How did they play? How did they teach?: a history of keyboard technique
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
[Milwaukee]
Hinshaw Music Inc.
2019
|
| Ausgabe: | Second edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | viii, 448 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 0937276332 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV046578186 | ||
| 003 | DE-604 | ||
| 005 | 20200618 | ||
| 007 | t | ||
| 008 | 200305s2019 agl| |||| 00||| eng d | ||
| 020 | |a 0937276332 |9 0-937276-33-2 | ||
| 035 | |a (OCoLC)1164660352 | ||
| 035 | |a (DE-599)BVBBV046578186 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 100 | 1 | |a Soderlund, Sandra |e Verfasser |0 (DE-588)1138312061 |4 aut | |
| 245 | 1 | 0 | |a How did they play? How did they teach? |b a history of keyboard technique |
| 250 | |a Second edition | ||
| 264 | 1 | |a [Milwaukee] |b Hinshaw Music Inc. |c 2019 | |
| 264 | 2 | |a [Milwaukee] |b Hal Leonard | |
| 300 | |a viii, 448 Seiten |b Illustrationen, Notenbeispiele | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 650 | 0 | 7 | |a Tasteninstrumentenspiel |0 (DE-588)4553638-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Historische Musikpraxis |0 (DE-588)4197967-9 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Europa |0 (DE-588)4015701-5 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Europa |0 (DE-588)4015701-5 |D g |
| 689 | 0 | 1 | |a Tasteninstrumentenspiel |0 (DE-588)4553638-7 |D s |
| 689 | 0 | 2 | |a Historische Musikpraxis |0 (DE-588)4197967-9 |D s |
| 689 | 0 | |5 DE-604 | |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031990009&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20200618 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-031990009 | ||
| 942 | 1 | 1 | |c 780.77 |e 22/bsb |g 4 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |g 4 |
| 942 | 1 | 1 | |c 781.4 |e 22/bsb |g 4 |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |g 4 |
Datensatz im Suchindex
| _version_ | 1804181196354093056 |
|---|---|
| adam_text | НвМе վ (1օօԽէէձ Introduction................................. A Brief History of the Keyboard Range......................................... Tuning and Temperament........ Notation..................................... Clavier....................................... Organ......................................... Hurdy-gurdy............................. Chekker..................................... Clavichord................................. Harpsichord............................... Piano......................................... Practicing................................... Improvisation............................. Articulation............................................................................................................................................. Chronology............................................................................................................................................. Chapter 1—Early Keyboard Playing in Germany and The Netherlands..................................... Conrad Paumann (c.1410-1473)............................................................................................................ Amolt Schlick (c. 1460-c. 1521)............................................................................................................. Hans Buchner (1483-1538)................................................................................................................. Elias Nicolaus Ammerbach (c. 1530-1597)......................................................................................... Keyboard Collections from
the Early Seventeenth Century (1599-1641)....................................... Jan Pieterszoon Sweelinck (1562-1621)............................................................................................. Samuel Scheldt (1587-1654)............................................................................................................... Heinrich Scheidemann (c. 1595-1663)............................................................................................... Developments in Pedal Technique..................................................................................................... Franz Tunder (1614—1667)................................................................................................................. Mathias Weckman[n] (c. 1616-1674)................................................................................................. Dieterich Buxtehude (1637-1707)..................................................................................................... Chapter 2—Early Keyboard Playing in Spain................................................................................... Juan Bermudo (c. 1510-after 1559)...................................................................................................... Luys Venegas de Henestrosa (c. 1510-1570)........................................................................................ Tomás de Sancta Maria (c. 1510-1570)............................................................................................. Antonio de Cabezón
(1510-1566).......................................................................................................... Francisco Correa de Arauxo (1584—1654).............................................................................................. Pablo Nassarre (c.l 654-c. 1730)......................................................................................................... Chapter 3—Early Keyboard Playing in England............................................................................... Robertsbridge Codex............................................................................................................................... The Virginalists....................................................................................................................................... William Byrd (c. 1542-1623)............................................................................................................. John Bull (c. 1562-1628)................................................................................................................... Orlando Gibbons (1583-1625).............................................................................................................. Priscilla Bunbury’s Virginal Book....................................................................................................... Henry Purcell (1659-1695)................................................................................................................. François de Prendcourt (c.
