Out loud: a memoir
From the most brilliant and audacious choreographer of our time, the exuberant tale of a young dancer's rise to the pinnacle of the performing arts world, and the triumphs and perils of creating work on his own terms--and staying true to himself. Before Mark Morris became "the most success...
Gespeichert in:
Hauptverfasser: | , |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
Penguin Press
[2019]
|
Schlagworte: | |
Zusammenfassung: | From the most brilliant and audacious choreographer of our time, the exuberant tale of a young dancer's rise to the pinnacle of the performing arts world, and the triumphs and perils of creating work on his own terms--and staying true to himself. Before Mark Morris became "the most successful and influential choreographer alive" (The New York Times), he was a six year-old in Seattle cramming his feet into Tupperware glasses so that he could practice walking on pointe. Often the only boy in the dance studio, he was called a sissy, a term he wore like a badge of honor. He was unlike anyone else, deeply gifted and spirited. Moving to New York at nineteen, he arrived to one of the great booms of dance in America. Audiences in 1976 had the luxury of Merce Cunningham's finest experiments with time and space, of Twyla Tharp's virtuosity, and Lucinda Childs's genius. Morris was flat broke but found a group of likeminded artists that danced together, travelled together, slept together. No one wanted to break the spell or miss a thing, because "if you missed anything, you missed everything." This collective, led by Morris's fiercely original vision, became the famed Mark Morris Dance Group. Suddenly, Morris was making a fast ascent. Celebrated by The New Yorker's critic as one of the great young talents, an androgynous beauty in the vein of Michelangelo's David, he and his company had arrived. Collaborations with the likes of Mikhail Baryshnikov, Yo-Yo Ma, Lou Harrison, and Howard Hodgkin followed. And so did controversy: from the circus of his tenure at La Monnaie in Belgium to his work on the biggest flop in Broadway history. But through the Reagan-Bush era, the worst of the AIDS epidemic, through rehearsal squabbles and backstage intrigues, Morris emerged as one of the great visionaries of modern dance, a force of nature with a dedication to beauty and a love of the body, an artist as joyful as he is provocative. Out Loud is the bighearted and outspoken story of a man as formidable on the page as he is on the boards. With unusual candor and disarming wit, Morris's memoir captures the life of a performer who broke the mold, a brilliant maverick who found his home in the collective and liberating world of music and dance |
Beschreibung: | Includes index |
Beschreibung: | 374 pages, 16 unnumbered pages of plates illustrations 25 cm |
ISBN: | 9780735223073 |
Internformat
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100 | 1 | |a Morris, Mark |d 1956- |e Verfasser |0 (DE-588)119235307 |4 aut | |
245 | 1 | 0 | |a Out loud |b a memoir |c Mark Morris and Wesley Stace |
264 | 1 | |a New York |b Penguin Press |c [2019] | |
300 | |a 374 pages, 16 unnumbered pages of plates |b illustrations |c 25 cm | ||
336 | |b txt |2 rdacontent | ||
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338 | |b nc |2 rdacarrier | ||
500 | |a Includes index | ||
505 | 8 | |a Verla Flowers dance arts -- Jr. high -- Dad's charts -- Brummagem -- Gloria -- Mythologies -- L'aalegro -- Dido and Aeneas -- The hard nut -- Grand duo -- The capeman -- Home -- Pepperland -- Above and beyond | |
