duchovní a společenské centrum osvícenství na Moravě v zrcadle klášterních diárií- „eine geselige Gesellschaft“.........148 - 6 -
5.9 Spiritus politicus v boji proti Askezi a Múze ֊ Rajhradský klášter v době tereziánských a josefínských církevních reforem.............................153 5.9.1 „... ani zítřejší den není už dále vůbec jistý“..............................................153 5.9.2 Askeze а Múza vítězí (dočasně) - alegorické pasticcio jako argument proti osvícenské kritice klášterů......................................... 155 5.10 Rajhradský kůr podvedením Haberhauerových nástupců v 80. a 90. letech 18. století - Bernard Pivoňka a František Kayser aneb klasicismus vládne............................................................................... 161 5.11 „Zatměly se mé oči“ ֊ Závěr Haberhauerova života................................... 162 6. Maurus Haberhauer jako skladatel 6.1 Úvod................................................................................................................... 165 6.2 Jako by to bylo odněkud z vesnice? - Recepce Haberhauerova skladatelského díla........................................................................................... 166 6.2.1 Haberhauerova hudba na klášterním kůru v Rajhradě..............................166 6.2.1.1 Tzv. vídeňský seznam ֊ rajhradský soupis Haberhauerových skladeb a jeho vztah k rajhradským hudebním inventářům G6 а G57......................................................166 6.2.1.2 Provádění Haberhauerových skladeb v Rajhradě v letech 1820-1847............................................................................184 6.2.2 Maurus Haberhauer a brněnští augustiniáni.............................................
187 6.2.3 Hoberhauerovy skladby na dalších kůrech.................................................. 196 6.3 Variētas et Imitatio ֊ Haberhauerův kompoziční styl................................. 197 6.3.1 Úvod.......................................................................................................... 197 6.3.2 Mše............................................................................................................ 197 6.3.3 Litanie a nešpory........................................................................................215 6.3.4 Moteta a árie............................................................................................. 217 6.3.5 Variētas et imitatio.....................................................................................227 7. Rajhradský klášterní kostel v době působení Maura Haberhauera jako typický příklad tzv. Galanteriekirche?....................................................... 229 8. Ne oči, ale mysl к Bohu - Závěr................................................................................ 241 - 7 -
Přílohy 1. Rod Haberhauerů ve Čtyřiceti Lánech a Svitavách v 17. a 18. století...........245 Rodokmen rodiny Haberhauerů....................................................................248 2. Rajhradští chorregenti působící mezi léty 1716 - cca 1800..........................249 3. Plán na zřízení školy při klášteře Johanna Furbeho.....................................250 4. Seznam věcí a knih Maura Haberhauera z roku 1765.................................. 253 5. Soupis skladatelů a počtu skladeb z břevnovského a rajhradského hudebního inventáře............................................................. 255 6. Seznam alumnů působících v Rajhradě v letech 1719-1823....................... 268 7. Povinnosti rajhradských klášterních alumnů................................................ 273 8. Ascesis et Musa.................................................................................................277 9. Tabula monastica..........:.................................................................................294 10. Přehled skladeb Maura Haberhauera zaznamenaných v inventáři katedrály sv. Václava v Olomouci............................................... 296 Seznam použitých pramenů a literatury............................................................. 297 Seznam zkratek......................................................................................................... 317 Tematický katalog.....................................................................................................319
Rejstřík.......................................................................................................................411 Summary....................................................................................................................427 ֊ 8 ֊
Jmenný rejstřík Abel Abos, G. Adam, V. Adani Albertini Albrechtsberger, J. G. Albrici, V. Altmann, M. F. Amort, E. Anfossi, P. Arichi Armelini Artinx(?) Artophaeus, F. B. Aspelmayer Astorita(?) Aumann 260 116 64, 65, 66 117, 267 263, 265 227, 228 51 88 124 116 258 256 259 32, 52 266 256 255,256 Bach Bach, C. F. E. Bach, J. Ch. Bassani, G. B. Batta di S. Martini Bauman Beciner, J. Beer, L. A. I. Bencini, A. Benda Benda, P. Benedikt z Nursie, svaty Bertom Biber, H. I. F. Bileck (alumnus) Blümegen, H. H. von Blümegen, Chr. Bobrovsky, A. Bobrovsky, F. (alumnus) Bobrovsky, J. (alumnus) Boccherini, L. Bode,J. Chr. Bonno, G. 263 208 266, 129 51 266 264 272 51, 52, 263, 264, 265 159, 277 266 52 35, 36, 92, 136, 138, 160, 229-231, 295 256 27 271 105 151 134 133, 134 134, 165, 187, 196, 268 260 267 117,263, 267 ֊ 411 -
BoogJ. N. Boroni, A. Bragaczek Brancouzský, B. Braukai, S. J. (alumnus) Braunschweig-Lüneburg, M. von Brentner, J. Brixi, F. X. 67, 260, 262 256, 257, 260 265 54 270 49 52, 54, 239 32,67,99,101,102,118,146,147,162,165, 166,187,191,200,232,239,255-263,265 Brixi, Š. 62 13, 23, 39, 52, 56-58, 68, 71, 75, 76, 129, Brixides, J. 187, 261-263, 265 Brossman, A. (P. Damasus a. S. Hieronymo) 162 Břetislav I. 35 151 Bukůvka, J. N. 151 Bukůvka, Z. J. Bulin, M. 146 Caldara, A. 27, 32, 48, 49,52, 54, 57-59, 73, 187, 256, 257, 260-265 266 99, 262, 263 116, 266 262 262 262 116, 262, 263 Camelocher Campi Cannabich, Ch. Capelli Capua Carassali Carcani, G. Cardassali viz Carassali Carissimi, G. Carl, A. Cenaci(?) Cibulka Colloredo-Waldsee, A. T. Conrad, О. Constanti Conti Conti, F. В. Conti, L M. Costanzi, G. В. Crous (Kraus?) Czermack,J. (alumnus) Czerny, F. X. 146 116, 261 264 266 108, 129 63, 64, 69, 70, 88, 91, 92, 95-104, 117, 128, 134, 137, 142, 148-155, 162-164 262 56, 102, 187, 262 56, 255 56 159, 277 117, 267 269 118, 258-260 Černohorský, B. M. 32 - 412 -
David, C. J. (alumnus) Dawid, J. (alumnus) Defranchi Dietrichstein, F. S. von Disdietto Dittersdorf, C. Ditters von Donberger, G. J. Dostal, W. (alumnus) Drahotušský Dundaczek, G. (alumnus) Dupali, N. (alumnus) Dworsky, J. (a!umnus) 270 271 262 97 262 32, 102, 116-118, 135, 137, 162, 187, 191, 255-261, 264, 266 261, 263, 264, 266 272 265 271 271 271 Edlinger Edmund Einwalt, K. J. Eleonora Magdalena Terezie (císařovna) Emmerling Engelsberg Esinger, J. (alumnus) Etgens, J. J. 264 262 32, 52, 54 32 262 117, 267 270 43-46, 107 Farkas, F. Feo, F. Fibich Fiederich, A. (alumnus) Fils, A. Fischer Franciscus N. (alumnus) Frank František I. (císař) František II. (císař) Freyer Fridrich II. Veliký (císař) Fridrich, I. Frieberth, F. K. Friedrich, J. (alumnus) Fuchs, C. 140 264 257 271 117, 255, 258,266, 267 256, 257 271 161, 266 163 155 256 49, 144 264 162, 262 271 109-111, 117,167, 169, 171, 173, 178-180, 184, 260, 268, 269, 271 13, 22, 23, 39, 49, 51, 52, 58, 67-77, 95, 97-99, 103, 104, 106, 127-131, 133, 144, 166 32,52,54,187,219,227,232,261, 263-266 Furbe, J. FuxJ. J. ֊ 413 -
