The geometry of musical rhythm: what makes a "good" rhythm good?
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Boca Raton ; London ; New York
CRC Press, Taylor & Francis Group
[2020]
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| Ausgabe: | Second edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | "A Chapman & Hall Book." Previous edition: 2013 |
| Beschreibung: | xvii, 351 Seiten Illustrationen |
| ISBN: | 9780815370970 9780815350385 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents Preface to the First Edition, xi Preface to the Second Edition, xv Author, xvii Chapter 1 ■ What is Rhythm?__________________________________________________________ Chapter 2 « Isochrony, Tempo, and Performance_________________________________________ 7 ISOCHRONOUS RHYTHMS 7 TEMPO 8 PERFORMANCE 8 Chapter 3 « Timelines, Osti natos, and Meter____________________________________________ V _ Chapter 4 ■ The Wooden Claves 17 Chapter 5 ■ The Iron Bells 19 Chapter 6 ■ The Clave Son: A Ubiquitous Rhythm 23 Chapter 7 . Six Distinguished Rhythm Timelines_________________________________________27 THE SHIKO TIMELINE 27 THE CLAVE RUMBA 28 THE SOUKOUS TIMELINE 28 THE GAHU TIMELINE 29 THE BOSSA-NOVA TIMELINE 29 Chapter 8 ■ The Distance Geometry of Rhythm_____________ 31 Chapter 9 ■ Classification of Rhythms_________________________________________ 37 Chapter 10 ■ Binary and Ternary Rhythms 41 Chapter 11 ■ The Isomorphism Between Rhythms and Scales________ 45 Chapter 12 . Binarization, Ternarization, and Quantization of Rhythms 51 vii
viii ■ Contents Chapter 13 59 ■ Syncopated Rhythms METRICAL COMPLEXITY ~ KEITH S MEASURE OF SYNCOPATION 59 61 Chapter 14 ■ Necklaces and Bracelets___________________________ 65 Chapter 15 ■ Rhythmic Oddity____________________________________________ 75 Chapter 16 ■ Offbeat Rhythms 85 Chapter 17 ■ Rhythm Complexity 91 OBJECTIVE, COGNITIVE, AND PERFORMANCE COMPLEXITIES 92 THE LEMPEL-ZIV COMPLEXITY 98 THE COGNITIVE COMPLEXITY OF RHYTHMS 99 IRREGULARITY AND THE NORMALIZED PAIRWISE VARIABILITY INDEX Chapter 18 ■ Meter and Metric Complexity 100 103 WHAT IS METER? 103 DOES AFRICAN RHYTHM POSSESS METER? 104 PULSE SALIENCY HISTOGRAMS IN RENAISSANCE AND COMMON PRACTICE MUSIC 107 AFRICAN RHYTHM TIMELINES AND WESTERN MUSIC 108 KEITH S MATHEMATICAL MEASURE OF METER COMPLEXITY 117 THE INTERACTION BETWEEN METER AND RHYTHM PERCEPTION 118 Chapter 19 ■ Rhythmic Grouping________________________________________________________123 Chapter 20 ■ Dispersion Problems: Perfectly Even, Maximally Even, and Balanced Rhythms Chapter 21 . Euclidean Rhythms, Euclidean Strings, and Well-Formed Rhythms_______________ 139 Chapter 22 ■ Lunisolar Rhythms: Leap Year Patterns________________________________________ 145 Chapter 23 . Almost Maximally Even Rhythms____________________________________________ 149 Chapter 24 ■ Homometric Rhythms and Crystallography___________________________________ 155 Chapter 25 ■ Complementary Rhythms___________________________________________________ 161 Chapter 26 ■ Flat Rhythms and Radio Astronomy__________________________________________ 169 Chapter 27 ■ 129 Deep
Rhythms____________________________________________________________ 177 Chapter 28 ■ Shelling Rhythms_________________________________________________________ 187 Chapter 29 ■ Phase Rhythms: The Good, the Bad, and the Ugly _______________________ 197
Contents ■ ix Chapter ЗО ■ Phantom Rhythms Chapter 31 ______________________________________________________205 ■ Reflection Rhythms, Elastic Rhythms, and Rhythmic Canons____________________ 215 REFLECTION RHYTHMS 215 PARADIDDLE METHOD 216 ALTERNATING-HANDS METHOD 218 ELASTIC RHYTHMS 220 RHYTHMIC CANONS 222 Chapter 32 ■ Toggle Rhythms___________________________________________________________ 225 Chapter 33 ■ Symmetric Rhythms________________________________________________________231 HOURGLASS RHYTHMS 236 SUBSYMMETRIES 238 Chapter 34 ■ Rhythms with anOdd Number of Pulses______________________________________241 Chapter 35 ■ Visualization and Representation of Rhythms_________________________________ 247 ALTERNATING-HANDS BOX NOTATION 