The Oxford handbook of music and virtuality:
Has the virtual invaded the realm of the real, or has the real expanded its definition to include what once was characterized as virtual? With the continual evolution of digital technology, this distinction grows increasingly hazy. But perhaps the distinction has become obsolete; perhaps it is time...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
2020
|
| Ausgabe: | First issued as an Oxford University Press paperback |
| Schlagworte: | |
| Zusammenfassung: | Has the virtual invaded the realm of the real, or has the real expanded its definition to include what once was characterized as virtual? With the continual evolution of digital technology, this distinction grows increasingly hazy. But perhaps the distinction has become obsolete; perhaps it is time to pay attention to the intersections, mutations, and transmigrations of the virtual and the real. Certain it is time to reinterpret the practice and study of music. The Oxford Handbook of Music and Virtuality, edited by Shelia Whiteley and Shara Rambarran, is the first book to offer a kaleidoscope of interdisciplinary perspectives from scholars around the globe on the way in which virtuality mediates the dissemination, acquisition, performance, creation, and reimagining of music. The Oxford Handbook of Music and Virtuality addresses eight themes that often overlap and interact with one another. Questions of the role of the audience, artistic agency, individual and communal identity, subjectivity, and spatiality repeatedly arise. Authors specifically explore phenomena including holographic musicians and virtual bands, and the benefits and detriments surrounding the free circulation of music on the internet. In addition, the book investigates the way in which fans and musicians negotiate gender identities as well as the dynamics of audience participation and community building in a virtual environment. The handbook rehistoricizes the virtual by tracing its progression from cartoons in the 1950s to current industry innovations and changes in practice. Well-grounded and wide-reaching, this is a book that students of any number of disciplines, from Music to Cultural Studies, have awaited. The late Sheila Whiteley was Professor Emeritus (the University of Salford, UK) and a Research Fellow at the Bader International Study Centre, Queen's University, Ontario, Canada. She is author of Too Much Too Young: Popular Music, Age and Identity (2005). Shara Rambarran is an Assistant Professor of Music and Cultural Studies at the Bader International Study Centre, Queen's University, Canada. Shara gained her PhD in Music and Cultural Studies at the University of Salford. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XXXII, 679 Seiten Illustrationen, Diagramme, Notenbeispiele |
| ISBN: | 9780190061906 |
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| 246 | 1 | 3 | |a Music and virtuality |
| 250 | |a First issued as an Oxford University Press paperback | ||
| 264 | 1 | |a New York, NY |b Oxford University Press |c 2020 | |
| 300 | |a XXXII, 679 Seiten |b Illustrationen, Diagramme, Notenbeispiele | ||
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| 500 | |a Includes bibliographical references and index | ||
| 520 | |a Has the virtual invaded the realm of the real, or has the real expanded its definition to include what once was characterized as virtual? With the continual evolution of digital technology, this distinction grows increasingly hazy. But perhaps the distinction has become obsolete; perhaps it is time to pay attention to the intersections, mutations, and transmigrations of the virtual and the real. Certain it is time to reinterpret the practice and study of music. The Oxford Handbook of Music and Virtuality, edited by Shelia Whiteley and Shara Rambarran, is the first book to offer a kaleidoscope of interdisciplinary perspectives from scholars around the globe on the way in which virtuality mediates the dissemination, acquisition, performance, creation, and reimagining of music. The Oxford Handbook of Music and Virtuality addresses eight themes that often overlap and interact with one another. Questions of the role of the audience, artistic agency, individual and communal identity, subjectivity, and spatiality repeatedly arise. Authors specifically explore phenomena including holographic musicians and virtual bands, and the benefits and detriments surrounding the free circulation of music on the internet. In addition, the book investigates the way in which fans and musicians negotiate gender identities as well as the dynamics of audience participation and community building in a virtual environment. The handbook rehistoricizes the virtual by tracing its progression from cartoons in the 1950s to current industry innovations and changes in practice. Well-grounded and wide-reaching, this is a book that students of any number of disciplines, from Music to Cultural Studies, have awaited. | ||
| 520 | |a The late Sheila Whiteley was Professor Emeritus (the University of Salford, UK) and a Research Fellow at the Bader International Study Centre, Queen's University, Ontario, Canada. She is author of Too Much Too Young: Popular Music, Age and Identity (2005). Shara Rambarran is an Assistant Professor of Music and Cultural Studies at the Bader International Study Centre, Queen's University, Canada. Shara gained her PhD in Music and Cultural Studies at the University of Salford. | ||
