From internationalism to postcolonialism: literature and cinema between the Second and the Third Worlds
"A reconstruction of Cold War-era cultural networks between the Second and Third Worlds that offers a compelling genealogy of contemporary postcolonial studies. Would there have been a Third World without the Second? Perhaps, but it would have looked very different. Although most histories of t...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Montreal ; Kingston ; London ; Chicago
McGill-Queen’s University Press
2020
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Zusammenfassung: | "A reconstruction of Cold War-era cultural networks between the Second and Third Worlds that offers a compelling genealogy of contemporary postcolonial studies. Would there have been a Third World without the Second? Perhaps, but it would have looked very different. Although most histories of these geopolitical blocs and their constituent societies and cultures are written in reference to the West, the interdependence of the Second and Third Worlds is evident not only from a common nomenclature but also from their near-simultaneous disappearance around 1990. From Internationalism to Postcolonialism addresses this historical blind spot by recounting the story of two Cold War-era cultural formations that claimed to represent the Third World project in literature and cinema: the Afro-Asian Writers Association (1958-1991) and the Tashkent Festival for African, Asian, and Latin American Film (1968-1988). The inclusion of writers and filmmakers from the Soviet Caucasus and Central Asia and extensive Soviet support aligned these organizations with Soviet internationalism. While these cultural alliances between the Second and the Third World never achieved their stated aim--the literary and cinematic independence of the literatures and cinemas of these societies from the West--they did forge what Ngũgĩ wa Thiong’o called "the links that bind us," along which now-canonical postcolonial authors, texts, and films could circulate across the non-Western world until the end of the Cold War. In the process of this historical reconstruction, From Internationalism to Postcolonialism inverts the traditional relationship between Soviet and postcolonial studies: rather than studying the (post-) Soviet experience through the lens of postcolonial theory, it documents the multiple ways in which that theory and its attendant literary and cinematic production have been shaped by the Soviet experience."-- |
Beschreibung: | xiii, 308 Seiten Illustrationen |
ISBN: | 9780228001102 9780228001096 |
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505 | 8 | |a Entering the Soviet Literary Orbit, early 1920s-mid-1950s -- The Afro-Asian Writers Association (1958-1991) and Its Literary Field -- "The Links That Bind Us": Solidarity Narratives in Third-Worldist Fiction -- The Tashkent Film Festival (1968-1988) as a Contact Zone -- "Brothers!": Solidarity Documentary Film | |
520 | 3 | |a "A reconstruction of Cold War-era cultural networks between the Second and Third Worlds that offers a compelling genealogy of contemporary postcolonial studies. Would there have been a Third World without the Second? Perhaps, but it would have looked very different. Although most histories of these geopolitical blocs and their constituent societies and cultures are written in reference to the West, the interdependence of the Second and Third Worlds is evident not only from a common nomenclature but also from their near-simultaneous disappearance around 1990. From Internationalism to Postcolonialism addresses this historical blind spot by recounting the story of two Cold War-era cultural formations that claimed to represent the Third World project in literature and cinema: the Afro-Asian Writers Association (1958-1991) and the Tashkent Festival for African, Asian, and Latin American Film (1968-1988). The inclusion of writers and filmmakers from the Soviet Caucasus and Central Asia and extensive Soviet support aligned these organizations with Soviet internationalism. While these cultural alliances between the Second and the Third World never achieved their stated aim--the literary and cinematic independence of the literatures and cinemas of these societies from the West--they did forge what Ngũgĩ wa Thiong’o called "the links that bind us," along which now-canonical postcolonial authors, texts, and films could circulate across the non-Western world until the end of the Cold War. In the process of this historical reconstruction, From Internationalism to Postcolonialism inverts the traditional relationship between Soviet and postcolonial studies: rather than studying the (post-) Soviet experience through the lens of postcolonial theory, it documents the multiple ways in which that theory and its attendant literary and cinematic production have been shaped by the Soviet experience."-- | |
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Datensatz im Suchindex
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adam_text | Contents Figures ix Acknowledgments Introduction xi з Entering the Soviet Literary Orbit, Early i92os-Mid-i950s 2 The Afro-Asian Writers Association (1958-1991) and Its Literary Field 65 3 “The Links That Bind Us”: Solidarity Narratives in Third-Worldist Fiction 111 4 5 The Tashkent Film Festival (1968-1988) as a Contact Zone 137 “Brothers!”: Solidarity Documentary Film Epilogue 210 Appendix: Lotus Prize Winners, 1969-1988 Notes 229 Bibliography Index 173 261 295 227
ould there have been a Third World with out the Second? Perhaps, but it would have looked very different. Although most histories of these geopolitical blocs an constituent societies and cultures are written in reference to the West, the interdependence of the Second World in the East and the Third World is evident not only from a common nomenclature but also from their near-simultaneous disappear ance around 1990. W From Internationalism to Postcolonialism addresses this historical blind spot by recounting the story of two Cold War-era cultural formations that claimed to represent the Third World project in literature and cinema: the Afro-Asian Writers Association (1958-1991) and the Tashkent Festival for African, Asian, and Latin American Film (1968-1988). The inclusion ofwriters and filmmakers from the Soviet Caucasus and Central Asia and extensive Soviet support aligned these organizations with Soviet internationalism. While these cultural alliances between the Second and the Third World never achieved their stated aim - the literary and cinematic independence from the West of these societies - they did forge what Ngűgi wa Thiong о called “the links that bind us,” along which now-canonical postcolonial authors, texts, and films could circulate across the non-Western world until the end of the Cold War. In the process of this historical reconstruction, From Internationalism to Postcolonialism inverts the traditional relationship between Soviet and postcolonial studies: rather than studying the (post-) Soviet experience through the lens ofpost colonial theory, it
documents the multiple ways in which that theory and its attendant literary and cinematic production have been shaped by the Soviet experience.