Gabler, C. (alumnus) Gallik, L Galuppi, B. Gassmann, F. L. Gazzaniga, P. M. Geisler Georgi Geppert, W. (alumnus) Geramb, A. Gerlich, J. (alumnus) Giacomelli, G. Giardini Giarini Giraczek Giranek, F. vizjiránek, F. Giulini, C. Gluck, Ch. W. Gluck, W. (alumnus) viz Klug, V. Graff, [F. L.] Grasi Graun, C. H. Gravani, P. 272 102, 108, 128, 161, 249 256, 262, 263, 266 256, 257 124 258 262 272 103 270 262 257 265 265 266 147, 256, 258, 262 Gravani, T. Griiber, B. Gräber, M. Grundmann, F. Gräsman Gsur, T. Gugi, M. Guilelmi Giintner, L. Gurecký, J. Gurecký, M. 102, 261 266 108, 257, 262 71, 89, 127, 152, 162,187, 196, 261, 264-266 89 100, 105, 126, 148, 150-152, 163, 187 151, 187 147 266 116, 261, 263 141 256 66, 249 32 32 Haan Habbegger Habbiger Habbiger, J. M. Haberhauer, Adam Haberhauer, Agneta Haberhauer, Ambros Haberhauer, Barbara Haberhauer, Blasius Haberhauer, Eva 255 261 117, 267 117 245, 246, 248 247, 248 247, 248 245, 248 245, 246, 248 246, 248 - 414 -
Haberhauer, Franz 79, 82, 105,247, 248 Haberhauer, Georg 247, 248 Haberhauer, Helena 246, 248 Haberhauer, Justine 79, 81, 82, 105, 247, 248 Haberhauer, Lorenz 245, 246, 248 Haberhauer, Ludvík 247, 248 Haberhauer, Magdalena viz Haberhauer, Helena Haberhauer, Maria 247, 248 Haberhauer, Maria Rosa 79, 247, 248 Haberhauer, Martin 79, 247, 248 Haberhauer, Paul 245, 246, 248 Haberhauer, Philipp 82, 247, 248 Haberhauer, Sibilla 245, 248 Haberhauer, Simon 245, 246, 248 Haberhauer, Valentin Ignác 246, 248 Haberhauer, Veit starší 245, 246, 248 Haberhaur, Veit Schauer / Haberhaur, Veit Schawer (Schawr) 246, 247, 248 Haberhaw, Mertel von Radmil 245, 248 Habermann, F. 255 Habrich, A. 21, 63,101,102,110,126,149,163,243,249 Hackenwälder, A. 81, 82, 187, 189 Hackenwälder, J. I. 81 Hackenwälder, P. J. 81 Harlacher, P. 140-142 Hartmann 258 Hasse, J. A. 32, 55-59, 61, 83, 84, 87, 99, 117, 118, 159, 187, 255, 256, 262, 266, 267, 285, 286 Hattaš, D. 255 Hauer, J. (alumnus) 270 Haura, J. 64, 65, 219, 265 Hauser 100, 117, 267 Haydn, J. 32, 102, 116, 117, 129, 131, 135, 138, 161, 162, 191, 255, 256,257, 259-261, 263, 266, 267 Haydn, M. 32, 116, 135, 155, 162, 191, 255, 258, 264, 266 Heimon 262 Heinrich 265 Heissler, P. 126 Hennicher 263 Herdliczka, J. (alumnus) 271 Hesselius, V. L. 52 Hildebrand von, baron 148 - 415 -
Hillebrandt, F. de P. A. von Hirschberg, W. (alumnus) Hlavatý Hoffmann, L. 103, 149, 152 271 104 116, 117, 129, 134, 135,138, 143, 255 257, 260, 261,263, 266, 267, 427 135, 138,266 Hoffmeister, F. A. Holtzbauer, L viz Holzbauer, I. Holzbauer, L Horník, О. Hősik, С. (alumnus) Huber Hur, F. Hybler, M. (alumnus) 117, 135, 232 193, 377, 378, 382, 383 270 255,257-260 263 272 Chiarini, G. Chiesa Chorinský z Ledské, hrabě M. F. Christ, F. Christ, I. Christeli, U. 262, 427 266 105 81 100, 104, 105, 149 246 Ivančic, A. 261, 265, 266 Jacob, G. 32, 49, 52, 54, 62,141, 142, 187, 219, 239, 260, 261, 264, 265, 267 Jacomelli, G. viz Giacomelli, G. Jahnel, J. (alumnus) Jan z Holešova Jantke, В. Jantke, M. Jarovski Jarovský, J. Jelínek, I. Jeremiáš, О. Jeřábek, W. Ježek, V. Jiránek, F. Jírovec, V. M. Jomelli, N. Josef II. (císař) Joseph a S. Elisabetha Judea, J. (alumnus) 272 35 245 245 264 69 37 193, 378 39 257, 258 117 162, 428 67, 262, 266, 267, 427 13, 95, 152-154, 160, 161 255,258 272 Kabelka, G. 147, 262, 265 Kalous, V. (P. Simone a Sancto Bartolomeo) 21, 32, 134, 191 ֊ 416 ֊
Karel VI. (císař) Kasparek, C. (alumnus) Kaumm Kauschinger Kayser, F. Keider, F. (alumnus) Keinz, J. Keller, В. Keller, J. E. Keller, J. R. Kern, J. (alumnus) Keyder, F. A. (alumnus) Keyser, I. Khees Khevenhüller, L. A. von Kimmerling Kinter, M. Klappitz, A. Klauseck Klima, В. Klug, V. viz též Gluck, W. (alumnus) Knor, J. (alumnus) KoblicžekjJ. (alumnus) Kobřích Kohl Kohout Kohout, G. 32, 54 272 266 256 161, 162, 249 268, 269 191 94 52 54, 265-267 269 268, 269 258, 263, 264, 102 152 148, 150 261, 264 20 94, 126 266 255, 256, 258, 259, 261 135, 137, 268, 271 135,269 271 260 255, 257 262, 265, 266 109-111, 116, 117, 167, 169,171, 173, 178-180, 184,268, 269 67 19, 20, 21, 68, 70, 127, 154, 164 271 270 263, 264 189, 193, 195 259 49 266 270 261 149, 152 149 255-257 272 Kohout, К. Koch, А. Kolarz, М. (alumnus) Kominek, F. P. (alumnus) Königsperger, M. Kopřiva, P. Kopřiva, V. J. Körner, J. G. Körtzel Kosic (Rosio?), J. (alumnus) Kötzenthal Kounic-Rietberg, F. V. Kounic-Rietberg, V. A. Koželuh, ?J. A.? Koželuch,J. (alumnus) Kramář, F. V. viz Krommer, F. Kratochvíla 264 ֊ 417 -
Kratovsky Kraus Kraus, J. M. Kraus, L. Krídel, J. Ch. Kripei, F. (alumnus) Krommer Krommer, F. Kříž, V. Křížek, K. (alumnus) Küffner 264 260, 267 232 264 54 272 261 162, 428 20 135 266 Lambert Lampugnani, B. LangJ. G. Langer, F. (alumnus) Langer, J. J. (alumnus) Langisch Laska, F. Laube, A. 263 262, 266 117, 427 135, 268, 270, 271 135, 269 263 258 61, 67, 99, 135, 255, 256, 258,259, 26L 263, 266 61 271 266 100, 262, 264 269 264 270 95 27 271 239, 256 270 270 Laubel Laurenz, F. (alumnus) Leidi Leo, L. Lepus, M. (alumnus) Libel Lidarzik, A. (alumnus) Liechtenstein, E. Liechtenstein-Castelcorno, K. Lichtenberg, W. (alumnus) Linek, J. I. Liscka, T. F. (alumnus) Litomisky,J. (alumnus) Lohelius Oehlschlägel, J. viz Oehlschlägel, J. L. Loos, К. Lucas, M. Luther, M. Lux, D. 67, 147, 239, 255, 258-261 57 140 152, 189, 190,192, 335 Majer, V. Malzat / Malzart, J. Manco Mareczek, I. (alumnus) 142 67, 84, 266 255 270 - 418 ֊
Marek, P. Marian, R. Marie Terezie (císařovna) Mulner, P. Mysliveček, J. 130, 187,190, 191, 193, 195, 384 257 32, 62, 91, 93, 96, 103, 105, 138, 148, 149, 153, 234 266 32 257 61, 62, 64 238 269 260 116, 262, 427 267 257 258, 259 260 246 245 262 270 270 255,261 262 256 256 103 119, 162 270 264, 267 13, 21, 117, 135-138, 165, 266, 268, 270, 325, 364, 428 245 162, 256, 257, 260,262 Napp, C. Naybauer, J. J. B. (alumnus) Nemetschek (alumnus) Nentwich, N. (alumnus) Nespiwaczek, F. (alumnus) Nesrsta, S. (alumnus) Neubauer Neumann Nitsch Nitsche, J. Novotní, F. (alumnus) 192, 193 270 271 271 269 269 265 265, 266 257, 259, 260, 265 81 270 Martino (Martini?) Mašát, A. (P. Remigius a S. Erasmo) Mašek Matějovský, E. Mattheson, J. Max, M. C. (alumnus) Mayer, В. Mazzoni, A. M. Menegnetti Mensi Mentzel Michl Miller, L. Milner, J. P. Minuetti(?) Miskusch (alumnus) Moher, J. (alumnus) Moheri Monza Moravecz, [?G.] Mozart Mozart, L. Mozart, W. A. Mrakowsky, G. (alumnus) Müller Müller, W. ֊ 419 -
Novotny Novotný, F. 256, 261, 266 49 Oberbauer F. (alumnus) Oberhauer, V. viz Haberhauer, Veit starší Odersky, F. (alumnus) Odersky, J. (alumnus) Odersky, J. V. A. (alumnus) Oehlschlägel, J. L. O ettei, M. viz Otti, M. Ordónez / Ordenitz, К. Otmanský, H. Otti, M. 271 Palli Pampani Paradies Patella, A. Pekárek, J. Pengert, A. (alumnus) Pergolesi, G. В. Peschka, N. Piazza, G. Piccini, N. Pigilati Picher Pichl Pichl, V. Piltman Pinzger Pirmus, A. Piscitti Piter, В. 272 272 134, 268, 271 256, 257, 259, 263 135,138 59-61, 243, 249 32, 73 262 262 256 117, 267 146 270 255, 256 49, 51, 52, 54-58, 73, 77, 110, 249, 427 117, 267 67, 99, 257, 262 265 117, 267 257, 260 255, 256 261 261 39, 41, 43, 49, 50, 52, 54, 61, 64, 106 262 61-66, 69, 70, 90-92, 96-99, 101, 126, 243, 251 105 108-111, 154, 155, 161,162, 169, 170, 172, 177, 249, 384 119, 162 271 232 239,255, 256 Pius VI. (papež) Pivoňka, В. Pleyel, L Plumayer,J. (alumnus) Pögel Pokorný Pokorný, G. Poppe, F. L. Predieri, L. A. Prokop 88 32, 52 261 258 - 420 -