520 | 3 | |a From the most brilliant and audacious choreographer of our time, the exuberant tale of a young dancer's rise to the pinnacle of the performing arts world, and the triumphs and perils of creating work on his own terms--and staying true to himself. Before Mark Morris became "the most successful and influential choreographer alive" (The New York Times), he was a six year-old in Seattle cramming his feet into Tupperware glasses so that he could practice walking on pointe. Often the only boy in the dance studio, he was called a sissy, a term he wore like a badge of honor. He was unlike anyone else, deeply gifted and spirited. Moving to New York at nineteen, he arrived to one of the great booms of dance in America. Audiences in 1976 had the luxury of Merce Cunningham's finest experiments with time and space, of Twyla Tharp's virtuosity, and Lucinda Childs's genius. Morris was flat broke but found a group of likeminded artists that danced together, travelled together, slept together. | |
520 | 3 | |a No one wanted to break the spell or miss a thing, because "if you missed anything, you missed everything." This collective, led by Morris's fiercely original vision, became the famed Mark Morris Dance Group. Suddenly, Morris was making a fast ascent. Celebrated by The New Yorker's critic as one of the great young talents, an androgynous beauty in the vein of Michelangelo's David, he and his company had arrived. Collaborations with the likes of Mikhail Baryshnikov, Yo-Yo Ma, Lou Harrison, and Howard Hodgkin followed. And so did controversy: from the circus of his tenure at La Monnaie in Belgium to his work on the biggest flop in Broadway history. But through the Reagan-Bush era, the worst of the AIDS epidemic, through rehearsal squabbles and backstage intrigues, Morris emerged as one of the great visionaries of modern dance, a force of nature with a dedication to beauty and a love of the body, an artist as joyful as he is provocative. | |
520 | 3 | |a Out Loud is the bighearted and outspoken story of a man as formidable on the page as he is on the boards. With unusual candor and disarming wit, Morris's memoir captures the life of a performer who broke the mold, a brilliant maverick who found his home in the collective and liberating world of music and dance | |
600 | 1 | 7 | |a Morris, Mark |d 1956- |0 (DE-588)119235307 |2 gnd |9 rswk-swf |
653 | |a Mark Morris Dance Group | ||
653 | 1 | |a Morris, Mark / 1956- | |
653 | 2 | |a Mark Morris Dance Group | |
653 | 0 | |a Choreographers / United States / Biography | |
653 | 0 | |a Ballet dancers / United States / Biography | |
653 | 1 | |a Morris, Mark / 1956- | |
653 | 0 | |a Ballet dancers | |
653 | 0 | |a Choreographers | |
653 | 2 | |a United States | |
653 | 6 | |a Autobiographies | |
653 | 6 | |a Biographies | |
655 | 7 | |0 (DE-588)4003939-0 |a Autobiografie |2 gnd-content | |
689 | 0 | 0 | |a Morris, Mark |d 1956- |0 (DE-588)119235307 |D p |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Stace, Wesley |e Verfasser |4 aut | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-7352-2309-7 |
999 | |a oai:aleph.bib-bvb.de:BVB01-031823381 |
Datensatz im Suchindex
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any_adam_object | |
author | Morris, Mark 1956- Stace, Wesley |
author_GND | (DE-588)119235307 |
author_facet | Morris, Mark 1956- Stace, Wesley |
author_role | aut aut |
author_sort | Morris, Mark 1956- |
author_variant | m m mm w s ws |
building | Verbundindex |
bvnumber | BV046410757 |
contents | Verla Flowers dance arts -- Jr. high -- Dad's charts -- Brummagem -- Gloria -- Mythologies -- L'aalegro -- Dido and Aeneas -- The hard nut -- Grand duo -- The capeman -- Home -- Pepperland -- Above and beyond |
ctrlnum | (OCoLC)1145218317 (DE-599)BVBBV046410757 |
format | Book |
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genre_facet | Autobiografie |
id | DE-604.BV046410757 |
illustrated | Illustrated |
indexdate | 2024-07-10T08:43:53Z |
institution | BVB |
isbn | 9780735223073 |
language | English |
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physical | 374 pages, 16 unnumbered pages of plates illustrations 25 cm |
publishDate | 2019 |
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publisher | Penguin Press |