1640-1725)............................................................................................... Peter Prelleur (1705-1741)................................................................................................................. George Frideric Handel (1685-1759)................................................................................................. Niccolò Pasquali (c. 1718-1757)............................................................................................................. Robert Falkener....................................................................................................................................... Chapter 4—Early Keyboard Playing in Italy........................................................................................ Faenza Codex (c. 1430)........................................................................................................................... Girolamo Diruta (c. 1554-after 1610).................................................................................................... Adriano Banchieri (1568-1634)............................................................................................................. 13 14 17 17 18 20 21 23 26 27 27 28 29 29 30 31 31 33 34 37 38 40 43 43 43 44 44 45 46 46 48 48 49 50 52 53 53 54 58
Girolamo Frescobaldi (1583-1643)..................................................................................................... 59 Other Italian Treatises.......................................................................................................................... 62 Alessandro Scarlatti (1660-1725)....................................................................................................... 63 Gaetano Greco (C.1657-C. 1728)......................................................................................................... 65 Francesco Gasparini ( 1668-1727)....................................................................................................... 65 Azzolino Bernardino della Ciaja (1671-1755).................................................................................. 66 Domenico Scarlatti (1685-1757)......................................................................................................... 67 Vincenzo Manfredini (1737-1799)..................................................................................................... 69 Chapter 5—French Classic Keyboard Playing .......................................................................................71 Marin Mersenne (1588-1648)....................................................................................................................73 Jean Denis (c. 1600-1672)........................................................................................................................74 Guillaume-Gabriel Nivers (c.
1623-1714)...............................................................................................75 André Raison (before 1650-1719)............................................................................................................. 77 Jacques Champion de Chambonnières (1601 or 02-1672) .................................................................... 80 Monsieur de Saint Lambert (fl. 1700).......................................................................................................81 François Couperin (1668-1733)................................................................................................................. 84 Jean-François Dandrieu (c. 1682-1738)...................................................................................................90 Jean Philippe Rameau (1683-1764)...........................................................................................................91 Michel Corrette (1709-1795)................................................................................................................... 93 Chapter 6—German Keyboard Playing at the Time of Bach................................................................95 Brasov Tablature (168Ô-84).....................................................................................................................95 Daniel Speer (1636-1707).........................................................................................................................96 The Wegweiser
(1689)...............................................................................................................................97 Johann Baptist Samber (1654—1717)........................................................................................................ 99 Franz Anton Maichelbeck (1702-1750)............................................................................................... 101 Philipp Christoph Hartong (1706-1776)............................................................................................... 102 Friedrich Wilhelm Marpurg (1718-1795).............................................................................................. 104 Chapter 7—Johann Sebastian Bach.........................................................................................................Ill Biography................................................................................................................................................Ill Bach the Performer................................................................................................................................. 113 Bach and the Organ ...............................................................................................................................115 Bach the Teacher......................................................................................................................................118 Chapter 8—Clavichord and Harpsichord to Fortepiano..................................................................... 123 Carl Philipp Emanuel Bach
(1714-1788)............................................................................................... 123 Georg Simon Löhlein (1725-1781)......................................................................................................... 131 Franz Paul Rigler (1747 or 48-1796)..................................................................................................... 133 Ernst Wilhelm Wolf (1735-1792)........................................................................................................... 134 Daniel Gottlob Türk (1750-1813)........................................................................................................... 136 The Transition to the Piano in France..................................................................................................... 140 The Transition to the Piano in England................................................................................................... 142 Josef Haydn (1732-1809)........................................................................................................................ 144 Chapter 9—The First Pianists..................................................................................................................147 Wolfgang Amadeus Mozart (1756-1791)................................................................................................147 Francesco Pasquale Ricci (1732-1817 ................................................................................................. 152 Johann Christian Bach
(1735-1782)........................................................................................................153 Johann Peter Milchmeyer (1750-1813)..................................................................................................153 Nicolas-Joseph Hüllmandel (1756-1823)................................................................................................158 Jan Ladislav Dussek (1760-1812)............................................................................................................159 Ignace Pleyel (1757-1831)...................................................................................................................... 162 Muzio Clementi (1752-1832).................................................................................................................. 163 Andreas Streicher (1761-1833) and Nannette Stein Streicher (1769-1833)........................................166 Daniel Gottlieb Steibelt (1765-1823)......................................................................................................168 William Seaman Stevens (b.l778).......................................................................................................... 171 John Baptist Cramer (1771-1858).......................................................................................................... 173 Chapter 10—Ludwig van Beethoven........................................................................................................175 Early
