Re-reading the monstrous-feminine: art, film, feminism and psychoanalysis
"This book provides a critical reappraisal of Barbara Creed's ground-breaking work of feminist psychoanalytic film scholarship, The Monstrous-Feminine, which was first published in 1993. The Monstrous-Feminine married psychoanalytic thinking with film analysis in radically new ways to prov...
Gespeichert in:
| Weitere Verfasser: | , , |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge
2020
|
| Ausgabe: | First edition |
| Schriftenreihe: | Routledge advances in film studies
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "This book provides a critical reappraisal of Barbara Creed's ground-breaking work of feminist psychoanalytic film scholarship, The Monstrous-Feminine, which was first published in 1993. The Monstrous-Feminine married psychoanalytic thinking with film analysis in radically new ways to provide an invaluable corrective to conventional approaches to the study of women in horror films, with their narrow emphasis on woman's victimhood. This volume, which will mark 25 years since the publication of The Monstrous-Feminine, brings together essays by international scholars working across a variety of disciplines who take up Creed's ideas in new ways and fresh contexts or, more broadly, explore possible futures for feminist and/or psychoanalytically informed art history and film theory"-- |
| Beschreibung: | vii, 267 Seiten Illustrationen |
| ISBN: | 9781138602946 1138602949 |
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| adam_text | Contents Acknowledgments 1 Re-reading The Monstrous-Feminine: New Approaches to Psychoanalytic Theory, Affect, Film, and Art ix 1 NICHOLAS CHARE, JEANETTE HOORN, AND AUDREY YUE PARTI Introduction: Feminism and Psychoanalysis 35 NICHOLAS CHARE, JEANETTE HOORN, AND AUDREY YUE 2 Symmetry and Incident: Laura Mulvey in Conversation with Nicholas Chare 43 LAURA MULVEY 3 A Dream of Bare Arms: ‘Womanliness’, Dirt, and a Quest for Knowledge 53 ANNETTE KUHN 4 Feminism, Film, and Theory Now 66 ELIZABETH COWIE PART II Introduction: Expanding the Monstrous-Feminine 89 NICHOLAS CHARE, JEANETTE HOORN, AND AUDREY YUE 5 The Monstrous-Feminine, Then and Now: Barbara Creed in Conversation with Nicholas Chare BARBARA CREED 95
vi Contents 6 Abjection beyond Tears: Ellyn Burstyn as Liminal (On Set) Mother in The Exorcist 106 MARK NICHOLLS 7 Carrie’s Sisters: New Blood in Contemporary Female Horror Cinema 121 PATRICIA PISTERS PART III Introduction: Reproductive and Post-Reproductive Bodies and the Monstrous-Feminine 139 NICHOLAS CHARE, JEANETTE HOORN, AND AUDREY YUE 8 ‘I Will Not Be That Girl in the Box’: The Handmaid’s Tale, Monstrous Wombs and Trump’s America 146 TARA BRABAZON 9 ‘From a Speculative Point of View I Wondered Which of Us I Was’: Re-reading Old Women 161 SNEJA GUNEW 10 The ‘Monstrous-Feminine’: Dementia, Psychoanalysis, and Mother-Daughter Relations in Dana Walrath’s Aliceheimer’s 173 E. ANN KAPLAN PART IV Introduction: Rethinking the Monstrous-Feminine through a Transnational Frame 187 NICHOLAS CHARE, JEANETTE HOORN, AND AUDREY YUE 11 Polluted Water: Demotic Thai Cinema and Queer Abjection in the Films of Poj Arnon 193 BRETT FARMER 12 The Monstrous-Feminine in the Millennial Japanese Horror Film: Problematic M(0)thers and Their Monstrous Children in Ringu, Honogurai mizo no soko kara anà,Ju-On VALERIE WEE 209
Contents vii Women in the Way? Re-reading The MonstrousFeminine in Contemporary Slovenian Cinema 230 POLONA PETEK In-Your-Face: The Monstrous-Feminine in Photography, Performance Art, Multimedia, and Painting 241 JEANETTE HOORN List of Contributors Index 255 259
Re-reading the Monstrous-Feminine ‘Re-reading the Monstrous-Feminine offers a welcome, far-reaching and much-overdue re-appraisal of one of the most influential pieces of scholarship on women, horror, and psychoanalytic film theory.’ —Erin Harrington, University of Canterbury, New Zealand ‘It is long past time for an extended appraisal of Barbara Creed’s ground-break ing conception of the “monstrous-feminine,” and this collection makes clear the continued relevance of Creed’s theory to a proliferating array of bodies and texts.’ —Dawn Keetley, Lehigh University, USA This book provides a critical reappraisal of Barbara Creed’s groundbreaking work of femi nist psychoanalytic film scholarship, The Monstrous-Feminine, which was first published in 1993. The Monstrous-Feminine married psychoanalytic thinking with film analysis in radically new ways to provide an invaluable corrective to conventional approaches to the study of women in horror films, with their narrow emphasis on woman’s victimhood. This volume, which will mark 25 years since the publication of The Monstrous-Feminine, brings together essays by international scholars working across a variety of disciplines who take up Creed’s ideas in new ways and fresh contexts or, more broadly, explore possible futures for feminist and/or psychoanalytically informed art history and film theory. Nicholas Chare is Associate Professor in the Department of History of Art and Film Studies at the Université de Montréal, Canada. He is the author of After Francis Bacon (2012) and Sportswomen in Cinema (2015) and the co-editor with Liz
