A mythology of forms: selected writings on art
"This book collects fourteen essays by the woefully understudied Carl Einstein, translated here from the German. Einstein was a major critic in the early twentieth century. He was a large presence in Paris when it was the crucible of the modernist avant-garde. He was one of the earliest thinker...
Gespeichert in:
1. Verfasser: | |
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Weitere Verfasser: | |
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Chicago ; London
The University of Chicago Press
2019
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Schlagworte: | |
Zusammenfassung: | "This book collects fourteen essays by the woefully understudied Carl Einstein, translated here from the German. Einstein was a major critic in the early twentieth century. He was a large presence in Paris when it was the crucible of the modernist avant-garde. He was one of the earliest thinkers to take Cubism seriously. He was an architect of formalism and perhaps the first critic to produce a substantial text on African art and its relationship to modernism that rejected Sub-Saharan African cultures as "primitive." And, his views on repetition and mechanical reproduction are in direct opposition to those of Walter Benjamin. Charles Haxthausen identified and translated these fourteen essential texts and has provided critical introductions to each one as well as a longer introduction to Einstein's life, work, and contribution to the intellectual culture of the 20th century"--Provided by publisher |
Beschreibung: | xii, 410 Seiten Illustrationen 27 cm |
ISBN: | 9780226464138 |
Internformat
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100 | 1 | |a Einstein, Carl |d 1885-1940 |e Verfasser |0 (DE-588)118529587 |4 aut | |
245 | 1 | 0 | |a A mythology of forms |b selected writings on art |c Carl Einstein ; edited, translated, and introduced by Charles W. Haxthausen |
264 | 1 | |a Chicago ; London |b The University of Chicago Press |c 2019 | |
300 | |a xii, 410 Seiten |b Illustrationen |c 27 cm | ||
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337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
505 | 8 | |a Notes on a recent French painting (1912) -- Totality (1914/16) -- Negro sculpture (1915) -- On primitive art (1919) -- African sculpture (1921) -- Draft of a letter to Daniel-Henry Kahnweiler (1923) -- Cubism (1926) -- The Berlin Museum for Ethnology (1926) -- André Masson: ethnological study (1929) -- Pablo Picasso (1931) -- The romantic generation (1931) -- The blaue reiter / Paul Klee (1931) -- Two chapters from Georges Braque (1934) -- Excerpts from The fabrication of fictions (1935) | |
520 | 3 | |a "This book collects fourteen essays by the woefully understudied Carl Einstein, translated here from the German. Einstein was a major critic in the early twentieth century. He was a large presence in Paris when it was the crucible of the modernist avant-garde. He was one of the earliest thinkers to take Cubism seriously. He was an architect of formalism and perhaps the first critic to produce a substantial text on African art and its relationship to modernism that rejected Sub-Saharan African cultures as "primitive." And, his views on repetition and mechanical reproduction are in direct opposition to those of Walter Benjamin. Charles Haxthausen identified and translated these fourteen essential texts and has provided critical introductions to each one as well as a longer introduction to Einstein's life, work, and contribution to the intellectual culture of the 20th century"--Provided by publisher | |
546 | |a Aus dem Deutschen übersetzt | ||
648 | 7 | |a Geschichte 1910-1940 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Kunstkritik |0 (DE-588)4033659-1 |2 gnd |9 rswk-swf |
653 | 0 | |a Art criticism | |
653 | 1 | |a Einstein, Carl / 1885-1940 | |
653 | 0 | |a ART / General | |
653 | 0 | |a Art criticism | |
689 | 0 | 0 | |a Kunstkritik |0 (DE-588)4033659-1 |D s |
689 | 0 | 1 | |a Geschichte 1910-1940 |A z |
689 | 0 | |8 1\p |5 DE-604 | |
700 | 1 | |a Haxthausen, Charles Werner |d 1941- |0 (DE-588)128656328 |4 edt |4 trl |4 win | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-226-46427-5 |
999 | |a oai:aleph.bib-bvb.de:BVB01-031987241 | ||
883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk |
Datensatz im Suchindex
_version_ | 1804181191378599936 |
---|---|
any_adam_object | |
author | Einstein, Carl 1885-1940 |
author2 | Haxthausen, Charles Werner 1941- Haxthausen, Charles Werner 1941- |
author2_role | edt trl |
author2_variant | c w h cw cwh c w h cw cwh |
author_GND | (DE-588)118529587 (DE-588)128656328 |
author_facet | Einstein, Carl 1885-1940 Haxthausen, Charles Werner 1941- Haxthausen, Charles Werner 1941- |
author_role | aut |
author_sort | Einstein, Carl 1885-1940 |
author_variant | c e ce |
building | Verbundindex |
bvnumber | BV046575363 |
classification_rvk | GM 3010 |
