The grand theater of the world: music, space, and the performance of identity in early modern Rome
Music and space in the early modern world shaped each other in profound ways, and this is particularly apparent when considering Rome, a city that defined itself as the "grande teatro del mondo". The aim of this book is to consider music and space as fundamental elements in the performance...
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| Format: | Buch |
| Sprache: | English |
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London ; New York
Routledge, Taylor & Francis Group
2020
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| Schriftenreihe: | Ashgate interdisciplinary studies in opera
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Music and space in the early modern world shaped each other in profound ways, and this is particularly apparent when considering Rome, a city that defined itself as the "grande teatro del mondo". The aim of this book is to consider music and space as fundamental elements in the performance of identity in early modern Rome. Rome's unique milieu, as defined by spiritual and political power, as well as diplomacy and competition between aristocratic families, offers an exceptionally wide array of musical spaces and practices to be explored from an interdisciplinary perspective. Space is viewed as the theatrical backdrop against which to study a variety of musical practices in their functions as signifiers of social and political meanings. The editors wish to go beyond the traditional distinction between music theatrical spectacles - namely opera - and other musical genres and practices to offer a more comprehensive perspective on the ways in which not only dramatic, but also instrumental music and even the sounds of voices and objects in the streets relied on the theatrical dimension of space for their effectiveness in conveying social and political messages. While most chapters deal with musical performances, some focus on specific aspects of the Roman soundscape, or are even intentionally "silent", dealing with visual arts and architecture in their performative and theatrical aspects. The latter offer a perspective that creates a visual counterpoint to the ways in which music and sound shaped space |
| Beschreibung: | xiii, 235 Seiten, 13 Seiten Tafeln Illustrationen, Karte |
| ISBN: | 9781472488220 |
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| 505 | 8 | |a Exploring the soundscape of early modern Rome through Uberti's Contrasto musico / Valeria de Lucca and Christine Jeanneret -- Drawing as a performative act : Carlo Marchionni at the Villa Albani, Rome / Tracy Ehrlich -- Gesture and acting in Roman opera at the end of the seventeenth century / Barbara Nestola -- Was man made for the Sabbath? Site, space, and identity in Jesuit musical life / Eric Bianchi -- Theatricality in the Sistine Chapel / Peter Gillgren -- Blinding light and gloomy darkness : illumination, spectatorship, and the oratorio in baroque Rome / Huub van der Linden -- Sound and sensorial landscape : early modern Rome as a full urban experience / Brice Gruet -- "Comprando la maraviglia con l'impossibilità" : the role of music in the space of a torneo. An unknown score of I furori di Venere (Bologna 1639) / Dinko Fabris -- Cultural life at Villa Lante di Bagnaia (1683-1685) : family, gardens, and sociability / Anne-Madeleine Goulet -- The "teatro delle acque" : music and spectacle at Villa Aldobrandini during the seventeenth and eighteenth centuries / Giulia Anna Romana Veneziano -- Inside and outside a national church : music, ceremonies, and nationality in early modern Rome / Michela Berti -- From the villa to the public theater : the Chigi and "Roman" opera in Siena / Colleen Reardon | |
| 520 | 3 | |a Music and space in the early modern world shaped each other in profound ways, and this is particularly apparent when considering Rome, a city that defined itself as the "grande teatro del mondo". The aim of this book is to consider music and space as fundamental elements in the performance of identity in early modern Rome. Rome's unique milieu, as defined by spiritual and political power, as well as diplomacy and competition between aristocratic families, offers an exceptionally wide array of musical spaces and practices to be explored from an interdisciplinary perspective. Space is viewed as the theatrical backdrop against which to study a variety of musical practices in their functions as signifiers of social and political meanings. The editors wish to go beyond the traditional distinction between music theatrical spectacles - namely opera - and other musical genres and practices to offer a more comprehensive perspective on the ways in which not only dramatic, but also instrumental music and even the sounds of voices and objects in the streets relied on the theatrical dimension of space for their effectiveness in conveying social and political messages. While most chapters deal with musical performances, some focus on specific aspects of the Roman soundscape, or are even intentionally "silent", dealing with visual arts and architecture in their performative and theatrical aspects. The latter offer a perspective that creates a visual counterpoint to the ways in which music and sound shaped space | |