Pruneder, F. G. Prustman Przikril, G. (alumnus) Ptaczek, J. B. (alumnus) 73, 261 224 270 270 Questenberg, J. A. 27, 56, 89 Raab, M. Rainone / Reinone, A. Rathgeber, V. Rauscher, L. Rautenstrauch, S. Reichenauer, J. A. Reim, R. (alumnus) Reinhardt, J. G. Reutter, G. ml. 148, 150 117,267 258 54 104, 124, 147 117, 267 270 32, 39, 52, 54, 61, 73, 261, 263-265 32, 54, 67, 102, 187, 191, 200, 255, 261, 263 268, 270 258 43 232, 266 270 37 255 270 99-100, 117 259 49, 269 266 57, 110, 119, 170, 184 56, 88, 89, 101 101 67, 255, 259, 261-262 13, 23, 39, 68-69, 106, 117, 127-133, 148, 155, 187, 198, 200, 217,228, 261266, 268, 270, 332, 349 Reyser, T. (alumnus) Riegl Richter, A. Richter, F. X. Richter, J. (alumnus) Ringhoffer, J. Ristori Römer, F. (alumnus) Rosmani thin, A. Rotte Rotter, F. Roy Rücker, A. Rusmann, M. Russmann, C. Rutini / Rutiini, G. M. Rutka, M. В. 116, 187, 256-257 135, 138, 261 51 41,51 258 262 262 142 Sacchini, А. Sailer, S. Sanees, G. F. Santini-Aichl, J. B. Santo S arri, D. Sarti, G. Savojský, E. - 421 -
Sázavský, Ř. Scarlatti Scolarmi Sedláček, J. A. Sehling, J. A. Seiti, A. Sersawy, F. (alumnus) Schaffgotsch, P. G. Schanza, N. (alumnus) Schapökh Schaumann, M. (alumnus) Scheibe, J. A. Scheibel, G. F. Scheibl Scheibl, J. A. Schenk, D. (alumnus) Schiansky, C. (alumnus) Schildtner viz Haberhauer, Maria Schlözel, F. (alumnus) Schmelzer, J. H. Schmidt Schmidt, Ferdinand Schmidt, Friedrich / Schmidt, Johann Nepomuk Schmidt, L. Schmidt, T. Schneider Schönthal Schrattenbach, F. A. Schrattenbach, W. H. Schreier, J. Schubert, A. (alumnus) Schubert, M. (alumnus) Schuberth/Schubert Schürrer Schuster, J. Schwartz, A. Schwartz, F. Schwartz, G. A. Schwartz, I. Schwartz, J. Schweigl, O. Schwenk, Johann (alumnus) Schwenk, Joseph (alumnus) Sieger, A. (alumnus) 154, 164 256 256 102, 134, 261, 265 256, 257, 259 91, 92, 139, 161 272 117,137, 151 271 266 269 73, 198, 235 235-238 261, 264-266 32, 73 49, 270 272 271 51 232, 258, 263, 264, 266 67 66-67,84, 110, 147, 249 108, 116, 135, 266 81 261 261 103-104 27, 32, 56 102, 264 135, 143, 187, 268, 271 269 185,262 259 147, 257, 260 81 82 81-82 82 81 150 270 270 271 - 422 -
Slavíček, J. F. Slavík Smetana, В. Sojka, M. Sonnenleither/Sonnleither/Sonnleitner Spindler, E. (alumnus) Stadler Stamic, J. V. Stampi Stefeck, A. V. (alumnus) Steffan, J. A. viz Štěpán J. A. Steinmetz (? Johann Stamitz, Carl Stamitz nebo Johann Erhard Steinmetz) Stephan Stephan, O. Stiller, I. Sto racz, M. Strasser Streisch, T. (alumnus) Stross, K. Strouhal, В. Suchanek, К. Suchanek, М. (alumnus) Svitavský, P. (alumnus) Svoboda, E. Svoboda, J. (alumnus) Syruczek 88 25 7 60-61, 110, 249 135, 138, 255, 259 255, 261, 264 271 266 266, 267 262 269 117 262, 265 264 37 39, 270 261 271 135, 138, 162, 191 76, 127, 261, 265 262-264, 266 270 135, 268, 271 94 270 258 Šenkýř, A. Štěpán, J. A. viz Steffan, J. A. 255-260, 263-264 Tacendo(?) Taibner, Justine viz Haberhauer, Justine Taibner, V. Talaczko, J. Talaczko, M. 258 79 84 84, 87, 88, 90-95, 97-102, 106, 110, 117, 127-128, 133, 146, 148, 249, 268 100 Talaczková, A. Tallaneck, J. (alumnus) Telemann, G. P. Tempes, A. viz Haberhauer, Agneta Teply, J. (alumnus) Terradellas Tini Tiray, B. 270 237-238 272 256 262 20, 116, 187 ֊ 423 -
Torti, G. Traetta, T. Troltsch, A. (alumnus) Truhlarz, F. (alumnus) Tůma, F. Tylz 99, 266 116, 256, 262 135, 268, 271 269 99, 187, 261, 263, 266 265 Uberpaulus, F. (alumnus) Ulrich, F. (alumnus) Umstatt Urtica, V. J. viz Kopřiva V. J. 135 135 262, 266 Valentič, P. Vaňhal, J. К. 52 116-117, 135, 138, 162, 255, 257-258, 260, 266-267 27 135 256 262 261267 117, 191 237 135 51, 249 Vejvanovský, P. J. Vestřížek,J. (alumnus) Viesner Vinci, L. Vogl, Vogl, К. Vogler, J. C. Volkmer, J. (alumnus) Votava, В. Vrba viz Wrba Výmola, Jan ml. Výmola, Jan st. 151 151 Wagenseil, G. Ch. Wagner, C. Wachter, J. Walter, I. A. Wassmut Weber, M. Weczeřa, J. (alumnus) Weigl, M. Weindt, C. Weis, M. (alumnus) Weprz,J. (alumnus) Werner Wiesner,J. (alumnus) Winkler, V. Winter, J. (alumnus) Winterhalter, Josef ml. Wögler 32, 99, 117, 129,256, 262, 266-267 126 56, 262-263 69, 97, 103-104,106, 155 232 39 270 51, 249 255 269 272 267 272 148, 149 270 150 264 - 424 -
Wolf Wolny, Ř. Wrba Wrkal, A. (alumnus) 262 109, 116, 269 258 270 Zach, J. Zappa, F. Zarda, J. M. Zardi Zechner, G. J. Zelenka, J. D. Zelinger Zeman Ziani, M. A. Zidek, M. (alumnus) Ziegenheim Ziegler Zieni Zigani Zimmerman Zinke, О. Zollern-Hohenberg, K. F. von Zurnan, J. (alumnus) Zunk Zvolský, N. Žižkovič, J. von 256-260, 266 266 102, 263 261 32, 58-59, 61, 99, 108, ПО, 117-118, 127, 135, 187, 192, 256, 261-267 262 264 261 51, 265 271 259 263-264 266-267 267 259 61 103, 150 271 265 94, 105 144 Zoužela, J. 102
Summary Maurus (Joseph Franz) Haberhauer (1746-1799) is probably the most important representative of the music culture of the Benedictine monastery in Rajhrad in the 18th century. The only son of the tenter Franz Haberhauer from Svitavy, thanks to his musical talent he attended the Jesuit music seminar in Brno as a musical alumnus. In 1759-1763 he studied there at the Jesuit Gymnasium. In 1763 he entered the monas tery in Rajhrad near Brno. A year later, he made religious vows and after theological studies he was ordained as a priest in 1770. Thus, he obtained the highest possible ed ucation and was socially on a much higher standing than most of his contemporaries from the same social stratum; this happened at a time when the early church reforms by Maria Theresa and Joseph II. worsened the supervision of the absolutist state over religious institutions in the Habsburg hereditary countries, making similar social climbing of subjects increasingly more difficult. In the years 1771-1779 and 1781, Haberhauer served as the director of the choir (regenschori) in the monastery church of St. Peter and Paul. This period includes the peak of his compositional activity, as well as his making copies of compositions by contemporary composers of liturgical music, such as J. and M. Haydn, A. Carl, L. Hoffmann, T. Gsur, K. Ditters and others. A significant part of Haberhauer’s acquisitions are the Latin counterfacts of opera arias by contemporary Italian composers (G. Abos, P. Anfossi, G. Carcani, P. Chiarini, В. Galuppi, J. A. Hasse, N. Jomelli, A. M. Mazzoni, T. Traetta and A.
Sacchini, etc.), as well as instrumental works intended for performances outside the church, especially a collection of 33 symphonies by Karl Ditters, as well as symphonies by J. Haydn, F. A. Hoffmeister, L. Schmidt, J. K. Vaňhal and Ch. Cannabich. In 1771 Haberhauer began to write an inventory of music, in which he recorded his acquisitions and those of his predecessors, and which was used by his successors until the 1820s. In addition to the older Rajhrad inventory from 1725, this inven tory is a key source for understanding the Rajhrad music culture in the 18th century and the early decades of the 19th century. Both sources show that, similarly to the previous choir directors between 1715 and 1770 (N. Peschka, B. Smetana, L. Giintner, F. Schmidt, A. Habrich, and M. Talaczko), Haberhauer shaped the form of the Rajhrad musical repertoire mainly in connection with the musical tastes of the capi tal, Vienna, and the imperial court. His acquisitions of Italian arias for the Rajhrad choir also follow a tradition dating back to the first half of the 18th century. For this reason, the book discusses not only the life and work of Haberhauer himself, but it also maps the acquisitions of his predecessors, the compositional work by Ra jhrad organists, J. Brixides (f 1772) and J. Furbe (1715-1786), and it also notes the acquisition activities of Haberhauer’s contemporaries: the Benedictines B. Gallik and B. Pivoňka, and especially Rajhrad organist M. B. Rutka (1746-1824). Rutka enriched the monastic collection of music compositions with ones for keyboard instruments byj. Haydn, L.