Life....................................................................................................................................................175 Beethoven and the Organ.........................................................................................................................175 Early Manhood......................................................................................................................................... 176
vii 177 Beethoven the Pianist...................................................................................... 181 Beethoven and the Development of the Piano................................................. 183 Beethoven’s Use of the Pedals.......................................................................... 185 Beethoven the Teacher...................................................................................... 188 Beethoven and Piano Technique...................................................................... 189 Beethoven’s Fingerings.. .............................................................................. 192 Annotations to the Cramer Etudes.................................................................... 197 Beethoven and Ornamentation........................................................................ 198 Carl Czemy On the Proper Performance ofBeethoven ’s Works for the Piano 201 Chapter 11—Contemporaries of Beethoven.................................................... 201 Friedrich Starke (1774-1835).......................................................................... 204 Johann Nepomuk Hummel (1778-1837)....................................................... 209 August Leopold Creile (1780-1855)................................................................ 211 A Letter to a Young Piano Forte Player......................................................... 212 Carl Maria von Weber (1786-1826)................................................................ 214 Franz Schubert
(1797-1828)............................................................................ 217 Carl Czemy (1791-1857)................................................................................ 227 Chapter 12—Mendelssohn and Friends.......................................................... 227 Isaak-Ignaz Moscheles (1794—1870)................................................................ 229 Moscheles the Pianist...................................................................................... 230 Moscheles the Teacher...................................................................................... 232 Felix Mendelssohn Bartholdy (1809-1847)................................................... 234 Mendelssohn the Pianist.................................................................................. 237 Mendelssohn the Organist................................................................................ 238 Mendelssohn and the Piano.............................................................................. 239 Mendelssohn the Teacher................................................................................ 240 Mendelssohn’s Piano Music............................................................................ 242 Fanny Mendelssohn Hensel (1805-1847)........................................................ 243 Ferdinand Hiller (1811-1885).......................................................................... 243 William Stemdale Bennett (1816-1875).......................................................... Chapter 13—The Schumann
Circle..........................................................................................................247 Friedrich Wieck (1785-1873) 247 Robert Schumann (1810-1856)................................................................................................................252 Studienfür das Pianoforte........................................................................................................................ 254 Album for the Young................................................................................................................................ 256 Clara Wieck Schumann (1819-1896)..................................................................................................... 259 Clara the Pianist........................................................................................................................................ 261 Clara Schumann and the Piano................................................................................................................264 Mme Schumann the Teacher....................................................................................................................264 Johannes Brahms (1833-1897)................................................................................................................266 Brahms the Pianist.................................................................................................................................... 267 Brahms and the
Piano.............................................................................................................................. 270 Brahms the Teacher.................................................................................................................................. 270 Studien för Pianoforte.............................................................................................................................. 272 51 Exercises.............................................................................................................................................. 274 Chapter 14—Frédéric Chopin.................................................................................................................. 275 Biography................................................................................................................................................ 275 Chopin at the Piano.................................................................................................................................. 279 Chopin’s Pianos........................................................................................................................................ 282 Chopin the Teacher.................................................................................................................................. 282 “Sketch for a Method”.............................................................................................................................. 285 Chopin and Piano
Technique....................................................................................................................287 Chapter 15—Franz Liszt............................................................................................................................ 291 Biography.................................................................................................................................................291 Liszt the Pianist........................................................................................................................................ 296 Liszt’s Instruments.................................................................................................................................... 299 Liszt and the Organ.................................................................................................................................. 300 Liszt the Teacher...................................................................................................................................... 301 Liszt and Piano Technique........................................................................................................................305
ѵш Chapter 16—Virtuosi.................................................................................................................................. 311 Sigismund Thalberg (1812-1871)............................................................................................................ ЗП Louis Moreau Gottschalk (1829-1869)....................................................................................................315 Carl Tausig (1841-1871)...........................................................................................................................318 Hans von Bülow (1830-1894).................................................................................................................. 320 Ferruccio Busoni (1866-1924)................................................................................................................ 322 Chapter 17—Pedagogues.......................................................................................................................... 329 Johann Bernhard Logier (1777-1846)......................................................................................................329 The Méthode des méthodes de piano........................................................................................................331 Louis Plaidy (1810-1874)........................................................................................................................ 334 Adolf Henselt (1814-1889)......................................................................................................................
