The practice of musical improvisation: dialogues with contemporary musical improvisers
"A range of 50 musical improvisers discuss the complex processes at work in their practice."--
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2020
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "A range of 50 musical improvisers discuss the complex processes at work in their practice."-- |
| Beschreibung: | ix, 213 Seiten Illustrationen |
| ISBN: | 9781501349768 |
Internformat
MARC
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| 245 | 1 | 0 | |a The practice of musical improvisation |b dialogues with contemporary musical improvisers |c edited by Bertrand Denzler and Jean-Luc Guionnet |
| 264 | 1 | |a New York ; London ; Oxford ; New Delhi ; Sydney |b Bloomsbury Academic |c 2020 | |
| 300 | |a ix, 213 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Starting an Improvisation -- The Mental State During an Improvisation -- Listening to the Other Musicians, the Human Factor, the Strategies -- Memory and Form -- Process vs. Aesthetic Result, Improvisation as a Tool to Make Music vs. Music as a Tool to Improvise, Improvisation vs. Composition -- Talking about Improvisation and Music in General -- Non-idiomatic Improvisation, Experimental Music, Genre Labels -- Silence and Dynamics -- Sounds as Material -- Instrument and Technique -- Solo improvisation -- The Concert Situation, the Audience, the Published Recordings -- Some Political Issues -- How I Came to Play This Music -- How I Listen to Music, the Music I Listen to, Some Hidden Hardens -- Miscellaneous -- List of the Musicians Interviewed -- An Ear for Discord: Improvise, They Say -- Diagrams | |
| 520 | 3 | |a "A range of 50 musical improvisers discuss the complex processes at work in their practice."-- | |
| 650 | 0 | 7 | |a Improvisation |0 (DE-588)4127993-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musiker |0 (DE-588)4040841-3 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Improvisation (Music) / Psychological aspects | |
| 653 | 0 | |a Music / Performance / Psychological aspects | |
| 653 | 0 | |a Improvisation (Music) | |
| 653 | 0 | |a Musicians / Interviews | |
| 653 | 0 | |a Improvisation (Music) | |
| 653 | 0 | |a Improvisation (Music) / Psychological aspects | |
| 653 | 0 | |a Music / Performance / Psychological aspects | |
| 653 | 0 | |a Musicians | |
| 653 | 6 | |a Interviews | |
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| 700 | 1 | |a Guionnet, Jean-Luc |d 1966- |0 (DE-588)1098138724 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ebk |z 978-1-5013-4977-5 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ePDF |z 978-1-5013-4978-2 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031835048&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20200409 | |
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Datensatz im Suchindex
| _version_ | 1804180969074196480 |
|---|---|
| adam_text | Contents Acknowledgements vi Preface vii 1 Starting an improvisation 1 2 The mental state during an improvisation 5 3 Listening to the other musicians, the human factor, the strategies 17 4 Memory and form 61 5 Process versus aesthetic result, improvisation as a tool to make music versus music as a tool to improvise, improvisation versus composition 77 6 Talking about improvisation and music in general 111 7 Non-idiomatic improvisation, experimental music,genre labels 115 8 Silence and dynamics 119 9 Sounds as material 123 10 Instrument and technique 131 11 Solo improvisation 147 12 The concert situation, the audience, the publishedrecordings 151 13 Some political issues 163 14 How I came to play this music 169 15 How I listen to music, the music I listen to, some hidden gardens 177 16 Miscellaneous 191 List of the musicians interviewed 193 An ear for discord: Improvise, they say 195 Diagrams 208
|
| any_adam_object | 1 |
| author2 | Denzler, Bertrand 1963- Guionnet, Jean-Luc 1966- |
| author2_role | edt edt |
| author2_variant | b d bd j l g jlg |
| author_GND | (DE-588)1103497685 (DE-588)1098138724 |
| author_facet | Denzler, Bertrand 1963- Guionnet, Jean-Luc 1966- |
| building | Verbundindex |
| bvnumber | BV046422648 |
| contents | Starting an Improvisation -- The Mental State During an Improvisation -- Listening to the Other Musicians, the Human Factor, the Strategies -- Memory and Form -- Process vs. Aesthetic Result, Improvisation as a Tool to Make Music vs. Music as a Tool to Improvise, Improvisation vs. Composition -- Talking about Improvisation and Music in General -- Non-idiomatic Improvisation, Experimental Music, Genre Labels -- Silence and Dynamics -- Sounds as Material -- Instrument and Technique -- Solo improvisation -- The Concert Situation, the Audience, the Published Recordings -- Some Political Issues -- How I Came to Play This Music -- How I Listen to Music, the Music I Listen to, Some Hidden Hardens -- Miscellaneous -- List of the Musicians Interviewed -- An Ear for Discord: Improvise, They Say -- Diagrams |