Hoffmann, J.G. Lang, G. Piazza, J. A. Štěpán and G. Ch. Wagenseil, etc. The directors of the choir, B. Gallik and especially B. Pivoňka, shaped the form of the Rajhrad musical repertoire into top classicism - for example, with compositions by - 427 -
V. Kramář-Krommer, I. Pleyel and V. Jírovec. It was not until the end of the 1790s that W. A. Mozart s compositions also came to Rajhrad. The book also reflects the music production in Rajhrad according to the function al use and location of various types of music. Sacral music included liturgical singing of a monophonic Latin chant by the monastic community in the choir of the mon astery church with or without organ music, and figurai vocal music accompanied by instruments. The music was played under the supervision of the choir director (regenschori) in the monastery church figurai choir loft during worship and church services (especially masses and Vespers), by musicians hired for a wage (organists) together with students from monastic school (alumni). The most important musical alumnus that stayed at the Rajhrad monastery at the end of Haberhauer’s term of office was the later Viennese “singspiel” songwriter Wenzel Müller (1759-1835), from the Městečko Trnávka. The monastery diaries, preserved in fragments in the period 1756-1783, detail the playing of secular instrumental and vocal music (symphonies, concerts, gratulatory cantatas, etc.). Secular music included, besides the representa tive function, also private productions by individual members of the monastic com munity for their own interest or occasional collective celebrations (e.g., various an niversaries of personalities of the Rajhrad monastery). The frequency and character of these productions were, however, regulated and criticised by the then provost of Rajhrad, О. Conrad. In addition to musicians from
the monastic community, local students (alumni) and organists also participated in music-dramatic productions. The musical com ponent of these works was in many cases compiled from the then popular Italian operas and church music, completed by a compiler, dramaturge, author of the text and additional music pieces in one person, who was one of the religious musicians. As an example of a music-dramatic work of this type, the book analyses the pasticcio Ascesis et Musa (Ascesis and Muse), with music compiled by Haberhauer himself. In this work, performed in Rajhrad on 6 January 1783, the effects of the reforms of Emperor Joseph II. on the life of religious communities and the scientific and artistic activities of the monks are poetically reflected. In connection with performing the above-mentioned interactive music-dramatic works and the representative functions of secular music in monasteries, the example of Rajhrad music culture can also be used to present the features that the church music culture shared with the court culture and secular music performances. An analysis of monastic diaries also shows that the Rajhrad monastery was a welcome stop for many important personalities of the cultural and social life of the time (aristocrats, clergy and artists) on their way from Vienna to Brno or further to Olomouc. Thanks to this fact, it became one of the centres of enlightenment in Moravia. The conclusion of the book is devoted to the compositional work of Maurus Haber hauer, which followed the compositional work of Rajhrad organists and composers J. Brixides and especially
J. Furbe, who was Haberhauer’s composition teacher. We currently know a total of 116 works by Haberhauer himself, representing 107 items in the thematic catalogue published in this book. Most of the compositions have been preserved in the form of autographs or copies in the music collection of the Rajhrad monastery, deposited in the Music History Department of the Moravian Museum in - 428 -
Brno, where the Haberhauer inventory of music from 1771 is also stored. A signifi cant part of his compositions has also been preserved in contemporary copies in the music collection of the Augustinián monastery, partly stored in the Moravian Museum in Brno, partly in the Archive of the Cecil Music Union in Ústí n. Orlicí. In connec tion with them, the book also partly focuses on the musical life in the monastery of the Brno Augustinians in the 1770s and 1780s. Some of Haberhauer’s compositions have not been preserved at all, while individual pieces have been preserved in other musical collections of Moravian churches and monasteries and the Benedictine monas tery in Prague-Břevnov. The book also analyses the first known catalogue of Haberhau er’s works deposited in Archiv der Gesellschaft der Musikfreunde in Vienna. The analy sis showed its close connection with the records in Haberhauer’s inventory founded in 1771, and identified the year 1827 as the probable year of its origin in Rajhrad. The weak spread of Haberhauer’s compositions was caused by Haberhauer’s sta bilitás loci, i.e., his lifelong stay in Rajhrad, but also by the fact that, in addition to administering the monastery’s choir and composing, Haberhauer also performed other tasks in the monastic community from 1779 (subprior and professor of theology). Apart from musical works, he is also the author of several theological texts and also of the instructive work Parennesis magistri, which gives religious novices instructions for life in the monastery and contains instructions on the correct way of singing
chants. As a member of the Rajhrad monastic community, Haberhauer was in contact with members of the secular aristocracy and representatives of the highest church circles. If he had been elected, he could have also become the provost of Ra jhrad, and for this reason he could have sat among the other Moravian prelates in the Moravian Diet. Haberhauer, however, remained a scholar and educator who enjoyed respect from his brothers and outside the monastery in Rajhrad - even in the 1780s and 1790s, when he remained confined to bed due to advancing illness. The analysis of his compositions showed considerable incorporation of idioms and techniques typical of the period stylistic means of secular instrumental and vocal production. This amalgam of church and secular (opera and instrumental) compo sitional style is perceived by contemporary music reviewers as a characteristic and unique style feature for church music composed in the Czech lands in the 18th cen tury, although it is also described as a negative element by some of them. This book presents an expanded and updated version of the original German edi tion entitled Maurus Haberhauer (1746-1799) und die Musik des Benediktiner-klosters Ra jhrad / Räigem. It is accompanied by a thematic catalogue of Haberhauer’s composi tions and the appendix lists important sources on the life of Maurus Haberhauer and on the music culture of the Rajhrad monastery in the 18th century (e.g. the Haber hauer family tree, a list of Haberhauer’s items from his monastery cell from 1765, the duties of the Rajhrad monastic alumni from the 18th
century, a summary of the number of types of compositions and composers from the music inventories of the Břevnov and Rajhrad monasteries from the second half of the 18th century, Johann Furbe’s project to found a monastery school, etc.). - 429 ֊
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Obsah Poděkování autorů.11 Předmluva Jiřího Sehnala. 13 1. Úvod. 15 2. Maurus Haberhauer redivivus - Současný stav bádání.19 3. Nástin hudebního života na Moravě v 17. a 18. století 3.1 Stylové principy.25 3.2 Centra hudebního života.27 3.3 Hudební repertoár. 29 4. Rajhradský klášter a jeho hudební kultura od 20. do 60. let 18. století 4.1 Locus amoenus opakovaně povstávající z popela.35 4.2 Hlavně musí být slyšet hudba ֊ Rajhrad a jeho hudební osobnosti v období vrcholného baroka. Hudba jako součást reprezentace. 41 4.2.1 Anton Pirmus - barokníprelát a „druhý zakladatel“ kláštera.41 4.2.2 Norbert Peschka a období tzv. císařského stylu.51 4.2.3 Johann Brixides ֊ skladatel, „který si složil requiem pro svůj vlastnípohřeb“. 56 4.2.4 Hugo Otmanský a „Moravicos
Chorales“.59 4.2.5 Benedikt Smetana - „sehr geschickter Instrumentalist“. 60 4.3 „. ty všechny noty a tečky, které zde uzříš, jsou všechny do jedné svědky duše, která Tebe ctí.“ - Hudba v rajhradském klášteře za probošta Bonaventury Pitera. 61 4.3.1 Bonaventura Piter - artes musïcae amantissimus aneb Phyllis moestissimus.61 4.3.2 Laurentius Güntner a Fridrich Schmidt ֊ okouzlení italskou operou. 66 4.3.3 Johann Furbe - „braver organist und Thonkünstler“.67 4.3.3.1 Život.67 4.3.3.2 Furbeho skladatelské dílo. 70 - 5 ֊
5. Maurus Joseph Franz Haberhauer (1746-1799) a hudební kultura rajhradského kláštera od 60. let do konce 18. století 5.1 Moravus Svitaviensis est bonus studiosus - Původ, dětství a mládí.79 5.1.1 Soukeníkův syn (a talentovaný hudebník) - Svitavy (1746-1758). 79 5.1.2 Genius musicae и jezuitů - Brno (1758-1763).82 5.2 „Slibuji stálost a obrácení mravů.“ Rajhrad (1763-1764) Haberhauerův vstup do kláštera a počátky jeho řeholního života. 91 5.3 Tractatus Theologici, clavicordium et cembalům - Haberhauer studentem teologie (a hudebního umění). 94 5.4 Ekonomie, teologie a. koně - Haberhauerův duchovní otec, rajhradský probošt Otmar Conrad. 95 5.5 Učenci a milovníci (hudby) - Rajhradský kůr v době Haberhauerových studií (1764-1770).97 5.5.1 Methudius Talaczko - „ein Bierhudler“ nebo „musicusperitissimus“?.97 5.5.2 Alexius Habrich - učenec na kůru. 101 5.5.3 Milovník Dittersových symfonií - Benedikt Gallik.102 5.5.4 Závěr studií- Haberhauer knězem. 105 5.6 Ora et labora (et canta!) - Maurus Haberhauer jako rajhradský regenschori (1770-1779/81). 106 5.6.1 Neblahé proroctví? - Haberhauer se ujímá vedení rajhradského kůru.
