The museum as experience: an email odyssey through artists' and collectors' museums
The first general study of museums created by artists and/or collectors, The Museum as Experience provides fifteen case studies ranging from the turn of 1800 to the present and distributed across the globe. New in form and content, it is written as a correspondence and illustrated with many unpublis...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Turnhout
Brepols
[2019]
|
| Schriftenreihe: | Museums and ideas
vol. 1 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The first general study of museums created by artists and/or collectors, The Museum as Experience provides fifteen case studies ranging from the turn of 1800 to the present and distributed across the globe. New in form and content, it is written as a correspondence and illustrated with many unpublished documents. Focusing on museums preserving their original installation, it analyses display as a form of expression and raises key issues about the history, geography, anthropology, and aesthetics of art museums at large. Museums created by artists and/or collectors are a favorite destination of museum lovers and raise important issues in connection with the history and evolution of art museums at large. They have developed in a critical relation to large, collective or ‘encyclopaedic’ museums, defending a primacy of experience and intimacy. And they remain attached to the persons of their founders, functioning as monuments and even mausoleums. Yet despite their appeal, a recent surge of new creations and a wealth of monographic documentation, no general study of the topic has been attempted. The Museum as Experience describes and analyses the phenomenon as a whole, from its beginnings around 1800 to the present and from its European origin to a worldwide extension. It examines in depth fifteen case studies distributed across the globe and chosen for their representative character and the quality of their original arrangement. In order to do justice to their meaningful relation to the spatial context and to their hospitality towards the subjective visitor, the book is written as a travelogue and organizes a dialogue between two narrators, an architect and an art historian. Richly illustrated with many unpublished documents, it is a scholarly work that can be read like a novel. It argues that artists’ and collectors’ museums are best understood as ‘author museums’ and make it possible to enjoy and study display as a mode of expression and communication, an art of assemblage and installation avant la lettre, and a challenge for interpretation. Dario Gamboni is a professor of art history at the University of Geneva and has been a guest teacher and researcher at many institutions in Europe, the Americas and Asia. He has curated several exhibitions and is the author of numerous books including The Destruction of Art: Iconoclasm and Vandalism since the French Revolution (London/New Haven, 1997) and Potential Images: Ambiguity and Indeterminacy in Modern Art (London, 2002) |
| Beschreibung: | 404 Seiten Illustrationen |
| ISBN: | 9782503583518 |
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| 520 | 3 | |a The first general study of museums created by artists and/or collectors, The Museum as Experience provides fifteen case studies ranging from the turn of 1800 to the present and distributed across the globe. New in form and content, it is written as a correspondence and illustrated with many unpublished documents. Focusing on museums preserving their original installation, it analyses display as a form of expression and raises key issues about the history, geography, anthropology, and aesthetics of art museums at large. Museums created by artists and/or collectors are a favorite destination of museum lovers and raise important issues in connection with the history and evolution of art museums at large. They have developed in a critical relation to large, collective or ‘encyclopaedic’ museums, defending a primacy of experience and intimacy. And they remain attached to the persons of their founders, functioning as monuments and even mausoleums. | |
