Performance studies: an introduction
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Routledge
2020
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| Ausgabe: | Fourth edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xiv, 382 Seiten Illustrationen, Diagramme |
| ISBN: | 9781138284555 9781138284562 |
Internformat
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Datensatz im Suchindex
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| adam_text | С0ІІТЕИТ5 Preface Acknowledgements Margin icons 1 WHAT IS PERFORMAHCE? Introducing this book, this field, and me The boxes Defining performance The nine kinds of performances Restored behavior Caution, beware of generalizations As /is performance Make believe/make belief Blurry boundaries The seven functions of performance As/is and the broad spectrum, again Conclusions 2 3 xi xiii xiv 1 1 1 З 7 10 11 12 16 17 18 22 24 WHAT 15 PERFORMAIKE STUDIES? 26 Confounding categories, blurring boundaries Performance studies here, there, and everywhere Antecedents to performance studies The Victor Turner connection Ethical and political questions Conclusions 26 PERFORMAHCE PROCESSES The performing arts as a model Performance process as a time-space sequence Rules, proto-performance, and public performance The performance quadrilogue From montage to virtual reality Experimental in one context, ordinary in another Conclusions 4 5 THE BROAD SPECTRUM OF PERFORMAHCE 76 From nonmatrixed performing to complex acting Realistic performing Brechtian performing Codified performing Codified performing and the avantgarde Ritualists, charisma, and presence Puppets and masks Hybrid performing Performing in everyday life Trials and executions as performance Surgery as performance Belief in the role one is playing How realistic is realistic acting? Conclusions 80 82 86 89 96 98 99 102 104 109 114 115 118 120 RITUAL Sacred and secular Human and animal rituals Trance Trance and shamanism Rites of passage, liminal, liminoid Communitas and anti-structure Ritual time and space Transportations and
transformations Asemo’s initiation Social drama and ritual process The pig-kill at Kurumugl The efficacy-entertainment dyad Origin of performance: if not ritual, what? Changing rituals or inventing new ones Using rituals in theatre, dance, and music Conclusions 28 31 34 35 37 38 38 38 59 60 66 72 73 ix 121 122 127 133 139 144 149 150 150 152 153 156 158 159 160 162 165
CONTENTS 6 7 PLAY 166 168 169 170 171 172 174 176 177 180 182 183 186 192 193 199 202 PERFORMIHG Ш THE PALEOLITHIC 203 What is the paleolithic? Where is the art, and how old is it? Isitart? What was the cave art for? Vulvas, “venuses,” hybrids, women artists Performing in the caves Shamanic vision-quests Paleoperformance Lascaux online and replicated onsite Conclusions 8 166 The joker in the deck What is play? What is playing? Play and games Seven ways to approach play Types of playing Play acts, play moods Flow, or experiencing playing Transitional objects, illusions, and culture Animal play The message, “this is play” Bateson’s Othello Blood games, blood rites Philosophies of play The bias against play Maya—lila Deep play, dark play Conclusions PERFORMATIVITY A term hard to pin down Austin ’s performative Speech acts From Survivor to EarthCam Postmodernism Simulation Poststructuralism/deconstruction The diffusion of poststructuralism Problems with poststructuralism Constructions of gender Constructions of race Performance art What the Gravedigger knew about the performative Conclusions 204 20S 210 212 21S 219 224 226 229 230 231 231 231 234 235 238 242 251 255 257 259 262 267 273 273 9 SOCIAL MEDIA Up, up, and away When and what? The network society Performing you on social media Second self or augmented self? The importance of interests From Goffman to web 2.0 Big business, fake news, war POTUS @realDonaldTrump Change by means of social media Social media and the arts Conclusions 10 IHTERCULTURAL AMD GLOBAL PERFORMAHCE5 275 275 280 281 285 287 288 289 291 296 299 301 303
305 Globalization’s throughline Intercultural performances Vertical performances Horizontal performances Fusions and hybrids Colonial mimicry and importing Applied performances Terrorist acts as applied global performances Tourist performances: leisure globalization Border wars The Olympics: globalism’s signature performance Conclusions 305 312 313 316 319 324 329 335 340 344 Bibliography Index 354 372 347 352
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| discipline | Allgemeines |
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| format | Book |
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| language | English |
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| title | Performance studies an introduction |
| title_auth | Performance studies an introduction |
| title_exact_search | Performance studies an introduction |
| title_full | Performance studies an introduction Richard Schechner ; media editor - Sarah Lucie |
| title_fullStr | Performance studies an introduction Richard Schechner ; media editor - Sarah Lucie |
| title_full_unstemmed | Performance studies an introduction Richard Schechner ; media editor - Sarah Lucie |
| title_short | Performance studies |
| title_sort | performance studies an introduction |
| title_sub | an introduction |
| topic | Anthropologie (DE-588)4002230-4 gnd Ritual (DE-588)4050164-4 gnd Performativität Kulturwissenschaften (DE-588)7651115-7 gnd Theater (DE-588)4059702-7 gnd Performance Künste (DE-588)4173750-7 gnd |
| topic_facet | Anthropologie Ritual Performativität Kulturwissenschaften Theater Performance Künste Lehrbuch |
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