106 5.6.2 Haberhauerův hudební inventář.108 5.6.3 Řeč duchovního učitele ke zbožným novicům neboli duchovní poučení- Haberhauerovy pokyny nejen k chorálnímu zpěvu.119 5.7 „Conciniator doctus et oboediens“ - Maurus Haberhauer jako učenec a profesor teologie. 124 5.8 Strepitosa musica cum lusu a biliárd pátera Maura - Hudba a život v rajhradském klášteře v předvečer josefínských reforem. 127 5.8.1 Matouš Benedikt Rutka - virtuoz na klávesové nástroje na rajhradském klášterním kůru?.127 5.8.2 Tubicen sive alumnus rayhradensis - rajhradštístudenti zpěváci aneb trubači. 133 5.8.2.1 „. po mši svátý všechny struny E zpustiti“. 133 5.8.2.2 Wenzel Müllerjako rajhradský trubač,.135 5.8.3 Rajhradské Bratrstvo nejsvětější Svátosti oltárni a s ním spojené hudební aktivity.138 5.8.4 „Strela tě do matěry" - hudba mimo chrám: písně a hudebnědramatická díla gratulačníi žertovná.140 5.8.5 Rajhradský klášter jako duchovní a společenské centrum osvícenství na Moravě v zrcadle klášterních diárií- „eine geselige Gesellschaft“.148 - 6 -
5.9 Spiritus politicus v boji proti Askezi a Múze ֊ Rajhradský klášter v době tereziánských a josefínských církevních reforem.153 5.9.1 „. ani zítřejší den není už dále vůbec jistý“.153 5.9.2 Askeze а Múza vítězí (dočasně) - alegorické pasticcio jako argument proti osvícenské kritice klášterů. 155 5.10 Rajhradský kůr podvedením Haberhauerových nástupců v 80. a 90. letech 18. století - Bernard Pivoňka a František Kayser aneb klasicismus vládne. 161 5.11 „Zatměly se mé oči“ ֊ Závěr Haberhauerova života. 162 6. Maurus Haberhauer jako skladatel 6.1 Úvod. 165 6.2 Jako by to bylo odněkud z vesnice? - Recepce Haberhauerova skladatelského díla. 166 6.2.1 Haberhauerova hudba na klášterním kůru v Rajhradě.166 6.2.1.1 Tzv. vídeňský seznam ֊ rajhradský soupis Haberhauerových skladeb a jeho vztah k rajhradským hudebním inventářům G6 а G57.166 6.2.1.2 Provádění Haberhauerových skladeb v Rajhradě v letech 1820-1847.184 6.2.2 Maurus Haberhauer a brněnští augustiniáni.
187 6.2.3 Hoberhauerovy skladby na dalších kůrech. 196 6.3 Variētas et Imitatio ֊ Haberhauerův kompoziční styl. 197 6.3.1 Úvod. 197 6.3.2 Mše. 197 6.3.3 Litanie a nešpory.215 6.3.4 Moteta a árie. 217 6.3.5 Variētas et imitatio.227 7. Rajhradský klášterní kostel v době působení Maura Haberhauera jako typický příklad tzv. Galanteriekirche?. 229 8. Ne oči, ale mysl к Bohu - Závěr. 241 - 7 -
Přílohy 1. Rod Haberhauerů ve Čtyřiceti Lánech a Svitavách v 17. a 18. století.245 Rodokmen rodiny Haberhauerů.248 2. Rajhradští chorregenti působící mezi léty 1716 - cca 1800.249 3. Plán na zřízení školy při klášteře Johanna Furbeho.250 4. Seznam věcí a knih Maura Haberhauera z roku 1765. 253 5. Soupis skladatelů a počtu skladeb z břevnovského a rajhradského hudebního inventáře. 255 6. Seznam alumnů působících v Rajhradě v letech 1719-1823. 268 7. Povinnosti rajhradských klášterních alumnů. 273 8. Ascesis et Musa.277 9. Tabula monastica.:.294 10. Přehled skladeb Maura Haberhauera zaznamenaných v inventáři katedrály sv. Václava v Olomouci. 296 Seznam použitých pramenů a literatury. 297 Seznam zkratek. 317 Tematický katalog.319
Rejstřík.411 Summary.427 ֊ 8 ֊
Jmenný rejstřík Abel Abos, G. Adam, V. Adani Albertini Albrechtsberger, J. G. Albrici, V. Altmann, M. F. Amort, E. Anfossi, P. Arichi Armelini Artinx(?) Artophaeus, F. B. Aspelmayer Astorita(?) Aumann 260 116 64, 65, 66 117, 267 263, 265 227, 228 51 88 124 116 258 256 259 32, 52 266 256 255,256 Bach Bach, C. F. E. Bach, J. Ch. Bassani, G. B. Batta di S. Martini Bauman Beciner, J. Beer, L. A. I. Bencini, A. Benda Benda, P. Benedikt z Nursie, svaty Bertom Biber, H. I. F. Bileck (alumnus) Blümegen, H. H. von Blümegen, Chr. Bobrovsky, A. Bobrovsky, F. (alumnus) Bobrovsky, J. (alumnus) Boccherini, L. Bode,J. Chr. Bonno, G. 263 208 266, 129 51 266 264 272 51, 52, 263, 264, 265 159, 277 266 52 35, 36, 92, 136, 138, 160, 229-231, 295 256 27 271 105 151 134 133, 134 134, 165, 187, 196, 268 260 267 117,263, 267 ֊ 411 -
BoogJ. N. Boroni, A. Bragaczek Brancouzský, B. Braukai, S. J. (alumnus) Braunschweig-Lüneburg, M. von Brentner, J. Brixi, F. X. 67, 260, 262 256, 257, 260 265 54 270 49 52, 54, 239 32,67,99,101,102,118,146,147,162,165, 166,187,191,200,232,239,255-263,265 Brixi, Š. 62 13, 23, 39, 52, 56-58, 68, 71, 75, 76, 129, Brixides, J. 187, 261-263, 265 Brossman, A. (P. Damasus a. S. Hieronymo) 162 Břetislav I. 35 151 Bukůvka, J. N. 151 Bukůvka, Z. J. Bulin, M. 146 Caldara, A. 27, 32, 48, 49,52, 54, 57-59, 73, 187, 256, 257, 260-265 266 99, 262, 263 116, 266 262 262 262 116, 262, 263 Camelocher Campi Cannabich, Ch. Capelli Capua Carassali Carcani, G. Cardassali viz Carassali Carissimi, G. Carl, A. Cenaci(?) Cibulka Colloredo-Waldsee, A. T. Conrad, О. Constanti Conti Conti, F. В. Conti, L M. Costanzi, G. В. Crous (Kraus?) Czermack,J. (alumnus) Czerny, F. X. 146 116, 261 264 266 108, 129 63, 64, 69, 70, 88, 91, 92, 95-104, 117, 128, 134, 137, 142, 148-155, 162-164 262 56, 102, 187, 262 56, 255 56 159, 277 117, 267 269 118, 258-260 Černohorský, B. M. 32 - 412 -
David, C. J. (alumnus) Dawid, J. (alumnus) Defranchi Dietrichstein, F. S. von Disdietto Dittersdorf, C. Ditters von Donberger, G. J. Dostal, W. (alumnus) Drahotušský Dundaczek, G. (alumnus) Dupali, N. (alumnus) Dworsky, J. (a!umnus) 270 271 262 97 262 32, 102, 116-118, 135, 137, 162, 187, 191, 255-261, 264, 266 261, 263, 264, 266 272 265 271 271 271 Edlinger Edmund Einwalt, K. J. Eleonora Magdalena Terezie (císařovna) Emmerling Engelsberg Esinger, J. (alumnus) Etgens, J. J. 264 262 32, 52, 54 32 262 117, 267 270 43-46, 107 Farkas, F. Feo, F. Fibich Fiederich, A. (alumnus) Fils, A. Fischer Franciscus N. (alumnus) Frank František I. (císař) František II. (císař) Freyer Fridrich II. Veliký (císař) Fridrich, I. Frieberth, F. K. Friedrich, J. (alumnus) Fuchs, C. 140 264 257 271 117, 255, 258,266, 267 256, 257 271 161, 266 163 155 256 49, 144 264 162, 262 271 109-111, 117,167, 169, 171, 173, 178-180, 184, 260, 268, 269, 271 13, 22, 23, 39, 49, 51, 52, 58, 67-77, 95, 97-99, 103, 104, 106, 127-131, 133, 144, 166 32,52,54,187,219,227,232,261, 263-266 Furbe, J. FuxJ. J. ֊ 413 -
Gabler, C. (alumnus) Gallik, L Galuppi, B. Gassmann, F. L. Gazzaniga, P. M. Geisler Georgi Geppert, W. (alumnus) Geramb, A. Gerlich, J. (alumnus) Giacomelli, G. Giardini Giarini Giraczek Giranek, F. vizjiránek, F. Giulini, C. Gluck, Ch. W. Gluck, W. (alumnus) viz Klug, V. Graff, [F. L.] Grasi Graun, C. H. Gravani, P. 272 102, 108, 128, 161, 249 256, 262, 263, 266 256, 257 124 258 262 272 103 270 262 257 265 265 266 147, 256, 258, 262 Gravani, T. Griiber, B. Gräber, M. Grundmann, F. Gräsman Gsur, T. Gugi, M. Guilelmi Giintner, L. Gurecký, J. Gurecký, M. 102, 261 266 108, 257, 262 71, 89, 127, 152, 162,187, 196, 261, 264-266 89 100, 105, 126, 148, 150-152, 163, 187 151, 187 147 266 116, 261, 263 141 256 66, 249 32 32 Haan Habbegger Habbiger Habbiger, J. M. Haberhauer, Adam Haberhauer, Agneta Haberhauer, Ambros Haberhauer, Barbara Haberhauer, Blasius Haberhauer, Eva 255 261 117, 267 117 245, 246, 248 247, 248 247, 248 245, 248 245, 246, 248 246, 248 - 414 -