|
adam_txt |
Contents Figures ix Acknowledgments Introduction xi з Entering the Soviet Literary Orbit, Early i92os-Mid-i950s 2 The Afro-Asian Writers Association (1958-1991) and Its Literary Field 65 3 “The Links That Bind Us”: Solidarity Narratives in Third-Worldist Fiction 111 4 5 The Tashkent Film Festival (1968-1988) as a Contact Zone 137 “Brothers!”: Solidarity Documentary Film Epilogue 210 Appendix: Lotus Prize Winners, 1969-1988 Notes 229 Bibliography Index 173 261 295 227
ould there have been a Third World with out the Second? Perhaps, but it would have looked very different. Although most histories of these geopolitical blocs an constituent societies and cultures are written in reference to the West, the interdependence of the Second World in the East and the Third World is evident not only from a common nomenclature but also from their near-simultaneous disappear ance around 1990. W From Internationalism to Postcolonialism addresses this historical blind spot by recounting the story of two Cold War-era cultural formations that claimed to represent the Third World project in literature and cinema: the Afro-Asian Writers Association (1958-1991) and the Tashkent Festival for African, Asian, and Latin American Film (1968-1988). The inclusion ofwriters and filmmakers from the Soviet Caucasus and Central Asia and extensive Soviet support aligned these organizations with Soviet internationalism. While these cultural alliances between the Second and the Third World never achieved their stated aim - the literary and cinematic independence from the West of these societies - they did forge what Ngűgi wa Thiong о called “the links that bind us,” along which now-canonical postcolonial authors, texts, and films could circulate across the non-Western world until the end of the Cold War. In the process of this historical reconstruction, From Internationalism to Postcolonialism inverts the traditional relationship between Soviet and postcolonial studies: rather than studying the (post-) Soviet experience through the lens ofpost colonial theory, it
documents the multiple ways in which that theory and its attendant literary and cinematic production have been shaped by the Soviet experience. |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Djagalov, Rossen 1979- |
author_GND | (DE-588)1209689596 |
author_facet | Djagalov, Rossen 1979- |
author_role | aut |
author_sort | Djagalov, Rossen 1979- |
author_variant | r d rd |
building | Verbundindex |
bvnumber | BV046619303 |
classification_rvk | EC 5198 KK 1960 |
contents | Entering the Soviet Literary Orbit, early 1920s-mid-1950s -- The Afro-Asian Writers Association (1958-1991) and Its Literary Field -- "The Links That Bind Us": Solidarity Narratives in Third-Worldist Fiction -- The Tashkent Film Festival (1968-1988) as a Contact Zone -- "Brothers!": Solidarity Documentary Film |
ctrlnum | (OCoLC)1164642376 (DE-599)BVBBV046619303 |
dewey-full | 327.470172/4 |
dewey-hundreds | 300 - Social sciences |
dewey-ones | 327 - International relations |
dewey-raw | 327.470172/4 |
dewey-search | 327.470172/4 |
dewey-sort | 3327.470172 14 |
dewey-tens | 320 - Political science (Politics and government) |
discipline | Politologie Slavistik Literaturwissenschaft |
discipline_str_mv | Politologie Slavistik Literaturwissenschaft |
era | Geschichte 1950-1990 gnd |
era_facet | Geschichte 1950-1990 |
format | Book |
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publisher | McGill-Queen’s University Press |
record_format | marc |
spelling | Djagalov, Rossen 1979- Verfasser (DE-588)1209689596 aut From internationalism to postcolonialism literature and cinema between the Second and the Third Worlds Rossen Djagalov Montreal ; Kingston ; London ; Chicago McGill-Queen’s University Press 2020 xiii, 308 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Entering the Soviet Literary Orbit, early 1920s-mid-1950s -- The Afro-Asian Writers Association (1958-1991) and Its Literary Field -- "The Links That Bind Us": Solidarity Narratives in Third-Worldist Fiction -- The Tashkent Film Festival (1968-1988) as a Contact Zone -- "Brothers!": Solidarity Documentary Film "A reconstruction of Cold War-era cultural networks between the Second and Third Worlds that offers a compelling genealogy of contemporary postcolonial studies. Would there have been a Third World without the Second? Perhaps, but it would have looked very different. Although most histories of these geopolitical blocs and their constituent societies and cultures are written in reference to the West, the interdependence of the Second