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Datensatz im Suchindex
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|---|---|
| any_adam_object | |
| author2 | Whiteley, Sheila 1941-2015 Rambarran, Shara |
| author2_role | edt edt |
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| author_facet | Whiteley, Sheila 1941-2015 Rambarran, Shara |
| building | Verbundindex |
| bvnumber | BV046427461 |
| callnumber-first | M - Music |
| callnumber-label | ML74 |
| callnumber-raw | ML74.7 |
| callnumber-search | ML74.7 |
| callnumber-sort | ML 274.7 |
| callnumber-subject | ML - Literature on Music |
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| dewey-full | 780.285 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
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| discipline | Musikwissenschaft |
| edition | First issued as an Oxford University Press paperback |
| format | Book |
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| spelling | The Oxford handbook of music and virtuality edited by Sheila Whiteley and Shara Rambarran Handbook of music and virtuality Music and virtuality First issued as an Oxford University Press paperback New York, NY Oxford University Press 2020 XXXII, 679 Seiten Illustrationen, Diagramme, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Has the virtual invaded the realm of the real, or has the real expanded its definition to include what once was characterized as virtual? With the continual evolution of digital technology, this distinction grows increasingly hazy. But perhaps the distinction has become obsolete; perhaps it is time to pay attention to the intersections, mutations, and transmigrations of the virtual and the real. Certain it is time to reinterpret the practice and study of music. The Oxford Handbook of Music and Virtuality, edited by Shelia Whiteley and Shara Rambarran, is the first book to offer a kaleidoscope of interdisciplinary perspectives from scholars around the globe on the way in which virtuality mediates the dissemination, acquisition, performance, creation, and reimagining of music. The Oxford Handbook of Music and Virtuality addresses eight themes that often overlap and interact with one another. Questions of the role of the audience, artistic agency, individual and communal identity, subjectivity, and spatiality repeatedly arise. Authors specifically explore phenomena including holographic musicians and virtual bands, and the benefits and detriments surrounding the free circulation of music on the internet. In addition, the book investigates the way in which fans and musicians negotiate gender identities as well as the dynamics of audience participation and community building in a virtual environment. The handbook rehistoricizes the virtual by tracing its progression from cartoons in the 1950s to current industry innovations and changes in practice. Well-grounded and wide-reaching, this is a book that students of any number of disciplines, from Music to Cultural Studies, have awaited. The late Sheila Whiteley was Professor Emeritus (the University of Salford, UK) and a Research Fellow at the Bader International Study Centre, Queen's University, Ontario, Canada. She is author of Too Much Too Young: Popular Music, Age and Identity (2005). Shara Rambarran is an Assistant Professor of Music and Cultural Studies at the Bader International Study Centre, Queen's University, Canada. Shara gained her PhD in Music and Cultural Studies at the University of Salford. Musik Music and the Internet Music Computer network resources Neue Medien (DE-588)4196910-8 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Internet (DE-588)4308416-3 gnd rswk-swf Virtuelle Realität (DE-588)4399931-1 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Musik (DE-588)4040802-4 s Internet (DE-588)4308416-3 s Neue Medien (DE-588)4196910-8 s Virtuelle Realität (DE-588)4399931-1 s DE-604 Whiteley, Sheila 1941-2015 (DE-588)1025228995 edt Rambarran, Shara (DE-588)1104280116 edt Äquivalent Druck-Ausgabe, Hardcover 978-0-19-932128-5 |
| spellingShingle | The Oxford handbook of music and virtuality Musik Music and the Internet Music Computer network resources Neue Medien (DE-588)4196910-8 gnd Musik (DE-588)4040802-4 gnd Internet (DE-588)4308416-3 gnd Virtuelle Realität (DE-588)4399931-1 gnd |
| subject_GND | (DE-588)4196910-8 (DE-588)4040802-4 (DE-588)4308416-3 (DE-588)4399931-1 (DE-588)4143413-4 |
| title | The Oxford handbook of music and virtuality |
| title_alt | Handbook of music and virtuality Music and virtuality |
| title_auth | The Oxford handbook of music and virtuality |
| title_exact_search | The Oxford handbook of music and virtuality |
| title_full | The Oxford handbook of music and virtuality edited by Sheila Whiteley and Shara Rambarran |
| title_fullStr | The Oxford handbook of music and virtuality edited by Sheila Whiteley and Shara Rambarran |
| title_full_unstemmed | The Oxford handbook of music and virtuality edited by Sheila Whiteley and Shara Rambarran |
| title_short | The Oxford handbook of music and virtuality |
| title_sort | the oxford handbook of music and virtuality |
| topic | Musik Music and the Internet Music Computer network resources Neue Medien (DE-588)4196910-8 gnd Musik (DE-588)4040802-4 gnd Internet (DE-588)4308416-3 gnd Virtuelle Realität (DE-588)4399931-1 gnd |
| topic_facet | Musik Music and the Internet Music Computer network resources Neue Medien Internet Virtuelle Realität Aufsatzsammlung |
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