Marxism goes to the movies:
"This book provides a long-awaited account of how Marxism has shaped both the medium of film and the study of film. It covers key concepts that anyone studying film needs to engage with, as well as key theorists (both within and beyond film studies) and provides an historical perspective on the...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2020
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "This book provides a long-awaited account of how Marxism has shaped both the medium of film and the study of film. It covers key concepts that anyone studying film needs to engage with, as well as key theorists (both within and beyond film studies) and provides an historical perspective on the development of Marxism and film. Author Mike Wayne argues the need to de-reify how we look at film, link text to context, consciousness to social being, industrial strategies to cultural struggle and assesses new technological, cultural and political trends historically"-- |
| Beschreibung: | ix, 217 Seiten Illustrationen |
| ISBN: | 9781138677876 9781138677869 |
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Datensatz im Suchindex
| _version_ | 1804180990619287552 |
|---|---|
| adam_text | CONTENTS Ust offigures 1 Marxism 1.1 Marxism and Marx 1 1.2 Commodity fetishism 2 1.3 Classes 3 1.4 Capital’s dynamics 10 1.5 Marx’s method 12 1.6 Ideology 17 1.7 Philosophical concepts 21 2 History 2.1 The primal scene 26 2.2 From early American cinema to Hollywood 27 2.3 Revolution and Modernism 31 2.4 Western Marxism 35 2.5 Struđuralist Marxism: Barthes 40 2. 6 Structuralist Marxism: Althusser 46 3 Methodologies 3.1 Marxism in the academy 52 3.2 Questions ofform 54
vlil Contents 3.3 Political economy 58 3.4 Cultural studies 65 4 Production 74 4.1 The general structure of a film industry 74 4.2 Modes ofproduction and socialformation 78 4.3 The dominant mode ofproduction 81 4.4 Organisation and ownership 90 4.5 Hollywood’s domination of the British theatrical film market 99 4.6 Flashback 105 5 Form 109 5.1 The Formalist debate 109 5.2 Montage dialertics 114 5.3 The long shot 120 5.4 Self-refiexivity 127 6 Ideology 135 6.1 Ideology defined 135 6.2 Social and historical ideologies and film form 137 6.3 Judith Williamson and the 1980s’ business films 144 6.4 Business films after the crash 147 6.5 Utopianism and ideology 152 7 Realism 158 7.1 Philosophy and realism 158 7.2 Early Marxist thinking on film realism 160 7.3 Lumière’s gardener 163 7.4 Raymond Williams on realism 165 7.5 Falling short: the case of naturalism 168 7.6 Lukács against Modernism 172 7.7 Lukács, realism and film 174 8 Culture 8.1 Culture defined 185 8.2 Raymond Williams on culture 188 8.3 Gramsci on culture 193 185
Contents Ix 8.4 Militant cultures and accumulation by dispossession 198 8.5 The circuit of production 203 Further reading Index Film index 209 212 215
Due to its wide-ranging focus on film production, distribution, exhibition, and reception, Marxism Goes to the Alovies will serve as a core text in many film history and theory courses that want to relate the central ways in which film structures our relationship to the world and serves as a primary terrain where social change happens. Chris Robé, Professor of Film and Media Studies, Florida Atlantic University Introducing the key concepts and thinkers within the Marxist tradition, Marxism Coes to the Movies demonstrates their relevance to film theory and practice past and present. Author Mike Wayne argues that Marxist filmmaking has engaged with and transformed this popular medium, developing its potential for stimulating revolutionary consciousness. As the crisis of capitalism deepens, this history and these resources are vital for a better future. Marxism is one of the few approaches that can bring together political, economic, formal and cultural analysis into a unified approach of studying film, and how films in turn can help us understand and even critically interrogate these forces. The book examines how filmmakers, who have been influenced by Marxism, have made some of the most significant contributions to film culture globally, and provides historical perspective on the development of Marxism and film. Each chapter covers a broad theme that is broken down into sections that are cross-referenced throughout, providing helpful navigation of the material. Clear and concise in its arguments, this is an ideal introduction for students of Marxism and film, inviting
readers to deepen their knowledge and understanding of the subject. Mike Wayne is Professor of Screen Media at Brunei University, London.
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| indexdate | 2024-07-10T08:44:32Z |
| institution | BVB |
| isbn | 9781138677876 9781138677869 |
| language | English |
| lccn | 2019033660 |
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| spelling | Wayne, Mike 1965- Verfasser (DE-588)1057814520 aut Marxism goes to the movies Mike Wayne London ; New York Routledge 2020 ix, 217 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "This book provides a long-awaited account of how Marxism has shaped both the medium of film and the study of film. It covers key concepts that anyone studying film needs to engage with, as well as key theorists (both within and beyond film studies) and provides an historical perspective on the development of Marxism and film. Author Mike Wayne argues the need to de-reify how we look at film, link text to context, consciousness to social being, industrial strategies to cultural struggle and assesses new technological, cultural and political trends historically"-- Geschichte gnd rswk-swf Motion pictures Political aspects Motion pictures Social aspects Communism and motion pictures Film (DE-588)4017102-4 gnd rswk-swf Marxismus (DE-588)4037764-7 gnd rswk-swf Marxismus Motiv (DE-588)4775465-5 gnd rswk-swf Marxismus Motiv (DE-588)4775465-5 s Film (DE-588)4017102-4 s DE-604 Marxismus (DE-588)4037764-7 s Geschichte z Erscheint auch als Online-Ausgabe 978-1-315-55930-8 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031847967&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031847967&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Wayne, Mike 1965- Marxism goes to the movies Motion pictures Political aspects Motion pictures Social aspects Communism and motion pictures Film (DE-588)4017102-4 gnd Marxismus (DE-588)4037764-7 gnd Marxismus Motiv (DE-588)4775465-5 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4037764-7 (DE-588)4775465-5 |
| title | Marxism goes to the movies |
| title_auth | Marxism goes to the movies |
| title_exact_search | Marxism goes to the movies |
| title_full | Marxism goes to the movies Mike Wayne |
| title_fullStr | Marxism goes to the movies Mike Wayne |
| title_full_unstemmed | Marxism goes to the movies Mike Wayne |
| title_short | Marxism goes to the movies |
| title_sort | marxism goes to the movies |
| topic | Motion pictures Political aspects Motion pictures Social aspects Communism and motion pictures Film (DE-588)4017102-4 gnd Marxismus (DE-588)4037764-7 gnd Marxismus Motiv (DE-588)4775465-5 gnd |
| topic_facet | Motion pictures Political aspects Motion pictures Social aspects Communism and motion pictures Film Marxismus Marxismus Motiv |
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