Dandyism: forming fiction from modernism to the present
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Charlottesville ; London
University of Virginia Press
2020
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Schriftenreihe: | Cultural frames, framing culture
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | viii, 269 Seiten |
ISBN: | 9780813943893 9780813943909 |
Internformat
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Datensatz im Suchindex
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adam_text | CONTENTS Acknowledgments vii Introduction: The Dandy in Long Modernism 1 Part 1. Macho Dandies 1. Fine and Dandy: Ernest Hemingway’s Androgynous Connoisseurship 33 2. Raymond Chandlers Dandified Dick 60 Part II. Decadent Dandies 3. William S. Burroughs’s Modernist Genre Decadence 4. Djuna Barnes’s Cross-Gendered Conceits 91 122 Part III. Extremes and End-Times 5. The Psychopathic Dandy: A Survey 153 Coda: The Dandy and the Hipster after the Apocalypse 191 Notes Bibliography Index 199 241 261
The “dandy,” a nineteenth-century character and concept exemplified in works such as Wilde’s The Picture ofDorian Gray and Proust’s Recherche, reverberates in surprising corners of twentieth- and twenty-first-century culture. Establishing this character as a kind of shorthand for a diverse range of traits and tendencies, including gentlemanliness, rebelliousness, androgyny, aristocratic pretension, theatricality, and extravagance, Len Gutkin traces Victorian aesthetic precedents in the work of the modernist avant-garde, the noir novel, Beatnik experimentalism, and the postmodern thriller. Dandyism, Gutkin argues, is a species of gendered charisma. Rinsed of its suspect associations with the effeminate, dandyism would exert influence over macho authors such as Hemingway and Chandler, who harnessed its decadent energy. We cannot understand modernism and postmodernism’s negotiation of gender, aesthetic abstraction, or the culture of celebrity without the dandy. Analyzing the characteristic focus on costume, consumption, and the wellturned phrase in readings of figures ranging from Wyndham Lewis, Djuna Barnes, and William Burroughs to Patricia Highsmith, Bret Easton Ellis, and Ben Lerner, Dandyism reveals the Victorian dandy’s legacy across the twentieth century, providing a revisionist history of the relationship between Victorian aesthetics and twentieth-century literature.
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author | Gutkin, Len 1985- |
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classification_rvk | HG 431 |
ctrlnum | (OCoLC)1145213137 (DE-599)BVBBV046451580 |
discipline | Anglistik / Amerikanistik |
era | Geschichte 1900-2010 gnd |
era_facet | Geschichte 1900-2010 |
format | Book |
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spellingShingle | Gutkin, Len 1985- Dandyism forming fiction from modernism to the present Literatur (DE-588)4035964-5 gnd Dandy Motiv (DE-588)4203343-3 gnd Englisch (DE-588)4014777-0 gnd |
subject_GND | (DE-588)4035964-5 (DE-588)4203343-3 (DE-588)4014777-0 |
title | Dandyism forming fiction from modernism to the present |
title_auth | Dandyism forming fiction from modernism to the present |
title_exact_search | Dandyism forming fiction from modernism to the present |
title_full | Dandyism forming fiction from modernism to the present Len Gutkin |
title_fullStr | Dandyism forming fiction from modernism to the present Len Gutkin |
title_full_unstemmed | Dandyism forming fiction from modernism to the present Len Gutkin |
title_short | Dandyism |
title_sort | dandyism forming fiction from modernism to the present |
title_sub | forming fiction from modernism to the present |
topic | Literatur (DE-588)4035964-5 gnd Dandy Motiv (DE-588)4203343-3 gnd Englisch (DE-588)4014777-0 gnd |
topic_facet | Literatur Dandy Motiv Englisch |
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