Mavis Gallant: the eye and the ear
Repositioning Mavis Gallant as a late modernist figure, this book interrogates the Paris-based Canadian expatriate at the juncture of multiple, transnational interacting fields. Marta Dvořák draws on private correspondence and conversations with the Gallant who loved pictures, films, and music to ex...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto ; Buffalo ; London
University of Toronto Press
[2020]
|
| Schlagworte: | |
| Online-Zugang: | BSB01 FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | Repositioning Mavis Gallant as a late modernist figure, this book interrogates the Paris-based Canadian expatriate at the juncture of multiple, transnational interacting fields. Marta Dvořák draws on private correspondence and conversations with the Gallant who loved pictures, films, and music to examine her relations with the arts and to interrogate how modernity’s aesthetic systems meet within a transcontinental cultural context. Deploying philosophical aesthetics, Dvořák identifies the formal painterly, cinematic, and musical dynamics which light up Gallant’s writing. Dvořák opens a dialogue between Gallant and other international modernists and also with those they were reading, watching, and listening to. These range from the moving pictures which shaped her generation to the rhythm and dissonance of modernist compositions and jazz, which – like the Cubist rupture with academic spatial perspective – spearheaded modernity’s aesthetics of dislocation. How does Gallant’s work work? The analogies drawn between Gallant and certain European filmmakers provide a visual key to the writer’s sleights-of-hand and tonal shifts. Through hands-on analyses focusing on the eye and the ear, Dvořák investigates the osmosis between Gallant’s texts (including her critically neglected novels) and both music and visual culture. The adventurous close readings offer guiding interpretive keys to readers dazzled or puzzled by "a writers’ writer." |
| Beschreibung: | 1 Online-Ressource (viii, 261 Seiten) |
| ISBN: | 9781487531959 |
| DOI: | 10.3138/9781487531959 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV046405935 | ||
| 003 | DE-604 | ||
| 005 | 20200717 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 200204s2020 |||| o||u| ||||||eng d | ||
| 020 | |a 9781487531959 |c Online, PDF |9 978-1-4875-3195-9 | ||
| 024 | 7 | |a 10.3138/9781487531959 |2 doi | |
| 035 | |a (ZDB-23-DGG)9781487531959 | ||
| 035 | |a (ZDB-23-DKU)9781487531959 | ||
| 035 | |a (OCoLC)1140128978 | ||
| 035 | |a (DE-599)BVBBV046405935 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-1043 |a DE-12 |a DE-858 | ||
| 084 | |a HQ 4689 |0 (DE-625)52651:11637 |2 rvk | ||
| 100 | 1 | |a Dvorak, Marta |d 1951- |e Verfasser |0 (DE-588)1146017235 |4 aut | |
| 245 | 1 | 0 | |a Mavis Gallant |b the eye and the ear |c Marta Dvořák |
| 264 | 1 | |a Toronto ; Buffalo ; London |b University of Toronto Press |c [2020] | |
| 264 | 4 | |c © 2019 | |
| 300 | |a 1 Online-Ressource (viii, 261 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | |a Repositioning Mavis Gallant as a late modernist figure, this book interrogates the Paris-based Canadian expatriate at the juncture of multiple, transnational interacting fields. Marta Dvořák draws on private correspondence and conversations with the Gallant who loved pictures, films, and music to examine her relations with the arts and to interrogate how modernity’s aesthetic systems meet within a transcontinental cultural context. Deploying philosophical aesthetics, Dvořák identifies the formal painterly, cinematic, and musical dynamics which light up Gallant’s writing. Dvořák opens a dialogue between Gallant and other international modernists and also with those they were reading, watching, and listening to. These range from the moving pictures which shaped her generation to the rhythm and dissonance of modernist compositions and jazz, which – like the Cubist rupture with academic spatial perspective – spearheaded modernity’s aesthetics of dislocation. How does Gallant’s work work? The analogies drawn between Gallant and certain European filmmakers provide a visual key to the writer’s sleights-of-hand and tonal shifts. Through hands-on analyses focusing on the eye and the ear, Dvořák investigates the osmosis between Gallant’s texts (including her critically neglected novels) and both music and visual culture. The adventurous close readings offer guiding interpretive keys to readers dazzled or puzzled by "a writers’ writer." | ||
| 600 | 1 | 7 | |a Gallant, Mavis |d 1922-2014 |0 (DE-588)118863126 |2 gnd |9 rswk-swf |
| 650 | 4 | |a Canadian literature | |
| 650 | 4 | |a Mavis Gallant | |
| 650 | 4 | |a Paris | |
| 650 | 4 | |a aesthetics | |
| 650 | 4 | |a arts | |
| 650 | 4 | |a cubism | |
| 650 | 4 | |a expatriate | |
| 650 | 4 | |a film, jazz | |
| 650 | 4 | |a literary criticism | |
| 650 | 4 | |a modernism | |
| 650 | 4 | |a music | |
| 650 | 4 | |a short story | |
| 650 | 7 | |a LITERARY CRITICISM / General |2 bisacsh | |
| 650 | 0 | 7 | |a Literatur |0 (DE-588)4035964-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Kanada |0 (DE-588)4029456-0 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Gallant, Mavis |d 1922-2014 |0 (DE-588)118863126 |D p |
| 689 | 0 | 1 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Kanada |0 (DE-588)4029456-0 |D g |
| 689 | 1 | 1 | |a Literatur |0 (DE-588)4035964-5 |D s |
| 689 | 1 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-4875-0530-1 |
| 856 | 4 | 0 | |u https://doi.org/10.3138/9781487531959 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG |a ZDB-23-DKU | ||
| 940 | 1 | |q ZDB-23-DKU20 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-031818639 | ||