Haberhauer, Franz 79, 82, 105,247, 248 Haberhauer, Georg 247, 248 Haberhauer, Helena 246, 248 Haberhauer, Justine 79, 81, 82, 105, 247, 248 Haberhauer, Lorenz 245, 246, 248 Haberhauer, Ludvík 247, 248 Haberhauer, Magdalena viz Haberhauer, Helena Haberhauer, Maria 247, 248 Haberhauer, Maria Rosa 79, 247, 248 Haberhauer, Martin 79, 247, 248 Haberhauer, Paul 245, 246, 248 Haberhauer, Philipp 82, 247, 248 Haberhauer, Sibilla 245, 248 Haberhauer, Simon 245, 246, 248 Haberhauer, Valentin Ignác 246, 248 Haberhauer, Veit starší 245, 246, 248 Haberhaur, Veit Schauer / Haberhaur, Veit Schawer (Schawr) 246, 247, 248 Haberhaw, Mertel von Radmil 245, 248 Habermann, F. 255 Habrich, A. 21, 63,101,102,110,126,149,163,243,249 Hackenwälder, A. 81, 82, 187, 189 Hackenwälder, J. I. 81 Hackenwälder, P. J. 81 Harlacher, P. 140-142 Hartmann 258 Hasse, J. A. 32, 55-59, 61, 83, 84, 87, 99, 117, 118, 159, 187, 255, 256, 262, 266, 267, 285, 286 Hattaš, D. 255 Hauer, J. (alumnus) 270 Haura, J. 64, 65, 219, 265 Hauser 100, 117, 267 Haydn, J. 32, 102, 116, 117, 129, 131, 135, 138, 161, 162, 191, 255, 256,257, 259-261, 263, 266, 267 Haydn, M. 32, 116, 135, 155, 162, 191, 255, 258, 264, 266 Heimon 262 Heinrich 265 Heissler, P. 126 Hennicher 263 Herdliczka, J. (alumnus) 271 Hesselius, V. L. 52 Hildebrand von, baron 148 - 415 -
Hillebrandt, F. de P. A. von Hirschberg, W. (alumnus) Hlavatý Hoffmann, L. 103, 149, 152 271 104 116, 117, 129, 134, 135,138, 143, 255 257, 260, 261,263, 266, 267, 427 135, 138,266 Hoffmeister, F. A. Holtzbauer, L viz Holzbauer, I. Holzbauer, L Horník, О. Hősik, С. (alumnus) Huber Hur, F. Hybler, M. (alumnus) 117, 135, 232 193, 377, 378, 382, 383 270 255,257-260 263 272 Chiarini, G. Chiesa Chorinský z Ledské, hrabě M. F. Christ, F. Christ, I. Christeli, U. 262, 427 266 105 81 100, 104, 105, 149 246 Ivančic, A. 261, 265, 266 Jacob, G. 32, 49, 52, 54, 62,141, 142, 187, 219, 239, 260, 261, 264, 265, 267 Jacomelli, G. viz Giacomelli, G. Jahnel, J. (alumnus) Jan z Holešova Jantke, В. Jantke, M. Jarovski Jarovský, J. Jelínek, I. Jeremiáš, О. Jeřábek, W. Ježek, V. Jiránek, F. Jírovec, V. M. Jomelli, N. Josef II. (císař) Joseph a S. Elisabetha Judea, J. (alumnus) 272 35 245 245 264 69 37 193, 378 39 257, 258 117 162, 428 67, 262, 266, 267, 427 13, 95, 152-154, 160, 161 255,258 272 Kabelka, G. 147, 262, 265 Kalous, V. (P. Simone a Sancto Bartolomeo) 21, 32, 134, 191 ֊ 416 ֊
Karel VI. (císař) Kasparek, C. (alumnus) Kaumm Kauschinger Kayser, F. Keider, F. (alumnus) Keinz, J. Keller, В. Keller, J. E. Keller, J. R. Kern, J. (alumnus) Keyder, F. A. (alumnus) Keyser, I. Khees Khevenhüller, L. A. von Kimmerling Kinter, M. Klappitz, A. Klauseck Klima, В. Klug, V. viz též Gluck, W. (alumnus) Knor, J. (alumnus) KoblicžekjJ. (alumnus) Kobřích Kohl Kohout Kohout, G. 32, 54 272 266 256 161, 162, 249 268, 269 191 94 52 54, 265-267 269 268, 269 258, 263, 264, 102 152 148, 150 261, 264 20 94, 126 266 255, 256, 258, 259, 261 135, 137, 268, 271 135,269 271 260 255, 257 262, 265, 266 109-111, 116, 117, 167, 169,171, 173, 178-180, 184,268, 269 67 19, 20, 21, 68, 70, 127, 154, 164 271 270 263, 264 189, 193, 195 259 49 266 270 261 149, 152 149 255-257 272 Kohout, К. Koch, А. Kolarz, М. (alumnus) Kominek, F. P. (alumnus) Königsperger, M. Kopřiva, P. Kopřiva, V. J. Körner, J. G. Körtzel Kosic (Rosio?), J. (alumnus) Kötzenthal Kounic-Rietberg, F. V. Kounic-Rietberg, V. A. Koželuh, ?J. A.? Koželuch,J. (alumnus) Kramář, F. V. viz Krommer, F. Kratochvíla 264 ֊ 417 -
Kratovsky Kraus Kraus, J. M. Kraus, L. Krídel, J. Ch. Kripei, F. (alumnus) Krommer Krommer, F. Kříž, V. Křížek, K. (alumnus) Küffner 264 260, 267 232 264 54 272 261 162, 428 20 135 266 Lambert Lampugnani, B. LangJ. G. Langer, F. (alumnus) Langer, J. J. (alumnus) Langisch Laska, F. Laube, A. 263 262, 266 117, 427 135, 268, 270, 271 135, 269 263 258 61, 67, 99, 135, 255, 256, 258,259, 26L 263, 266 61 271 266 100, 262, 264 269 264 270 95 27 271 239, 256 270 270 Laubel Laurenz, F. (alumnus) Leidi Leo, L. Lepus, M. (alumnus) Libel Lidarzik, A. (alumnus) Liechtenstein, E. Liechtenstein-Castelcorno, K. Lichtenberg, W. (alumnus) Linek, J. I. Liscka, T. F. (alumnus) Litomisky,J. (alumnus) Lohelius Oehlschlägel, J. viz Oehlschlägel, J. L. Loos, К. Lucas, M. Luther, M. Lux, D. 67, 147, 239, 255, 258-261 57 140 152, 189, 190,192, 335 Majer, V. Malzat / Malzart, J. Manco Mareczek, I. (alumnus) 142 67, 84, 266 255 270 - 418 ֊
Marek, P. Marian, R. Marie Terezie (císařovna) Mulner, P. Mysliveček, J. 130, 187,190, 191, 193, 195, 384 257 32, 62, 91, 93, 96, 103, 105, 138, 148, 149, 153, 234 266 32 257 61, 62, 64 238 269 260 116, 262, 427 267 257 258, 259 260 246 245 262 270 270 255,261 262 256 256 103 119, 162 270 264, 267 13, 21, 117, 135-138, 165, 266, 268, 270, 325, 364, 428 245 162, 256, 257, 260,262 Napp, C. Naybauer, J. J. B. (alumnus) Nemetschek (alumnus) Nentwich, N. (alumnus) Nespiwaczek, F. (alumnus) Nesrsta, S. (alumnus) Neubauer Neumann Nitsch Nitsche, J. Novotní, F. (alumnus) 192, 193 270 271 271 269 269 265 265, 266 257, 259, 260, 265 81 270 Martino (Martini?) Mašát, A. (P. Remigius a S. Erasmo) Mašek Matějovský, E. Mattheson, J. Max, M. C. (alumnus) Mayer, В. Mazzoni, A. M. Menegnetti Mensi Mentzel Michl Miller, L. Milner, J. P. Minuetti(?) Miskusch (alumnus) Moher, J. (alumnus) Moheri Monza Moravecz, [?G.] Mozart Mozart, L. Mozart, W. A. Mrakowsky, G. (alumnus) Müller Müller, W. ֊ 419 -
Novotny Novotný, F. 256, 261, 266 49 Oberbauer F. (alumnus) Oberhauer, V. viz Haberhauer, Veit starší Odersky, F. (alumnus) Odersky, J. (alumnus) Odersky, J. V. A. (alumnus) Oehlschlägel, J. L. O ettei, M. viz Otti, M. Ordónez / Ordenitz, К. Otmanský, H. Otti, M. 271 Palli Pampani Paradies Patella, A. Pekárek, J. Pengert, A. (alumnus) Pergolesi, G. В. Peschka, N. Piazza, G. Piccini, N. Pigilati Picher Pichl Pichl, V. Piltman Pinzger Pirmus, A. Piscitti Piter, В. 272 272 134, 268, 271 256, 257, 259, 263 135,138 59-61, 243, 249 32, 73 262 262 256 117, 267 146 270 255, 256 49, 51, 52, 54-58, 73, 77, 110, 249, 427 117, 267 67, 99, 257, 262 265 117, 267 257, 260 255, 256 261 261 39, 41, 43, 49, 50, 52, 54, 61, 64, 106 262 61-66, 69, 70, 90-92, 96-99, 101, 126, 243, 251 105 108-111, 154, 155, 161,162, 169, 170, 172, 177, 249, 384 119, 162 271 232 239,255, 256 Pius VI. (papež) Pivoňka, В. Pleyel, L Plumayer,J. (alumnus) Pögel Pokorný Pokorný, G. Poppe, F. L. Predieri, L. A. Prokop 88 32, 52 261 258 - 420 -
Pruneder, F. G. Prustman Przikril, G. (alumnus) Ptaczek, J. B. (alumnus) 73, 261 224 270 270 Questenberg, J. A. 27, 56, 89 Raab, M. Rainone / Reinone, A. Rathgeber, V. Rauscher, L. Rautenstrauch, S. Reichenauer, J. A. Reim, R. (alumnus) Reinhardt, J. G. Reutter, G. ml. 148, 150 117,267 258 54 104, 124, 147 117, 267 270 32, 39, 52, 54, 61, 73, 261, 263-265 32, 54, 67, 102, 187, 191, 200, 255, 261, 263 268, 270 258 43 232, 266 270 37 255 270 99-100, 117 259 49, 269 266 57, 110, 119, 170, 184 56, 88, 89, 101 101 67, 255, 259, 261-262 13, 23, 39, 68-69, 106, 117, 127-133, 148, 155, 187, 198, 200, 217,228, 261266, 268, 270, 332, 349 Reyser, T. (alumnus) Riegl Richter, A. Richter, F. X. Richter, J. (alumnus) Ringhoffer, J. Ristori Römer, F. (alumnus) Rosmani thin, A. Rotte Rotter, F. Roy Rücker, A. Rusmann, M. Russmann, C. Rutini / Rutiini, G. M. Rutka, M. В. 116, 187, 256-257 135, 138, 261 51 41,51 258 262 262 142 Sacchini, А. Sailer, S. Sanees, G. F. Santini-Aichl, J. B. Santo S arri, D. Sarti, G. Savojský, E. - 421 -