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spelling | Morris, Mark 1956- Verfasser (DE-588)119235307 aut Out loud a memoir Mark Morris and Wesley Stace New York Penguin Press [2019] 374 pages, 16 unnumbered pages of plates illustrations 25 cm txt rdacontent n rdamedia nc rdacarrier Includes index Verla Flowers dance arts -- Jr. high -- Dad's charts -- Brummagem -- Gloria -- Mythologies -- L'aalegro -- Dido and Aeneas -- The hard nut -- Grand duo -- The capeman -- Home -- Pepperland -- Above and beyond From the most brilliant and audacious choreographer of our time, the exuberant tale of a young dancer's rise to the pinnacle of the performing arts world, and the triumphs and perils of creating work on his own terms--and staying true to himself. Before Mark Morris became "the most successful and influential choreographer alive" (The New York Times), he was a six year-old in Seattle cramming his feet into Tupperware glasses so that he could practice walking on pointe. Often the only boy in the dance studio, he was called a sissy, a term he wore like a badge of honor. He was unlike anyone else, deeply gifted and spirited. Moving to New York at nineteen, he arrived to one of the great booms of dance in America. Audiences in 1976 had the luxury of Merce Cunningham's finest experiments with time and space, of Twyla Tharp's virtuosity, and Lucinda Childs's genius. Morris was flat broke but found a group of likeminded artists that danced together, travelled together, slept together. No one wanted to break the spell or miss a thing, because "if you missed anything, you missed everything." This collective, led by Morris's fiercely original vision, became the famed Mark Morris Dance Group. Suddenly, Morris was making a fast ascent. Celebrated by The New Yorker's critic as one of the great young talents, an androgynous beauty in the vein of Michelangelo's David, he and his company had arrived. Collaborations with the likes of Mikhail Baryshnikov, Yo-Yo Ma, Lou Harrison, and Howard Hodgkin followed. And so did controversy: from the circus of his tenure at La Monnaie in Belgium to his work on the biggest flop in Broadway history. But through the Reagan-Bush era, the worst of the AIDS epidemic, through rehearsal squabbles and backstage intrigues, Morris emerged as one of the great visionaries of modern dance, a force of nature with a dedication to beauty and a love of the body, an artist as joyful as he is provocative. Out Loud is the bighearted and outspoken story of a man as formidable on the page as he is on the boards. With unusual candor and disarming wit, Morris's memoir captures the life of a performer who broke the mold, a brilliant maverick who found his home in the collective and liberating world of music and dance Morris, Mark 1956- (DE-588)119235307 gnd rswk-swf Mark Morris Dance Group Morris, Mark / 1956- Choreographers / United States / Biography Ballet dancers / United States / Biography Ballet dancers Choreographers United States Autobiographies Biographies (DE-588)4003939-0 Autobiografie gnd-content Morris, Mark 1956- (DE-588)119235307 p DE-604 Stace, Wesley Verfasser aut Erscheint auch als Online-Ausgabe 978-0-7352-2309-7 |
spellingShingle | Morris, Mark 1956- Stace, Wesley Out loud a memoir Verla Flowers dance arts -- Jr. high -- Dad's charts -- Brummagem -- Gloria -- Mythologies -- L'aalegro -- Dido and Aeneas -- The hard nut -- Grand duo -- The capeman -- Home -- Pepperland -- Above and beyond Morris, Mark 1956- (DE-588)119235307 gnd |
subject_GND | (DE-588)119235307 (DE-588)4003939-0 |
title | Out loud a memoir |
title_auth | Out loud a memoir |
title_exact_search | Out loud a memoir |
title_full | Out loud a memoir Mark Morris and Wesley Stace |
title_fullStr | Out loud a memoir Mark Morris and Wesley Stace |
title_full_unstemmed | Out loud a memoir Mark Morris and Wesley Stace |
title_short | Out loud |
title_sort | out loud a memoir |
title_sub | a memoir |
topic | Morris, Mark 1956- (DE-588)119235307 gnd |
topic_facet | Morris, Mark 1956- Autobiografie |
work_keys_str_mv | AT morrismark outloudamemoir AT stacewesley outloudamemoir |