| 966 | e | |u https://doi.org/10.3138/9781487531959 |l BSB01 |p ZDB-23-DKU |q BSB_DKU_UniversityTorontoPress |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.3138/9781487531959 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.3138/9781487531959 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.3138/9781487531959 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.3138/9781487531959 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.3138/9781487531959 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.3138/9781487531959 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.3138/9781487531959 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.3138/9781487531959 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804180941750403072 |
|---|---|
| any_adam_object | |
| author | Dvorak, Marta 1951- |
| author_GND | (DE-588)1146017235 |
| author_facet | Dvorak, Marta 1951- |
| author_role | aut |
| author_sort | Dvorak, Marta 1951- |
| author_variant | m d md |
| building | Verbundindex |
| bvnumber | BV046405935 |
| classification_rvk | HQ 4689 |
| collection | ZDB-23-DGG ZDB-23-DKU |
| ctrlnum | (ZDB-23-DGG)9781487531959 (ZDB-23-DKU)9781487531959 (OCoLC)1140128978 (DE-599)BVBBV046405935 |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.3138/9781487531959 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04644nmm a2200757zc 4500</leader><controlfield tag="001">BV046405935</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20200717 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">200204s2020 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781487531959</subfield><subfield code="c">Online, PDF</subfield><subfield code="9">978-1-4875-3195-9</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.3138/9781487531959</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781487531959</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DKU)9781487531959</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1140128978</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046405935</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-858</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HQ 4689</subfield><subfield code="0">(DE-625)52651:11637</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Dvorak, Marta</subfield><subfield code="d">1951-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1146017235</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Mavis Gallant</subfield><subfield code="b">the eye and the ear</subfield><subfield code="c">Marta Dvořák</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Toronto ; Buffalo ; London</subfield><subfield code="b">University of Toronto Press</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (viii, 261 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Repositioning Mavis Gallant as a late modernist figure, this book interrogates the Paris-based Canadian expatriate at the juncture of multiple, transnational interacting fields. Marta Dvořák draws on private correspondence and conversations with the Gallant who loved pictures, films, and music to examine her relations with the arts and to interrogate how modernity’s aesthetic systems meet within a transcontinental cultural context. Deploying philosophical aesthetics, Dvořák identifies the formal painterly, cinematic, and musical dynamics which light up Gallant’s writing. Dvořák opens a dialogue between Gallant and other international modernists and also with those they were reading, watching, and listening to. These range from the moving pictures which shaped her generation to the rhythm and dissonance of modernist compositions and jazz, which – like the Cubist rupture with academic spatial perspective – spearheaded modernity’s aesthetics of dislocation. How does Gallant’s work work? The analogies drawn between Gallant and certain European filmmakers provide a visual key to the writer’s sleights-of-hand and tonal shifts. Through hands-on analyses focusing on the eye and the ear, Dvořák investigates the osmosis between Gallant’s texts (including her critically neglected novels) and both music and visual culture. The adventurous close readings offer guiding interpretive keys to readers dazzled or puzzled by "a writers’ writer."</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Gallant, Mavis</subfield><subfield code="d">1922-2014</subfield><subfield code="0">(DE-588)118863126</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Canadian literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Mavis Gallant</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Paris</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">aesthetics</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">arts</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">cubism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">expatriate</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">film, jazz</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">literary criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">modernism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">music</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">short story</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Kanada</subfield><subfield code="0">(DE-588)4029456-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Gallant, Mavis</subfield><subfield code="d">1922-2014</subfield><subfield code="0">(DE-588)118863126</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Kanada</subfield><subfield code="0">(DE-588)4029456-0</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-4875-0530-1</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.3138/9781487531959</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield><subfield