| 520 | 3 | |a Yet despite their appeal, a recent surge of new creations and a wealth of monographic documentation, no general study of the topic has been attempted. The Museum as Experience describes and analyses the phenomenon as a whole, from its beginnings around 1800 to the present and from its European origin to a worldwide extension. It examines in depth fifteen case studies distributed across the globe and chosen for their representative character and the quality of their original arrangement. In order to do justice to their meaningful relation to the spatial context and to their hospitality towards the subjective visitor, the book is written as a travelogue and organizes a dialogue between two narrators, an architect and an art historian. Richly illustrated with many unpublished documents, it is a scholarly work that can be read like a novel. | |
| 520 | 3 | |a It argues that artists’ and collectors’ museums are best understood as ‘author museums’ and make it possible to enjoy and study display as a mode of expression and communication, an art of assemblage and installation avant la lettre, and a challenge for interpretation. Dario Gamboni is a professor of art history at the University of Geneva and has been a guest teacher and researcher at many institutions in Europe, the Americas and Asia. He has curated several exhibitions and is the author of numerous books including The Destruction of Art: Iconoclasm and Vandalism since the French Revolution (London/New Haven, 1997) and Potential Images: Ambiguity and Indeterminacy in Modern Art (London, 2002) | |
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Datensatz im Suchindex
| _version_ | 1804181188201414656 |
|---|---|
| adam_text | CHAPTER
ONE
CHAPTER
TWO
CHAPTER
THREE
CHAPTER
FOUR
CHAPTER
FIVE
CHAPTER
SIX
CHAPTER
SEVEN
CHAPTER
EIGHT
CHAPTER
NINE
CHAPTER
TEN
CHAPTER
ELEVEN
CHAPTER
TWELVE
CHAPTER
THIRTEEN
6
FOREWORD
8 VILLA
VELA
MUSEO
VINCENZO
VELA,
LIGORNETTO
26
THE GREAT
BODY
OF
ART
GYPSOTHECA
E
MUSEO
ANTONIO
CANOVA,
POSSAGNO
48
MAGIC
MIRRORS
SIR
JOHN
SOANE S
MUSEUM, LONDON
74
MY
PAINTING
COLLECTION
SAMMLUNG
SCHACK,
MUNICH
100
SHUT
AWAY
IN THE
MIDDLE
OF
PARIS
MUSEE
NATIONAL
GUSTAVE-MOREAU, PARIS
126
IT
IS
MY
PLEASURE
ISABELLA
STEWART
GARDNER
MUSEUM,
BOSTON
156
LEARNING
TO SEE
THE
BARNES
FOUNDATION,
PHILADELPHIA
190
THE PERIOD
I LOVED ABOVE
ALL
OTHERS
MUSEE NISSIM
DE
CAMONDO,
PARIS
220
ARCHAEOLOGICAL
ERUPTION
MUSEO DIEGO
RIVERA
ANAHUACALLI,
MEXICO
25
2
A SHARED
HERITAGE
NOGUCHI
MUSEUM, LONG
ISLAND
CITY
ISAMU NOGUCHI
GARDEN
JAPAN,
MURE
MUSEUM
OF
JURASSIC TECHNOLOGY,
CULVER
CITY
284
REGERE
FINES
THE
CHINATI FOUNDATION,
MARFA
JUDD
FOUNDATION,
MARFA
3
16
ANTIPODES
CASA
MUSEO MARIO
PRAZ,
ROME
MUSEUM
OF
OLD
AND
NEW
ART,
HOBART
354
THE INNOCENCE
OF
MUSEUMS
MASUMIYET
MUZESI
[MUSEUM OF
INNOCENCE], ISTANBUL
390 LIST
OF
ILLUSTRATIONS
396 ACKNOWLEDGEMENTS
397
INDEX
|
| any_adam_object | 1 |
| author | Gamboni, Dario 1954- Gamboni, Libero |
| author_GND | (DE-588)12014011X |
| author_facet | Gamboni, Dario 1954- Gamboni, Libero |
| author_role | aut aut |
| author_sort | Gamboni, Dario 1954- |
| author_variant | d g dg l g lg |
| building | Verbundindex |
| bvnumber | BV046573602 |
| classification_rvk | LH 29912 |
| ctrlnum | (OCoLC)1164644336 (DE-599)KXP1689001852 |
| discipline | Kunstgeschichte |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| spelling | The museum as experience an email odyssey through artists' and collectors' museums Dario & Libero Gamboni Turnhout Brepols [2019] © 2019 404 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Museums and ideas vol. 1 The first general study of museums created by artists and/or collectors, The Museum as Experience provides fifteen case studies ranging from the turn of 1800 to the present and distributed across the globe. New in form and content, it is written as a correspondence and illustrated with many unpublished documents. Focusing on museums preserving their original installation, it analyses display as a form of expression and raises key issues about the history, geography, anthropology, and aesthetics of art museums at large. Museums created by artists and/or