| ctrlnum | (OCoLC)1145230007 (DE-599)BVBBV046422648 |
| format | Book |
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| id | DE-604.BV046422648 |
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| indexdate | 2024-07-10T08:44:12Z |
| institution | BVB |
| isbn | 9781501349768 |
| language | English |
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| spelling | The practice of musical improvisation dialogues with contemporary musical improvisers edited by Bertrand Denzler and Jean-Luc Guionnet New York ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2020 ix, 213 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Starting an Improvisation -- The Mental State During an Improvisation -- Listening to the Other Musicians, the Human Factor, the Strategies -- Memory and Form -- Process vs. Aesthetic Result, Improvisation as a Tool to Make Music vs. Music as a Tool to Improvise, Improvisation vs. Composition -- Talking about Improvisation and Music in General -- Non-idiomatic Improvisation, Experimental Music, Genre Labels -- Silence and Dynamics -- Sounds as Material -- Instrument and Technique -- Solo improvisation -- The Concert Situation, the Audience, the Published Recordings -- Some Political Issues -- How I Came to Play This Music -- How I Listen to Music, the Music I Listen to, Some Hidden Hardens -- Miscellaneous -- List of the Musicians Interviewed -- An Ear for Discord: Improvise, They Say -- Diagrams "A range of 50 musical improvisers discuss the complex processes at work in their practice."-- Improvisation (DE-588)4127993-1 gnd rswk-swf Musiker (DE-588)4040841-3 gnd rswk-swf Improvisation (Music) / Psychological aspects Music / Performance / Psychological aspects Improvisation (Music) Musicians / Interviews Musicians Interviews (DE-588)4128022-2 Bericht gnd-content Musiker (DE-588)4040841-3 s Improvisation (DE-588)4127993-1 s DE-604 Denzler, Bertrand 1963- (DE-588)1103497685 edt Guionnet, Jean-Luc 1966- (DE-588)1098138724 edt Erscheint auch als Online-Ausgabe, ebk 978-1-5013-4977-5 Erscheint auch als Online-Ausgabe, ePDF 978-1-5013-4978-2 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031835048&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The practice of musical improvisation dialogues with contemporary musical improvisers Starting an Improvisation -- The Mental State During an Improvisation -- Listening to the Other Musicians, the Human Factor, the Strategies -- Memory and Form -- Process vs. Aesthetic Result, Improvisation as a Tool to Make Music vs. Music as a Tool to Improvise, Improvisation vs. Composition -- Talking about Improvisation and Music in General -- Non-idiomatic Improvisation, Experimental Music, Genre Labels -- Silence and Dynamics -- Sounds as Material -- Instrument and Technique -- Solo improvisation -- The Concert Situation, the Audience, the Published Recordings -- Some Political Issues -- How I Came to Play This Music -- How I Listen to Music, the Music I Listen to, Some Hidden Hardens -- Miscellaneous -- List of the Musicians Interviewed -- An Ear for Discord: Improvise, They Say -- Diagrams Improvisation (DE-588)4127993-1 gnd Musiker (DE-588)4040841-3 gnd |
| subject_GND | (DE-588)4127993-1 (DE-588)4040841-3 (DE-588)4128022-2 |
| title | The practice of musical improvisation dialogues with contemporary musical improvisers |
| title_auth | The practice of musical improvisation dialogues with contemporary musical improvisers |
| title_exact_search | The practice of musical improvisation dialogues with contemporary musical improvisers |
| title_full | The practice of musical improvisation dialogues with contemporary musical improvisers edited by Bertrand Denzler and Jean-Luc Guionnet |
| title_fullStr | The practice of musical improvisation dialogues with contemporary musical improvisers edited by Bertrand Denzler and Jean-Luc Guionnet |
| title_full_unstemmed | The practice of musical improvisation dialogues with contemporary musical improvisers edited by Bertrand Denzler and Jean-Luc Guionnet |
| title_short | The practice of musical improvisation |
| title_sort | the practice of musical improvisation dialogues with contemporary musical improvisers |
| title_sub | dialogues with contemporary musical improvisers |
| topic | Improvisation (DE-588)4127993-1 gnd Musiker (DE-588)4040841-3 gnd |
| topic_facet | Improvisation Musiker Bericht |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031835048&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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