The origins of music theory in the age of Plato:
Listening is a social process. Even apparently trivial acts of listening are expert performances of acquired cognitive and bodily habits. Contemporary scholars acknowledge this fact with the notion that there are "auditory cultures." In the fourth century BCE, Greek philosophers recognized...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2020
|
| Schriftenreihe: | Bloomsbury classical studies monographs
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Listening is a social process. Even apparently trivial acts of listening are expert performances of acquired cognitive and bodily habits. Contemporary scholars acknowledge this fact with the notion that there are "auditory cultures." In the fourth century BCE, Greek philosophers recognized a similar phenomenon in music, which they treated as a privileged site for the cultural manufacture of sensory capabilities, and proof that in a traditional culture perception could be ordered, regular, and reliable. This approachable and elegantly written book tells the story of how music became a vital topic for understanding the senses and their role in the creation of knowledge. Focussing in particular on discussions of music and sensation in Plato and Aristoxenus, Sean Gurd explores a crucial early chapter in the history of hearing and gently raises critical questions about how aesthetic traditionalism and sensory certainty can be joined together in a mutually reinforcing symbiosis. |
| Beschreibung: | 214 Seiten Diagramme |
| ISBN: | 9781350071988 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804180968079097856 |
|---|---|
| adam_text | Contents List of Figures Preface ix Introduction Part One viii Plato 1 23 Chapter 1 25 Chapter 2 43 Chapter 3 59 Part Two Aristoxenus 91 Chapter 4 93 Chapter 5 125 Conclusion 157 Notes 163 Works Cited 193 Index 211
|
| any_adam_object | 1 |
| author | Gurd, Sean Alexander 1973- |
| author_GND | (DE-588)1020077522 |
| author_facet | Gurd, Sean Alexander 1973- |
| author_role | aut |
| author_sort | Gurd, Sean Alexander 1973- |
| author_variant | s a g sa sag |
| building | Verbundindex |
| bvnumber | BV046422059 |
| ctrlnum | (OCoLC)1145211161 (DE-599)BVBBV046422059 |
| format | Book |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:44:11Z |
| institution | BVB |
| isbn | 9781350071988 |
| language | English |
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| physical | 214 Seiten Diagramme |
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| spelling | Gurd, Sean Alexander 1973- Verfasser (DE-588)1020077522 aut The origins of music theory in the age of Plato Sean Alexander Gurd London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2020 214 Seiten Diagramme txt rdacontent sti rdacontent n rdamedia nc rdacarrier Bloomsbury classical studies monographs Listening is a social process. Even apparently trivial acts of listening are expert performances of acquired cognitive and bodily habits. Contemporary scholars acknowledge this fact with the notion that there are "auditory cultures." In the fourth century BCE, Greek philosophers recognized a similar phenomenon in music, which they treated as a privileged site for the cultural manufacture of sensory capabilities, and proof that in a traditional culture perception could be ordered, regular, and reliable. This approachable and elegantly written book tells the story of how music became a vital topic for understanding the senses and their role in the creation of knowledge. Focussing in particular on discussions of music and sensation in Plato and Aristoxenus, Sean Gurd explores a crucial early chapter in the history of hearing and gently raises critical questions about how aesthetic traditionalism and sensory certainty can be joined together in a mutually reinforcing symbiosis. Plato v427-v347 (DE-588)118594893 gnd rswk-swf Aristoxenus Tarentinus v360-v300 (DE-588)118650149 gnd rswk-swf Musiktheorie (DE-588)4040876-0 gnd rswk-swf Music theory / History / To 500 Plato Aristoxenus Music theory To 500 History Aristoxenus mus. TLG 0088 (DE-2581)TH000000363 gbd Musik, griechisch (DE-2581)TH000006171 gbd Musicam (ad) quae referuntur (DE-2581)TH000002012 gbd Plato v427-v347 (DE-588)118594893 p Aristoxenus Tarentinus v360-v300 (DE-588)118650149 p Musiktheorie (DE-588)4040876-0 s DE-604 Erscheint auch als Online-Ausgabe 978-1-350-07199-5 Erscheint auch als Online-Ausgabe 978-1-350-07200-8 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031834471&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | The origins of music theory in the age of Plato |
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| title_exact_search | The origins of music theory in the age of Plato |
| title_full | The origins of music theory in the age of Plato Sean Alexander Gurd |
| title_fullStr | The origins of music theory in the age of Plato Sean Alexander Gurd |
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| title_short | The origins of music theory in the age of Plato |
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