Modern jazz voicings: arranging for small and medium ensembles
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Boston, MA, USA
Berklee Press
[2001]
|
| Schriftenreihe: | Arranging: Jazz
Berklee guide |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Auf dem Umschlag: Audio access included Auf dem Umschlag: Now including PLAYBACK+ |
| Beschreibung: | viii, 134 Seiten Notenbeispiele |
| ISBN: | 9780634014437 |
Internformat
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Datensatz im Suchindex
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| adam_text | Table of Contents Introduction About the Authors How to Use This Book and Audio iv vi vii PART I: Background and Basics 1 Instrumental Information 1-1 Transposition 1-2 Ranges and Sound Characteristics 2 5 2 Fundamental Tools and Techniques 2-1 Tensions 2-2 Anticipation and Delayed Attack 2-3 Reharmonizing Approach Notes 11 17 19 3 Basic Voicings 3-1 Five-Part Soli Voicings 3-2 Five-Part Spreads 3-3 Five-Note Soli Voicings 3-4 Exercises 24 28 32 37 4 Chord Scales 4-1 Chord Scale Theory 4-2 Forming a Chord Scale 4-3 Avoid Notes 4-4 Notation and Labeling of Chord Scales 4-5 List of Tonal Chord Scales 4-6 List of Modal Chord Scales 4-7 Exercises 41 43 46 48 49 61 63
PART II: Modem Jazz Voicings 5 Voicings in Fourths 5-1 Characteristics 5-2 Five-Part Voicings in Fourths 5-3 Four-Part Voicings in Fourths 5-4 Three-Part Voicings in Fourths 5-5 Exercises 70 71 76 80 85 6 Voicings in Seconds (Clusters) 6-1 Characteristics 6-2 Five-Part Clusters 6-3 Four-Part Clusters 6-4 Three-Part Clusters 6-5 Using Clusters 6-6 Exercises 93 94 95 97 99 103 7 Voicing with Upper Structure Triads 7-1 Characteristics 7-2 Six-Part Upper Structure Triads 7-3 Five-Part Upper Structure Triads 7-4 Four-Part Upper Structure Triads 7-5 Three-Part Upper Structure Triads 7-6 Uses of Upper Structure Triads 7-7 Exercises 109 111 113 114 115 116 119 8 Writing for Six Parts 8-1 Basic Six-Part Writing 8-2 Six-Part Spreads 8-3 Six-Part Tutti Writing 8-4 Six-Part Voicings in Fourths 8-5 Six-Note Voicings in Fourths 8-6 Six-Part Spreads with Top Five Notes in Fourths 8-7 Six-Part Clusters 8-8 Exercises 123 125 126 127 128 129 130 131 III
How do you get that modern jazz sound? Performers and Arrangers: Add color, character, and sophistication to your chord voicings. Learn to use fourths, clusters, upper-structure triads, and other advanced arranging and performing techniques for three to six parts. This is the definitive text used for the time-honored Chord Scales course at Berklee College of Music. Through a step-by-step process with exercises and recorded examples, the authors guide you through the intricacies of deriving non-tertial” voicings from the right chord scales and applying them to various musical situations. Become fluent in these techniques and use them effectively to express your own music: •Select appropriate harmonic tensions and understand jazz harmony • Avoid common mistakes and overcome harmonic ambiguity • Experiment with unusual combinations and nontraditional alignments, mixing in other textures, including solo, linear, and contrapuntal passages • Listen to arranging techniques performed on the audio and follow along with corresponding notated examples • Apply new techniques using the Suggested Activities pages; great for assignments or home use • Hear arrangers and players use these voicings to create their characteristic sounds with recommended recordings This book concentrates on scoring for every possible ensemble combination: winds, voices, strings, rhythm section, and more. Before long, you will be producing complete and effective arrangements for five or six horns and a rhythm section-arrangements with a mature, contemporary dimension, and a sophisticated sound.
