Novel relations: Victorian fiction and British psychoanalysis
Novel Relations engages twentieth-century post-Freudian British psychoanalysis in an unprecedented way: as literary theory. Placing the writing of figures like D. W. Winnicott, W. R. Bion, Michael and Enid Balint, Joan Riviere, Paula Heimann, and Betty Joseph in conversation with canonical Victorian...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2020]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UBR01 UPA01 Volltext |
| Zusammenfassung: | Novel Relations engages twentieth-century post-Freudian British psychoanalysis in an unprecedented way: as literary theory. Placing the writing of figures like D. W. Winnicott, W. R. Bion, Michael and Enid Balint, Joan Riviere, Paula Heimann, and Betty Joseph in conversation with canonical Victorian fiction, Alicia Christoff reveals just how much object relations can teach us about how and why we read. These thinkers illustrate the ever-shifting impact our relations with others have on the psyche, and help us see how literary figures—characters, narrators, authors, and other readers—shape and structure us too. For Christoff, novels are charged relational fields.Closely reading novels by George Eliot and Thomas Hardy, Christoff shows that traditional understandings of Victorian fiction change when we fully recognize the object relations of reading. It is not by chance that British psychoanalysis illuminates underappreciated aspects of Victorian fiction so vibrantly: Victorian novels shaped modern psychoanalytic theories of psyche and relationality—including the eclipsing of empire and race in the construction of subject. Relational reading opens up both Victorian fiction and psychoanalysis to wider political and postcolonial dimensions, while prompting a closer engagement with work in such areas as critical race theory and gender and sexuality studies.The first book to examine at length the connections between British psychoanalysis and Victorian fiction, Novel Relations describes the impact of literary form on readers and on twentieth- and twenty-first-century theories of the subject |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Jan 2020) |
| Beschreibung: | 1 Online Ressource (288 Seiten) Illustrationen |
| ISBN: | 9780691194202 |
| DOI: | 10.1515/9780691194202 |
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| 520 | |a Novel Relations engages twentieth-century post-Freudian British psychoanalysis in an unprecedented way: as literary theory. Placing the writing of figures like D. W. Winnicott, W. R. Bion, Michael and Enid Balint, Joan Riviere, Paula Heimann, and Betty Joseph in conversation with canonical Victorian fiction, Alicia Christoff reveals just how much object relations can teach us about how and why we read. These thinkers illustrate the ever-shifting impact our relations with others have on the psyche, and help us see how literary figures—characters, narrators, authors, and other readers—shape and structure us too. For Christoff, novels are charged relational fields.Closely reading novels by George Eliot and Thomas Hardy, Christoff shows that traditional understandings of Victorian fiction change when we fully recognize the object relations of reading. It is not by chance that British psychoanalysis illuminates underappreciated aspects of Victorian fiction so vibrantly: Victorian novels shaped modern psychoanalytic theories of psyche and relationality—including the eclipsing of empire and race in the construction of subject. Relational reading opens up both Victorian fiction and psychoanalysis to wider political and postcolonial dimensions, while prompting a closer engagement with work in such areas as critical race theory and gender and sexuality studies.The first book to examine at length the connections between British psychoanalysis and Victorian fiction, Novel Relations describes the impact of literary form on readers and on twentieth- and twenty-first-century theories of the subject | ||
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Datensatz im Suchindex
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| institution | BVB |
| isbn | 9780691194202 |
| language | English |
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| spelling | Christoff, Alicia Mireles Verfasser (DE-588)1206760176 aut Novel relations Victorian fiction and British psychoanalysis Alicia Mireles Christoff Princeton, NJ Princeton University Press [2020] © 2020 1 Online Ressource (288 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Jan 2020) Novel Relations engages twentieth-century post-Freudian British psychoanalysis in an unprecedented way: as literary theory. Placing the writing of figures like D. W. Winnicott, W. R. Bion, Michael and Enid Balint, Joan Riviere, Paula Heimann, and Betty Joseph in conversation with canonical Victorian fiction, Alicia Christoff reveals just how much object relations can teach us about how and why we read. These thinkers illustrate the ever-shifting impact our relations with others have on the psyche, and help us see how literary figures—characters, narrators, authors, and other readers—shape and structure us too. For Christoff, novels are charged relational fields.Closely reading novels by George Eliot and Thomas Hardy, Christoff shows that traditional understandings of Victorian fiction change when we fully recognize the object relations of reading. It is not by chance that British psychoanalysis illuminates underappreciated aspects of Victorian fiction so vibrantly: Victorian novels shaped modern psychoanalytic theories of psyche and relationality—including the eclipsing of empire and race in the construction of subject. Relational reading opens up both Victorian fiction and psychoanalysis to wider political and postcolonial dimensions, while prompting a closer engagement with work in such areas as critical race theory and gender and sexuality studies.The first book to examine at length the connections between British psychoanalysis and Victorian fiction, Novel Relations describes the impact of literary form on readers and on twentieth- and twenty-first-century theories of the subject In English LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh https://doi.org/10.1515/9780691194202 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Christoff, Alicia Mireles Novel relations Victorian fiction and British psychoanalysis LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh |
| title | Novel relations Victorian fiction and British psychoanalysis |
| title_auth | Novel relations Victorian fiction and British psychoanalysis |
| title_exact_search | Novel relations Victorian fiction and British psychoanalysis |
| title_full | Novel relations Victorian fiction and British psychoanalysis Alicia Mireles Christoff |
| title_fullStr | Novel relations Victorian fiction and British psychoanalysis Alicia Mireles Christoff |
| title_full_unstemmed | Novel relations Victorian fiction and British psychoanalysis Alicia Mireles Christoff |
| title_short | Novel relations |
| title_sort | novel relations victorian fiction and british psychoanalysis |
| title_sub | Victorian fiction and British psychoanalysis |
| topic | LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh |
| topic_facet | LITERARY CRITICISM / European / English, Irish, Scottish, Welsh |
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