Forays into contemporary South African theatre: devising new stage idioms
In the years that followed the end of apartheid, South African theatre was characterized by a remarkable productivity, which resulted in a process of constant aesthetic reinvention. After 1994, the "protest" theatre template of the apartheid years morphed into a wealth of diverse forms of...
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Weitere Verfasser: | , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Leiden ; Boston
Brill Rodopi
[2020]
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Schriftenreihe: | Cross/Cultures
volume 211 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Zusammenfassung: | In the years that followed the end of apartheid, South African theatre was characterized by a remarkable productivity, which resulted in a process of constant aesthetic reinvention. After 1994, the "protest" theatre template of the apartheid years morphed into a wealth of diverse forms of stage idioms, detectable in the works of Greg Homann, Mike van Graan, Craig Higginson, Lara Foot, Omphile Molusi, Nadia Davids, Magnet Theatre, Rehane Abrahams, Amy Jephta, and Reza de Wet, to cite only a few prominent examples. Marc and Jessica Maufort's multivocal edited volume documents some of the various ways in which the "rainbow" nation has forged these innovative stage idioms. This book's underlying assumption is that creolization reflects the processes of identity renegotiation in contemporary South Africa and their multi-faceted theatrical representations. |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | XVI, 346 Seiten |
ISBN: | 9789004414457 |
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Datensatz im Suchindex
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adam_text | Contents Acknowledgments xi Notes on Contributors і xii A Fraught Process: Devising New Stage Idioms for Post-apartheid South Africa і Marc andJessica Maufort PART 1 Playwrights’Perspectives շ On Black and White: Staging South African Identities after Apartheid 23 Greg Homann 3 Being in Two Places at the Same Time Craig Higginson 4 Theatre of the Native Tongue Omphile Molasi 5 Transformation and the Post-apartheid Condition: The Collision of Policy and Imagination in South African Theatre 63 Mike van Graan 43 56 PART 2 Dramatic, Theatrical and Performance Reconfigurations 6 Performing Athol Fugard’s Outsider Art in The Road to Mecca and The Painted Rocks at Revolver Creek: Transformative Art Defies Percepticide 77 Marcia Blomberg 7 Alluring Voices from the Page to the Stage: Literary Characters and the Question of the ‘Real’ in Reza de Wet’s Verleiding 97 Petrus du Preez
VIII CONTENTS 8 From the Stage to the Page: Trauma, Reconciliation and Remembering in Craig Higginson’s Dream ofthe Dog and 121 The Dream House Mathilde Rogez 9 South African Theatre and the Politics of the Improvisatory Ralph Yarrow 10 The Fault-Lines of Idiom: New Thematic and Stylistic Trends in the Plays of Allan Kolski Horwitz 164 Vicki Briault Manus 11 Revisiting the Past, Imagining the Future: Aesthetic of Creolization in Post-apartheid South African Drama 183 MarcMaufort PART 3 Female Playwriting 12 Intimate Exposure: Solo Women Performing in Post-apartheid South Africa 209 Veronica Baxter 13 Recuperating Historical Narratives of Violence and Dislocation in Rehane Abrahams’ What the Water Gave Me 229 Jill Planche 14 Female Interventions in Contemporary South African Drama and Performance: An Analysis of Selected Work by Women Artists 252 Jessica Murray 15 An Unfinished Homecoming: Postmemory, Place and New Practices of Politicisation in the Plays of Nadia Davids and Amyjephta 271 Ksenia Robbe 143
CONTENTS IX PART 4 Creolization: From the Cape to Transnational Vistas 16 ‘Dis Nie Myne Nie, Dis Nie Joune Nie’ or Kramer and Petersen’s Ghoema: Inscribing the Past, Claiming the Present? 293 Paula Fourie 17 Shakespeare versus Shakespeare: Notes on Theatre-Making from Belgium to South Africa 313 Chris Thurman Index of Names and Literary Works 343
Forays into Contemporary South African Theatre Devising New Stage Idioms In the years that followed the end of apartheid, South African theatre was characterized by a remarkable productivity, which resulted in a process of constant aesthetic reinvention. After 1994, the “protest” theatre template of the apartheid years morphed into a wealth of diverse forms of stage idioms, detectable in the works of Greg Homann, Mike van Graan, Craig Higginson, Lara Foot, Omphile Molusi, Nadia Davids, Magnet Theatre, Rehane Abrahams, Amy Jephta, and Reza de Wet, to cite only a few prominent examples. Marc and Jessica Maufort s multivocal edited volume documents some of the various ways in which the “rainbow” nation has forged these innovative stage idioms. This book’s underlying assumption is that creolization reflects the