and Third Worlds is evident not only from a common nomenclature but also from their near-simultaneous disappearance around 1990. From Internationalism to Postcolonialism addresses this historical blind spot by recounting the story of two Cold War-era cultural formations that claimed to represent the Third World project in literature and cinema: the Afro-Asian Writers Association (1958-1991) and the Tashkent Festival for African, Asian, and Latin American Film (1968-1988). The inclusion of writers and filmmakers from the Soviet Caucasus and Central Asia and extensive Soviet support aligned these organizations with Soviet internationalism. While these cultural alliances between the Second and the Third World never achieved their stated aim--the literary and cinematic independence of the literatures and cinemas of these societies from the West--they did forge what Ngũgĩ wa Thiong’o called "the links that bind us," along which now-canonical postcolonial authors, texts, and films could circulate across the non-Western world until the end of the Cold War. In the process of this historical reconstruction, From Internationalism to Postcolonialism inverts the traditional relationship between Soviet and postcolonial studies: rather than studying the (post-) Soviet experience through the lens of postcolonial theory, it documents the multiple ways in which that theory and its attendant literary and cinematic production have been shaped by the Soviet experience."-- Geschichte 1950-1990 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Sowjetunion (DE-588)4077548-3 gnd rswk-swf Entwicklungsländer (DE-588)4014954-7 gnd rswk-swf Developing countries / Foreign relations / Soviet Union Soviet Union / Foreign relations / Developing countries Developing countries / Literatures / Soviet influences Motion pictures / Developing countries / Soviet influences Soviet Union / Foreign relations / 1945-1991 Diplomatic relations Developing countries Soviet Union 1945-1991 Sowjetunion (DE-588)4077548-3 g Entwicklungsländer (DE-588)4014954-7 g Literatur (DE-588)4035964-5 s Film (DE-588)4017102-4 s Geschichte 1950-1990 z DE-604 Erscheint auch als Online-Ausgabe, ePDF 978-0-2280-0201-7 Erscheint auch als Online-Ausgabe, ePUB 978-0-2280-0202-4 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032031061&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032031061&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Djagalov, Rossen 1979- From internationalism to postcolonialism literature and cinema between the Second and the Third Worlds Entering the Soviet Literary Orbit, early 1920s-mid-1950s -- The Afro-Asian Writers Association (1958-1991) and Its Literary Field -- "The Links That Bind Us": Solidarity Narratives in Third-Worldist Fiction -- The Tashkent Film Festival (1968-1988) as a Contact Zone -- "Brothers!": Solidarity Documentary Film Literatur (DE-588)4035964-5 gnd Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)4035964-5 (DE-588)4017102-4 (DE-588)4077548-3 (DE-588)4014954-7 |
title | From internationalism to postcolonialism literature and cinema between the Second and the Third Worlds |
title_auth | From internationalism to postcolonialism literature and cinema between the Second and the Third Worlds |
title_exact_search | From internationalism to postcolonialism literature and cinema between the Second and the Third Worlds |
title_exact_search_txtP | From internationalism to postcolonialism literature and cinema between the Second and the Third Worlds |
title_full | From internationalism to postcolonialism literature and cinema between the Second and the Third Worlds Rossen Djagalov |
title_fullStr | From internationalism to postcolonialism literature and cinema between the Second and the Third Worlds Rossen Djagalov |
title_full_unstemmed | From internationalism to postcolonialism literature and cinema between the Second and the Third Worlds Rossen Djagalov |
title_short | From internationalism to postcolonialism |
title_sort | from internationalism to postcolonialism literature and cinema between the second and the third worlds |
title_sub | literature and cinema between the Second and the Third Worlds |
topic | Literatur (DE-588)4035964-5 gnd Film (DE-588)4017102-4 gnd |
topic_facet | Literatur Film Sowjetunion Entwicklungsländer |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032031061&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032031061&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT djagalovrossen frominternationalismtopostcolonialismliteratureandcinemabetweenthesecondandthethirdworlds |