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Datensatz im Suchindex
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| adam_text | Contents List of illustrations List of contributors Introduction ix xii 1 VALERIA DE LUCCA AND CHRISTINE JEANNERET PART I The spaces of music in Rome 1 Exploring the soundscape of early modem Rome through Uberti’s Contrasto musico 9 11 VALERIA DE LUCCA AND CHRISTINE JEANNERET PART II Palaces and theatres 2 Drawing as a performative act: Carlo Marchionni at the Villa Albani, Rome 31 33 TRACY EHRLICH 3 Gesture and acting in Roman opera at the end of the seventeenth century 48 BARBARA NESTOLA PART III Devotional spaces 4 Was man made for the Sabbath? Site, space, and identity in Jesuit musical life ERIC BIANCHI 65 67
viii Contents 5 Theatricality in the Şistine Chapel 83 PETER GILLGREN 6 Blinding light and gloomy darkness: Illumination, spectatorship, and the oratorio inbaroque Rome 96 HUUB VAN DER LINDEN PART IV Streets and squares 7 Sound and sensorial landscape: Early modem Rome as a full urban experience 113 115 BRICE GRUET 8 “Comprando la maraviglia con l’impossibilità”: The role of music in the space of a torneo. An unknown score of I Furori di Venere (Bologna 1639) 132 DINKO FABRIS PART V VUlas and gardens 9 Cultural life at Villa Lante di Bagnala (1683-1685): Family, gardens, and sociability 149 151 ANNE-MADELEINE GOULET 10 The “teatro delle acque”: Music and spectacle at Villa Aldobrandini during the seventeenth and eighteenth centuries 164 GIULIA ANNA ROMANA VENEZIANO PART VI Crossing boundaries 179 11 Inside and outside a national church: Music, ceremonies, and nationality in early modem Rome 181 MICHELA BERTI 12 From the villa to the public theater: The Chigi and “Roman” opera in Siena 196 COLLEEN REARDON Bibliography Index 207 230
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| contents | Exploring the soundscape of early modern Rome through Uberti's Contrasto musico / Valeria de Lucca and Christine Jeanneret -- Drawing as a performative act : Carlo Marchionni at the Villa Albani, Rome / Tracy Ehrlich -- Gesture and acting in Roman opera at the end of the seventeenth century / Barbara Nestola -- Was man made for the Sabbath? Site, space, and identity in Jesuit musical life / Eric Bianchi -- Theatricality in the Sistine Chapel / Peter Gillgren -- Blinding light and gloomy darkness : illumination, spectatorship, and the oratorio in baroque Rome / Huub van der Linden -- Sound and sensorial landscape : early modern Rome as a full urban experience / Brice Gruet -- "Comprando la maraviglia con l'impossibilità" : the role of music in the space of a torneo. An unknown score of I furori di Venere (Bologna 1639) / Dinko Fabris -- Cultural life at Villa Lante di Bagnaia (1683-1685) : family, gardens, and sociability / Anne-Madeleine Goulet -- The "teatro delle acque" : music and spectacle at Villa Aldobrandini during the seventeenth and eighteenth centuries / Giulia Anna Romana Veneziano -- Inside and outside a national church : music, ceremonies, and nationality in early modern Rome / Michela Berti -- From the villa to the public theater : the Chigi and "Roman" opera in Siena / Colleen Reardon |
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| series2 | Ashgate interdisciplinary studies in opera |
| spelling | The grand theater of the world music, space, and the performance of identity in early modern Rome edited by Valeria De Lucca and Christine Jeanneret London ; New York Routledge, Taylor & Francis Group 2020 xiii, 235 Seiten, 13 Seiten Tafeln Illustrationen, Karte txt rdacontent sti rdacontent n rdamedia nc rdacarrier Ashgate interdisciplinary studies in opera Exploring the soundscape of early modern Rome through Uberti's Contrasto musico / Valeria de Lucca and Christine Jeanneret -- Drawing as a performative act : Carlo Marchionni at the Villa Albani, Rome / Tracy Ehrlich -- Gesture and acting in Roman opera at the end of the seventeenth century / Barbara Nestola -- Was man made for the Sabbath? Site, space, and identity in Jesuit musical life / Eric Bianchi -- Theatricality in the Sistine Chapel / Peter Gillgren -- Blinding light and gloomy darkness : illumination, spectatorship, and the oratorio in baroque Rome / Huub van der Linden -- Sound and sensorial landscape : early modern Rome as a full urban experience / Brice Gruet -- "Comprando la maraviglia con l'impossibilità" : the role of music in the space of a torneo. An unknown score of I furori di Venere (Bologna 1639) / Dinko Fabris -- Cultural life at Villa Lante di Bagnaia (1683-1685) : family, gardens, and sociability / Anne-Madeleine Goulet -- The "teatro delle acque" : music and spectacle at Villa Aldobrandini during the seventeenth and eighteenth centuries / Giulia Anna Romana Veneziano -- Inside and outside a national church : music, ceremonies, and nationality in early modern Rome / Michela Berti -- From the villa to the public theater : the Chigi and "Roman" opera in Siena / Colleen Reardon