Sázavský, Ř. Scarlatti Scolarmi Sedláček, J. A. Sehling, J. A. Seiti, A. Sersawy, F. (alumnus) Schaffgotsch, P. G. Schanza, N. (alumnus) Schapökh Schaumann, M. (alumnus) Scheibe, J. A. Scheibel, G. F. Scheibl Scheibl, J. A. Schenk, D. (alumnus) Schiansky, C. (alumnus) Schildtner viz Haberhauer, Maria Schlözel, F. (alumnus) Schmelzer, J. H. Schmidt Schmidt, Ferdinand Schmidt, Friedrich / Schmidt, Johann Nepomuk Schmidt, L. Schmidt, T. Schneider Schönthal Schrattenbach, F. A. Schrattenbach, W. H. Schreier, J. Schubert, A. (alumnus) Schubert, M. (alumnus) Schuberth/Schubert Schürrer Schuster, J. Schwartz, A. Schwartz, F. Schwartz, G. A. Schwartz, I. Schwartz, J. Schweigl, O. Schwenk, Johann (alumnus) Schwenk, Joseph (alumnus) Sieger, A. (alumnus) 154, 164 256 256 102, 134, 261, 265 256, 257, 259 91, 92, 139, 161 272 117,137, 151 271 266 269 73, 198, 235 235-238 261, 264-266 32, 73 49, 270 272 271 51 232, 258, 263, 264, 266 67 66-67,84, 110, 147, 249 108, 116, 135, 266 81 261 261 103-104 27, 32, 56 102, 264 135, 143, 187, 268, 271 269 185,262 259 147, 257, 260 81 82 81-82 82 81 150 270 270 271 - 422 -
Slavíček, J. F. Slavík Smetana, В. Sojka, M. Sonnenleither/Sonnleither/Sonnleitner Spindler, E. (alumnus) Stadler Stamic, J. V. Stampi Stefeck, A. V. (alumnus) Steffan, J. A. viz Štěpán J. A. Steinmetz (? Johann Stamitz, Carl Stamitz nebo Johann Erhard Steinmetz) Stephan Stephan, O. Stiller, I. Sto racz, M. Strasser Streisch, T. (alumnus) Stross, K. Strouhal, В. Suchanek, К. Suchanek, М. (alumnus) Svitavský, P. (alumnus) Svoboda, E. Svoboda, J. (alumnus) Syruczek 88 25 7 60-61, 110, 249 135, 138, 255, 259 255, 261, 264 271 266 266, 267 262 269 117 262, 265 264 37 39, 270 261 271 135, 138, 162, 191 76, 127, 261, 265 262-264, 266 270 135, 268, 271 94 270 258 Šenkýř, A. Štěpán, J. A. viz Steffan, J. A. 255-260, 263-264 Tacendo(?) Taibner, Justine viz Haberhauer, Justine Taibner, V. Talaczko, J. Talaczko, M. 258 79 84 84, 87, 88, 90-95, 97-102, 106, 110, 117, 127-128, 133, 146, 148, 249, 268 100 Talaczková, A. Tallaneck, J. (alumnus) Telemann, G. P. Tempes, A. viz Haberhauer, Agneta Teply, J. (alumnus) Terradellas Tini Tiray, B. 270 237-238 272 256 262 20, 116, 187 ֊ 423 -
Torti, G. Traetta, T. Troltsch, A. (alumnus) Truhlarz, F. (alumnus) Tůma, F. Tylz 99, 266 116, 256, 262 135, 268, 271 269 99, 187, 261, 263, 266 265 Uberpaulus, F. (alumnus) Ulrich, F. (alumnus) Umstatt Urtica, V. J. viz Kopřiva V. J. 135 135 262, 266 Valentič, P. Vaňhal, J. К. 52 116-117, 135, 138, 162, 255, 257-258, 260, 266-267 27 135 256 262 261267 117, 191 237 135 51, 249 Vejvanovský, P. J. Vestřížek,J. (alumnus) Viesner Vinci, L. Vogl, Vogl, К. Vogler, J. C. Volkmer, J. (alumnus) Votava, В. Vrba viz Wrba Výmola, Jan ml. Výmola, Jan st. 151 151 Wagenseil, G. Ch. Wagner, C. Wachter, J. Walter, I. A. Wassmut Weber, M. Weczeřa, J. (alumnus) Weigl, M. Weindt, C. Weis, M. (alumnus) Weprz,J. (alumnus) Werner Wiesner,J. (alumnus) Winkler, V. Winter, J. (alumnus) Winterhalter, Josef ml. Wögler 32, 99, 117, 129,256, 262, 266-267 126 56, 262-263 69, 97, 103-104,106, 155 232 39 270 51, 249 255 269 272 267 272 148, 149 270 150 264 - 424 -
Wolf Wolny, Ř. Wrba Wrkal, A. (alumnus) 262 109, 116, 269 258 270 Zach, J. Zappa, F. Zarda, J. M. Zardi Zechner, G. J. Zelenka, J. D. Zelinger Zeman Ziani, M. A. Zidek, M. (alumnus) Ziegenheim Ziegler Zieni Zigani Zimmerman Zinke, О. Zollern-Hohenberg, K. F. von Zurnan, J. (alumnus) Zunk Zvolský, N. Žižkovič, J. von 256-260, 266 266 102, 263 261 32, 58-59, 61, 99, 108, ПО, 117-118, 127, 135, 187, 192, 256, 261-267 262 264 261 51, 265 271 259 263-264 266-267 267 259 61 103, 150 271 265 94, 105 144 Zoužela, J. 102
Summary Maurus (Joseph Franz) Haberhauer (1746-1799) is probably the most important representative of the music culture of the Benedictine monastery in Rajhrad in the 18th century. The only son of the tenter Franz Haberhauer from Svitavy, thanks to his musical talent he attended the Jesuit music seminar in Brno as a musical alumnus. In 1759-1763 he studied there at the Jesuit Gymnasium. In 1763 he entered the monas tery in Rajhrad near Brno. A year later, he made religious vows and after theological studies he was ordained as a priest in 1770. Thus, he obtained the highest possible ed ucation and was socially on a much higher standing than most of his contemporaries from the same social stratum; this happened at a time when the early church reforms by Maria Theresa and Joseph II. worsened the supervision of the absolutist state over religious institutions in the Habsburg hereditary countries, making similar social climbing of subjects increasingly more difficult. In the years 1771-1779 and 1781, Haberhauer served as the director of the choir (regenschori) in the monastery church of St. Peter and Paul. This period includes the peak of his compositional activity, as well as his making copies of compositions by contemporary composers of liturgical music, such as J. and M. Haydn, A. Carl, L. Hoffmann, T. Gsur, K. Ditters and others. A significant part of Haberhauer’s acquisitions are the Latin counterfacts of opera arias by contemporary Italian composers (G. Abos, P. Anfossi, G. Carcani, P. Chiarini, В. Galuppi, J. A. Hasse, N. Jomelli, A. M. Mazzoni, T. Traetta and A.
Sacchini, etc.), as well as instrumental works intended for performances outside the church, especially a collection of 33 symphonies by Karl Ditters, as well as symphonies by J. Haydn, F. A. Hoffmeister, L. Schmidt, J. K. Vaňhal and Ch. Cannabich. In 1771 Haberhauer began to write an inventory of music, in which he recorded his acquisitions and those of his predecessors, and which was used by his successors until the 1820s. In addition to the older Rajhrad inventory from 1725, this inven tory is a key source for understanding the Rajhrad music culture in the 18th century and the early decades of the 19th century. Both sources show that, similarly to the previous choir directors between 1715 and 1770 (N. Peschka, B. Smetana, L. Giintner, F. Schmidt, A. Habrich, and M. Talaczko), Haberhauer shaped the form of the Rajhrad musical repertoire mainly in connection with the musical tastes of the capi tal, Vienna, and the imperial court. His acquisitions of Italian arias for the Rajhrad choir also follow a tradition dating back to the first half of the 18th century. For this reason, the book discusses not only the life and work of Haberhauer himself, but it also maps the acquisitions of his predecessors, the compositional work by Ra jhrad organists, J. Brixides (f 1772) and J. Furbe (1715-1786), and it also notes the acquisition activities of Haberhauer’s contemporaries: the Benedictines B. Gallik and B. Pivoňka, and especially Rajhrad organist M. B. Rutka (1746-1824). Rutka enriched the monastic collection of music compositions with ones for keyboard instruments byj. Haydn, L.
