Fidel between the lines: paranoia and ambivalence in late socialist Cuban cinema
Traces the changing dynamics of criticism and censorship in late socialist Cuba through a focus on cinema. Following the collapse of the Soviet Union, the Cuban state strategically relaxed censorship, attempting to contain dissent by giving it an outlet in the arts. Along with this shift, foreign fu...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Durham ; London
Duke University Press
2019
|
| Schlagworte: | |
| Zusammenfassung: | Traces the changing dynamics of criticism and censorship in late socialist Cuba through a focus on cinema. Following the collapse of the Soviet Union, the Cuban state strategically relaxed censorship, attempting to contain dissent by giving it an outlet in the arts. Along with this shift, foreign funding and digital technologies gave filmmakers more freedom to criticize the state than ever before, yet these openings also exacerbated the political paranoia that has long shaped the Cuban public sphere. Drawing on ethnographic fieldwork, textual analysis, and archival research, Humphreys shows how Cuban filmmakers have historically turned to allegory to communicate an ambivalent relationship to the Revolution, and how such efforts came up against new forms of suspicion in the 1990s and the twenty-first century. Offering insights that extend beyond Cuba, Humphreys reveals what happens to public debate when freedom of expression can no longer be distinguished from complicity while demonstrating the ways in which combining anthropology with film studies can shed light on cinema's broader social and political import. |
| Beschreibung: | xi, 287 Seiten Illustrationen 23 cm |
| ISBN: | 9781478005476 9781478006244 |
Internformat
MARC
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| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Introduction: Criticism from within -- Symptomologies of the state -- Paranoid readings and ambivalent allegories -- Faith without Fidel -- Staying and suspicion -- Montage in the parenthesis -- Coda: 'Cuba está de moda' | |
| 520 | 3 | |a Traces the changing dynamics of criticism and censorship in late socialist Cuba through a focus on cinema. Following the collapse of the Soviet Union, the Cuban state strategically relaxed censorship, attempting to contain dissent by giving it an outlet in the arts. Along with this shift, foreign funding and digital technologies gave filmmakers more freedom to criticize the state than ever before, yet these openings also exacerbated the political paranoia that has long shaped the Cuban public sphere. Drawing on ethnographic fieldwork, textual analysis, and archival research, Humphreys shows how Cuban filmmakers have historically turned to allegory to communicate an ambivalent relationship to the Revolution, and how such efforts came up against new forms of suspicion in the 1990s and the twenty-first century. Offering insights that extend beyond Cuba, Humphreys reveals what happens to public debate when freedom of expression can no longer be distinguished from complicity while demonstrating the ways in which combining anthropology with film studies can shed light on cinema's broader social and political import. | |
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Datensatz im Suchindex
| _version_ | 1804180956077096960 |
|---|---|
| any_adam_object | |
| author | Humphreys, Laura-Zoë 1976- |
| author_GND | (DE-588)1207575593 |
| author_facet | Humphreys, Laura-Zoë 1976- |
| author_role | aut |
| author_sort | Humphreys, Laura-Zoë 1976- |
| author_variant | l z h lzh |
| building | Verbundindex |
| bvnumber | BV046414811 |
| contents | Introduction: Criticism from within -- Symptomologies of the state -- Paranoid readings and ambivalent allegories -- Faith without Fidel -- Staying and suspicion -- Montage in the parenthesis -- Coda: 'Cuba está de moda' |
| ctrlnum | (OCoLC)1143657337 (DE-599)BVBBV046414811 |
| era | Geschichte 1989-2016 gnd |
| era_facet | Geschichte 1989-2016 |
| format | Book |
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| spelling | Humphreys, Laura-Zoë 1976- Verfasser (DE-588)1207575593 aut Fidel between the lines paranoia and ambivalence in late socialist Cuban cinema Laura-Zoë Humphreys Between the lines Durham ; London Duke University Press 2019 xi, 287 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Introduction: Criticism from within -- Symptomologies of the state -- Paranoid readings and ambivalent allegories -- Faith without Fidel -- Staying and suspicion -- Montage in the parenthesis -- Coda: 'Cuba está de moda' Traces the changing dynamics of criticism and censorship in late socialist Cuba through a focus on cinema. Following the collapse of the Soviet Union, the Cuban state strategically relaxed censorship, attempting to contain dissent by giving it an outlet in the arts. Along with this shift, foreign funding and digital technologies gave filmmakers more freedom to criticize the state than ever before, yet these openings also exacerbated the political paranoia that has long shaped the Cuban public sphere. Drawing on ethnographic fieldwork, textual analysis, and archival research, Humphreys shows how Cuban filmmakers have historically turned to allegory to communicate an ambivalent relationship to the Revolution, and how such efforts came up against new forms of suspicion in the 1990s and the twenty-first century. Offering insights that extend beyond Cuba, Humphreys reveals what happens to public debate when freedom of expression can no longer be distinguished from complicity while demonstrating the ways in which combining anthropology with film studies can shed light on cinema's broader social and political import. Geschichte 1989-2016 gnd rswk-swf Meinungsfreiheit (DE-588)4038463-9 gnd rswk-swf Politik Motiv (DE-588)4202544-8 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Kuba (DE-588)4033340-1 gnd rswk-swf Motion pictures / Cuba / History and criticism Motion pictures / Political aspects / Cuba Motion pictures / Cuba / History / 20th century Motion pictures / Cuba / History / 21st century Motion pictures Motion pictures / Political aspects Cuba 1900-2099 Criticism, interpretation, etc History Kuba (DE-588)4033340-1 g Meinungsfreiheit (DE-588)4038463-9 s Film (DE-588)4017102-4 s Politik Motiv (DE-588)4202544-8 s Geschichte 1989-2016 z DE-604 Erscheint auch als Online-Ausgabe 978-1-4780-0714-2 |
| spellingShingle | Humphreys, Laura-Zoë 1976- Fidel between the lines paranoia and ambivalence in late socialist Cuban cinema Introduction: Criticism from within -- Symptomologies of the state -- Paranoid readings and ambivalent allegories -- Faith without Fidel -- Staying and suspicion -- Montage in the parenthesis -- Coda: 'Cuba está de moda' Meinungsfreiheit (DE-588)4038463-9 gnd Politik Motiv (DE-588)4202544-8 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4038463-9 (DE-588)4202544-8 (DE-588)4017102-4 (DE-588)4033340-1 |
| title | Fidel between the lines paranoia and ambivalence in late socialist Cuban cinema |
| title_alt | Between the lines |
| title_auth | Fidel between the lines paranoia and ambivalence in late socialist Cuban cinema |
| title_exact_search | Fidel between the lines paranoia and ambivalence in late socialist Cuban cinema |
| title_full | Fidel between the lines paranoia and ambivalence in late socialist Cuban cinema Laura-Zoë Humphreys |
| title_fullStr | Fidel between the lines paranoia and ambivalence in late socialist Cuban cinema Laura-Zoë Humphreys |
| title_full_unstemmed | Fidel between the lines paranoia and ambivalence in late socialist Cuban cinema Laura-Zoë Humphreys |
| title_short | Fidel between the lines |
| title_sort | fidel between the lines paranoia and ambivalence in late socialist cuban cinema |
| title_sub | paranoia and ambivalence in late socialist Cuban cinema |
| topic | Meinungsfreiheit (DE-588)4038463-9 gnd Politik Motiv (DE-588)4202544-8 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Meinungsfreiheit Politik Motiv Film Kuba |
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