335 Theodor Kullak (1818-1882)..................................................................................................................338 Adolph Kullak (1823-1862)....................................................................................................................338 Sigismund Lebert (1821-1884) and Ludwig Stark (1831-1884)..........................................................341 Ludwig Deppe (1828-1890)....................................................................................................................344 William Mason (1829-1908)....................................................................................................................349 Theodor Leschetizky (1830-1915)......................................................................................................... 356 Chapter 18—French Pianism................................................................................................................... 363 Louis Adam (1758-1848)........................................................................................................................363 Hélène de Montgeroult (1764-1836).....................................................................................................366 Frédéric Kalkbrenner (1785-1849).........................................................................................................368 Franz Hünten (1793-1878)..................................................................................................................... 372 Pierre-Joseph-Guillaume Zimmermann
(1785-1853) 372 ....................................................................372 Henri Herz (1806-1888)......................................................................................................................... 374 Camille Stamaty (1811-1870).................................................................................................................376 Charles-Valentin Alkan (1813-1888).................................................................................................... 376 Antoine François Marmontel (1816-1898)............................................................................................ 378 César Franck ( 1822-1890).................................................................................................................... 379 Camille Saint-Saëns (1835-1921)......................................................................................................... 381 Louis Diémer (1843-1919).................................................................................................................... 383 Gabriel Fauré (1845-1924).................................................................................................................... 383 Claude Debussy (1862-1918)............................................................................................................... 385 Maurice Ravel (1875-1937).................................................................................................................. 389 Chapter 19—Russian
Pianism................................................................................................................ 393 Anton Rubinstein (1829-1894).............................................................................................................. 393 Vassily Ilyitch Safonoff(1852-1918).....................................................................................................398 Aleksandr Skryabin (1872-1915)...........................................................................................................401 Sergei Rachmaninoff (1873-1943).........................................................................................................403 Josef Lhévinne (1874—1944)................................................................................................................... 406 Chapter 20—A Separate Technique for the Organ.................................................................................411 The Organ in Germany............................................................................................................................411 Johann Samuel Petri (1738-1808)........................................................................................................... 411 Daniel Gottlob Türk (1750-1813)........................................................................................................... 413 Johann Christian Kittel (1732-1809)..................................................................................................... 414 Justin Heinrich Knecht
(1752-1817)....................................................................................................... 415 Johann Gottlob Werner (1777-1822)..................................................................................................... 416 Johann Christian Heinrich Rinck (1770-1846).......................................................................................417 Gustav Adolf Merkel (1827-1885)......................................................................................................... 417 The Organ in France................................................................................................................................ 418 Jean-Paul Martini (1741-1816)................................................................................................................419 Francesco Pasquale Ricci (1732-1817)................................................................................................... 420 Jacques-Claude-Adolphe Miné (1796-1854)......................................................................................... 420 Jacques Lemmens (1823-1881)..............................................................................................................420 Bibliography................................................................................................................................................. 425 Index..............................................................................................................................................................443