|
| adam_txt |
Table of Contents Introduction About the Authors How to Use This Book and Audio iv vi vii PART I: Background and Basics 1 Instrumental Information 1-1 Transposition 1-2 Ranges and Sound Characteristics 2 5 2 Fundamental Tools and Techniques 2-1 Tensions 2-2 Anticipation and Delayed Attack 2-3 Reharmonizing Approach Notes 11 17 19 3 Basic Voicings 3-1 Five-Part Soli Voicings 3-2 Five-Part Spreads 3-3 Five-Note Soli Voicings 3-4 Exercises 24 28 32 37 4 Chord Scales 4-1 Chord Scale Theory 4-2 Forming a Chord Scale 4-3 Avoid Notes 4-4 Notation and Labeling of Chord Scales 4-5 List of Tonal Chord Scales 4-6 List of Modal Chord Scales 4-7 Exercises 41 43 46 48 49 61 63
PART II: Modem Jazz Voicings 5 Voicings in Fourths 5-1 Characteristics 5-2 Five-Part Voicings in Fourths 5-3 Four-Part Voicings in Fourths 5-4 Three-Part Voicings in Fourths 5-5 Exercises 70 71 76 80 85 6 Voicings in Seconds (Clusters) 6-1 Characteristics 6-2 Five-Part Clusters 6-3 Four-Part Clusters 6-4 Three-Part Clusters 6-5 Using Clusters 6-6 Exercises 93 94 95 97 99 103 7 Voicing with Upper Structure Triads 7-1 Characteristics 7-2 Six-Part Upper Structure Triads 7-3 Five-Part Upper Structure Triads 7-4 Four-Part Upper Structure Triads 7-5 Three-Part Upper Structure Triads 7-6 Uses of Upper Structure Triads 7-7 Exercises 109 111 113 114 115 116 119 8 Writing for Six Parts 8-1 Basic Six-Part Writing 8-2 Six-Part Spreads 8-3 Six-Part Tutti Writing 8-4 Six-Part Voicings in Fourths 8-5 Six-Note Voicings in Fourths 8-6 Six-Part Spreads with Top Five Notes in Fourths 8-7 Six-Part Clusters 8-8 Exercises 123 125 126 127 128 129 130 131 III
How do you get that modern jazz sound? Performers and Arrangers: Add color, character, and sophistication to your chord voicings. Learn to use fourths, clusters, upper-structure triads, and other advanced arranging and performing techniques for three to six parts. This is the definitive text used for the time-honored Chord Scales course at Berklee College of Music. Through a step-by-step process with exercises and recorded examples, the authors guide you through the intricacies of deriving "non-tertial” voicings from the right chord scales and applying them to various musical situations. Become fluent in these techniques and use them effectively to express your own music: •Select appropriate harmonic tensions and understand jazz harmony • Avoid common mistakes and overcome harmonic ambiguity • Experiment with unusual combinations and nontraditional alignments, mixing in other textures, including solo, linear, and contrapuntal passages • Listen to arranging techniques performed on the audio and follow along with corresponding notated examples • Apply new techniques using the Suggested Activities pages; great for assignments or home use • Hear arrangers and players use these voicings to create their characteristic sounds with recommended recordings This book concentrates on scoring for every possible ensemble combination: winds, voices, strings, rhythm section, and more. Before long, you will be producing complete and effective arrangements for five or six horns and a rhythm section-arrangements with a mature, contemporary dimension, and a sophisticated sound. |
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| id | DE-604.BV046619754 |
| illustrated | Illustrated |
| index_date | 2024-07-03T14:07:48Z |
| indexdate | 2024-07-10T08:49:25Z |
| institution | BVB |
| isbn | 9780634014437 |
| language | English |
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| physical | viii, 134 Seiten Notenbeispiele |
| publishDate | 2001 |
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| publisher | Berklee Press |
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| series2 | Arranging: Jazz Berklee guide |
| spelling | Pease, Frederick 1939- Verfasser (DE-588)118443378X aut Modern jazz voicings arranging for small and medium ensembles Ted Pease and Ken Pullig ; edited by Michael Gold Boston, MA, USA Berklee Press [2001] Milwaukee, Wisconsin Hal Leonard Corporation © 2001 viii, 134 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Arranging: Jazz Berklee guide Auf dem Umschlag: Audio access included Auf dem Umschlag: Now including PLAYBACK+ Musik (DE-588)4040802-4 gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf Arrangement (DE-588)4285138-5 gnd rswk-swf Jazz (DE-588)4028532-7 s Arrangement (DE-588)4285138-5 s Musik (DE-588)4040802-4 s DE-604 Pullig, Ken Verfasser aut Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032031508&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032031508&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Pease, Frederick 1939- Pullig, Ken Modern jazz voicings arranging for small and medium ensembles Musik (DE-588)4040802-4 gnd Jazz (DE-588)4028532-7 gnd Arrangement (DE-588)4285138-5 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4028532-7 (DE-588)4285138-5 |
| title | Modern jazz voicings arranging for small and medium ensembles |
| title_auth | Modern jazz voicings arranging for small and medium ensembles |
| title_exact_search | Modern jazz voicings arranging for small and medium ensembles |
| title_exact_search_txtP | Modern jazz voicings arranging for small and medium ensembles |
| title_full | Modern jazz voicings arranging for small and medium ensembles Ted Pease and Ken Pullig ; edited by Michael Gold |
| title_fullStr | Modern jazz voicings arranging for small and medium ensembles Ted Pease and Ken Pullig ; edited by Michael Gold |
| title_full_unstemmed | Modern jazz voicings arranging for small and medium ensembles Ted Pease and Ken Pullig ; edited by Michael Gold |
| title_short | Modern jazz voicings |
| title_sort | modern jazz voicings arranging for small and medium ensembles |
| title_sub | arranging for small and medium ensembles |
| topic | Musik (DE-588)4040802-4 gnd Jazz (DE-588)4028532-7 gnd Arrangement (DE-588)4285138-5 gnd |
| topic_facet | Musik Jazz Arrangement |
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