contents | Notes on a recent French painting (1912) -- Totality (1914/16) -- Negro sculpture (1915) -- On primitive art (1919) -- African sculpture (1921) -- Draft of a letter to Daniel-Henry Kahnweiler (1923) -- Cubism (1926) -- The Berlin Museum for Ethnology (1926) -- André Masson: ethnological study (1929) -- Pablo Picasso (1931) -- The romantic generation (1931) -- The blaue reiter / Paul Klee (1931) -- Two chapters from Georges Braque (1934) -- Excerpts from The fabrication of fictions (1935) |
ctrlnum | (OCoLC)1143733775 (DE-599)BVBBV046575363 |
discipline | Germanistik / Niederlandistik / Skandinavistik |
era | Geschichte 1910-1940 gnd |
era_facet | Geschichte 1910-1940 |
format | Book |
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id | DE-604.BV046575363 |
illustrated | Illustrated |
indexdate | 2024-07-10T08:47:44Z |
institution | BVB |
isbn | 9780226464138 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031987241 |
oclc_num | 1143733775 |
open_access_boolean | |
owner | DE-188 DE-B486 |
owner_facet | DE-188 DE-B486 |
physical | xii, 410 Seiten Illustrationen 27 cm |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | The University of Chicago Press |
record_format | marc |
spelling | Einstein, Carl 1885-1940 Verfasser (DE-588)118529587 aut A mythology of forms selected writings on art Carl Einstein ; edited, translated, and introduced by Charles W. Haxthausen Chicago ; London The University of Chicago Press 2019 xii, 410 Seiten Illustrationen 27 cm txt rdacontent n rdamedia nc rdacarrier Notes on a recent French painting (1912) -- Totality (1914/16) -- Negro sculpture (1915) -- On primitive art (1919) -- African sculpture (1921) -- Draft of a letter to Daniel-Henry Kahnweiler (1923) -- Cubism (1926) -- The Berlin Museum for Ethnology (1926) -- André Masson: ethnological study (1929) -- Pablo Picasso (1931) -- The romantic generation (1931) -- The blaue reiter / Paul Klee (1931) -- Two chapters from Georges Braque (1934) -- Excerpts from The fabrication of fictions (1935) "This book collects fourteen essays by the woefully understudied Carl Einstein, translated here from the German. Einstein was a major critic in the early twentieth century. He was a large presence in Paris when it was the crucible of the modernist avant-garde. He was one of the earliest thinkers to take Cubism seriously. He was an architect of formalism and perhaps the first critic to produce a substantial text on African art and its relationship to modernism that rejected Sub-Saharan African cultures as "primitive." And, his views on repetition and mechanical reproduction are in direct opposition to those of Walter Benjamin. Charles Haxthausen identified and translated these fourteen essential texts and has provided critical introductions to each one as well as a longer introduction to Einstein's life, work, and contribution to the intellectual culture of the 20th century"--Provided by publisher Aus dem Deutschen übersetzt Geschichte 1910-1940 gnd rswk-swf Kunstkritik (DE-588)4033659-1 gnd rswk-swf Art criticism Einstein, Carl / 1885-1940 ART / General Kunstkritik (DE-588)4033659-1 s Geschichte 1910-1940 z 1\p DE-604 Haxthausen, Charles Werner 1941- (DE-588)128656328 edt trl win Erscheint auch als Online-Ausgabe 978-0-226-46427-5 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Einstein, Carl 1885-1940 A mythology of forms selected writings on art Notes on a recent French painting (1912) -- Totality (1914/16) -- Negro sculpture (1915) -- On primitive art (1919) -- African sculpture (1921) -- Draft of a letter to Daniel-Henry Kahnweiler (1923) -- Cubism (1926) -- The Berlin Museum for Ethnology (1926) -- André Masson: ethnological study (1929) -- Pablo Picasso (1931) -- The romantic generation (1931) -- The blaue reiter / Paul Klee (1931) -- Two chapters from Georges Braque (1934) -- Excerpts from The fabrication of fictions (1935) Kunstkritik (DE-588)4033659-1 gnd |
subject_GND | (DE-588)4033659-1 |
title | A mythology of forms selected writings on art |
title_auth | A mythology of forms selected writings on art |
title_exact_search | A mythology of forms selected writings on art |
title_full | A mythology of forms selected writings on art Carl Einstein ; edited, translated, and introduced by Charles W. Haxthausen |
title_fullStr | A mythology of forms selected writings on art Carl Einstein ; edited, translated, and introduced by Charles W. Haxthausen |
title_full_unstemmed | A mythology of forms selected writings on art Carl Einstein ; edited, translated, and introduced by Charles W. Haxthausen |
title_short | A mythology of forms |
title_sort | a mythology of forms selected writings on art |
title_sub | selected writings on art |
topic | Kunstkritik (DE-588)4033659-1 gnd |
topic_facet | Kunstkritik |
work_keys_str_mv | AT einsteincarl amythologyofformsselectedwritingsonart AT haxthausencharleswerner amythologyofformsselectedwritingsonart |