247 SPECTRAL NOTATION 247 TEDAS NOTATION 248 CHRONOTONIC NOTATION 250 PHASE SPACE PLOTS 250 TANGLE DIAGRAMS 253 Chapter 36 ■ Rhythmic Similarity and Dissimilarity 257 HAMMING DISTANCE 257 SWAP DISTANCE 259 DIRECTED SWAP DISTANCE 260 MANY-TO-MANY ASSIGNMENT DISTANCE 260 GEOMETRIC DISTANCE 261 EDIT DISTANCE 262 Chapter 37 ■ Grouping and Meter as Features of Rhythm Similarity__________ 265 THE EDIT DISTANCE WITH GROUPING INFORMATION 266 THE EDIT DISTANCE WITH METER INFORMATION 268 Chapter 38 ■ Regular and Irregular Rhythms______________ 271 Chapter 39 ■ Evolution and Phylogenetic Analysis of Musical Rhythms 277 PHYLOGENETIC ANALYSIS OF CULTURAL OBJECTS 277 PHYLOGENETIC ANALYSIS OF FLAMENCO COMPAS 278
x ■ Contents THE GUAJIRA PHYLOGENETIC ANALYSIS OF ANCIENT GREEK PAEONIC RHYTHMS 282 283 Chapter 40 ■ Rhythm Combinatorics_________________________________________ 287 Chapter 41 ■ What Makes the Clave Son Such a Good Rhythm?_________________________291 EVENNESS AND BALANCE 291 RHYTHMIC ODDITY 292 OFFBEATNESS 293 WEIGHTED OFFBEATNESS 294 METRICAL COMPLEXITY AND KEITH S MEASURE OF SYNCOPATION 294 MAIN-BEAT ONSETS AND CLOSURE 294 CARDINALITY OF DISTINCT DURATIONS 295 CARDINALITY OF DISTINCT ADJACENT DURATIONS 295 ONSET COMPLEXITY AND SUM OF DISTINCT DISTANCES 295 DEEP RHYTHMS, DEEPNESS, AND SHALLOWNESS 295 TALLNESS 296 PROTOTYPICALITY AND PHYLOGENETIC TREE CENTRALITY 296 MIRROR SYMMETRY 297 PULSE SUBSYMMETRIES 297 IOI DURATION SUBSYMMETRIES 298 AREA OF PHASE SPACE PLOTS 298 FRACTAL METRIC HIERARCHY 298 SHADOW CONTOUR ISOMORPHISM 299 Chapter 42 . On the Origin, Evolution, and Migration of the Clave Son___________________ 303 Chapter 43 . Epilogue___________________________________________________________ 313 REFERENCES, 317 INDEX, 343
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| illustrated | Illustrated |
| indexdate | 2024-07-10T08:44:11Z |
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| isbn | 9780815370970 9780815350385 |
| language | English |
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| physical | xvii, 351 Seiten Illustrationen |
| psigel | BSB_NED_20200402 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
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| publisher | CRC Press, Taylor & Francis Group |
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| spelling | Toussaint, Godfried T. 1944- Verfasser (DE-588)1027351557 aut The geometry of musical rhythm what makes a "good" rhythm good? Godfried T. Toussaint Second edition Boca Raton ; London ; New York CRC Press, Taylor & Francis Group [2020] xvii, 351 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "A Chapman & Hall Book." Previous edition: 2013 Musik (DE-588)4040802-4 gnd rswk-swf Rhythmus (DE-588)4132330-0 gnd rswk-swf Rhythm / Mathematical models Rhythm / Computer simulation Geometry, Descriptive Musik (DE-588)4040802-4 s Rhythmus (DE-588)4132330-0 s DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031834551&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Toussaint, Godfried T. 1944- The geometry of musical rhythm what makes a "good" rhythm good? Musik (DE-588)4040802-4 gnd Rhythmus (DE-588)4132330-0 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4132330-0 |
| title | The geometry of musical rhythm what makes a "good" rhythm good? |
| title_auth | The geometry of musical rhythm what makes a "good" rhythm good? |
| title_exact_search | The geometry of musical rhythm what makes a "good" rhythm good? |
| title_full | The geometry of musical rhythm what makes a "good" rhythm good? Godfried T. Toussaint |
| title_fullStr | The geometry of musical rhythm what makes a "good" rhythm good? Godfried T. Toussaint |
| title_full_unstemmed | The geometry of musical rhythm what makes a "good" rhythm good? Godfried T. Toussaint |
| title_short | The geometry of musical rhythm |
| title_sort | the geometry of musical rhythm what makes a good rhythm good |
| title_sub | what makes a "good" rhythm good? |
| topic | Musik (DE-588)4040802-4 gnd Rhythmus (DE-588)4132330-0 gnd |
| topic_facet | Musik Rhythmus |
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