collectors are a favorite destination of museum lovers and raise important issues in connection with the history and evolution of art museums at large. They have developed in a critical relation to large, collective or ‘encyclopaedic’ museums, defending a primacy of experience and intimacy. And they remain attached to the persons of their founders, functioning as monuments and even mausoleums. Yet despite their appeal, a recent surge of new creations and a wealth of monographic documentation, no general study of the topic has been attempted. The Museum as Experience describes and analyses the phenomenon as a whole, from its beginnings around 1800 to the present and from its European origin to a worldwide extension. It examines in depth fifteen case studies distributed across the globe and chosen for their representative character and the quality of their original arrangement. In order to do justice to their meaningful relation to the spatial context and to their hospitality towards the subjective visitor, the book is written as a travelogue and organizes a dialogue between two narrators, an architect and an art historian. Richly illustrated with many unpublished documents, it is a scholarly work that can be read like a novel. It argues that artists’ and collectors’ museums are best understood as ‘author museums’ and make it possible to enjoy and study display as a mode of expression and communication, an art of assemblage and installation avant la lettre, and a challenge for interpretation. Dario Gamboni is a professor of art history at the University of Geneva and has been a guest teacher and researcher at many institutions in Europe, the Americas and Asia. He has curated several exhibitions and is the author of numerous books including The Destruction of Art: Iconoclasm and Vandalism since the French Revolution (London/New Haven, 1997) and Potential Images: Ambiguity and Indeterminacy in Modern Art (London, 2002) Geschichte gnd rswk-swf Kunstsammler (DE-588)4166042-0 gnd rswk-swf Museum (DE-588)4040795-0 gnd rswk-swf Sammlung (DE-588)4128844-0 gnd rswk-swf Künstler (DE-588)4033423-5 gnd rswk-swf (DE-588)4146609-3 Briefsammlung gnd-content Museum (DE-588)4040795-0 s Kunstsammler (DE-588)4166042-0 s Künstler (DE-588)4033423-5 s Sammlung (DE-588)4128844-0 s Geschichte z DE-604 Gamboni, Dario 1954- (DE-588)12014011X aut Gamboni, Libero aut Museums and ideas vol. 1 (DE-604)BV046718185 1 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031985510&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Gamboni, Dario 1954- Gamboni, Libero The museum as experience an email odyssey through artists' and collectors' museums Museums and ideas Kunstsammler (DE-588)4166042-0 gnd Museum (DE-588)4040795-0 gnd Sammlung (DE-588)4128844-0 gnd Künstler (DE-588)4033423-5 gnd |
| subject_GND | (DE-588)4166042-0 (DE-588)4040795-0 (DE-588)4128844-0 (DE-588)4033423-5 (DE-588)4146609-3 |
| title | The museum as experience an email odyssey through artists' and collectors' museums |
| title_auth | The museum as experience an email odyssey through artists' and collectors' museums |
| title_exact_search | The museum as experience an email odyssey through artists' and collectors' museums |
| title_full | The museum as experience an email odyssey through artists' and collectors' museums Dario & Libero Gamboni |
| title_fullStr | The museum as experience an email odyssey through artists' and collectors' museums Dario & Libero Gamboni |
| title_full_unstemmed | The museum as experience an email odyssey through artists' and collectors' museums Dario & Libero Gamboni |
| title_short | The museum as experience |
| title_sort | the museum as experience an email odyssey through artists and collectors museums |
| title_sub | an email odyssey through artists' and collectors' museums |
| topic | Kunstsammler (DE-588)4166042-0 gnd Museum (DE-588)4040795-0 gnd Sammlung (DE-588)4128844-0 gnd Künstler (DE-588)4033423-5 gnd |
| topic_facet | Kunstsammler Museum Sammlung Künstler Briefsammlung |
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| volume_link | (DE-604)BV046718185 |
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