|
| any_adam_object | 1 |
| author | Soderlund, Sandra |
| author_GND | (DE-588)1138312061 |
| author_facet | Soderlund, Sandra |
| author_role | aut |
| author_sort | Soderlund, Sandra |
| author_variant | s s ss |
| building | Verbundindex |
| bvnumber | BV046578186 |
| ctrlnum | (OCoLC)1164660352 (DE-599)BVBBV046578186 |
| edition | Second edition |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01726nam a2200445 c 4500</leader><controlfield tag="001">BV046578186</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20200618 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">200305s2019 agl| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0937276332</subfield><subfield code="9">0-937276-33-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1164660352</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046578186</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Soderlund, Sandra</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1138312061</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">How did they play? How did they teach?</subfield><subfield code="b">a history of keyboard technique</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">Second edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">[Milwaukee]</subfield><subfield code="b">Hinshaw Music Inc.</subfield><subfield code="c">2019</subfield></datafield><datafield tag="264" ind1=" " ind2="2"><subfield code="a">[Milwaukee]</subfield><subfield code="b">Hal Leonard</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">viii, 448 Seiten</subfield><subfield code="b">Illustrationen, Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Tasteninstrumentenspiel</subfield><subfield code="0">(DE-588)4553638-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Historische Musikpraxis</subfield><subfield code="0">(DE-588)4197967-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Europa</subfield><subfield code="0">(DE-588)4015701-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Europa</subfield><subfield code="0">(DE-588)4015701-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Tasteninstrumentenspiel</subfield><subfield code="0">(DE-588)4553638-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Historische Musikpraxis</subfield><subfield code="0">(DE-588)4197967-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031990009&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20200618</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031990009</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.77</subfield><subfield code="e">22/bsb</subfield><subfield code="g">4</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="g">4</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.4</subfield><subfield code="e">22/bsb</subfield><subfield code="g">4</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="g">4</subfield></datafield></record></collection> |
| geographic | Europa (DE-588)4015701-5 gnd |
| geographic_facet | Europa |
| id | DE-604.BV046578186 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:47:49Z |
| institution | BVB |
| isbn | 0937276332 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031990009 |
| oclc_num | 1164660352 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | viii, 448 Seiten Illustrationen, Notenbeispiele |
| psigel | BSB_NED_20200618 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Hinshaw Music Inc. |
| record_format | marc |
| spelling | Soderlund, Sandra Verfasser (DE-588)1138312061 aut How did they play? How did they teach? a history of keyboard technique Second edition [Milwaukee] Hinshaw Music Inc. 2019 [Milwaukee] Hal Leonard viii, 448 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Tasteninstrumentenspiel (DE-588)4553638-7 gnd rswk-swf Historische Musikpraxis (DE-588)4197967-9 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf Europa (DE-588)4015701-5 g Tasteninstrumentenspiel (DE-588)4553638-7 s Historische Musikpraxis (DE-588)4197967-9 s DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031990009&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Soderlund, Sandra How did they play? How did they teach? a history of keyboard technique Tasteninstrumentenspiel (DE-588)4553638-7 gnd Historische Musikpraxis (DE-588)4197967-9 gnd |
| subject_GND | (DE-588)4553638-7 (DE-588)4197967-9 (DE-588)4015701-5 |
| title | How did they play? How did they teach? a history of keyboard technique |
| title_auth | How did they play? How did they teach? a history of keyboard technique |
| title_exact_search | How did they play? How did they teach? a history of keyboard technique |
| title_full | How did they play? How did they teach? a history of keyboard technique |
| title_fullStr | How did they play? How did they teach? a history of keyboard technique |
| title_full_unstemmed | How did they play? How did they teach? a history of keyboard technique |
| title_short | How did they play? How did they teach? |
| title_sort | how did they play how did they teach a history of keyboard technique |
| title_sub | a history of keyboard technique |
| topic | Tasteninstrumentenspiel (DE-588)4553638-7 gnd Historische Musikpraxis (DE-588)4197967-9 gnd |
| topic_facet | Tasteninstrumentenspiel Historische Musikpraxis Europa |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031990009&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT soderlundsandra howdidtheyplayhowdidtheyteachahistoryofkeyboardtechnique |