processes of identity renegotiation in contemporary South Africa and their multifaceted theatrical representations. CONTRIBUTORS: Veronica Baxter, Marcia Blumberg, Vicki Briault Manus, Petrus du Preez, Paula Fourie, Craig Higginson, Greg Homann, Jessica Maufort, Marc Maufort, Omphile Molusi, Jessica Murray, Jill Planche, Ksenia Robbe, Mathilde Rogez, Chris Thurman, Mike van Graan and Ralph Yarrow. Marc Maufort, PhD (1986), Université Libre de Bruxelles (ulb), is Professor of Anglophone literatures at that university. He has authored and (co)-edited several books on English-language drama. He is the current editor of Recherche littémire/Literary Research. JESSICA Maufort holds a PhD (2018) in postcolonial literatures from the Université Libre de Bruxelles (ulb). She has
published essays in Ecozon@: European Journal ofLiterature, Culture and Environment and AJE: Australasian Journal ofEcocriticism and Cultural Ecology. 9789004414457 122349401493
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spelling | Forays into contemporary South African theatre devising new stage idioms edited by Marc and Jessica Maufort Leiden ; Boston Brill Rodopi [2020] © 2020 XVI, 346 Seiten txt rdacontent n rdamedia nc rdacarrier Cross/Cultures volume 211 Includes bibliographical references and index In the years that followed the end of apartheid, South African theatre was characterized by a remarkable productivity, which resulted in a process of constant aesthetic reinvention. After 1994, the "protest" theatre template of the apartheid years morphed into a wealth of diverse forms of stage idioms, detectable in the works of Greg Homann, Mike van Graan, Craig Higginson, Lara Foot, Omphile Molusi, Nadia Davids, Magnet Theatre, Rehane Abrahams, Amy Jephta, and Reza de Wet, to cite only a few prominent examples. Marc and Jessica Maufort's multivocal edited volume documents some of the various ways in which the "rainbow" nation has forged these innovative stage idioms. This book's underlying assumption is that creolization reflects the processes of identity renegotiation in contemporary South Africa and their multi-faceted theatrical representations. Geschichte 1994-2019 gnd rswk-swf Geschlechterrolle (DE-588)4071776-8 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Theaterproduktion (DE-588)4261186-6 gnd rswk-swf Südafrika (DE-588)4078012-0 gnd rswk-swf Theater / South Africa (DE-588)1071861417 Konferenzschrift Université Libre de Bruxelles 11.05.2017-13.05.2017 2017 Brüssel gnd-content Südafrika (DE-588)4078012-0 g Theaterproduktion (DE-588)4261186-6 s Performance Künste (DE-588)4173750-7 s Geschlechterrolle (DE-588)4071776-8 s Geschichte 1994-2019 z DE-604 Maufort, Marc 1959- (DE-588)137025475 edt Maufort, Jessica (DE-588)1229448128 edt Erscheint auch als Online-Ausgabe 978-90-04-41446-4 Cross/Cultures volume 211 (DE-604)BV004139094 211 Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031821306&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031821306&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Forays into contemporary South African theatre devising new stage idioms Cross/Cultures Geschlechterrolle (DE-588)4071776-8 gnd Performance Künste (DE-588)4173750-7 gnd Theaterproduktion (DE-588)4261186-6 gnd |
subject_GND | (DE-588)4071776-8 (DE-588)4173750-7 (DE-588)4261186-6 (DE-588)4078012-0 (DE-588)1071861417 |
title | Forays into contemporary South African theatre devising new stage idioms |
title_auth | Forays into contemporary South African theatre devising new stage idioms |
title_exact_search | Forays into contemporary South African theatre devising new stage idioms |
title_full | Forays into contemporary South African theatre devising new stage idioms edited by Marc and Jessica Maufort |
title_fullStr | Forays into contemporary South African theatre devising new stage idioms edited by Marc and Jessica Maufort |
title_full_unstemmed | Forays into contemporary South African theatre devising new stage idioms edited by Marc and Jessica Maufort |
title_short | Forays into contemporary South African theatre |
title_sort | forays into contemporary south african theatre devising new stage idioms |
title_sub | devising new stage idioms |
topic | Geschlechterrolle (DE-588)4071776-8 gnd Performance Künste (DE-588)4173750-7 gnd Theaterproduktion (DE-588)4261186-6 gnd |
topic_facet | Geschlechterrolle Performance Künste Theaterproduktion Südafrika Konferenzschrift Université Libre de Bruxelles 11.05.2017-13.05.2017 2017 Brüssel |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031821306&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031821306&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV004139094 |
work_keys_str_mv | AT maufortmarc foraysintocontemporarysouthafricantheatredevisingnewstageidioms AT maufortjessica foraysintocontemporarysouthafricantheatredevisingnewstageidioms |