Documenting the visual arts: edited by Roger Hallas
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2020
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xii, 231 Seiten Illustrationen |
| ISBN: | 9781138565982 9781138565999 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS List offigures Acknowledgements List of contributors Introduction Roger Hallas vii ix x 1 PART I Historical foundations 21 1 Henri Storck’s Le Monde de Paul Delvaux and Pygmalionist cinema 23 Steven Jacobs 2 A sculptor’s life on screen: John Read’s film portraits of Henry Moore for BBC television 34 Katerina Loukopoulou PART II Representing the artist 51 3 A portrait of the artist as automaton: creativity, labor, and technology in Tim’s Vermeer 53 Stephan Boman 4 Flesh and vision: Jia Zhangke’s Still Life and Dong Amy Villarejo 68
vi Contents 5 Globalizing Ai Weiwei Luke Robinson 82 PART III Questions of documentation 97 6 Film and the performance of Marina Abramovič: documentary as documentation Chanda Laine Carey 99 7 Gained in translation: site-specificity in recent documentaries Vera Brunner-Sung 8 The wages of IW.A.R.: activist historiography and the feminist art movement Theresa L. Geller 113 128 PART IV Museum gazing 143 9 When art exhibition met cinema exhibition: live documentary and the remediationof the museumexperience Annabelle Honess Roe 145 10 Museum movies, documentaryspace, and thetransmedial Asbjørn Grønstad 11 “Seeing too much is seeing nothing”: the place of fashion within the documentary frame MatthewJ. Fee 160 174 PART V Art worlds and film worlds 189 12 Challenging the hierarchies of photographic history Trisha Ziff, interviewed by Roger Hallas 191 13 On the history (and future) of art documentaries and the film program at the National Gallery of Art Margaret Parsons, interviewed by Marsha Gordon Index 205 22 і
Bringing together an international range of scholars, as well as filmmakers and curators, this book explores the rich variety in form and content of the contemporary art documentary. Since their emergence in the late 1940s as a distinct genre, documentaries about the visual arts have made significant contributions to art education, public television, and documentary filmmaking, yet they have received little scholarly attention from either art history or film studies. Documenting the Visual Arts brings that attention to the fore. Whether considering documentaries about painting, sculpture, photography, performance art, site-specific installation, or fashion, the chapters of this book engage with the key question of intermediality: how film can reframe other visual arts through its specific audio-visual qualities, in order to generate new ways of understanding those arts. The essays illuminate furthermore how art documentaries raise some of the most critical issues of the contemporary global art world, specifically the discourse of the artist, the dynamics of documentation, and the visuality of the museum. Contributors discuss documentaries by filmmakers such as Frederick Wiseman, Lynn Hershman Leeson, Jia Zhangke, and Trisha Ziff, and about artists such as Michael Heizer, Ai Weiwei, Do Ho Suh, and Marina Abramovič. This collection of new international and interdisciplinary scholarship on visual art documentaries is ideal for students and scholars of visual arts and filmmaking, as well as art history, arts education, and media studies. Roger Hallas is Associate Professor of
English at Syracuse University. He is the author of Reframing Bodies: AIDS, Bearing Witness, and the Queer Moving Image (2009) and the co-editor of The Image and the Witness: Trauma, Memory, and Visual Culture (2007).
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| title | Documenting the visual arts edited by Roger Hallas |
| title_auth | Documenting the visual arts edited by Roger Hallas |
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