Charlotte Smith and the sonnet: form, place, and tradition in the late eighteenth century
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Liverpool
Liverpool University Press
2019
|
| Schriftenreihe: | Romantic reconfigurations: studies in literature and culture 1780-1850
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| Schlagworte: | |
| Online-Zugang: | Volltext Volltext Inhaltsverzeichnis Klappentext |
| Beschreibung: | x, 182 Seiten 24 cm |
| ISBN: | 9781789620177 |
Internformat
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Datensatz im Suchindex
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Contents Acknowledgements ix Introduction 1 1 The Eighteenth-Century Sonnet 11 2 Tradition 29 3 4 5 Nightingales 30 Streams 39 River Arun 43 Other Poetic Landscapes 60 Innovation 71 The Sea 72 Breaking ‘the silent Sabbath of the grave’: Sonnet XLIV 80 Giddy Brinks and Lucid Lines 91 Wider Prospect 99 Wider Prospect of the Sonnet Revival 100 Smith in Posterity: A Fragile Inheritance 112 Botany to Beachy Head 133 Goddess of Botany 135 Economies of Vegetation 140
Charlotte Smith and the Sonnet Gossamer 146 BeachyHead 151 Bibliography 161 Index 175 viii
This book offers the first full-length study of Charlotte Smith’s Elegiac Sonnets and clarifies its ‘place’ - in multiple ways - in literary history as a work celebrated for ‘making it new’, yet deeply engaged with the literary past. It argues that Smith’s sonnets are constituted by three intertwined concerns: with tradition, place, and the sonnet form itself, whereby the subjects of Smith’s sonnets — across birds, rivers, the sea, plants and flowers - are bound up with the literary context in which she wrote. Charlotte Smith and the Sonnet shows that Smith’s verse engages more deeply with tradition than has hitherto been realised and revises our understanding not only of Smith’s career but also of the sonnet in eighteenth-century England. The book also illuminates Smith’s place in posterity as a popular poet — influencing figures ranging from Wordsworth and Coleridge to Constable — who was subsequently obscured in literary history. It reveals the complex processes underpinning Smith’s reception and paradoxical position from the late eighteenth century to the present day, and shows that the appropriation of place itself was an important way in which aspects of literary tradition have been negotiated and understood by Smith and her predecessors, contemporaries, and successors. |
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| discipline | Anglistik / Amerikanistik |
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| title | Charlotte Smith and the sonnet form, place, and tradition in the late eighteenth century |
| title_auth | Charlotte Smith and the sonnet form, place, and tradition in the late eighteenth century |
| title_exact_search | Charlotte Smith and the sonnet form, place, and tradition in the late eighteenth century |
| title_full | Charlotte Smith and the sonnet form, place, and tradition in the late eighteenth century Bethan Roberts |
| title_fullStr | Charlotte Smith and the sonnet form, place, and tradition in the late eighteenth century Bethan Roberts |
| title_full_unstemmed | Charlotte Smith and the sonnet form, place, and tradition in the late eighteenth century Bethan Roberts |
| title_short | Charlotte Smith and the sonnet |
| title_sort | charlotte smith and the sonnet form place and tradition in the late eighteenth century |
| title_sub | form, place, and tradition in the late eighteenth century |
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