Music and space in the early modern world shaped each other in profound ways, and this is particularly apparent when considering Rome, a city that defined itself as the "grande teatro del mondo". The aim of this book is to consider music and space as fundamental elements in the performance of identity in early modern Rome. Rome's unique milieu, as defined by spiritual and political power, as well as diplomacy and competition between aristocratic families, offers an exceptionally wide array of musical spaces and practices to be explored from an interdisciplinary perspective. Space is viewed as the theatrical backdrop against which to study a variety of musical practices in their functions as signifiers of social and political meanings. The editors wish to go beyond the traditional distinction between music theatrical spectacles - namely opera - and other musical genres and practices to offer a more comprehensive perspective on the ways in which not only dramatic, but also instrumental music and even the sounds of voices and objects in the streets relied on the theatrical dimension of space for their effectiveness in conveying social and political messages. While most chapters deal with musical performances, some focus on specific aspects of the Roman soundscape, or are even intentionally "silent", dealing with visual arts and architecture in their performative and theatrical aspects. The latter offer a perspective that creates a visual counterpoint to the ways in which music and sound shaped space Geschichte 1600-1700 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Rom (DE-588)4050471-2 gnd rswk-swf Music / Social aspects / Italy / Rome / History / 17th century Sound / Social aspects / Italy / Rome / History / 17th century Rome (Italy) / Social life and customs / 17th century Manners and customs Music / Social aspects Italy / Rome 1600-1699 History (DE-588)4143413-4 Aufsatzsammlung gnd-content Rom (DE-588)4050471-2 g Musikleben (DE-588)4075128-4 s Geschichte 1600-1700 z DE-604 De Lucca, Valeria ca. 20./21. Jh. (DE-588)1046552937 edt Jeanneret, Christine 1971- (DE-588)1043582010 edt Erscheint auch als Online-Ausgabe, ebk 978-1-315-46589-0 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031835155&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The grand theater of the world music, space, and the performance of identity in early modern Rome Exploring the soundscape of early modern Rome through Uberti's Contrasto musico / Valeria de Lucca and Christine Jeanneret -- Drawing as a performative act : Carlo Marchionni at the Villa Albani, Rome / Tracy Ehrlich -- Gesture and acting in Roman opera at the end of the seventeenth century / Barbara Nestola -- Was man made for the Sabbath? Site, space, and identity in Jesuit musical life / Eric Bianchi -- Theatricality in the Sistine Chapel / Peter Gillgren -- Blinding light and gloomy darkness : illumination, spectatorship, and the oratorio in baroque Rome / Huub van der Linden -- Sound and sensorial landscape : early modern Rome as a full urban experience / Brice Gruet -- "Comprando la maraviglia con l'impossibilità" : the role of music in the space of a torneo. An unknown score of I furori di Venere (Bologna 1639) / Dinko Fabris -- Cultural life at Villa Lante di Bagnaia (1683-1685) : family, gardens, and sociability / Anne-Madeleine Goulet -- The "teatro delle acque" : music and spectacle at Villa Aldobrandini during the seventeenth and eighteenth centuries / Giulia Anna Romana Veneziano -- Inside and outside a national church : music, ceremonies, and nationality in early modern Rome / Michela Berti -- From the villa to the public theater : the Chigi and "Roman" opera in Siena / Colleen Reardon Musikleben (DE-588)4075128-4 gnd |
| subject_GND | (DE-588)4075128-4 (DE-588)4050471-2 (DE-588)4143413-4 |
| title | The grand theater of the world music, space, and the performance of identity in early modern Rome |
| title_auth | The grand theater of the world music, space, and the performance of identity in early modern Rome |
| title_exact_search | The grand theater of the world music, space, and the performance of identity in early modern Rome |
| title_full | The grand theater of the world music, space, and the performance of identity in early modern Rome edited by Valeria De Lucca and Christine Jeanneret |
| title_fullStr | The grand theater of the world music, space, and the performance of identity in early modern Rome edited by Valeria De Lucca and Christine Jeanneret |
| title_full_unstemmed | The grand theater of the world music, space, and the performance of identity in early modern Rome edited by Valeria De Lucca and Christine Jeanneret |
| title_short | The grand theater of the world |
| title_sort | the grand theater of the world music space and the performance of identity in early modern rome |
| title_sub | music, space, and the performance of identity in early modern Rome |
| topic | Musikleben (DE-588)4075128-4 gnd |
| topic_facet | Musikleben Rom Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031835155&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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