Hoffmann, J.G. Lang, G. Piazza, J. A. Štěpán and G. Ch. Wagenseil, etc. The directors of the choir, B. Gallik and especially B. Pivoňka, shaped the form of the Rajhrad musical repertoire into top classicism - for example, with compositions by - 427 -
V. Kramář-Krommer, I. Pleyel and V. Jírovec. It was not until the end of the 1790s that W. A. Mozart's compositions also came to Rajhrad. The book also reflects the music production in Rajhrad according to the function al use and location of various types of music. Sacral music included liturgical singing of a monophonic Latin chant by the monastic community in the choir of the mon astery church with or without organ music, and figurai vocal music accompanied by instruments. The music was played under the supervision of the choir director (regenschori) in the monastery church figurai choir loft during worship and church services (especially masses and Vespers), by musicians hired for a wage (organists) together with students from monastic school (alumni). The most important musical alumnus that stayed at the Rajhrad monastery at the end of Haberhauer’s term of office was the later Viennese “singspiel” songwriter Wenzel Müller (1759-1835), from the Městečko Trnávka. The monastery diaries, preserved in fragments in the period 1756-1783, detail the playing of secular instrumental and vocal music (symphonies, concerts, gratulatory cantatas, etc.). Secular music included, besides the representa tive function, also private productions by individual members of the monastic com munity for their own interest or occasional collective celebrations (e.g., various an niversaries of personalities of the Rajhrad monastery). The frequency and character of these productions were, however, regulated and criticised by the then provost of Rajhrad, О. Conrad. In addition to musicians from
the monastic community, local students (alumni) and organists also participated in music-dramatic productions. The musical com ponent of these works was in many cases compiled from the then popular Italian operas and church music, completed by a compiler, dramaturge, author of the text and additional music pieces in one person, who was one of the religious musicians. As an example of a music-dramatic work of this type, the book analyses the pasticcio Ascesis et Musa (Ascesis and Muse), with music compiled by Haberhauer himself. In this work, performed in Rajhrad on 6 January 1783, the effects of the reforms of Emperor Joseph II. on the life of religious communities and the scientific and artistic activities of the monks are poetically reflected. In connection with performing the above-mentioned interactive music-dramatic works and the representative functions of secular music in monasteries, the example of Rajhrad music culture can also be used to present the features that the church music culture shared with the court culture and secular music performances. An analysis of monastic diaries also shows that the Rajhrad monastery was a welcome stop for many important personalities of the cultural and social life of the time (aristocrats, clergy and artists) on their way from Vienna to Brno or further to Olomouc. Thanks to this fact, it became one of the centres of enlightenment in Moravia. The conclusion of the book is devoted to the compositional work of Maurus Haber hauer, which followed the compositional work of Rajhrad organists and composers J. Brixides and especially
J. Furbe, who was Haberhauer’s composition teacher. We currently know a total of 116 works by Haberhauer himself, representing 107 items in the thematic catalogue published in this book. Most of the compositions have been preserved in the form of autographs or copies in the music collection of the Rajhrad monastery, deposited in the Music History Department of the Moravian Museum in - 428 -
Brno, where the Haberhauer inventory of music from 1771 is also stored. A signifi cant part of his compositions has also been preserved in contemporary copies in the music collection of the Augustinián monastery, partly stored in the Moravian Museum in Brno, partly in the Archive of the Cecil Music Union in Ústí n. Orlicí. In connec tion with them, the book also partly focuses on the musical life in the monastery of the Brno Augustinians in the 1770s and 1780s. Some of Haberhauer’s compositions have not been preserved at all, while individual pieces have been preserved in other musical collections of Moravian churches and monasteries and the Benedictine monas tery in Prague-Břevnov. The book also analyses the first known catalogue of Haberhau er’s works deposited in Archiv der Gesellschaft der Musikfreunde in Vienna. The analy sis showed its close connection with the records in Haberhauer’s inventory founded in 1771, and identified the year 1827 as the probable year of its origin in Rajhrad. The weak spread of Haberhauer’s compositions was caused by Haberhauer’s sta bilitás loci, i.e., his lifelong stay in Rajhrad, but also by the fact that, in addition to administering the monastery’s choir and composing, Haberhauer also performed other tasks in the monastic community from 1779 (subprior and professor of theology). Apart from musical works, he is also the author of several theological texts and also of the instructive work Parennesis magistri, which gives religious novices instructions for life in the monastery and contains instructions on the correct way of singing
chants. As a member of the Rajhrad monastic community, Haberhauer was in contact with members of the secular aristocracy and representatives of the highest church circles. If he had been elected, he could have also become the provost of Ra jhrad, and for this reason he could have sat among the other Moravian prelates in the Moravian Diet. Haberhauer, however, remained a scholar and educator who enjoyed respect from his brothers and outside the monastery in Rajhrad - even in the 1780s and 1790s, when he remained confined to bed due to advancing illness. The analysis of his compositions showed considerable incorporation of idioms and techniques typical of the period stylistic means of secular instrumental and vocal production. This amalgam of church and secular (opera and instrumental) compo sitional style is perceived by contemporary music reviewers as a characteristic and unique style feature for church music composed in the Czech lands in the 18th cen tury, although it is also described as a negative element by some of them. This book presents an expanded and updated version of the original German edi tion entitled Maurus Haberhauer (1746-1799) und die Musik des Benediktiner-klosters Ra jhrad / Räigem. It is accompanied by a thematic catalogue of Haberhauer’s composi tions and the appendix lists important sources on the life of Maurus Haberhauer and on the music culture of the Rajhrad monastery in the 18th century (e.g. the Haber hauer family tree, a list of Haberhauer’s items from his monastery cell from 1765, the duties of the Rajhrad monastic alumni from the 18th
century, a summary of the number of types of compositions and composers from the music inventories of the Břevnov and Rajhrad monasteries from the second half of the 18th century, Johann Furbe’s project to found a monastery school, etc.). - 429 ֊ |
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| index_date | 2024-07-03T14:09:49Z |
| indexdate | 2024-07-10T08:49:38Z |
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| language | Czech German Latin |
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| publisher | Moravská zemská knihovna v Brně |
| record_format | marc |
| spelling | Veselá, Irena 1977- Verfasser (DE-588)1208472682 aut Ne oči, ale mysl k Bohu Maurus Haberhauer (1746-1799) a hudební kultura benediktinského kláštera v Rajhradě v 18. století Irena Veselá, Pavel Žůrek Brno Moravská zemská knihovna v Brně 2019 429 Seiten Illustrationen, Notenbeispiele, genealogische Tafel (teilweise farbig) 25 cm txt rdacontent n rdamedia nc rdacarrier Seite 429: This book presents an expanded and updated version of the original German edition entitled Maurus Haberhauer (1746-1799) und die Musik des Benediktinerklosters Rajhrad/Raigern. Text tschechisch, teilweise deutsch und auf Latein Zusammenfassung auf Englisch Haberhauer, Maurus 1746-1799 (DE-588)1194248136 gnd rswk-swf Klášter Benediktinů Rajhrad (DE-588)809495-0 gnd rswk-swf Geschichte 1700-1800 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf (DE-588)4006804-3 Biografie 1746-1799 gnd-content (DE-588)4189680-4 Werkverzeichnis gnd-content Haberhauer, Maurus 1746-1799 (DE-588)1194248136 p Klášter Benediktinů Rajhrad (DE-588)809495-0 b Musik (DE-588)4040802-4 s Geschichte 1700-1800 z DE-604 Žůrek, Pavel 1979- Verfasser (DE-588)1124098844 aut Moravská Zemská Knihovna (DE-588)5321706-8 isb In Beziehung stehendes Werk Veselá, Irena Maurus Haberhauer (1746-1799) und die Musik des Benediktinerklosters Rajhrad/Raigern Regensburg : ConBrio Verlagsgesellschaft, 2019 (DE-604)BV046054476 Digitalisierung BSB München 24 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032039113&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 24 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032039113&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Register // Personenregister Digitalisierung BSB München 24 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032039113&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Veselá, Irena 1977- Žůrek, Pavel 1979- Ne oči, ale mysl k Bohu Maurus Haberhauer (1746-1799) a hudební kultura benediktinského kláštera v Rajhradě v 18. století Haberhauer, Maurus 1746-1799 (DE-588)1194248136 gnd Klášter Benediktinů Rajhrad (DE-588)809495-0 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)1194248136 (DE-588)809495-0 (DE-588)4040802-4 (DE-588)4006804-3 (DE-588)4189680-4 |
| title | Ne oči, ale mysl k Bohu Maurus Haberhauer (1746-1799) a hudební kultura benediktinského kláštera v Rajhradě v 18. století |
| title_auth | Ne oči, ale mysl k Bohu Maurus Haberhauer (1746-1799) a hudební kultura benediktinského kláštera v Rajhradě v 18. století |
| title_exact_search | Ne oči, ale mysl k Bohu Maurus Haberhauer (1746-1799) a hudební kultura benediktinského kláštera v Rajhradě v 18. století |
| title_exact_search_txtP | Ne oči, ale mysl k Bohu Maurus Haberhauer (1746-1799) a hudební kultura benediktinského kláštera v Rajhradě v 18. století |
| title_full | Ne oči, ale mysl k Bohu Maurus Haberhauer (1746-1799) a hudební kultura benediktinského kláštera v Rajhradě v 18. století Irena Veselá, Pavel Žůrek |
| title_fullStr | Ne oči, ale mysl k Bohu Maurus Haberhauer (1746-1799) a hudební kultura benediktinského kláštera v Rajhradě v 18. století Irena Veselá, Pavel Žůrek |
| title_full_unstemmed | Ne oči, ale mysl k Bohu Maurus Haberhauer (1746-1799) a hudební kultura benediktinského kláštera v Rajhradě v 18. století Irena Veselá, Pavel Žůrek |
| title_short | Ne oči, ale mysl k Bohu |
| title_sort | ne oci ale mysl k bohu maurus haberhauer 1746 1799 a hudebni kultura benediktinskeho klastera v rajhrade v 18 stoleti |
| title_sub | Maurus Haberhauer (1746-1799) a hudební kultura benediktinského kláštera v Rajhradě v 18. století |
| topic | Haberhauer, Maurus 1746-1799 (DE-588)1194248136 gnd Klášter Benediktinů Rajhrad (DE-588)809495-0 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Haberhauer, Maurus 1746-1799 Klášter Benediktinů Rajhrad Musik Biografie 1746-1799 Werkverzeichnis |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032039113&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032039113&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032039113&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
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