In plain sight: nineteenth-century American women's poetry and the problem of literary history
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2020
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| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | vi, 213 Seiten 13 Illustrationen |
| ISBN: | 9780198855521 |
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Datensatz im Suchindex
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| adam_text | Table of Contents List of Illustrations Introduction: Everywhere and Nowhere ix 1 1. Anthology Publication and the Woman Poet 35 2. The Sick Preface 71 3. Ballad Knowledge and the Poetics of Repetition 109 4. Collaborative Composition and Sororal Poetics 141 Afterword: The Problem of Emily Dickinson 179 Works Cited Index 197 205
In Plain Sight explores how the poetry of nineteenth-century American women that was once so visible within American culture could have, with the exception of that by Emily Dickinson, so thoroughly disappeared from literary history. By investigating erasure not merely as somethirtg that was done to these women but as the result of the conventions that once made the .circulation of their poetry possible in the first place, this volume offers the first b.ook-length analysis of the conventions of riineteenth-cehtury American womens poetry. While each of the chapters focuses on a specific convention, taken together they tell the complicated story of nitteteenth-century American women’s poetry, tracing the spaces within literary culture where it lived and thrived—the spaces from Which it was always in the process of vanishing. By reclaiming these conventions as a constitutive part of nineteenth-centuryAmerican women’s poetry, this book asks readers to take seriously the work these women produced and the role their work might play in remapping American literary history. Jacket image: Sir Peter Lely, Study ofthe Forearms and Hands ofa Woman, c. 1665. Robert Lehman Collection, 1975. Metropolitan Museum of Art, New York.
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| title | In plain sight nineteenth-century American women's poetry and the problem of literary history |
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