code="a">ZDB-23-DKU</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-23-DKU20</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031818639</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.3138/9781487531959</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-23-DKU</subfield><subfield code="q">BSB_DKU_UniversityTorontoPress</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.3138/9781487531959</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.3138/9781487531959</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.3138/9781487531959</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.3138/9781487531959</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.3138/9781487531959</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.3138/9781487531959</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.3138/9781487531959</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.3138/9781487531959</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | Kanada (DE-588)4029456-0 gnd |
| geographic_facet | Kanada |
| id | DE-604.BV046405935 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:43:46Z |
| institution | BVB |
| isbn | 9781487531959 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031818639 |
| oclc_num | 1140128978 |
| open_access_boolean | |
| owner | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-12 DE-858 |
| owner_facet | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-12 DE-858 |
| physical | 1 Online-Ressource (viii, 261 Seiten) |
| psigel | ZDB-23-DGG ZDB-23-DKU ZDB-23-DKU20 ZDB-23-DKU BSB_DKU_UniversityTorontoPress ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG FCO_PDA_DGG |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | University of Toronto Press |
| record_format | marc |
| spelling | Dvorak, Marta 1951- Verfasser (DE-588)1146017235 aut Mavis Gallant the eye and the ear Marta Dvořák Toronto ; Buffalo ; London University of Toronto Press [2020] © 2019 1 Online-Ressource (viii, 261 Seiten) txt rdacontent c rdamedia cr rdacarrier Repositioning Mavis Gallant as a late modernist figure, this book interrogates the Paris-based Canadian expatriate at the juncture of multiple, transnational interacting fields. Marta Dvořák draws on private correspondence and conversations with the Gallant who loved pictures, films, and music to examine her relations with the arts and to interrogate how modernity’s aesthetic systems meet within a transcontinental cultural context. Deploying philosophical aesthetics, Dvořák identifies the formal painterly, cinematic, and musical dynamics which light up Gallant’s writing. Dvořák opens a dialogue between Gallant and other international modernists and also with those they were reading, watching, and listening to. These range from the moving pictures which shaped her generation to the rhythm and dissonance of modernist compositions and jazz, which – like the Cubist rupture with academic spatial perspective – spearheaded modernity’s aesthetics of dislocation. How does Gallant’s work work? The analogies drawn between Gallant and certain European filmmakers provide a visual key to the writer’s sleights-of-hand and tonal shifts. Through hands-on analyses focusing on the eye and the ear, Dvořák investigates the osmosis between Gallant’s texts (including her critically neglected novels) and both music and visual culture. The adventurous close readings offer guiding interpretive keys to readers dazzled or puzzled by "a writers’ writer." Gallant, Mavis 1922-2014 (DE-588)118863126 gnd rswk-swf Canadian literature Mavis Gallant Paris aesthetics arts cubism expatriate film, jazz literary criticism modernism music short story LITERARY CRITICISM / General bisacsh Literatur (DE-588)4035964-5 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Kanada (DE-588)4029456-0 gnd rswk-swf Gallant, Mavis 1922-2014 (DE-588)118863126 p Ästhetik (DE-588)4000626-8 s DE-604 Kanada (DE-588)4029456-0 g Literatur (DE-588)4035964-5 s Erscheint auch als Druck-Ausgabe 978-1-4875-0530-1 https://doi.org/10.3138/9781487531959 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Dvorak, Marta 1951- Mavis Gallant the eye and the ear Gallant, Mavis 1922-2014 (DE-588)118863126 gnd Canadian literature Mavis Gallant Paris aesthetics arts cubism expatriate film, jazz literary criticism modernism music short story LITERARY CRITICISM / General bisacsh Literatur (DE-588)4035964-5 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)118863126 (DE-588)4035964-5 (DE-588)4000626-8 (DE-588)4029456-0 |
| title | Mavis Gallant the eye and the ear |
| title_auth | Mavis Gallant the eye and the ear |
| title_exact_search | Mavis Gallant the eye and the ear |
| title_full | Mavis Gallant the eye and the ear Marta Dvořák |
| title_fullStr | Mavis Gallant the eye and the ear Marta Dvořák |
| title_full_unstemmed | Mavis Gallant the eye and the ear Marta Dvořák |
| title_short | Mavis Gallant |
| title_sort | mavis gallant the eye and the ear |
| title_sub | the eye and the ear |
| topic | Gallant, Mavis 1922-2014 (DE-588)118863126 gnd Canadian literature Mavis Gallant Paris aesthetics arts cubism expatriate film, jazz literary criticism modernism music short story LITERARY CRITICISM / General bisacsh Literatur (DE-588)4035964-5 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Gallant, Mavis 1922-2014 Canadian literature Mavis Gallant Paris aesthetics arts cubism expatriate film, jazz literary criticism modernism music short story LITERARY CRITICISM / General Literatur Ästhetik Kanada |
| url | https://doi.org/10.3138/9781487531959 |
| work_keys_str_mv | AT dvorakmarta mavisgallanttheeyeandtheear |