Watkins of Gesture and Film (2017) and with Katharina Bonzel of Representations of Sports Coaches in Film (2017). Jeanette Hoorn is Honorary Professorial Fellow and a former Director of Gender Studies and Associate- Dean EO in the Faculty of Arts at the University of Melbourne, Australia. In 2014 she designed Sexing the Canvas, filmed and taught at National Gallery of Victoria, Museum of Modern Art New York, and Huntington Library in Pasadena on the Coursera platform https://www.coursera.org/course/sexingthecanvas. Her books include Australian Pastoral: The Making of a White Landscape, 2007; Reframing Darwin: Evolution and Art in Australia, 2009; Body Trade: Captivity, Cannibalism and Colonialism in the Pacific, 2001; Idylle Marocaine, Hilda Rix Nicholas et Elsie Rix en Maroc, due October 2019 with Afrique Orient. Her essays have appeared in Art and Australia, Screen, Third Text, Continuum, Transnational Cinemas, Hecate, Australian Historical Studies; Photofile. Audrey Yue is Professor in Media, Culture and Critical Theory, Head of Communications and New Media, and Convenor of the Cultural Studies in Asia PhD Programme at the National University of Singapore. She is author, co-author and co-editor of Sinophone Cinemas (2014), Transnational Australian Cinema (2013), Queer Singapore (2012), Ann Hut’s Song of the Exile (2010), AsiaPacifiQueer (2008) and Mobile Cultures: New Me dia in Queer Asia (2003). Her recent essays appear in Media and Communication; In ternationaljournal of Communication; Inter-Asia Cultural Studies and Urban Studies.
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| spelling | Re-reading the monstrous-feminine art, film, feminism and psychoanalysis edited by Nicholas Chare, Jeanette Hoorn and Audrey Yue First edition New York ; London Routledge 2020 vii, 267 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Routledge advances in film studies "This book provides a critical reappraisal of Barbara Creed's ground-breaking work of feminist psychoanalytic film scholarship, The Monstrous-Feminine, which was first published in 1993. The Monstrous-Feminine married psychoanalytic thinking with film analysis in radically new ways to provide an invaluable corrective to conventional approaches to the study of women in horror films, with their narrow emphasis on woman's victimhood. This volume, which will mark 25 years since the publication of The Monstrous-Feminine, brings together essays by international scholars working across a variety of disciplines who take up Creed's ideas in new ways and fresh contexts or, more broadly, explore possible futures for feminist and/or psychoanalytically informed art history and film theory"-- Creed, Barbara 1943- (DE-588)118631396X gnd rswk-swf Filmkritik (DE-588)4154367-1 gnd rswk-swf Feminismus (DE-588)4222126-2 gnd rswk-swf Psychoanalyse (DE-588)4047689-3 gnd rswk-swf Psychoanalysis and the cinema Feminism and the cinema Women in films Horror films Psykoanalytisk filmteori Feministisk filmteori Kvinnor på film Skräckfilm (DE-588)4143413-4 Aufsatzsammlung gnd-content Creed, Barbara 1943- (DE-588)118631396X p Feminismus (DE-588)4222126-2 s Filmkritik (DE-588)4154367-1 s Psychoanalyse (DE-588)4047689-3 s DE-604 Chare, Nicholas (DE-588)1022457683 edt Hoorn, Jeanette (DE-588)137009011 edt Yue, Audrey (DE-588)1232520357 edt Erscheint auch als Online-Ausgabe 978-0-429-46936-7 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031825948&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031825948&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Re-reading the monstrous-feminine art, film, feminism and psychoanalysis |
| title_auth | Re-reading the monstrous-feminine art, film, feminism and psychoanalysis |
| title_exact_search | Re-reading the monstrous-feminine art, film, feminism and psychoanalysis |
| title_full | Re-reading the monstrous-feminine art, film, feminism and psychoanalysis edited by Nicholas Chare, Jeanette Hoorn and Audrey Yue |
| title_fullStr | Re-reading the monstrous-feminine art, film, feminism and psychoanalysis edited by Nicholas Chare, Jeanette Hoorn and Audrey Yue |
| title_full_unstemmed | Re-reading the monstrous-feminine art, film, feminism and psychoanalysis edited by Nicholas Chare, Jeanette Hoorn and Audrey Yue |
| title_short | Re-reading the monstrous-feminine |
| title_sort | re reading the monstrous feminine art film feminism and psychoanalysis |
| title_sub | art, film, feminism and psychoanalysis |
| topic | Creed, Barbara 1943- (DE-588)118631396X gnd Filmkritik (DE-588)4154367-1 gnd Feminismus (DE-588)4222126-2 gnd Psychoanalyse (DE-588)4047689-3 gnd |
| topic_facet | Creed, Barbara 1943- Filmkritik Feminismus Psychoanalyse Aufsatzsammlung |
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